AMENIA — Amid unanimous favorable reports from the herd, Coon Brothers dairy farm in Amenia held an open barn on Sunday, Dec. 1, inviting contractors and friends to visit the cows and see their new automatic milking system that has brought robotics to the modern dairy industry.
Coon Brothers has used GEA equipment for milking over the years, so co-owners Peter and Amos Coon indicated that GEA Dairy Robot equipment was chosen to automate their operation, requiring a long period of construction.
The preceding year had been given to renovating the barns in preparation for installation of the robotic equipment that began in the spring and continued into July. Six robotic milking stations have been installed and all are now kept busy throughout the day.
Fully automated milking systems have been installed at Coon Brothers Farm in Amenia. Computers at each milking station monitor quantity and quality. Visitors were invited to an open barn tour on Sunday, Dec. 1, to see the new systems at work.Photo by Leila Hawken
Each cow decides for herself when to go in for milking, the decision prompted by discomfort. Observation showed that the cows placidly await their turns without disagreements or jostling for position.
“The difference is the cow’s comfort,” Amos explained. “Now they are getting milked when they want to,” he added.
The farm has a population of 600 animals with 350 milk cows, including Guernseys and Holsteins, divided between two barns, Peter Coon said.
“The system is better for the cows and it will save labor,” said Coon. “and the cows seem to like it.”
The computerized system monitors each cow, recognizing individuals by a computer chip attached to the cow’s collar. During each milking session, the cow’s milk production and quality of the milk are instantly measured and tested, with any problems detected and dealt with.
The system isolates and collects data from each quarter of the cow’s udder.
Cows residing in the milking barn are there all the time, Amos Coon said. “The new system has changed how we do everything.”
In the barn the cows munch on molasses flavored silage but get a treat in the milking stall in the form of custom grain.
Milk output is measured in pounds, not gallons. One cow can produce 20 pounds of milk in a single milking session, Amos explained. They go for milking more than once a day; some cows may give as much as 140 pounds of milk in a single day. Genetics contribute to a top-producing cow, Amos said.
A cow that has recently calved gives more milk, with increased production lasting 50-200 days. A newborn calf will only suckle for 12 hours before being shifted to manual feeding of bovine colostrum which is separated from the cow’s milk production by the robotic system.
In the event of a power outage, a generator keeps the systems going.
A large 6,000 gallon milk collection tank holds the milk until a tanker truck takes it away.
Robotic milking is not new to the area. Freund’s Farm in East Canaan has also installed automated milking with good results.
Weatogue Stables has an opening: for a part time or full time team member. Experienced and reliable please! Must be available weekends. Housing a possibility for the right candidate. Contact Bobbi at 860-307-8531.
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Estate/Tag Sale: 168 Johnson Road, Falls Village CT. Friday Saturday Sunday, December 5th-7th. Total house contents, furniture, antique and vintage collectables, costume jewelry, shed stuff, basement stuff, stairs chairlift, some art. Fri, Sat 9-4 and Sunday 9-noon. A Tommy sale, come and get it!!
PUBLISHER’S NOTICE: Equal Housing Opportunity. All real estate advertised in this newspaper is subject to the Federal Fair Housing Act of 1966 revised March 12, 1989 which makes it illegal to advertise any preference, limitation, or discrimination based on race, color religion, sex, handicap or familial status or national origin or intention to make any such preference, limitation or discrimination. All residential property advertised in the State of Connecticut General Statutes 46a-64c which prohibit the making, printing or publishing or causing to be made, printed or published any notice, statement or advertisement with respect to the sale or rental of a dwelling that indicates any preference, limitation or discrimination based on race, creed, color, national origin, ancestry, sex, marital status, age, lawful source of income, familial status, physical or mental disability or an intention to make any such preference, limitation or discrimination.
Sharon, CT
TAG SALE: SATURDAY, DECEMBER 6, 10:00 AM - 2:00 PM, 135 Sharon Mountain Road, Sharon, CT 06069. Clearing things out before the holidays! Stop by for a great mix of items, including: Kitchenware, Small pieces of art, A few pieces of furniture, Clothing, Books, And more assorted household items. Easy to find, everything priced to sell. Hope to see you there!
On Dec. 11, at 6:30 p.m., at the White Hart Inn in Salisbury, Day and Weitzman will share their memories in a conversation moderated by noted designer Matthew Patrick Smyth. The event is organized by Oblong Books and the Scoville Library.
Fresh home from her exhibition and book signing in Paris, Day sat in her Salisbury aerie high above the distant hills, her daughter’s black cat on her lap. She told the story of “Les Flashs d’Anne,” and the kismet that spurred its evolution.
In 2024, afterlearning that Day had worked with Guibert in New York and Paris, Weitzman — the author of numerous books about Guibert —saw her salvaged images, sought her out and announced, “We must do a book together.”
Weitzman writes in the book’s prologue, “This book is the dreamlike, uncanny result of that serendipitous encounter with a remarkable woman.”
Cover of “Les Flashs d’Anne”Jennifer Almquist
During the 1980s, Day was a working photographer living on Fifth Avenue. A friend, the editor of Le Monde, asked whether Guibert, on his maiden voyage to New York, could stay with her. “I remember it was a cold night when Hervé showed up at my door,” she said.“His flight had just gotten in from Paris and he had this big box of Guerlain perfume. It was wrapped in beautiful pink paper. Within four minutes, we were friends.”
Thus began a whirlwind collaboration that took them from Manhattan, where they interviewed André Kertész, to Paris where they dined with Henri Cartier-Bresson and Duane Michals, and on to interviews with Isabelle Huppert, Gina Lollobrigida, designer Madeleine Castaing, Orson Welles and other luminaries of that time.
Day never saw Guibert after 1983. “Hervé got AIDS in the late ’80s and was quite militant. He now has a following of young people,” Day saidwistfully. During his final days, Guibert wrote five books based on his existential journey.
Orson Welles, top, and Hervé Guibert and André Kertész by Anne DayJennifer Almquist
Day recalled the devastating house fire in which her family tragically lost their friend Maria Paz Reyes and their dog. Day survived by jumping from the second story. A lifetime of images, negatives and slides were lost or damaged. “To lose pictures is like losing friends. Everything was piled into metal file cabinets in my studio. All my negatives and slides were packed in tight. The fire started at the farthest point from there as possible. It was the only thing that wasn’t destroyed— every other single thing was gone. Nothing left. It was raining, so my friend Christopher covered everything with a tarp. The fabulous part of this story is how much help I had from my town, which gave me the empty firehouse to lay out everything to dry. Friends came from near and far to help. Some days I had ten volunteers, and it went on for a month, which gave me something to move forward with. It was so tragic and awful.”
Self-portrait, New York City, 1981by Anne DayJennifer Almquist
A veteran photojournalist, portrait, wedding, and architectural photographer, Day created images for five books featuring the architecture of the Library of Congress, the U.S. Capitol, and the New York Public Library. She covered events in Cuba, Haiti and South Africa, where she took an iconic image of Nelson Mandela emerging from his prison cell. Her commissioned images of four Presidential Inaugurations are featured in the Smithsonian. Her work has appeared in Newsweek, Time, The New York Times, The Washington Post, Fortune, Paris Match and Vogue. She was the editor of Compass at the Lakeville Journal and The Millerton News.
Currently, she enjoys shooting digital photographs of nature. “I am interested in migration, large groups of birds and insects. I’ve been to New Mexico to photograph monarchs, Nebraska to photograph Sandhill cranes, and Ireland to photograph a murmuration of starlings.”
Day summed up her life: “Things just happened to me.”
Tickets to the event at The White Hart Inn on Dec. 11 are available at oblongbooks.com
