Thank you!
Your support is sustaining the future of local news in our communities.

Limit one per day at ‘The Place’

SOMEWHERE IN THE CATSKILLS —  I shifted operations to the western command post in Phoenicia, N.Y. for a couple of days last week.

The first order of business was to check out what I think of as The Place. This is a medium-sized trout stream that runs into one of the New York City reservoirs. For most of its length the stream is tightly posted and aggressively monitored by a fishing club, but there is  stretch of about 250 yards from a bridge and culvert on the main road that winds down to the reservoir proper, and another quarter mile or so upstream of the road before the private water starts.

I am a trained observer, and I detected the start of the private water because they strung a cable across the stream with a NO TRESPASSING sign on it. 

I am not going to get any more informative about The Place. If you have a good map and lots of gas money, you’ll figure it out.

There is a lovely deep pool on the downstream side of the bridge and culvert. There’s plenty of room and it’s nice and deep and usually clear.

The only problem is the fish can see you coming a mile away. So far in my limited experience with The Place, you get to catch one fish per trip in this pool. Once you’ve connected, the inhabitants go under the nearest rock and stay put.

On the plus side, whatever you do connect with is probably worth the extra mileage to the super-secret location that I am not telling you about.

In half a dozen sessions at The Place, the pool has yielded browns of 16 inches and up; rainbows ditto; and an honest-to-God 14 inch brook trout, which is my personal best for this species (not counting hatchery products).

I’m used to chasing our little wild brookies, where an eight-incher is a Leviathan.

Now, these fish might well be stocked by the snooty people upstream, but I am pretending they are not.

Downstream the channel widens considerably as it blends into the reservoir. In July this stretch contained smallmouth bass and rainbows. This time around brown trout came to the surface as darkness fell.

They wouldn’t take the first gazillion things I tossed at them. I took a break and contented myself by admiring the Winslow Homer-esque scenery, with the evening sun shining briefly through the gathering storm clouds and illuminating the mountains beyond blah blah blah.

After the art lesson ended I tied on a size 18 blue-wing olive spinner, which is an alleged dry fly that tends to sink the moment it hits the water and is impossible to see.

For me, anyway. A brown trout that had been busy refusing my previous offerings was of the opinion that this was just what the doctor ordered. It was not a particularly large fish at 15 inches or so, but what it lacked in heft it made up for in spirit, leaping twice and scurrying around and generally resisting capture.

Also on this trip I explored Birch Creek, a tiny little brook that has a brook trout pond of sorts at the end. Of course the only fish I caught was a wild brown, and I was menaced briefly by a great Hound of the Baskervilles type of dog who came charging out of nowhere with mayhem in his eyes and froth around the mouth, only to be called back by an elderly lady who was about four feet six inches tall. The simplest syllable from this woman caused the Hound to stop in his tracks and trot back to base, wagging its tail. Probably an amiable beast once you get to know him.

I went up to the Schoharie, behind the ballfield in Prattsville, where I beheld Trouthenge, where someone had stacked big rocks three or four feet up in the air. I am pretty sure this activity has something to do with legal marijuana.

On the home front there was a note on the front door when I arrived, from someone named Abigail, inviting me to sell the house.

It’s a seasonal house, not winterized, with 28 mostly unbuildable acres.

So I think I will call Abigail and inform her that I am willing to entertain a reasonable offer, say $50 million.

And after we have a nice laugh about that we can start the bidding at $25 million.

Photo by Patrick L. Sullivan

When the fish aren’t cooperating, the Catskill angler can take in the scenery.

Latest News

A life reshaped by clay in “Matin”

Left to right: Hannah Wheeler, Matin Malikzada and Yonah Sadeh.

D.H. Callahan

On Monday, Oct. 26, a group of students, teachers and local residents gathered at the Hotchkiss School in Lakeville for a screening of the new short documentary “Matin.” The film tells the story of Matin Malikzada, a seventh-generation Afghani potter making a new life in New Milford, Connecticut. The film was made by local filmmaker Yonah Sadeh, creator of the Video Wall at the David M. Hunt Library, and Berkshires-based potter Hannah Wheeler, who were both present for the screening, along with Malikzada himself.

As a member of the seventh generation of his family to master the art of pottery, Malikzada had done things the way his family had for over a century. Istalif, the village where his family has lived for generations, was known throughout Afghanistan for its pottery, with wares sent across the country for use as everyday cups, bowls, plates and other vessels. The pottery-making families of Istalif gathered clay from the same mountain, about 30 to 45 minutes away by donkey. Every July, they would head north toward the Uzbekistan border to gather ishkar, a plant they processed by hand to make their signature glazes.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Meg Sher finds her calling among the stacks

Meg Sher, executive director of the David M. Hunt Library in Falls Village.

L. Tomaino

When Meg Sher came to Falls Village in 2006 from Old Lyme, Connecticut, where she grew up, she never imagined she’d someday be the executive director of the David M. Hunt Library.

Although, in hindsight, perhaps it makes sense.

Keep ReadingShow less
Crescendo’s 23rd season speaks to the heart and mind

Christine Gevert, founding artistic director of Crescendo, conducts the audience at a performance.

Steve Potter

For Christine Gevert, founding artistic director of Crescendo, music from centuries past is anything but a relic. It is a living, breathing art form, full of drama, emotional complexity and, occasionally, surprises. As the regional choral and period-instrument ensemble launches its 23rd season, Gevert is once again bringing forgotten masterpieces into the present.

“Early Music has been my lifelong passion and the focus of my specialization in Europe and South America,” Gevert said. “Bringing this repertoire to our audiences in a nuanced way that does justice to its incredible depth, intensity, and beauty is deeply important to me.”

Keep ReadingShow less
Close Encounters with Music celebrates 35 years of musical discovery

Close Encounters with Music’s 35th season opens with “Saluting the Clarinet” featuring clarinetist Alexander Fiterstein.

Provided

For 35 years, cellist Yehuda Hanani has been inviting audiences to experience classical music in unexpected ways. As founder and artistic director of Close Encounters with Music, Hanani has built a concert series that goes beyond the music itself, exploring connections to literature, history, politics and the human experience.

This year, Close Encounters celebrates its 35th season with “Celebration & Discovery,” a seven-concert series that opens Sunday, Nov. 1, at the Mahaiwe Performing Arts Center in Great Barrington.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.