Thank you!
Your support is sustaining the future of local news in our communities.

Autumn angling through lunar mud

Autumn angling through lunar mud

The lunar mud was thick on the banks of the Esopus in Boiceville, New York, near where the stream enters the Ashokan Reservoir.

Patrick L. Sullivan

I spent a couple days two weeks ago in Ulster County, New York, prowling the Esopus, around and below the Rail Trail pedestrian bridge in Boiceville.

The water temps were acceptable but on the sunny days approached the danger zone by mid-afternoon.

Water clarity was decent. Where it was murky, it was green murky, which is good, as opposed to brown murky, which means mud.

The flows were decent but definitely on the low side. We need rain badly, in the Hudson Valley and in the Northwest Corner.

And the area where I was had a decidedly lunar feel to the landscape, if the Moon has mud.

What worked: Junk flies.

What didn’t: Woolies, Tequilleys, unweighted streamers, Leadwing Coachmen, soft hackle wets in darker colors, orange-y caddis dries.

There were stonefly and isonychia casings on the rocks, but not a lot of them.

I was hoping for fat brown trout moving up into the river from the Ashokan Reservoir to spawn. Failing that, I was hoping for greedy rainbows looking to eat the brown trout eggs. It’s a little early for that sort of thing, but hey, I don’t make the rules.

No trout were disturbed, by me anyway.

Moment of triumph: Way down by where the stream enters the reservoir proper, and the lunar mud figures into the equation, I latched into three excellent smallies and one junior partner in a boom-boom space of about 45 minutes. What made this especially pleasant was that I had ventured forth with an 11 foot 4 weight single hand rod intending to either tight line nymphs or play with unweighted streamers such as Mickey Finns and Grey Ghosts.

Stonefly and isonychia casings on the rocks.Patrick L. Sullivan

At the last moment I stuck a small box containing mops and squirmy worms in the pack. This was a very good move and almost made up for the Dr. Boing-Boing moment when I realized I forgot the lanyard with the trout-sized tippet, forceps and clippers.

Reluctant to perform the Walk of Shame the half mile or so back to the car, I improvised. I had heavy tippet material, 0X through 2X, on a separate holder attached to my pack, and I found that with a little juju the cigar cutter worked as a clipper. What I could not approximate was the forceps, for squashing barbs, so I was limited to flies I had used before.

That turned out to be a two-fly rig, with the squirmy worm on a dropper up top and a green mop tied on a jig hook and with a bead head on point. Three of the smallies, including the fair-to-middling one, opted for the worm, and one bold soul took a flyer on the mop.

The commotion was such that an angler using spinning gear upstream wandered down to see what was up when I took a break. He then directed me to his companion, who was working a riffle further up with a fly rod.

Not wanting to hog the hot spot, and keenly aware that my wonky shoulder was sending out mild but unmistakable distress signals, I ceded my spot to angler number one and made my way upstream to angler number two.

He turned out to be from Millerton, N.Y. and had read Tangled Lines in the Millerton News.

He didn’t specifically say he was a fan but I assumed he was.. If he wasn’t then he was after I gave him a squirmy and a mop to try.

Note: As I peck this out on Sunday, Oct. 6, the 10-day forecast doesn’t look good for rain. If you take a shot at the very low Housatonic or Farmington rivers, your best bet is dawn to noon, long rods and longer leaders, clothing that blends into the background, and a high tolerance for frustration and agony of spirit.

Latest News

A life reshaped by clay in “Matin”

Left to right: Hannah Wheeler, Matin Malikzada and Yonah Sadeh.

D.H. Callahan

On Monday, Oct. 26, a group of students, teachers and local residents gathered at the Hotchkiss School in Lakeville for a screening of the new short documentary “Matin.” The film tells the story of Matin Malikzada, a seventh-generation Afghani potter making a new life in New Milford, Connecticut. The film was made by local filmmaker Yonah Sadeh, creator of the Video Wall at the David M. Hunt Library, and Berkshires-based potter Hannah Wheeler, who were both present for the screening, along with Malikzada himself.

As a member of the seventh generation of his family to master the art of pottery, Malikzada had done things the way his family had for over a century. Istalif, the village where his family has lived for generations, was known throughout Afghanistan for its pottery, with wares sent across the country for use as everyday cups, bowls, plates and other vessels. The pottery-making families of Istalif gathered clay from the same mountain, about 30 to 45 minutes away by donkey. Every July, they would head north toward the Uzbekistan border to gather ishkar, a plant they processed by hand to make their signature glazes.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Meg Sher finds her calling among the stacks

Meg Sher, executive director of the David M. Hunt Library in Falls Village.

L. Tomaino

When Meg Sher came to Falls Village in 2006 from Old Lyme, Connecticut, where she grew up, she never imagined she’d someday be the executive director of the David M. Hunt Library.

Although, in hindsight, perhaps it makes sense.

Keep ReadingShow less
Crescendo’s 23rd season speaks to the heart and mind

Christine Gevert, founding artistic director of Crescendo, conducts the audience at a performance.

Steve Potter

For Christine Gevert, founding artistic director of Crescendo, music from centuries past is anything but a relic. It is a living, breathing art form, full of drama, emotional complexity and, occasionally, surprises. As the regional choral and period-instrument ensemble launches its 23rd season, Gevert is once again bringing forgotten masterpieces into the present.

“Early Music has been my lifelong passion and the focus of my specialization in Europe and South America,” Gevert said. “Bringing this repertoire to our audiences in a nuanced way that does justice to its incredible depth, intensity, and beauty is deeply important to me.”

Keep ReadingShow less
Close Encounters with Music celebrates 35 years of musical discovery

Close Encounters with Music’s 35th season opens with “Saluting the Clarinet” featuring clarinetist Alexander Fiterstein.

Provided

For 35 years, cellist Yehuda Hanani has been inviting audiences to experience classical music in unexpected ways. As founder and artistic director of Close Encounters with Music, Hanani has built a concert series that goes beyond the music itself, exploring connections to literature, history, politics and the human experience.

This year, Close Encounters celebrates its 35th season with “Celebration & Discovery,” a seven-concert series that opens Sunday, Nov. 1, at the Mahaiwe Performing Arts Center in Great Barrington.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.