Hecate refiles application for 42-megawatt solar project

Map showing the proposed solar array locations of the Shepherd’s Run solar project.
Map courtesy of Hecate Energy LLC
Map showing the proposed solar array locations of the Shepherd’s Run solar project.
COPAKE — Hecate Energy LLC has filed responses to questions from New York’s Office of Renewable Energy Siting, which earlier this year kicked back the company’s application for a 42-megawatt solar farm as incomplete.
The project has been a topic for townspeople for years, having been first discussed in 2017. Then, it was planned as a 60-megawatt solar farm to be located near the intersection of Routes 23 and 7. But after Hecate lost control of 60 acres that were included in the project, the town sought a dismissal of the application, a motion that was granted in February 2024.
Hecate’s response then was to downscale the project at the same location and refile. On Dec. 23, 2024, it filed but its application was then rebuffed as incomplete with a long list of requested answers. Hecate’s latest filing on May 20 is a response to that ‘incomplete’ decision.
The project has drawn criticism and some support from citizen groups, and statelegislators have questioned it.
Days before the state’s decision, in February, State Sen. Michelle Hinchey, D-41, who chairs the Agriculture Committee, and State Assemblymember Didi Barrett, D-106, who chairs the Energy Committee, weighed in with concerns. Mayor Kamal Johnson of Hudson also wrote about that city’s questions regarding the siting of Shepherd’s Run on the watershed of the Taghkanic Creek, which supplies 100% of Hudson’s water supply.
Matt Levine, project manager, said, “After reviewing the notice from ORES from earlier this year, we worked to complete the application.
“As we move forward through the permit review process, we are committed to working with Copake, its residents and ORES to build a project that can help New York State meet its clean energy goals while supporting the economy and preserving the rural character of this special community.
“Shepherd’s Run has already been greatly improved by incorporating feedback from community members along the way, and we look forward to our continued working relationship in the future.”
Hecate’s latest filing, which amounts to more than 80 separate documents, is a response to the state’s detailed list of requests related to the project, which comprises approximately 723 acres.
The state requested additional information related to drawings depicting the extent of tree clearing, fencing and landscaping improvements. More information was requested about public health, safety and security, and about the visual impact of the project, including visual resources that would be affected and visibility from viewpoints. State regulators included requests for informationaboutsolar-glare as well as a lighting plan, and a survey of groundwater wells within 1000 feet of the site.
The state’s list of requests was extensive, and also covered categories such as terrestrial and aquatic ecology, wetlands, agricultural resources, transportation and socioeconomic impacts, as well as electric system effects and information about site restoration and decommissioning.
Town of Copake Supervisor Richard Wolf said the town attorney would review the latest filing and that would include an engineer assessment of the company’s responses.
Sensible Solar for Rural New York a citizen’s group, issued a statement: “There’s no good news in Hecate’s filing.There is still no evacuation plan for the Taconic Hills Schools is there’s a fire, and no commitment to meet NY State’s raw water standard to protect Hudson’s drinking water.In fact, we learned about more negative impacts of this ill-conceived project, such as: project construction will generate 1,500 tons of landfill waste, the new access road to several inverters does indeed go right across a protected waterway in violation of DEC regulations, solar panels are in fact planned for floodplain areas, and Hecate has refused to provide additional landscaping in certain areas, as requested by ORES.The more details we learn about Shepherd’s Run, the stronger we feel that this project is wrong for Copake.”
Friends of Columbia Solar, a citizen group that supports Shepherd’s Run, responded to the new filing with this statement: “We’re pleased that Hecate has hung in there with this project.We hope that ORES will find the application complete and move this project forward to the hearing stage, where we’ll welcome the opportunity to put facts in support of Shepherd’s Run before the public.We remain committed to focusing on the facts and the benefits this solar farm will bring to the community.
Below is a list of what Hecate said last week are major changes in response to community feedback.
—Reduced the fenced area to approximately 175 acres
—Added approximately 11 acres of shrub and tree plantings and revised landscaping to further minimize visual disturbances
—Added an Agrivoltaics Integration Plan that provides for sheep grazing in two of the array areas covering 73 acres
—Removed battery storage from the project scope
—Added extensive native tree and shrub planting to minimize sightlines for neighbors
—Support to extend/connect to local hiking trails or other passive recreational/educational opportunities
—Conducting local fire departments and first responder training
Including pollinator species seed mix within the landscaping plan
—Implementing a Net Conservation Benefit Plan for grassland birds to preserve more than 25 acres of additional habitat
—Incorporating wildlife-friendly rural style fencing instead of chain-link fencing
—Avoiding direct impacts to all state regulated Class I wetlands and developing a project with no net loss of wetlands
—Committing to not source solar panels from suppliers who utilize forced labor or that contain the environmental contaminant PFAS (per- and polyfluoroalkyl substances)
—Providing bidding opportunities to local suppliers and using local labor and purchasing when practicable
—Changing the location of a proposed access road.
Sheffield resident, singer Wanda Houston will play Mumbet in "1781" on June 19 at 7 p.m. at The Center on Main, Falls Village.
In August of 1781, after spending thirty years as an enslaved woman in the household of Colonel John Ashley in Sheffield, Massachusetts, Elizabeth Freeman, also known as Mumbet, was the first enslaved person to sue for her freedom in court. At the time of her trial there were 5,000 enslaved people in the state. MumBet’s legal victory set a precedent for the abolition of slavery in Massachusetts in 1790, the first in the nation. She took the name Elizabeth Freeman.
Local playwrights Lonnie Anderson and Linda Rossi will tell her story in a staged reading of “1781” to celebrate Juneteenth, ay 7 p.m. at The Center on Main in Falls Village, Connecticut.Singer Wanda Houston will play MumBet, joined by actors Chantell McCulloch, Tarik Shah, Kim Canning, Sherie Berk, Howard Platt, Gloria Parker and Ruby Cameron Miller. Musical composer Donald Sosin added, “MumBet is an American hero whose story deserves to be known much more widely.”
Houston has shared the stage with stars ranging from Barbra Streisand to Motown great Mary Wells. “I have had the honor of portraying Elizabeth Freeman for three years in “Meet Elizabeth Freeman” by Teresa Miller. Our first reading of “1781” is in celebration of Juneteenth, which is wonderfully symbolic and poignant.” Juneteenth celebrates the end of slavery. Two years after President Lincoln issued the Emancipation Proclamation in 1863, word of their freedom finally reached slaves in Texas on June 19, 1865.
Tombstone of Elizabeth Freeman in the “Sedgewick Pie” family burial ground in Stockbridge, Massachusetts. Lonnie carter
MumBet, born in 1742 to African enslaved parents, was purchased at age six months by Colonel John Ashley of Sheffield, Massachusetts, for whom she worked until her thirties. Ashley helped write the 1773 Sheffield Declaration which stated, “Mankind in a state of nature are equal, free, and independent of each other, and have a right to the undisturbed enjoyment of their lives, their liberty and property.” Rumor has it that MumBet overheard a reading of the document. After a traumatic household experience, MumBet left the Ashley home in Bartholomew’s Cobble, walked four miles to Sheffield, and asked attorney and abolitionist Theodore Sedgwick to help her gain her freedom.
Houston shared, “I live in Sheffield near where she was enslaved, in a house she would have passed on her walk from Ashley Falls to Sheffield. I am humbled by the fortitude and inner strength it must have taken for this woman to defy norms and take a stand for her own freedom.We Americans must still stand and fight for our rights to live free.”
Elizabeth Freeman spent her years as a free woman working for wages in the Sedgewick household, saving money to buy her own home in Stockbridge, where she was a midwife and healer. She died in 1829 and is buried in “Sedgewick Pie,” the family burial plot in Stockbridge. One of her great-grandchildren, W.E.B. DuBois, born in Great Barrington, was the first African American to earn a Ph.D. from Harvard. DuBois founded the NAACP.
Her tombstone reads: “She was born a slave and remained a slave for nearly thirty years. She could neither read nor write yet in her own sphere she had no superior or equal. She neither wasted time nor property. She never violated a trust nor failed to perform a duty. In every situation of domestic trial, she was the most efficient helper, and the tenderest friend. Good mother, farewell.”
The performance of “1781” will take place Thursday, June 19 at 7 p.m. at The Center on Main (103 Main St., Falls Village).Admission is free, donations gratefully accepted.
The new mural painted by students at Saint John Paul The Great Academy in Torrington, Connecticut.
Thanks to a unique collaboration between The Nutmeg Fudge Company, local artist Gerald Incandela, and Saint John Paul The Great Academy in Torrington, Connecticut a mural — designed and painted entirely by students — now graces the interior of the fudge company.
The Nutmeg Fudge Company owner Kristy Barto was looking to brighten her party space with a mural that celebrated both old and new Torrington. She worked with school board member Susan Cook and Incandela to reach out to the Academy’s art teacher, Rachael Martinelli.
“When Susan and Gerald brought this to me, I immediately saw it as a chance for my students to make something meaningful and lasting,” said Martinelli. “It wasn’t just about painting a wall, it was about teaching kids to serve their community through their art.”
Martinelli introduced the project as an after-school club for grades four through eight. “I wanted students who were truly committed,” she explained. Interest was so high that she had to divide participants into rotating grade-level groups, with occasional full-team days for collaboration. The mural became a long-term endeavor, stretching across a school year and a half.
The painting was created on canvas, a nearly 4’ x 27’ roll, donated by Incandela. The paint came courtesy of school principal Ed Goad. With materials secured, the students dove into research, studying maps, landmarks, and city history to inform their designs. “They worked to capture the spirit of Torrington,” Martinelli said. “But also, to match the whimsy of a candy shop.”
The result is a mural that features a playful “candyland” version of the city, where important buildings and landmarks are sized according to their importance to both the client and the community. “They created this hierarchy of bubbles and buildings, this joyful visual story,” Martinelli said. “It’s full of life.”
Beyond art skills, Martinelli witnessed her students develop qualities often harder to teach: teamwork, communication, resilience. “They learned to scale up sketches, mix large batches of paint for consistency, and adapt their work when it overlapped with someone else’s. They really respected each other’s contributions.”
The project also reflected the Academy’s Catholic STREAM (Science, Technology, Religion, Engineering, Arts, and Math) approach to education. “This was STREAM in action,” Martinelli explained. “They used technology to scale and transfer designs, applied math for proportions and spacing, and worked collaboratively to problem-solve. But they also lived their faith — through service, solidarity, and joy.”
Martinelli believes the mural speaks as much to the process as it does to the final product. “Some of the kids who worked on it have already graduated, but they’re coming back for the unveiling. That says something.”
The unveiling of the mural will take place at The Nutmeg Fudge Company on June 11, from 5:00 to 7:00 p.m., where families, friends, and community members are invited to celebrate the students’ achievement.
Asked what stood out most from the experience, Martinelli said, “For me, the most rewarding part was watching a diverse group of kids work together — different grades, different friend groups — all collaborating with respect, flexibility, and positivity. They created something beautiful, together.”
Curator Henry Klimowicz, left, with artists Brigitta Varadi and Amy Podmore at The Re Institute
For anyone who wants a deeper glimpse into how art comes about, an on-site artist talk is a rich experience worth the trip.On Saturday, June 14, Henry Klimowicz’s cavernous Re Institute — a vast, converted 1960’s barn north of Millerton — hosted Amy Podmore and Brigitta Varadi, who elucidated their process to a small but engaged crowd amid the installation of sculptures and two remarkable videos.
Though they were all there at different times, a common thread among Klimowicz, Podmore and Varadi is their experience of New Hampshire’s famed MacDowell Colony. The silence, the safety of being able to walk in the woods at night, and the camaraderie of other working artists are precious goads to hardworking creativity. For his part, for fifteen years, Klimowicz has promoted community among thousands of participating artists, in the hope that the pairs or groups he shows together will always be linked. “To be an artist,” he stressed, “is to be among other artists.”
Curator and owner Klimowicz and both artists spoke of the physicality of making art, revealing an abounding intimacy with their materials. Podmore recounted seeking the perfect bare branches to use in her “Fall,” the piece that dominates the center of the space.She would find those that most suggested figures slipping into a fall, and mimic them herself, as animators do for accuracy, before admitting them into the crew now lying on the floor.Each isunique, but all are united by their red-socked feet, which, though tiny, are touchingly rendered in adult proportions. For art professor Podmore, they signal how “failing in public” is a phenomenon today’s students must learn to navigate.
For Varadi, whose background is Rusyn-Carpathian, the main medium is Karakul sheep’s wool, a particularly robust variety used in Persian carpets. Her process of felting the fiber involves extremely hard labor; she wryly expressed hope that technology would ease the burden of this long-term project, best seen in her huge wall piece, “With Their Backs to the Mountains.” The title refers to the staunch resilience of her ancestors — stateless but proud, subject to historical violence.
In Varadi’s video “Hunia-Permission to Be,” the color red amid the chiaroscuro of snowy winter forests offers a mesmerizing counterpart to Podmore’s floorpiece.Wearing the traditional, oversized red felted coat called the Hunia, the artist silently plods through the lovely scene, suggesting cycles of effort, disappearing and reappearing.
Podmore’s video adds the aural element, with the creaking of trees rubbing against each other at various tilts.The title “Fifteen Degrees” indicates a tree’s maximum safe angle from vertical. Reflecting this, two silhouetted jointed figures lean against each other — by turns intimate and aggressive — a shockingly apt metaphor for current society.
“As a younger artist,” Podmore observed, “I was very serious about the human condition; now I see that it is just bizarre.”
Another of Podmore’s works, “Audience” — now on view at Mass MoCA — gives a nod and a wink to our strange time.Hundreds of unique plaster-cast baskets mounted along an 85-foot wall, some fitted with single mechanical eyes, offer viewers the experience of being viewed, to the quiet cacophony of eyes popping open.A must-see through Nov. 30.
The Re Institute exhibition can be seen through July 5, with hours Saturdays 1 to 4 p.m. and by appointment.More information at the reinstitute.com.