Honoring the legacy of 'Grumpy Dad' at Snodgrass Gulch

Honoring the legacy of 'Grumpy Dad' at Snodgrass Gulch

Ian Davison scrambled down a minor cliff to get at the brook trout in Snodgrass Gulch.

Patrick L. Sullivan

Ian Davison and I ventured into our favorite brook trout haunt the other day.

I’m talking about Snodgrass Gulch, of course. Yes, that difficult-to-access gem that zig-zags over border lines at the magical spot where the states of Vermont, Louisiana and Montana converge.

If you have the “special” map you too can find it.

I’m being coy here because Snodgrass Gulch is home to a particularly fine population of wild brook trout and it would be disastrous if legions of people started tramping through it, throwing beer cans around and killing these beautiful and gullible char.

It’s also not listed in any state fishing guides. I suspect there is a good reason for this.

It was cold when we embarked, 50 degrees, which felt like sub-zero after the summer we’ve had.

Getting in requires a pretty hefty hike, and my right knee entered a formal objection to the program.

Both of us were using fixed-line or Tenkara rods. I deployed the Dragontail Foxfire, a noodly zoom rod well suited to this sort of thing, and Ian brought an 8.5 foot Temple Fork rod.

We have different styles. I generally chuck a big dry fly around at first, to gauge interest. Think Parachute Adams or Chubby Chernobyl, size 10.

Ian was more subtle. He used something called the Animal, which looks to me like a Griffith’s Gnat, in smaller sizes.

The stream was on the low side, and several runs and pools were reconfigured by downed trees.

One pool in particular was unrecognizable, but somewhere in my mind a memory stirred.

I made my way across the stream into some fairly dense forest and looked around.

Aha!

Affixed to a tree, and facing away from the stream, was a wooden plaque of sorts, a memorial to “Grumpy Dad.”

Deep within Snodgrass Gulch is this tribute. The wooden plaque is facing away from the trail and stream. Only by chance did an angler discover it. Patrick L. Sullivan

I spotted this some years ago, chasing after an errant backcast that got hung up on a passing spruce tree.

Grumpy Dad’s dates are given as 1/6/36 to 1/20/10, and there are 11 names carved in the wooden block.

Some of them are getting a bit hard to read.

I wondered why the thing was facing away from the stream, where only someone like me would see it. Perhaps that was a favorite camping or picnicking site before it became a thicket?

Maybe someone will read this and provide more details.

Anyway, we clambered along, hooking and losing fish. This is known as the “compassionate release.” This is also known as a “rationalization,” or “lame excuse.”

Wild brookies on Tenkara rods are extra-wriggly, so a compassionate release here and there is no big deal.

On this trip it became a theme. I uttered many bad words and phrases completely unsuitable for a family newspaper.

In deference to my advanced age and creaky knee, Ian skipped over the relatively easy to reach spots. It dawned on me that this was similar to the compassionate release but opted not to pursue this line of thought.

He did balk momentarily when I asked him to scramble down a particularly nasty bit of rockslide so I could photograph him in action.

I also tried my hand at shooting video. I thought it would be funny if I ad-libbed like a golf announcer.

“Ian Davison approaches the 14th pool at Snodgrass Gulch. He lines up the cast, using 5X nylon tippet and The Animal, size 16. And here’s the cast. It’s floating, floating, floating…”

What I discovered is that watching someone fish is indescribably boring. The ratio of action to waiting is very poor, say one minute of action to 50 of standing there looking at a bit of fluff floating on a stream.

It’s enough to make a guy grumpy. So when the time comes, do I get a plaque?

Latest News

Living art takes center stage in the Berkshires

Contemporary chamber musicians, HUB, performing at The Clark.

D.H. Callahan

Northwestern Massachusetts may sometimes feel remote, but last weekend it felt like the center of the contemporary art world.

Within 15 miles of each other, MASS MoCA in North Adams and the Clark Art Institute in Williamstown showcased not only their renowned historic collections, but an impressive range of living artists pushing boundaries in technology, identity and sound.

Keep ReadingShow less
Persistently amplifying women’s voices

Francesca Donner, founder and editor of The Persistent. Subscribe at thepersistent.com.

Aly Morrissey

Francesca Donner pours a cup of tea in the cozy library of Troutbeck’s Manor House in Amenia, likely a habit she picked up during her formative years in the United Kingdom. Flanked by old books and a roaring fire, Donner feels at home in the quiet room, where she spends much of her time working as founder, editor and CEO of The Persistent, a journalism platform created to amplify women’s voices.

Although her parents are American and she spent her earliest years in New York City and Litchfield County — even attending Washington Montessori School as a preschooler — Donner moved to England at around five years old and completed most of her education there. Her accent still bears the imprint of what she describes as a traditional English schooling.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Jarrett Porter on the enduring power of Schubert’s ‘Winterreise’
Baritone Jarrett Porter to perform Schubert’s “Winterreise”
Tim Gersten

On March 7, Berkshire Opera Festival will bring “Winterreise” to Studio E at Tanglewood’s Linde Center for Music and Learning, with baritone Jarrett Porter and BOF Artistic Director and pianist Brian Garman performing Franz Schubert’s haunting 24-song setting of poems by Wilhelm Müller.

A rejected lover. A frozen landscape. A mind unraveling in real time. Nearly 200 years after its premiere, “Winterreise” remains unnervingly current in its psychological portrait of isolation, heartbreak and existential drift.

Keep ReadingShow less
A grand finale for Crescendo’s 22nd season

Christine Gevert, artistic director, brings together international and local musicians for a season of rare works.

Stephen Potter

Crescendo, the Lakeville-based nonprofit specializing in early and rarely performed classical music, will close its 22nd season with a slate of spring concerts featuring international performers, local musicians and works by pioneering composers from the Baroque era to the 20th century.

Christine Gevert, the organization’s artistic director, has gathered international vocal and instrumental talent, blending it with local voices to provide Berkshire audiences with rare musical treats.

Keep ReadingShow less
NECC ‘Craft Collective’ offers space to create

Ash Baldwin, senior administrative assistant at the North East Community Center, launched the weekly Craft Collective in July 2025.

Photo by Aly Morrissey

MILLERTON — A new low-key crafting group at the North East Community Center (NECC) is giving locals a reason to finally finish those half-started projects, providing a space for craft lovers to work in community and exchange tips and tricks.

The weekly “Craft Collective,” – launched in July 2025 by staff member Ash Baldwin – invites community members to bring their own crafts and work alongside others in a casual, social setting. The free program is part of NECC’s broader effort to offer accessible, community-building programming.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.