
The closure of Bard’s campus at Simon’s Rock has left faculty facing an uncertain future.
Photo courtesy of the Berkshire Eagle
The closure of Bard’s campus at Simon’s Rock has left faculty facing an uncertain future.
GREAT BARRINGTON — An online petition by a student trying to save the livelihoods of Bard College at Simon’s Rock faculty has gained 912 signatures since it was first released on Tuesday, Nov 19.
And another student is working on a campaign to establish a fund that employees of the school who lose jobs and health insurance can draw from.
After the Nov. 19 announcement that the school would close its early college at the end of spring semester, employees and students have been grappling with the news, attending frequent meetings and trying to help those whose jobs are likely on the chopping block.
There is much sorrow, anger and frustration in the atmosphere, students said.
“It’s been really, really sad,” said Isabella Zeisset, 18, a sophomore, who started the Change.org petition asking Bard to renew faculty contracts. “The students are really worried about the faculty.”
Numerous faculty contacted by The Eagle said it is too early to talk about what’s happening.
And, the students said, it is also too painful. Many longtime faculty and staff at the school are facing layoffs as the school moves its entire operation to Bard’s new Massena Campus at Annandale-On-Hudson, N.Y.
It’s a move that Bard has been mulling for several years.
Bard said in its announcement and on its website that faculty positions will not be transferred from Simon’s Rock, and that they have to apply anew for any available teaching slots.
A spokesperson for Bard has not answered specific questions the number of positions at the New York campus, about 40 miles southwest of Great Barrington.
Rumors are flying through campus about these numbers, students and other sources told The Eagle. The Bard website showed roughly 50 job openings as of Thursday evening.
A Simon’s Rock spokesperson said the school currently has 238 employees. It was unclear exactly how many staff and faculty may lose their jobs.
Those who do get rehired at Bard could lose seniority in terms of benefits. It will be up to the discretion of Bard, the website says.
For these reasons and more the announcement on Tuesday rattled the entire campus and town, given Simon’s Rock’s immense economic and cultural significance in town since the 1960s.
School officials cited declining enrollment as a primary reason.
Students who continue on will transfer to the new Bard campus in the fall to finish their studies. Summer housing will be available “on a limited basis and prioritized for students with the greatest need,” the school website says.
The school is one of Great Barrington’s largest employers. And over the decades its students have worked and shopped at businesses in town. Many returned to the town later to raise families and open businesses.
“It’s a huge deal,” said Erik Bruun, who owns SoCo Creamery downtown and has employed Simon’s Rock Students. “And once you start pulling back the layers of the impacts, [the closing] really almost affects every element of the community. It’s a great loss.”
“The school made a big difference,” Bruun said, “in a lot of people’s lives.”
But Bruun, who wrote about the school in the 1980s when he worked as an Eagle reporter, remembers that the school has long struggled with money.
“It was sort of touch and go in the 80s,” Bruun said. And apparently also for the last “several years,” according to the school’s website.
The school’s board of overseers and college administration “have been working to find a solution for a path forward for Simon’s Rock … after it became clear that the current state of enrollment and fundraising was not sustainable”
The school, as a nonprofit, did not pay property taxes and has not made any payments in lieu of taxes, according to the town.
Another big question is what will happen to the campus. It will be sold, but the question is to whom and for what. Great Barrington residents have floated a variety of ideas, such as affordable housing and even as the new location for a Monument Mountain Regional High School, which could cost around $140 million to rebuild.
In response to questions, Bard spokeswomen Liz Benjamin said that there are no offers currently on the table to buy the campus or any part of it.
The Kilpatrick Athletic Center will carry on with its regular programming through the end of summer. “More information will be shared as it becomes available,” she said.
The Daniel Arts Center, Benjamin added, “will honor all performances and rental agreements through the end of 2025 summer season.”
There are various other campus programs, including a farming program, whose fate is uncertain.
Bard has not responded to the the student petition. Benjamin said that school officials are aware of it, and that “this situation is developing, but faculty and staff will have the opportunity to apply for positions at the new campus.”
Some petition supporters expressed their concerns and anger in comments.
“Shameful,” wrote one. “The school knew full well and hid this from us when our daughter started a few months ago. At the least they should offer the teachers the new jobs and allow all students to enter Bard full time ASAP.”
“The faculty at the Rock,” wrote another, “are the school’s heart and soul. I was there twenty years ago and can attest to the lifelong impact of the incredible professors I had back then.”
The petition’s author, Zeisset, said she has “deep connection” to the school. Her parents met at Simon’s Rock when they were students. She will continue to Bard next fall, but worries about the employees and faculty here. She hopes the petition will help pressure Bard to hire them.
“A lot have dedicated half their lives to Simon’s Rock,” Zeisset said. “Just the idea of leaving their life’s work behind has been really difficult.”
Salem Lockney, a junior, said she’s working on the fundraising aspect of this for the employees. A professor is helping her figure out the “ethics” conundrum of who would be able to draw money from a fund and how much.
“I’m not sure what that looks like yet,” said Lockney, 18, who also attended the pre-college Simon’s Rock Academy. “I have so much anger about the whole thing and I wanted to do something about it.”
“The staff and faculty,” Lockney said, “have really changed my life.”
To escape the cruelties of war, Katya finds solace in her imagination in “Sunflower Field”.
‘I can sum up the last year in three words: fear, love, hope,” said Oleksandr Hranyk, a Ukrainian school director in Kharkiv, in a February 2023 interview with the Associated Press. Fast forward to 2025, and not much has changed in his homeland. Even young children in Ukraine are echoing these same sentiments, as illustrated in two short films screened at The Moviehouse in Millerton on April 5, “Once Upon a Time in Ukraine” and “Sunflower Field.”
“Sunflower Field,” an animated short from Ukrainian filmmaker Polina Buchak, begins with a young girl, Katya, who embroiders as her world becomes unstitched with the progression of the war. To cope, Katya retreats into a vivid fantasy world, shielding herself from the brutal realities surrounding her life, all while desperately wanting her family to remain intact as she awaits a phone call from her father, one that may never come.
“Once Upon a Time in Ukraine,” a short documentary from directors Tetiana Khodakivska, Betsy West and Richard Blanshard, shares the stories of four children navigating war. Ivanna, a young girl in the Kherson region, reads from her a book as drawings of vegetables, which she has thoughtfully named, animatedly come to life on. As the film proceeds, Ivanna’s animated vegetables eventually go into defense mode against their Russian attackers.
Still from “Once Upon a Time in Ukraine” depicting a coffin designed for a child being lowered into the ground.Krista A. Briggs
Young Rusland from Moschun tells his story with an emotion not usually seen in school-age boys. He resides in a temporary home not far from his house, which was destroyed in a bombing. He speaks of time in the cellar, keeping busy canning food while his neighborhood was under attack. He misses his cat, Tima, another casualty of the conflict, and stays close to his dog throughout his time on camera while taking viewers on a tour of his neighbor’s former home, now a ruin from the devastation of the area. As Ruslan sadly observes, “It used to be a beauty.”
In Dnipro, eight year old Myroslava, likely a budding gymnast, is exhibiting her limberness. She speaks of formerly smooth roads in her hometown of Mariupol, which eventually caught fire. She explains, “Ukraine and Russia used to be friends until Russia got crazy.” Myroslava’s father has, in fact, perished in the conflict, but she remains in denial – or, as her mother explains, “She has gone into herself.” Myroslava finds comfort from multiple hugs from her mother, but continues to maintain her father is alive. “He will return,” she says. “He’s coming back.”
In Bucha, Maksym, 10, relates stories of explosions and bombings, as well as close encounters with missiles, which forced him and his family to evacuate. As with Myroslava, Maksym finds solace in his family, particularly his older brother. He can’t sleep in the dark and stays close to his favorite toy – a present from his mother. A pianist and a dancer, Maksym says, “I dream of peace so they don’t have to take up arms.”
Children are resilient, but the young people of Ukraine are clearly being tested to their emotional limits. When the internet cooperates, the children of war-torn Ukraine have, for the most part, been receiving educational instruction online for the past five years and despite their circumstances, are academically persevering with a strong academic focus on STEM and the arts.
But education, pets, toys and loving families are for those children who have not been killed since the war began. More than 2,000 young people have been injured or killed as a result of the conflict. Observed filmmaker Buchak, “We’re losing such a young generation now.”
The number of children who suffer from mental health challenges is much higher. Untold numbers of children are in need of psychological intervention. All of Ukraine’s children need to know the war is coming to an end, but until that day, they remain awake in a nightmare.
Anastasia Rab of Razom for Ukraine, a nonprofit advocacy organization, fields questions from the audience alongside filmmaker Polina Buchak. Anastasia and Polina are both Ukrainian natives now living and working in the United States.Krista A. Briggs
After the films, a Q&A featured Buchak, Anastasia Rab, chief advancement officer at the nonprofit, Razom for Ukraine, and Joshua Zeman, whose vocal talents were featured in the documentary, “Cropsey.”
“What’s going on in Ukraine is a travesty and truly undemocratic,” said Zeman, who reminded the audience that their participation in viewing these films is a form of protest against the Russian invasion, most appropriate on a day marked by protests by the Hands Off movement in support of American democracy.
Rab, whose organization supports a physically, politically and economically secure Ukraine, noted the trauma in young Ukrainians whose existence and identities are under attack. “This war is about erasing Ukraine,” said Rab, who pointed out another atrocity of war – the kidnapping, trafficking and forced illegal adoptions of young Ukrainians by Russian forces. In some instances, the young victims are “deprogrammed” by Russian forces and forced to fight against their own country – a war crime.
Despite the atrocities of war and its terrible consequences, Polina Buchak, while grounded firmly in the awful realities of the ongoing battle, remained optimistic for change. “My hope is for a peaceful sky over Ukraine without the fear of being invaded.”
Sam Tanenhaus, when speaking about William F. Buckley, Jr., said he was drawn to the man by the size of his personality, generosity and great temperament. That observation was among the reasons that led Tanenhaus to spend nearly 20 years working on his book, “Buckley: The Life and Revolution That Changed America,” which is due out in June. Buckley and his family had deep roots in Sharon, living in the house called Great Elm on South Main Street, which was built in 1812 and bought by Buckley’s father in 1923.
The author will give a talk on “The Buckleys of Sharon” at the Sharon Historical Society on Saturday, April 12, at 11 a.m. following the group’s annual meeting. The book has details on the family’s life in Sharon, which will, no doubt, be of interest to local residents.
Buckley, who came from a family of 10 children, including his brother Sen. James Buckley and his sister Priscilla Buckley, who were familiar faces in Sharon during their lifetimes, was a well-known conservative writer and political commentator.
“He was a true intellectual,” Tanenhaus said during a recent phone interview. “He would even talk to his dogs in that way.”
Buckley’s name was synonymous with the conservative movement back in the middle of the last century. He was the founder of the National Review magazine in 1955 and host of the public affairs television program, “Firing Line” that ran from 1966 to 1999. The key aspect of Buckley’s conservatism was a push against the tide of liberalism, said Tanenhaus. “It was more a negative than positive movement. He lived as a conservative, being highly patriotic, family-oriented and practicing civility and order.”
Tanenhaus said Bill Buckley was the first political writer/thinker to understand political controversy was really cultural controversy. When he was waging a cultural war, the stakes were about such things as the communists winning and Jim Crow.”
Tanenhaus relates his subject’s relationship with a variety of individuals, including the explosive encounters he had with writer Gore Vidal. “There are indications he had a large capacity and never held a grudge. He didn’t disparage Vidal as a writer and didn’t say he was a bad person. Nowadays that approach is really uncommon.”
Buckley was always interested in other people’s lives, including such figures as Huey Newton of the Black Panthers and Jesse Jackson, of whom he was very fond.
Tanenhaus spends time in the book delving into Buckley’s personality, noting he could talk with anyone and was always interested in those he met. “He wanted to maintain friendships. He never wanted politics to supersede relationships. He was just such an exciting person to be with.”
What he couldn’t tolerate, said Tanenhaus, was being bored. He enjoyed being in the company of others and was a great listener; not so great a talker. He was a great publicist and promoter of ideas and arguments.
Often asked what Buckley would think of today’s political scene, Tanenhaus said he really couldn’t say, but he said he did have lots to say about Donald Trump back in the 1990s. “He might say different things now. He never did have him on ‘Firing Line.’” They had one friend in common; attorney Roy Cohn.
Tanenhaus revealed his political leanings do not mirror those of Buckley’s, but took on the project to see how the world thinks of him.
Janet Marlow recording Pet Acoustics.
Does your pet suffer from anxiety and stress? Musician, pet owner, and animal lover Janet Marlow may have sound solutions. With a background in classical music and a profound interest in the auditory world of animals, Marlow has dedicated her career to understanding how sound impacts emotional and physiological states in pets.
“I’ve always been deeply connected to music. It’s in my DNA as a fifth-generation musician. But it wasn’t until 1994, after moving from New York City to Connecticut, that I discovered how music could impact animals.” Marlow said, “I decided to live in Litchfield County because of the extraordinary beauty of nature that inspired so many compositions.” It was when Marlow adopted a black-and-white cat named Osborn that something remarkable happened. “Every time I played the guitar, Osborn would come to my side and relax. It was clear that the music was affecting him, and this sparked my curiosity,” she said. This sparked Marlow to start investigating how animals perceive sound and whether music could be used to improve their well-being.
Driven by these questions, Marlow began extensive research into animal hearing and their responses to sound. For three years, she immersed herself in veterinary medical literature and consulted with experts in animal hearing. By 1997, she had formulated the concept of species-specific music and learned that animals have different hearing ranges. Marlow then designed Pet Acoustics, music created specifically within the comfort ranges of dogs, cats, horses, and birds to promote calm and balanced behavior.
“The results were astonishing. I observed that by eliminating alert-triggering frequencies, animals became noticeably calmer,” Marlow said.
Marlow founded Pet Acoustics in 2009, which has since grown into a global leader in pet wellness for dogs, cats, horses, birds, rabbits and small animals. They have developed a range of products, including music compositions and speakers designed for pets. Today, Pet Acoustics has co-branding partnerships with Nestlé, Purina, Friskies, Boehringer Ingelheim, and Nationwide Pet Insurance.
“One of the biggest hurdles was convincing people that music could truly influence their pets’ well-being. Educating pet owners about the benefits of species-specific music took time and persistence. But through continuous research, product development, and dedication, we’ve built trust and established Pet Acoustics as a trailblazer in the field,” Marlow said.
Pet Acoustics offers a range of scientifically designed products aimed at enhancing pet wellness through sound. These include Bluetooth-enabled speakers, portable music devices, and species-specific soundtracks tailored to reduce stress and promote relaxation in dogs, cats, horses, and birds. Each product is developed using bioacoustic research to ensure compatibility with the unique auditory sensitivities of different animals.
Additionally, Pet Acoustics provides a specialized free pet hearing test, designed to assess an animal’s auditory range and responsiveness. This test ensures that soundscapes are optimally suited to each pet’s hearing profile, offering an effective and personalized approach to auditory wellness.
For more information, visit www.petacoustics.com