The Lakeville Journal and The Millerton News presented the 2025 Estabrook Community Leadership Award to Bunny Williams on Nov. 22 at the Town Grove in Lakeville.
The award, named for longtime Lakeville Journal and Millerton News owners Robert and Mary Lou Estabrook, honors individuals who exemplify community spirit and leadership. This year’s presentation took place during the newspapers’ second annual Jubilee.
Addressing more than 100 attendees, Brian Ross, Vice Chair of the Board of Directors, underscored why Williams was chosen. “Bunny has always believed, as we do at our newspapers, that community matters, and that local matters,” he said.
Williams has spent decades bolstering local organizations. She helped launch Trade Secrets 25 years ago, turning it into a major fundraiser for Project Sage, the region’s domestic violence agency. She has hosted events for local libraries, supported the Falls Village Daycare Center and Music Mountain, and founded The Great County Mutt Show to benefit The Little Guild.
Board Chair Dan Dwyer urged attendees to follow Williams’ example. “Get informed, stay informed and get involved in your community to make it a little better than it was – that’s what Bunny has done,” he said.
In her tribute, Betsy Smith — a close friend of Williams and chair of the Jubilee — called the honoree honest, energetic and warm. “She’s the essence of being civic minded,” Smith said. “I could not be prouder to be in her orbit of friendship, warmth, commitment, and making our community a better place.”
Michael Trapp, left, and Hillary Cooper
Ross presented Williams with the award, which she immediately dedicated back to the community.
“What I learned is that the best part of this community – as beautiful as it is – is the people. I may have an idea, but it’s just an idea,” Williams said. “It is the effort and the commitment and the generosity of people who step up to the plate to make these events happen and I’ve never seen anything like it.”
James Clark, CEO/Publisher of The Lakeville Journal and The Millerton News
Publisher James Clark congratulated Williams before highlighting the vital role of local journalism. “When you read The Lakeville Journal and The Millerton News, you become more informed about what’s happening in your communities – and more connected to your community,” he said, adding his thanks to the attendees whose support helps the newspapers thrive.
John Coston, center, recently retired executive editor of The Lakeville Journal and The Millerton News
Want more of our stories on Google? Click here to make us a Preferred Source.
Marge Parkhurst with a collection of historic nails recovered from wall cavities during restoration work.
“At first it just looked like old paint,” said Parkhurst, who has been painting and restoring historic homes in Litchfield County for decades. “Until I realized it was a stencil, a beautiful pattern that repeated.”
She kept going carefully — a wet sponge, hot water, a little fabric softener — peeling back until she could see it clearly. A climbing vine emerged, applied in vertical runs to give the wall the look of wallpaper. Someone had signed it. The signature was faint, tucked above the baseboard in the corner, not fully legible. But the date was clear: 1870.
Parkhurst, owner of Cottage & Country Painting Co., has worked in enough old houses to develop a practiced eye for what they conceal — understanding that layers of paint, paper and plaster in a 19th-century New England home form a kind of compressed archive of the people who lived there.
The stencil bore a strong resemblance to what historians call Moses Eaton-type stenciling — a tradition of itinerant craftsmen who traveled New England in the early 1800s with portable kits of cut-pattern stencils. Their trade flourished because imported wallpaper was expensive. Stenciling offered the same visual effect at a fraction of the cost.
“These stencilers typically worked for a combination of cash, food and lodging,” Parkhurst said. “Their compensation was modest by any standard.” She paused, “He was a tradesman. But the work he left behind — that’s art.”
The vine pattern was dull with age but still legible. One section had survived intact beneath the layers of paper. The homeowners chose not to paint over it — instead building a wooden frame around it, a small window into 1870.
“Preservation means protecting something to prevent further deterioration,” she said. “Restoration means returning something to a previous state. In that room, we preserved what was there.”
A collection of historic nails recovered during restoration work.Photo courtesy of Marge Parkhurst/Cottage & Country Painting Company
A Station’s Secrets
Not every discovery is decorative. Some are written into the bones of a building.
Parkhurst’s own home in Colebrook is a former railroad outbuilding moved from Canaan in 1920. Scraping the trim revealed it had once been sage green — and beneath that, a warm orange-brown soaked into the wood grain. “Old paint was made more like a stain back in the 1800s,” she said. “It penetrated the wood rather than sitting on top of it — so there’s never a shine.”
Up in the attic, eye bolts still anchored in the framing mark where cables stabilized the building during its move a century ago.
The most memorable find came by accident. Cutting open a wall under the stairs, she found a clear glass bottle sealed with a glass stopper held by a rusted wire. The label read: Hartmann Brewing Co., Bridgeport, Conn. It took days of careful oiling to free the stopper. Inside: a handwritten list of sandwiches and drinks, a postage stamp still attached. Not treasure. But a treasure just the same.
“I worked for days to get that thing open — and it was just somebody’s lunch order.”
Newspapers stuffed into wall cavities, hand-wrought nails, paint layers thin as stain — over 50 years, Parkhurst has cataloged the details that tell a trained eye when a house was built and by whom. Litchfield County’s architecture is unusually varied: Georgian and Federal-style houses on Litchfield’s Main Street, industrial buildings along the rivers in Torrington and Winsted. “Each town has its own fingerprint,” she said.
The most consequential mistake she sees is changing a home’s character. “When you paint over stained woodwork, you hide the details. You can’t get them back.” She has talked more than a few owners out of it. Some have listened.
Not long ago, Parkhurst and her grandchildren gathered a few small objects, wrote a letter and tucked it into a wall of her Colebrook home. Someone will find it — a record of people who were once here.
“Walls still surprise me,” she said. “If you look hard enough, you can find buried treasure.”
In a county full of houses whose walls hold untold stories — stenciled by traveling tradesmen, nailed together by farmers, papered over by housewives following the fashions — Marge Parkhurst has spent a lifetime reminding us that history doesn’t only live in museums. Sometimes it’s hiding just behind the wallpaper.
Sarah Belzer is a writer, editor and creative director whose career has crossed journalism, advertising, film and cultural commentary. Managing Editor of The American Rant and founder of Jump Advertising, she has spent three decades shaping narratives for media and national and global brands. Marge Parkhurst is the owner of Cottage & Country Painting Co. She can be reached at marge@cottageandcountryct.com or 860-379-4748.
Want more of our stories on Google? Click here to make us a Preferred Source.
