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Free film screening and talk on end-of-life care
Brian Gersten
Feb 25, 2026
‘Come See Me in the Good Light’ is nominated for best documentary at this year’s Academy Awards.
Provided
Craig Davis, co-founder and board chair of East Mountain House, an end-of-life care facility in Lakeville, will sponsor a March 5 screening of the documentary “Come See Me in the Good Light” at The Moviehouse in Millerton, followed by a discussion with attendees.
The film, which is nominated for best documentary at this year’s Academy Awards, follows the poet Andrea Gibson and their partner Megan Falley as they are suddenly and unimaginably forced to navigate a terminal illness. The free screening invites audiences to gather not just for a film but for reflection on mortality, healing, connection and the ways communities support one another through difficult life transitions.
East Mountain House grew out of a realization that “there are so many issues with how we are taking care of our dying in our community,” said David. “We wanted to provide a solution for some people where they can die in a serene and calming home-like setting.” This compassionate approach at East Mountain House is carried out with the support of seven staff members and 42 volunteers who do everything from reading to residents, gardening, cooking, communicating with family members and assisting with therapeutic treatments. East Mountain House houses just two residents at a time, and staff and volunteers work around the clock to accommodate their needs.
In a culture where we are trained to panic when a loved one is dying, and where a clinical space like a hospital is the norm for many individuals at the end of their lives, Davis feels that East Mountain House is an alternative with a natural and organic approach to death. It’s a place where death can be celebrated and viewed as something that is simply a part of life. Davis’ vision for East Mountain House is more than a decade in the making, and he is eager to introduce his work and his perspective to locals at the upcoming community screening.
One of the reasons Davis was interested in sponsoring a screening of “Come See Me In The Good Light” was because the film gracefully explores themes of vulnerability, resilience and the search for meaning in the face of death. Through its deeply personal storytelling, the film highlights how people navigate loss, transformation and the desire to be seen for who they truly are. The documentary’s emphasis on compassion and human connection aligns closely with the mission of East Mountain House, making the post-film discussion a natural extension of the evening.
Davis hopes the event will serve as both a cultural offering and a community touchstone — an opportunity for neighbors to gather in a welcoming space, share ideas and reflect on the importance of end-of-life support systems. The screening is free and open to the public, though advance registration is recommended due to limited seating.
For registration, go to themoviehouse.net.
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The power of one tray
Kerri-Lee Mayland
Feb 25, 2026
A tray can help group items in a way that looks and feels thoughtful and intentional.
Kerri-Lee Mayland
Winter is a season that invites us to notice our surroundings more closely and crave small, comforting changes rather than big projects.
That’s often when clients ask what they can do to make their homes feel finished or fresh again — without redecorating, renovating or shopping endlessly. My answer: start with one tray.
A tray creates a moment. It gives the eye a place to land and turns everyday objects into something intentional. More importantly, it’s approachable. There’s no measuring, no commitment, no pressure to get it “right.” It’s a small, easy project — affordable, functional and even a little fun — that can be tailored entirely to you.
One of the things I love most about styling trays is that your cozy “moment” becomes mobile. Everything you love is gathered in one place and can be easily moved from room to room as your day unfolds. A tray that starts on an entry table can later migrate to a coffee table or kitchen counter, adapting to how you’re actually living in your home.
In one client’s entryway, we styled a tray that sets the tone the moment you walk in. A simple pair of brass candlesticks adds warmth, a blue-and-white chinoiserie vase brings character, and two vintage books ground the arrangement. It’s not decorative for decoration’s sake — it feels collected, welcoming and personal, all while keeping the surface from becoming cluttered.
In another home, a coffee table tray became the quiet anchor of the living room. We included a strand of wooden beads for texture, the TV remote tucked neatly into a small vintage box, and a plant nestled in a pottery bowl. The tray keeps everyday necessities close at hand while making the space feel relaxed and lived-in rather than chaotic.

Kitchens may be where trays work hardest, especially in winter when we’re cooking inside more and gathering more casually. For one client, we styled a tray with a pepper mill; a shallow bowl for garlic, shallots and onions; and a white Italian ceramic container filled with olive oil. It’s practical and beautiful, and it makes cooking feel intentional instead of rushed. The tray warms up the counter while keeping essentials within reach.
Another version I often create is the cocktail, mocktail or tea-and-coffee tray — endlessly useful for friends popping over to say hello. A few cups, a teapot or carafe, honey or sugar, and a candle create an inviting setup that’s ready at a moment’s notice. It says, “Stay a while,” without any fuss.
What makes trays so effective this time of year is that they respond to winter’s quieter rhythm. Winter decorating isn’t about bold color or dramatic statements — it’s about texture, warmth and restraint: wood, stone, ceramic, linen, candlelight. A tray helps you edit rather than add, grouping items so they feel thoughtful instead of scattered.
When the seasons shift, the same tray evolves with you. Heavier elements can be swapped for lighter ones — fresh flowers, glass, pale ceramics — without starting over. One tray, styled seasonally, becomes a constant that gently changes rather than something that has to be replaced.
Remember, good design doesn’t have to come from big gestures. Often it comes from small moments done well — a surface that feels intentional, a corner that feels cared for. In winter’s stillness, creating a simple tray may be just enough to make your home feel calm, personal and complete.
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Tangled specks: tiny flies, big ambitions
Patrick L. Sullivan
Feb 25, 2026
Here is a sample from a recently purchased assortment of specks. From left: Black speck, Parachute Adams dry fly speck, greenish sparkly speck.
Patrick L. Sullivan
I need to get my glasses checked
My fingers fumbling like heck
I have become a nervous wreck
Must be the season of the speck…
(With copious apologies to Donovan).
I’m still on the injured reserve list following replacement right hip surgery. Right now the plan is to come off the IR June 1, but I’m going to ask if we can’t shave something off that.
And yes, the rehab is going very well, thank you for asking.
What this means in practical terms is I am scheming and plotting like nobody’s business about all the fishly things I am going to do once Ye Doctor blows the all-clear.
I have glaring weaknesses in my angling game. I stink at roll casting. I’m hopeless with 12-foot leaders.
And I am really lousy at fishing with the kind of tiny little flies I refer to as “specks.”
I define a speck as anything smaller than size 20. Speck experts will disagree, as they think a size 20 is huge. Maybe I will think so too some day.
One of the perils of sitting around after surgery is scrolling through social media and buying things. For preference, things I don’t need.
I got some weird t-shirts. One sports the logo of the Shenandoah (Pa.) Hungarian Rioters, a 19th century minor league baseball team. Another reads “Surely Not Everyone Was Kung Fu Fighting.”
Among these idiotic acquisitions was an offer of 72 specks for about $50. This was a rock-bottom price, and it wasn’t coming from a fly-by-night outfit either, but from an online company, The Catch and the Hatch, who provided me with some very good perdigon nymphs a few years back.
So the specks arrived, and they are everything I feared.
Tiny. Hard to see. Did I say tiny? Infinitesimal. You know.
SPECKS!
Here’s why an angler needs to know how to use specks. In between the nice hatches of large, easily identifiable bugs, which is most of the time, trout eat little bugs.
If it’s a cloudy day, chances are there will be blue-wing olives on the water. Then there is a category called midges which contains multitudes.
I look at the river for five minutes, see nothing happening bug-wise, and I start trying to provoke a reaction somehow.
What I am missing is the trout happily eating specks beneath the surface.
So how am I going to do this?
What little speck success I’ve had has been with a dry-dropper rig. I use a big Stimulator or Chubby Chernobyl, a large, very visible, very buoyant dry fly, and tie a piece of fluorocarbon tippet to the bend of the dry fly’s hook with an improved clinch knot and attach the speck to that. A bass or panfish popper works as the dry fly too.
Here’s the problem. The speck hook eyes require a very fine tippet material — 6x, 7x, even 8x.
I dislike fine tippets even more than specks. The stuff is devilish. It curls up. It refuses to knot. It’s just awful to work with.
Some years back I discovered one brand of fluoro tippet with a 5x tippet that was somehow able to get through the eye of a size 22 hook. That made a difference.
But this moderately successful method is very one-dimensional. I need to be able to construct a leader with a dropper or two and get my specks down in the water column.
That’s going to mean 6x or worse, probably. I might have to add some weight, another thing I dislike and am not good at.
But that is the plan. I hope to report great things as I master the speck this season.
Or until my left hip goes out.
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Suzan Scott sees every detail in ‘This Beautiful Place’
Patrick L. Sullivan
Feb 25, 2026
Torrington artist Suzan Scott talked with visitors at a reception for her show “A Beautiful Place” at the David M. Hunt Library Saturday, Feb. 21.
Patrick L. Sullivan
Landscape painter Suzan Scott said, “I see every leaf on every tree, every blade of grass,” when she assesses a particular view. Her paintings are her effort to “distill it to the essence.”
Scott said she has been painting for 30 years, and she moved from central Connecticut to Torrington a few years ago to be closer to the landscapes she prefers. “I just get in the car and drive.”
One painting, with dramatic clouds and light, was the result of a group project. The leader suggested a protest theme, and Scott was not initially enthused. But that was the summer of 2023, when smoke from wildfires in Canada drifted into the Northeast U.S. The phenomenon yielded spectacular sunsets, among other things. So Scott was able to comment on the situation in a subtle manner without taking an overtly political stand.
Scott’s paintings are on display at the David M. Hunt Library in Falls Village through Friday, March 13. She will give a talk at the library on Thursday, March 12, at 5:30 p.m.
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Chair making and wood carving
Millerton News
Feb 25, 2026
Chair making and wood carving
Chair making and wood carving
Andrew Jack, chair maker, will host an open shop on March 1 from 10 a.m. to 4 p.m., at the Magic Fluke Building (292 S. Main St., Sheffield). Jack will demonstrate Windsor chair making and green-wood carving. Email andrewjackchairs@gmail.com with questions about the open shop event, for commissions or to register for an upcoming chair making course.
Displaced Main Street tenants allege neglect; owner pushes back
Aly Morrissey
Feb 25, 2026
Tim Watson sits in the front room of a home he and his family are temporarily occupying. Watson and his family evacuated their apartment at 7-9 Main St. in Millerton after a carbon monoxide leak.
Photo by Aly Morrissey
MILLERTON —Nearly four weeks after a furnace fire sent deadly levels of carbon monoxide inside 7-9 Main Street and forced as many as 18 residents to evacuate, a dispute between displaced tenants and the building’s owner has raised questions about safety, management and whether the property will reopen.
As of press time, the village had posted a notice on the building declaring it an “Unsafe Structure,” barring residents from returning until required repairs are completed. Village officials said required repairs include installing a new furnace, carbon monoxide and smoke detectors, and an ADA-compliant ramp. However, the owner said he is hesitant to undertake those upgrades after years of challenges with the village and some tenants.
Several tenants described their displacement as the latest failure of the owner, Kastriot “Chris” Rrapi, to properly maintain the 126-year-old building, an argument that Rrapi disputes.
“Our entire world got flipped upside down in a matter of hours,” said Brittney Watson, 22, who said she woke to the smell of smoke and felt dizzy as alarms sounded. Her family — including her father, Tim Watson, who uses a wheelchair after losing both legs — was among those forced to evacuate.
The property now appears unoccupied. Village officials said they shut off water to the building as an additional measure to prevent anyone from living there.
The Watson family is currently staying in temporary housing with assistance from the American Red Cross — an arrangement that is set to expire in early March, around 30 days after they first moved into the temporary home. The family said their future living situation is now uncertain.
Tenants describe displacement and past conditions

Tim Watson said he and his family moved into a first-floor apartment in the building about three years ago — though Rrapi describes it as less than two — and did not sign a written lease. Watson said his family was asked to pay rent in cash under a verbal agreement that would allow for weekly payments based on their fixed-income financial situation. Rent was $1,650 per month for a two-bedroom apartment.
“There was no lease,” Watson said. “It was always cash.”
The Watson family described long-standing problems, including pests, unreliable heat, and water leaks. The family said they repeatedly raised concerns about maintenance issues that went ignored. In the weeks leading up to the fire, Watson said the apartment went days without heat or hot water, forcing the family to rely on a space heater.
Jason Wendover, who is married to one of Watson’s daughters, described similar issues during his time in the building in 2025 in a second-floor apartment, including concerns about whether utilities were properly separated by unit and what he said was a severe cockroach infestation.
“They got into everything,” Wendover said of the cockroaches. “I’d wake up in the morning and, if I forgot to change the coffee, there would be roaches floating in the coffee pot.”
Rrapi disputes many of the Watsons’ claims and said they stopped paying rent months ago, leaving their unit in disarray after the evacuation.
“The building is old, I understand that,” Rrapi said. “It needs work. But the drama this family puts landlords through — it’s unacceptable.”
He said the family destroyed the apartment and caused tension for other tenants, noting complaints about loud arguments and smoking indoors.
Rrapi disputes allegations that he required cash-only payments, saying all of his tenants are welcome to pay by cash, check or Zelle — a cellphone banking app that allows for electronic payments. He also said a professional exterminator was sent to the building and that the Watson family refused to allow them into their apartment.
“I submitted the receipt to the Dutchess County Department of Health,” Rrapi said.
Rrapi said the Watsons owe him nearly $22,000 in back rent and damages, and eviction proceedings are underway. He said they were provided with notice in the months leading up to the fire. He described the apartment left behind by the family as severely damaged, saying they did not maintain the interior of the apartment.
“It’s a wreck to the point that it has to be gutted,” Rrapi said. “It’s my fault that I rented to them, but I felt sorry for them.”
Tim Watson denied ever receiving an eviction notice and rejected claims that his family caused damage to the apartment. He said he withheld as much as $15,000 in rent in the months leading up to the fire, describing the decision as a protest against what he called “slum-like” conditions in the building.
Foreclosure, zoning roadblocks and an uncertain future

Rrapi said the building’s future remains uncertain amid foreclosure proceedings that began in 2023 after a commercial loan went into default, which he attributed largely to a discrepancy he said he discovered after purchasing the property with his father, Zef Rapaj.
With 12 electrical meters on the building, the pair believed it was configured for 12 units, but they later learned it is legally zoned for six, which complicated the property’s finances and prompted him to pursue a variance through the village’s Zoning Board of Appeals.
He described the property as “the biggest headache I ever bought,” citing years of zoning roadblocks and financial strain that have left him uncertain how much more he is willing to invest in the property. Rrapi purchased the Millerton property along with two residential properties in Amenia and a vacant lot in Dover Plains from Christine Lilley of Brewster in 2021.
“I’m not going to put that kind of money into it if I’m not allowed to use the building the way it’s set up,” he said.
While he said he plans to replace the furnace, Rrapi said renovation plans have stalled amid what he described as shifting standards and mixed signals from the village.
With his legal team and architect Ray Nelson of Earthwise Architecture, Rrapi sought to scale back a proposal from 12 units to nine, which the ZBA rejected in June 2025.
The variance request was denied in part due to parking requirements, which mandate 1.5 spaces per unit — a standard that village officials have acknowledged has been difficult to meet in Millerton’s dense downtown.
Rrapi said he considered demolishing the building out of frustration, though he said he still has hope that there is a path forward to rehabilitate the building.
No timeline has been set for repairs or occupancy. Village officials said residents may not return until all safety requirements are met. Rrapi said he will complete the required work but remains undecided about whether he will continue renting the building long-term.
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