
Chris LaBelle will join the Millbrook Central School District Board of Education on July 1. Photo submitted
MILLBROOK — Chris LaBelle will be joining David Lavarnway on the Millbrook Central School District (MCSD) Board of Education (BOE) as one of its two newest members. Lavarnway was profiled in The Millerton News before the election; LaBelle was not, because she won as a write-in candidate, with 101 voters penning her name on their ballots.
Asked why she decided to run so late in the game, LaBelle stated that she had been attending more and more BOE meetings via Zoom during the coronavirus pandemic, and up until May 4, she thought there was only one vacancy. When she realized that both John Rudy and Claudia Heunis were leaving the BOE, she decided to throw her hat into the race, but by that time it was too late to file a formal petition.
Using mostly word of mouth and making an enormous amount of phone calls and follow-up calls, she launched a write-in campaign. As the board was seeking two new members and only had one candidate running, it’s a good thing she did. The result is that LaBelle is now one of two new members on the school board.
“I have devoted my life to positively impacting the lives of children and their families in my local community,” she said. “Serving on the Millbrook School District BOE seemed natural given the board’s needs, paired with my depth and breadth of experience in child development and special education. I look forward to serving as an advocate for families who are not able to advocate for themselves.”
A native of Florida, LaBelle majored in psychology in college, moving to Claremont, Calif., to earn her graduate degree. She worked in academia for several years, and admits there are times when she misses the academic life, although she also likes clinical work. She has stayed busy doing consulting work both privately and with schools in teacher training for youth, in grades pre-k up through young adulthood.
“In my field of expertise, decisions regarding treatment are required to be based on objectivity, be data driven and based on empirical research,” she said. “I believe I can aid the BOE in setting objective and measurable goals, as well as making educational decisions that are based on empirical research within the fields of psychology, child development, education and special education.”
LaBelle said that public service and volunteering run in her blood.
“I may be new to public office, but not to public service,” she said. “I am passionate about community service, especially involving children. I served as a PTO vice president from 2017 thru 2020. I currently serve as a trustee on the Millbrook Educational Foundation. I am a local Girl Scout Troop leader and a Faith Formation teacher at St. Stanislaus Kostka Catholic Church.”
Her husband, Jason Rowland, began working at the Fishkill IBM plant in 2011, when they moved to this area. They have two children in the MCSD, Daphne, 9, and Luke, who is 7.
Over the past year and a half, LaBelle has curtailed her consulting business, helping her children with their remote learning during the pandemic, adding to her knowledge of the school system in Millbrook.
On July 1, LaBelle begins her duties on the BOE; she’s anxious to get started and lend her expertise to the Millbrook district, joining a group that is passionate about always doing what’s best for local students. Her term runs through June 20, 2024.
SHARON — Angela Derrick Carabine, 74, died May 17, 2025, at Vasser Hospital in Poughkeepsie, New York. She was the wife of Michael Carabine and mother of Caitlin Carabine McLean.
A funeral Mass will be celebrated on June 6 at 11:00 a.m. at Saint Katri (St Bernards Church) Church. Burial will follow at St. Bernards Cemetery. A complete obituary can be found on the website of the Kenny Funeral home kennyfuneralhomes.com.
Sam Waterston
On June 7 at 3 p.m., the Triplex Cinema in Great Barrington will host a benefit screening of “The Killing Fields,” Roland Joffé’s 1984 drama about the Khmer Rouge and the two journalists, Cambodian Dith Pran and New York Times correspondent Sydney Schanberg, whose story carried the weight of a nation’s tragedy.
The film, which earned three Academy Awards and seven nominations — including one for Best Actor for Sam Waterston — will be followed by a rare conversation between Waterston and his longtime collaborator and acclaimed television and theater director Matthew Penn.
“This came out of the blue,” Waterston said of the Triplex invitation, “but I love the town, I love this area. We raised our kids here in the Northwest Corner and it’s been good for them and good for us.”
Waterston hasn’t seen the film in decades but its impact has always remained present.
“It was a major event in my life at the time,” Waterston said of filming “The Killing Fields,” “and it had a big influence on me and my life ever after.” He remembers the shoot vividly. “My adrenaline was running high and the part of Sydney Schanberg was so complicated, so interesting.”
Waterston lobbied for the role of the Pulitzer Prize-winning journalist for years, tracing his early interest to a serendipitous connection while filming in England. Even before Joffé’s production was greenlit, he had his sights set on playing the role. “I knew I wanted the part for years even before it was a movie that was being produced.”
What followed was not just critical acclaim, but also a political awakening. “The film gave all of us an intimate acquaintance with refugees, what it is to be a refugee, how the world forgets them and what a terrible crime that is.”
In Boston, at a press stop for the film, two women asked Waterston a pointed question: now that he knew what he knew, what was he going to do about it? “I said, ‘Well, you know, I’m an actor, so I thought I’d go on acting.’ And they said, ‘No, that’s not what you need to do. You need to join Refugees International.’” And join he did, serving on the organization’s board for 25 years.
Both Schanberg and Dith Pran, whose life the film also chronicles, were “cooperative and helpful … in a million ways,” Waterston said. Upon first meeting Pran, Waterston recalled, “He came up to me, made a fist, and pounded on my chest really hard and said, ‘You must understand that Sydney is very strong here.’ He was trying to plant something in me.”
There were more tender gestures, too. Schanberg used the New York Times wire to relay that Waterston’s wife had just given birth while he was filming in Thailand, adding to the personal and emotional connection to the production.
Though “The Killing Fields” is a historical document, its truths still resonate deeply today. “Corruption is a real thing,” Waterston warned. “Journalism is an absolutely essential part of our democracy that is as under siege today as it was then. It’s different now but it’s the same thing of ‘Don’t tell the stories we don’t want heard.’ Without journalists, we are dust in the wind.” Waterston added, “Democracy is built on the consent of the governed but the other thing it’s built on is participation of the governed and without full participation, democracy really doesn’t stand much of a chance. It’s kind of a dead man walking.”
When asked what he hopes the audience will take away from the screening, Waterston didn’t hesitate. “This is the story that puts the victims of war at the center of the story and breaks your heart. I think that does people a world of good to have their hearts broken about something that’s true. So, I hope that’s what the impact will be now.”
Tickets for the benefit screening are available at www.thetriplex.org. Proceeds support Triplex Cinema, a nonprofit home for film and community programming in the Berkshires.
Scott Reinhard, graphic designer, cartographer, former Graphics Editor at the New York Times, took time out from setting up his show “Here, Here, Here, Here- Maps as Art” to explain his process of working.Here he explains one of the “Heres”, the Hunt Library’s location on earth (the orange dot below his hand).
Map lovers know that as well as providing the vital functions of location and guidance, maps can also be works of art.With an exhibition titled “Here, Here, Here, Here — Maps as Art,” Scott Reinhard, graphic designer and cartographer, shows this to be true. The exhibition opens on June 7 at the David M. Hunt Library at 63 Main St., Falls Village, and will be the first solo exhibition for Reinhard.
Reinhard explained how he came to be a mapmaker. “Mapping as a part of my career was somewhat unexpected.I took an introduction to geographic information systems (GIS), the technological side of mapmaking, when I was in graduate school for graphic design at North Carolina State.GIS opened up a whole new world, new tools, and data as a medium to play with.”
He added, “When I moved to New York City, I continued that exploration of cartography, and my work eventually caught the attention of the New York Times, where I went to work as a Graphics Editor, making maps and data visualizations for a number of years.”At the New York Times, his work contributed to a number of Pulitzer Prize winning efforts.
In his work, Reinhard takes complex data and turns it into intriguing visualizations the viewer can begin to comprehend immediately and will want to continue to look into and explore more deeply.
One method Reinhard uses combines historic United States Geological survey maps with “current elevation data (height above sea level for a point on earth) to create 3-D looking maps, combining old and new,” he explained.
For the show at Hunt Library Reinhard said, “I knew that I wanted to incorporate the place into the show itself. A place can be many things.The exhibition portrays the exact spot visitors are from four vantage points: the solar system, the earth, the Northwest Corner, and the library itself.” Hence the name, “Here, Here, Here, Here.”
He continued, “The largest installation, the Northwest Corner, is a mosaic of high-resolution color prints and hand-printed cyanotypes — one of the earliest forms of photography. They use elevation data to portray the landscape in a variety of ways, from highly abstract to the highly detailed.”
This sixteen-foot-wide installation covers the area of Millerton to Barkhamsted Reservoir and from North Canaan down to Cornwall for a total of about 445 square miles.
For subjects, he chooses places he’s visited and feels deeply connected to, like the Northwest Corner.“This show is a thank you to the community for the richness that it has brought to my life. I love it here,” he said.
The opening reception for the show is on June 7 from 5 to 7 p.m. On Thursday, June 12, Reinhard will give a talk about his work from 5:30 to 7 p.m. at the library.“Here, Here, Here, Here” will be on display until July 3.
Scott Reinhard’s 16-foot-wide piece of the Northwest Corner is laid out on the floor prior to being hung for the show. L. Tomaino
Village Trustees hear call to adopt law to limit local cooperation with ICE