Blues and bloodlines: The Devon Allman Project at Infinity Hall Norfolk

Devon Allman
Venla Shalin
Devon Allman
On Friday, Aug. 15, The Devon Allman Project will play Infinity Hall in Norfolk. As the son of the legendary musician Gregg Allman, Devon carries on the family tradition while stepping out on his own.
“We’re honored to keep the tradition alive,” said Allman. “But I don’t play my records and try to compare them to records from 50 years ago. I try to write songs that mean something to me, and hopefully they’ll resonate with other people.”
His band features harmonica player/singer Jimmy Hall, guitarist Larry McRae and singer Sierra Green.
“It’s an all-star show. Jimmy Hall is from the great Wet Willie band from the ‘70s. Larry McCray is regarded in blues circles as a legend, and we’re honored to introduce Sierra Green. She’s a fantastic up-and-coming R&B singer from New Orleans who has been wowing the crowds. Everybody gets to pick up the ball and run with it. It’s an elevated show for sure.”
Their Infinity Hall Norfolk gig will feature cuts from his new album “Blues Summit,” as well as hits from The Allman Brother’s catalog, tunes from Devon’s early catalog and songs by Jimmy Hall.
The Devon Allman ProjectHeather Johnson
Asked what he learned about life from his famous father, Allman chuckled and said,
“Stay away from drugs and don’t get married seven times! My dad would laugh and agree to that. Musically, just let the music ooze out of you know. You don’t want to force it. Play what moves you.”
“I didn’t meet my father until I was 17. Once I met him, I went out on tour with The Allman Brothers instead of going to my senior year of high school. I already knew what I wanted to do, but I really wanted to see if it was going to be my calling. They had me sit in on the final night of the tour in Miami singing “Midnight Rider” to 5,000 people. I was 17, and that did it. The energy was just amazing. I was putting bands together from then on,” he added.
Various members of the extensive Allman Brothers family have their own musical projects such as the “Allman Betts Family Revival.” For those shows, Devon tips his hat to Duane Allman and Dicky Betts by playing a Gibson Les Paul but for The Devon Allman Project, he primarily plays a 1966 Fender Stratocaster.
Gregg Allman, who died on May 27, 2017, passed down many of his prized instruments to his son.
“He left me 43 guitars. I also got his grand piano and his Hammond B3 organ. The grand piano is set up in my music room; the Hammond B3 comes with us on the revival tours. I try to utilize his instruments so they’re not just sitting around,” he said.
Audiences at Infinity Hall Norfolk can expect solid grooves, dynamic range, and a lot of energy.
Having started their tour in Sweden, the band will carry on playing the USA and Europe for three week stretches over the next year.
“We’re just having a lot of fun. Infinity Hall is a great venue, and we always love playing it. We hope to see everybody!” Allman said.
For ticket info, merchandise and more, visit:devonallmanproject.com
One of the entries in this year’s Community Day Scarecrow Contest, Ichabod Hiccup, at left, seems to be particularly enjoying the solo performance of Wil Greenstreet, whose strolling pop-up saxophone performances delighted visitors to the village on Saturday, Sept. 20. For more photos, turn to Page A8.
A popular feature of the Millbrook Library lawn area was a carpet of children’s books being given away for free. Appealing to little Julien Gulbrandsen, 3, of Pleasant Valley was the story of a pancake, being read by her mother Lauren Gulbrandsen. It is likely that the little book went home with them.Photo by Leila Hawken
Family fun and community were the order of the long-planned Community Day, on Saturday, Sept. 20, as village turned out to welcome visitors from throughout the region for a day of activities, contests, parades, displays, sales and the joy of being together.Photo by Leila Hawken
Top row, left to right, Caroline Kinsolving, Christopher McLinden, Dana Domenick, Reid Sinclair and Director Hunter Foster. Bottom row, left to right, Will Nash Broyles, Dick Terhune, Sandy York and Ricky Oliver in Agatha Christie’s “The Mousetrap.”
Opening on Sept. 26, Agatha Christie’s legendary whodunit “The Mousetrap” brings suspense and intrigue to the Sharon Playhouse stage, as the theater wraps up its 2025 Mainstage Season with a bold new take on the world’s longest-running play.
Running from Sept. 26 to Oct. 5, “The Mousetrap” marks another milestone for the award-winning regional theater, bringing together an ensemble of exceptional local talent under the direction of Broadway’s Hunter Foster, who also directed last season’s production of “Rock of Ages." With a career that spans stage and screen, Foster brings a fresh and suspense-filled staging to Christie’s classic.
The Playhouse’s casting includes Dana Domenick of Falls Village who leads the cast as Mollie Ralston, the newlywed innkeeper with a secret. Reid Sinclair of Norfolk plays Giles, her husband and partner in hospitality — and maybe in something more sinister. Will Nash Broyles from Lakeville plays the eccentric and enigmatic Christopher Wren, and Sandy York of Sharon will play the role of the imperious Mrs. Boyle. Dick Terhune (Litchfield), Caroline Kinsolving (Salisbury), Ricky Oliver (Pawling), and Christopher McLinden (also Lakeville) round out the cast as the play’s increasingly suspicious guests — and one very determined detective.
As always, Sharon Playhouse has gathered a top-tier creative team to match its cast. The Swader brothers (Christopher and Justin) return with their signature scenic designs, while Kathleen DeAngelis’s costumes and Bobbie Zlotnik’s wigs promise to anchor us firmly in postwar England, even as the plot spirals into timeless psychological suspense. Lighting by Wheeler Moon and sound design by Graham Stone will help turn the cozy theater into a stage crackling with tension.
If you’ve never seen “The Mousetrap,” here’s what you need to know: it’s the murder mystery that truly defined the genre. Premiering in London’s West End in 1952 and still running strong over 30,000 performances later, Christie’s ingenious puzzle unfolds in a snowbound manor house where everyone has something to hide, and no one is safe from suspicion. Its final twist is famously kept secret by audiences — a tradition of theatrical discretion that only deepens the sense of shared experience.
“The enduring success of ‘The Mousetrap’ lies in its suspense, yes, but also in its structure,” said the Playhouse’s Artistic Director Carl Andress. “It’s a masterclass in storytelling. And with Hunter Foster leading this incredible cast of local artists, we know our audiences are in for an evening of mystery, laughter, and yes, plenty of gasps.”
Tickets are available now at SharonPlayhouse.org.