Hecate refiles application for 42-megawatt solar project

Map showing the proposed solar array locations of the Shepherd’s Run solar project.
Map courtesy of Hecate Energy LLC


Map showing the proposed solar array locations of the Shepherd’s Run solar project.
COPAKE — Hecate Energy LLC has filed responses to questions from New York’s Office of Renewable Energy Siting, which earlier this year kicked back the company’s application for a 42-megawatt solar farm as incomplete.
The project has been a topic for townspeople for years, having been first discussed in 2017. Then, it was planned as a 60-megawatt solar farm to be located near the intersection of Routes 23 and 7. But after Hecate lost control of 60 acres that were included in the project, the town sought a dismissal of the application, a motion that was granted in February 2024.
Hecate’s response then was to downscale the project at the same location and refile. On Dec. 23, 2024, it filed but its application was then rebuffed as incomplete with a long list of requested answers. Hecate’s latest filing on May 20 is a response to that ‘incomplete’ decision.
The project has drawn criticism and some support from citizen groups, and statelegislators have questioned it.
Days before the state’s decision, in February, State Sen. Michelle Hinchey, D-41, who chairs the Agriculture Committee, and State Assemblymember Didi Barrett, D-106, who chairs the Energy Committee, weighed in with concerns. Mayor Kamal Johnson of Hudson also wrote about that city’s questions regarding the siting of Shepherd’s Run on the watershed of the Taghkanic Creek, which supplies 100% of Hudson’s water supply.
Matt Levine, project manager, said, “After reviewing the notice from ORES from earlier this year, we worked to complete the application.
“As we move forward through the permit review process, we are committed to working with Copake, its residents and ORES to build a project that can help New York State meet its clean energy goals while supporting the economy and preserving the rural character of this special community.
“Shepherd’s Run has already been greatly improved by incorporating feedback from community members along the way, and we look forward to our continued working relationship in the future.”
Hecate’s latest filing, which amounts to more than 80 separate documents, is a response to the state’s detailed list of requests related to the project, which comprises approximately 723 acres.
The state requested additional information related to drawings depicting the extent of tree clearing, fencing and landscaping improvements. More information was requested about public health, safety and security, and about the visual impact of the project, including visual resources that would be affected and visibility from viewpoints. State regulators included requests for informationaboutsolar-glare as well as a lighting plan, and a survey of groundwater wells within 1000 feet of the site.
The state’s list of requests was extensive, and also covered categories such as terrestrial and aquatic ecology, wetlands, agricultural resources, transportation and socioeconomic impacts, as well as electric system effects and information about site restoration and decommissioning.
Town of Copake Supervisor Richard Wolf said the town attorney would review the latest filing and that would include an engineer assessment of the company’s responses.
Sensible Solar for Rural New York a citizen’s group, issued a statement: “There’s no good news in Hecate’s filing.There is still no evacuation plan for the Taconic Hills Schools is there’s a fire, and no commitment to meet NY State’s raw water standard to protect Hudson’s drinking water.In fact, we learned about more negative impacts of this ill-conceived project, such as: project construction will generate 1,500 tons of landfill waste, the new access road to several inverters does indeed go right across a protected waterway in violation of DEC regulations, solar panels are in fact planned for floodplain areas, and Hecate has refused to provide additional landscaping in certain areas, as requested by ORES.The more details we learn about Shepherd’s Run, the stronger we feel that this project is wrong for Copake.”
Friends of Columbia Solar, a citizen group that supports Shepherd’s Run, responded to the new filing with this statement: “We’re pleased that Hecate has hung in there with this project.We hope that ORES will find the application complete and move this project forward to the hearing stage, where we’ll welcome the opportunity to put facts in support of Shepherd’s Run before the public.We remain committed to focusing on the facts and the benefits this solar farm will bring to the community.
Below is a list of what Hecate said last week are major changes in response to community feedback.
—Reduced the fenced area to approximately 175 acres
—Added approximately 11 acres of shrub and tree plantings and revised landscaping to further minimize visual disturbances
—Added an Agrivoltaics Integration Plan that provides for sheep grazing in two of the array areas covering 73 acres
—Removed battery storage from the project scope
—Added extensive native tree and shrub planting to minimize sightlines for neighbors
—Support to extend/connect to local hiking trails or other passive recreational/educational opportunities
—Conducting local fire departments and first responder training
Including pollinator species seed mix within the landscaping plan
—Implementing a Net Conservation Benefit Plan for grassland birds to preserve more than 25 acres of additional habitat
—Incorporating wildlife-friendly rural style fencing instead of chain-link fencing
—Avoiding direct impacts to all state regulated Class I wetlands and developing a project with no net loss of wetlands
—Committing to not source solar panels from suppliers who utilize forced labor or that contain the environmental contaminant PFAS (per- and polyfluoroalkyl substances)
—Providing bidding opportunities to local suppliers and using local labor and purchasing when practicable
—Changing the location of a proposed access road.
Patrick L. Sullivan
This fish took a Wooly Bugger in basic black, with rubber legs. Always get the rubber legs.
Largemouth bass are not picky eaters. When engaged they usually dive and tug. Once in a while they leap. They are easily discouraged, however, and after a minute or two come meekly to the net.
Every August I shift gears and head to the ancestral HQ with no electricity, minimal plumbing and a warm-water lake chock-full of largemouth bass, not to mention smallmouth, perch, pickerel and panfish. The largemouth are the main attraction.
I used an antique rowboat for years. Then a canoe, which was awkward to manage solo, especially when the wind picked up.
Then I hit on a succession of inflatable pontoon and belly boats, powered by oars and/or swim fins, and there I have remained.
Did I forget to mention that no motors are allowed on this lake? Well, no motors are allowed, and it’s no good arguing that a small electric trolling motor couldn’t possibly hurt anything. Ask me how I know this.
It’s a quiet, rejuvenating few weeks. The phone gets enough signal on one end of the deck to receive messages and maybe make a call if the wind is right. If something comes up, it’s only 15 minutes to so-called civilization.
When not fishing, I read, visit assorted cousins, listen to baseball on the AM radio and/or stare blankly into the middle distance.
Bassing with a fly rod in still water is a different game than chasing trout in streams.
A medium-fast-action rod, 8 to 10 feet, in line weight 7 or 8 is the starting point. The flies are big, and the wind is constant, so the angler needs some power, tempered with a bit of finesse.
I usually bring two rods. One is rigged with a floating line with a heavy front taper for turning over surface flies such as poppers.
The other has either a sink-tip or intermediate line. The lake is not all that deep, and the Woolly Buggers, Clousers and other streamers are heavy. The idea is to stay out of the vegetation while getting close to where the lunkers are hunkered down.
I use short nylon leaders, 7.5 feet with 1X tippet out of the package, and modify them constantly with additional sections of fluorocarbon tippet, snaps and droppers.
Surface action is usually minimal during the day unless it’s overcast. The lake runs east-west, so the angler can track the midmorning and late-afternoon shadows and work those areas.
Or the angler can wait until about 6:30 p.m., when things start to pick up.
Or get out there at the crack of dawn, which is best if surface action is the goal.
For subsurface fishing, some experimentation is required to find the right combination of flies, leader and sink rate. The angler also has to decide whether to troll.
There are a few places where a dry-dropper rig is appropriate, the dry being an extremely buoyant popper with a piece of stout fluorocarbon tippet tied to the bend of the hook and something heavy and wiggly at the end, like a stonefly nymph with rubber legs. (Always get the rubber legs.)
If this sounds like a bobber, it’s because it is. Don’t tell anyone. The purists don’t like it.
A net with a long handle is necessary. There is no leverage when sitting in what amounts to a floating chair.
I do not bring my phone for fish pictures. I will drop it into the depths. Ask me how I know this.
Instead I bring a small point-and-shoot camera. These get lost too, but perversely I have better luck keeping the cheap gear safe than the expensive items.
Sunscreen is applied liberally and frequently. After 50-odd years of being outside, I now have to visit the dermatologist every so often to have my face edited, and I don’t enjoy it.
A baseball cap does nothing for the ears and neck. I have a hat with a wide brim and a vented top, so it doesn’t get too hot. It looks stupid, but this is an acceptable risk.
Finally, a word about the quarry. Largemouth bass are not picky eaters. When engaged they usually dive and tug. Once in a while they leap. They are easily discouraged, however, and after a minute or two come meekly to the net.
Smallmouth, not so much. These aren’t especially big, but every smallie I’ve ever met thought it was much bigger than it actually was. Expect acrobatics.
Perch usually grab my fly when I don’t want them to.

Panfish are everywhere. They are extremely cooperative. Chasing sunnies is a good way to get a newcomer started.
And then there are the pickerel. These are nasty fish. Very antisocial. I keep a pair of long-handled pliers handy to get the fly out of their mouths safely while admiring the large number of very sharp teeth. They will bite the pliers. Do not use your fingers. Again, ask me how I know this.
Upon release, it’s not unusual to observe the pickerel hanging around a few yards away, glaring and plotting hideous revenge.
So this is the August routine, occasionally leavened with a scramble into a brook trout stream if conditions allow.
It’s peaceful. Kind of boring, in a good way.
And then in the fall the game shifts back to rivers and streams for trout.

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Natalia Zukerman
Broadway is going way off Broadway when it heads outdoors for The Festival at Hutton Brickyards in Kingston Aug. 14-16, transforming the Hudson River waterfront into a three-day celebration of show tunes, stars and sing-alongs. The inaugural event features an all-star lineup including Audra McDonald, Kelli O’Hara, Renée Elise Goldsberry, Brian Stokes Mitchell and dozens more, along with a 30th anniversary celebration of the musical “Rent” featuring original cast members.
Hutton Brickyards is a former 19th-century brickyard transformed into a historic riverfront hotel and event destination spanning 100 acres along the Hudson. Beyond the nightly concerts, festivalgoers can expect campfire sing-alongs, dance parties, master classes, costume contests and a marketplace highlighting Hudson Valley food, drinks and artisans.
Three-day passes and more information are available at BroadwayFest.com.
Natalia Zukerman
The Crandell Theatre in 1948.
Originally built as an “atmospheric theater,” the Crandell was designed to transport audiences beyond the walls of the auditorium. Its sloped floor, proscenium arch, orchestra pit and balcony seating reflected the grandeur of early 20th-century movie palaces.
Crandell Theatre in Chatham has spent a century bringing stories to the big screen, and this December the historic theater will celebrate its 100th anniversary with a yearlong tribute to the films, filmmakers and community members who have helped keep it alive.
The celebration continues Sunday, Aug. 23, with a special screening of Martin Scorsese’s “The King of Comedy,” presented as part of the theater’s 100th Anniversary Series by Bill Kramer, CEO of the Academy of Motion Picture Arts and Sciences. Kramer will introduce the 1982 film, a darkly comic exploration of celebrity, obsession and the pursuit of fame.
The 100th Anniversary Series invites industry leaders and film experts to share movies that have influenced them and continue to inspire new generations of audiences.
“The King of Comedy” is a fitting selection for a theater whose own story is rooted in the enduring power of cinema. Built in 1926 by Chatham native Walter S. Crandell, the theater opened on Christmas Day of that year with the silent film “Michael Strogoff.” Designed by Glens Falls architect Louis L. Wetmore in the Spanish Renaissance style, the freestanding building quickly became a beloved fixture on Main Street.
Originally built as an “atmospheric theater,” the Crandell was designed to transport audiences beyond the walls of the auditorium. Its sloped floor, proscenium arch, orchestra pit and balcony seating reflected the grandeur of early 20th-century movie palaces. Sound equipment was added in 1929, allowing the theater to transition from silent films to “talkies.”
Over the decades, ownership changed hands, but the theater remained a gathering place for generations of moviegoers. In 2010, following the death of longtime owner Tony Quirino, the theater faced an uncertain future. Community members rallied to save it, with the Chatham Film Club raising approximately $600,000 to purchase the building and complete critical repairs.
The Crandell reopened as a nonprofit community theater in July 2010. In 2018, the organization officially adopted the theater’s name, bringing together its film programming, preservation efforts and annual FilmColumbia Festival under one mission: preserving the theater as a cultural anchor for Chatham and the surrounding region.
A major restoration and modernization project was completed in 2025, bringing the historic theater up to current standards while preserving its architectural character. The renovation included updates to the auditorium, projection systems and building infrastructure.
For former board member Carol Sadlon, the upcoming centennial represents both a celebration of the theater’s history and a testament to the community that has protected it.
“It has been an honor to serve on the Board of the extraordinarily unique Crandell Theatre, celebrating its 100th birthday this December,” Sadlon said. “Renovating the not-for-profit community theater has been a labor of love and commitment for all involved.”
Sadlon noted that the theater’s creation in 1926 reflected the optimism of the era, and that the same spirit continues today.
“Walter S. Crandell, successful Wall Street investor and native son of Chatham, built the 500-seat theater for a community of 3,000 people,” she said. “Thanks to an equally optimistic group of people, the Chatham Film Club, who purchased the theater in 2010, and a very generous community, the theater lives on to continue entertaining for future generations.”
The Crandell Theatre’s 100th Anniversary Series screening of “The King of Comedy” will take place Sunday, Aug. 23, at 4 p.m.
For tickets and more information, visit crandelltheatre.org.
Natalia Zukerman
MOMIX is one of the featured performers at this year’s Arts Connected fundraiser on Aug. 29.
The Northwest Connecticut Arts Council will celebrate the region’s vibrant arts community with Arts Connected 2026, its annual fundraising event, on Saturday, Aug. 29, from 5 to 8 p.m. at Buck’s Rock Camp in New Milford.
More than a fundraiser, Arts Connected is designed as a celebration of the artists, performers and organizations that make the Northwest Corner’s cultural landscape thrive. Guests can enjoy live music and performances, a curated gallery of artwork by regional artists, local food and drinks, and opportunities to connect with fellow arts supporters. Tickets include hors d’oeuvres, an open bar and all entertainment.

The evening will feature live plein air painting by artists from Plein Air Litchfield, performances by Our Culture Is Beautiful (OCIB), fire performer Cinderfella, and Susan Becker Aziz’s monumental humpback whale puppet, originally created for Paul Winter’s “Missa Gaia.” Guests will also have the opportunity to purchase artwork from a curated exhibition, with proceeds supporting the Arts Council’s mission to strengthen and promote the arts throughout Northwest Connecticut.
This year’s honorary host committee includes Meryl Streep, Diane von Furstenberg, Tim Daly, Téa Leoni, Maria Horn, Patti LuPone, Jack O’Brien, Sam Waterston and Paul Winter. Creative cocktail attire is encouraged, and attendance is limited. The event is open to guests 21 and older.
For more information or to purchase tickets, visit artsnwct.org

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