North East winery stalls amid zoning review

John King stands at the site of his would-be winery and event space, which has stalled amid the Town’s years-long zoning review
Photo by Aly Morrissey

John King stands at the site of his would-be winery and event space, which has stalled amid the Town’s years-long zoning review
NORTH EAST — For John and Kristen King, moving to the countryside and raising their children on a vineyard was the ultimate dream. But after purchasing a 36-acre property in Millerton and trying to make their vision financially sustainable, that dream now hangs in the balance amid a years-long zoning review in a town that’s prioritizing a thorough process over expedition.
One family’s vision
In 2023, John King began touring dozens of agricultural properties on the market in the region, but kept coming back to Millerton. The deal was sealed when he drove his wife up the hill to a 36-acre parcel on Route 44/22 and Smithfield Road and the couple took in its sprawling, bucolic view.
“That was it for her,” King said with a smile. “My wife didn’t want to look at another property.”
The pair, who live in Harlem with their 3- and 4-year-old, have been coming upstate for 20 years and say they’ve always had a soft spot for Millerton. “It was always our favorite Main Street to hang out on.”
While the idea of “King’s Winery & Vineyard” began to take shape in 2023, the official process with the Town of North East began this spring when the Kings submitted a petition to amend section 180-40 of the zoning code. The change would expand “Country Inn” permissions in the A5A and R3A districts — where their property sits — to accommodate uses such as weddings and small events that could provide supplemental income to sustain the vineyard.
While existing zoning regulations in the district allow for “repurposing an existing structure” for overnight accommodations, King hoped to amend the code to allow for new structures. His ideal winery would feature 24 rooms for overnight guests and work force housing that would provide a number of local jobs.
On a tour of the property, King pointed out where grapes would be grown and where lodging might be tucked into the treeline in order to blend with the natural charm of the land.
“The goal, first and foremost, is to build a vineyard and winery,” King said. “My family would be living there so we have no interest in hosting frequent, weekly weddings,” he said, addressing rumored concerns about local traffic and noise.
King also noted his commitment to hiring locally and boosting the economy. “Everyone we’ve brought on is local — architects, engineers, excavators — because we want to be part of the community, not just some city people coming in.”
Early encouragement
When the Kings’ petition first came before the Town Board in April, it was met with cautious optimism. The Board accepted the application for review, but warned that zoning amendments could take time.
In a July meeting, Town Attorney Warren Replansky called the proposal “reasonable” and “likely to benefit the community.” He added that it was consistent with the rural character of the area. Replansky said the applicant established an escrow account to cover the town’s legal costs — a gesture of good faith that signaled cooperation.
Supervisor Chris Kennan also sounded supportive, telling King that he would attempt to move the process forward quickly and solicit necessary feedback from experts including the town’s Planning Board, the Conservation Advisory Council and Nan Stolzenburg, a zoning consultant with decades of experience.
Deferred dreams
At the September Town Board meeting, the tone had shifted and the Board backed away from the idea of treating the petition as a standalone amendment. Instead, the group agreed to address the request during the broader second phase of the town’s zoning overhaul, which will review residential and agricultural districts. This move would honor the hard work that went into the commercial review, said Kennan, and put safeguards in place for the residential and agricultural districts.
Councilwoman Meg Winkler described the winery application as “putting the cart before the horse.” Fellow Councilman Chris Mayville said the Town had “learned a lot” about how complex zoning work can be. Kennan, once optimistic, now stressed caution. “Things can sound wonderful, and this application in particular sounds like a wonderful thing, but I realize it applies to a lot of other parcels and there are reasons to spend time making sure this is what we want to do.”
The CAC raised environmental concerns, particularly about noise from outdoor events. Stolzenburg pointed to state guidance that “incidental uses” must clearly support — not overshadow — agriculture. Universal feedback recommended more careful language and new definitions to avoid future loopholes.
The shift left King disillusioned. “We’ve tried to align with everything the Town wants so there isn’t friction. And yet here we are,” he said.
While Bill Kish, a member of the Planning Board, suggested the applicant prove his agricultural commitment by planting vines before seeking broader permissions, King insists that model isn’t financially viable.
“I’ve run the numbers every which way,” he said. “Without events and additional revenue, we’ll fail in the first year. We’re at the point of deciding whether or not to pull the plug.”
The town’s perspective
For Kennan, the answer lies in process. The town has spent years — and more than 100 meetings — modernizing its commercial zoning code in response to the 2019 Comprehensive Plan. That work is nearing completion, with residential and agricultural zoning next on the docket. Kennan hopes to assemble that review team before the end of the calendar year and move forward more efficiently.
At the end of the day, the petition represents not just one project but the precedent it could set. The Board’s caution highlights the tension between supporting economic growth and protecting the character of North East.
“I appreciate Mr. King’s interest and we welcome people who want to come and start a business and invest in our town,” Kennan said. “We want to make sure it’s done in a way that keeps the nature of the town consistent with what we know.”
Nathan Miller
Diana Woolis, right, delivers criticism of Pine Plains Town Supervisor Brian Walsh during a regular meeting of the Town Board on Thursday, March 19. Woolis said she was saddened by recorded statements Walsh made where he suggested library budget funds could pay for surveillance cameras in the town.
PINE PLAINS — Residents called for Town Supervisor Brian Walsh's resignation after released records revealed he communicated with surveillance company Flock Safety multiple times about installing cameras in Pine Plains.
Town Board members offered a contrasting message, emphasizing a desire to move forward to work on other projects at their regular meeting on Thursday, March 19. Walsh responded by saying he would share information freely with board members, but otherwise did not offer a detailed statement.
Board members proposed and approved a resolution formally limiting license plate reading cameras and other "public safety" cameras without prior Town Board approval in response to the controversy. Town attorney Warren Replansky prepared the resolution prior to the meeting at the request of board members.
Critics said during public comment that Walsh's actions and statements in light of the recent revelations have eroded trust in his leadership. Walsh has faced scrutiny since Feb. 3 when Flock Safety representatives began marking locations for license-plate reading cameras at three locations across town. Those markings revealed an $80,000 contract with the Atlanta-based company signed by former Pine Plains Police Sergeant Michael Beliveau and Walsh's multiple emails and phone calls with representatives of the company.
Walsh said in statements to the New Pine Plains Herald after the markers for new cameras went up this February that he hadn't spoken to Flock Safety since June 2025. He said he was aware of a six-month trial that Beliveau had arranged with Flock Safety, and that the town was not engaged in a contract. Released records revealed Walsh had communicated with Flock Safety as recently as November 2025, and that the trial agreement that Beliveau signed would automatically roll into an $80,000, two-year contract with the surveillance company.
Public comment drew numerous calls for Walsh's resignation, alleging he lied about his involvement and awareness of the proposed trial and contract. Conservation Advisory Council Chair Gail Mellow issued a sharp rebuke of Walsh's actions.
She said Walsh repeatedly lied about his role in procuring the cameras and accused him of deflecting blame to Beliveau.
"Walsh lied to our community," Mellow said. "And I think, in doing so, smeared dirt on the honor of serving the town."

"We have lost so much ground in four years," Nuccio said. She recalled working as a secretary for Walsh's predecessor, Darrah Cloud, saying the town government accomplished more under Cloud's leadership. "We were doing things in a progressive way."
Some called for sympathy for Walsh, describing his actions as a mistake that the community should move on from. Supporters included law enforcement personnel describing the benefits of license plate reading cameras in solving crimes and avoiding dangerous situations.
Town Board members gave their own statements prior to residents' public comments that centered around accountability and moving forward. Councilwoman Jeanine Sisco offered the first statement on the controversy of the night.
Sisco said the board found it difficult to get answers from Walsh and Flock Safety during the recent controversy, but it was clear that proper procedures were not followed. She said board members received emails and recorded telephone conversations between Walsh and Flock Safety on March 9 — over a month after the stakes brought the agreement to light.
"Information was withheld," she said. "There were serious missteps."
The councilwoman then clarified that the Town Board is prohibited from disciplining or dismissing an elected official under New York law. She said board members plan to move forward and work with Walsh to follow proper protocol.
"I hope you can appreciate how much time and energy has been spent trying to understand what has occurred," Sisco said. "Now it's time to move forward."
Councilman Kevin Walsh took a harder stance, calling out a lack of written confirmation from Flock Safety that all agreements had been cancelled and what he described as obfuscation from the Supervisor.
He said Brian Walsh misled the board and documents have come to light showing the Supervisor communicated with Flock Safety representatives on multiple occasions between November 2024 and July 2025 and again this February after the cameras came to light.
Kevin Walsh nonetheless acknowledged the board has no power to remove Brian Walsh from office.
"Some are calling for us to do things we are not in power to do," Kevin Walsh said. "We will continue to do our best to bring the situation which has caused much consternation to a conclusion."
Nathan Miller
Architect Michael Sloan of Millbrook-based firm Sloan architects describes plans for the proposed Thorne Building renovation to the public for the first time at a public hearing of the Millbrook village Planning Board on Monday, March 16, at the Millbrook Firehouse on Front Street.
MILLBROOK — Community members had a chance to weigh in on plans to renovate the Thorne Building on Franklin Avenue into a state-of-the-art event and community center.
Architect Michael Sloan of Millbrook-based Sloan Architects outlined a proposal that includes a rear addition to expand the stage, an enlarged parking lot, new exterior lighting, a front garden and the removal of the portico on the building’s east side. Sloan said the building, originally constructed as a K-12 school, would be transformed into a space for the community to gather and create.
Public comment was generally supportive, though several residents sought more details about the lighting plan and disability accessibility. The public hearing was continued to the board’s April 20 meeting.
Sloan said the renovations would breathe new life into the century-old building, which has sat vacant in downtown Millbrook for years. The plans call for nearly every space across the building’s four floors to be put to use.
“This project is taking the Thorne Building on Franklin Avenue and giving it purpose and life again,” Sloan said. “The project entails basically making the Thorne Building an actual community center for the community that’s going to be open for the public.”

The renovations are being funded by the Millbrook Community Partnership, a nonprofit headed up by Millbrook resident Oakleigh Thorne — a descendant of the building's namesake — to support the creation of Bennett Park on the former Bennett College campus and the restoration of the historic Thorne Building. Thorne said Monday the building is still several years from opening, but the organization has already outlined potential uses for the interior space.
At the center of the project is the auditorium, which Sloan said will be expanded to better accommodate professional performances.
"It's what we call a high school stage," Sloan said. "It's really for graduation and very shallow."
Sloan said the building would be expanded by about 20 feet, 9 inches at the rear to provide more stage depth and allow for the installation of an accessibility ramp behind the stage. He said the auditorium would be transformed into a performance hall capable of hosting films, live music, plays, dance productions, community meetings and other events. The first floor would also include co-working space available for community members to rent.
"It's for everybody," Sloan said.
In the basement, Sloan said, plans call for a culinary arts space similar to a catering kitchen. While it would allow for food preparation and serving, he said, it would not function as a full production kitchen. The basement would also include a digital arts lab that Sloan compared to a makerspace.
He said the area would house 3D printers, computers, sewing machines, music-recording equipment, practice rooms and other tools for digital creation.

The arts-focused uses would continue on the upper floors, Sloan said. The second and third floors would be dedicated to gallery and studio space for visual artists. The second floor would also include a dance floor, allowing the space to host both community and private events.
Comments from the public were largely favorable, though some neighbors raised questions about lighting and accessibility.
Millbrook resident Heather Lavarnway, drawing on her experience as a professional municipal planner, praised the proposal while pressing Sloan for more information on lighting details. She asked for clarification about lighting temperatures and suggested alternative fixtures for some lights that could create unwanted glare.
"This project is clearly very well thought out," Lavarnway said. "It's sensitive to both the building and the neighborhood."
Other commenters asked for more details about the building’s accessibility features, prompting Sloan to explain that the structure would be brought up to current accessibility standards, including New York’s updated requirements that took effect Jan. 1.
"This is going to be state-of-the-art for accessibility, this building," Sloan said. He said he has experience designing buildings with high accessibility standards due to a high volume of work with universities. "I do this every single day."
Aly Morrissey
The Irondale district, currently known as Highway Business District III, is comprised of just six parcels along Route 22 that are currently occupied by light industrial businesses.
MILLERTON — Though the Irondale District lies just outside of the Village of Millerton, it has become the center of a divisive conversation as the Town of North East continues to review a significant overhaul of its commercial zoning code.
Irondale, officially known as the Highway Business district under current town code, is a small stretch along Route 22 south of the village that some officials and residents believe could support additional businesses, while others argue development there could undermine efforts to boost Millerton’s existing downtown.
The issue emerged during the public hearing on the commercial zoning code overhaul, which has remained open since Jan. 8.
During the Jan. 8 public comment period, Kathy Chow, a North East resident and chair of the Millerton Climate Smart Task Force, urged the town to encourage artisan workshops and food-based businesses in the Irondale area, suggesting it could become a hub for small industry and capture Route 22 traffic.
Since then, board members from the town and the village have weighed in, discussing possible types of permitted businesses in Irondale and the potential impacts.
Irondale is currently zoned for highway-oriented commercial uses rather than village-style retail or restaurants. Permitted businesses include auto body shops, building materials sales such as lumberyards, construction equipment sales and rentals, mobile home and farm machinery sales, transportation terminals, warehouses and wholesale operations.
Councilwoman Meg Winkler has advocated expanding those uses to include restaurants, bakeries and small retail businesses, arguing the area already functions as a natural extension of the village, citing the existing Agway and Napa Auto Parts along the Route 22 corridor north of Millerton’s downtown.
Winkler said the town’s 2019 Comprehensive Plan encourages expanding commercial opportunities and believes allowing small-scale businesses there could strengthen the local economy.
“I stand firm on my decision and it’s not out of disrespect to the ZRC, and it’s not personal,” Winkler said. “It’s rooted in my belief as a businesswoman – and after talking to residents and business owners who want the flexibility in this district – that it would boost the economic vitality to the village and town.”
Others on the board, however, said expanding retail uses outside the village could weaken Main Street by diverting customers away from Main Street.
Town Supervisor Chris Kennan said the ZRC intentionally designed the district to support larger highway-oriented businesses while concentrating retail and restaurant activity in the village center.
“The goal of the ZRC was to support the village as in Main Street and not to provide shopping opportunities on Route 22 where people could just keep driving down 22 and not turn into the village,” Kennan said.
He added that protecting the village’s commercial core is part of what makes Millerton distinct from other communities.
Deputy Supervisor Chris Mayville said he has mixed feelings about the proposal and wants to better understand its long-term implications for planning and development in Irondale.
“If we’re working to expand the boulevard in the village,” Mayville asked, “why would we think mirroring development in the other direction would help that?”
Edie Greenwood, who chaired the ZRC throughout the process, said the group intentionally left the Irondale district unchanged in order to keep the process manageable.
“My approach was to simplify and not get into boundary changes,” Greenwood said, noting that broader conversations about commercial development along Route 22 will likely occur during the next phase of zoning work.
Councilwoman Rachele Grieco Cole said the debate seems like a chicken and egg dilemma.
“There’s tension between wanting the downtown to look and function a certain way and attract enough customers,” Cole said, adding that there is a risk of being too restrictive rather than drawing in as much business as possible.
Kennan ultimately attempted to pass a resolution to maintain the existing ZRC language, which would keep the current limitations in Irondale. The board did not adopt the resolution and will instead pick up the conversation during a regular meeting of the Town Board on Friday, March 20.
Village board members weigh in
Village officials also raised concerns about the proposal during a March 9 village board meeting, where Mayor Jenn Najdek warned that expanding retail and restaurant uses in the nearby Irondale district could create what she referred to as a “fly-by” scenario, diverting traffic and customers away from Main Street.
Trustees agreed the change could undermine long-standing efforts to concentrate commercial activity in the village center, particularly as plans move forward for the expensive wastewater infrastructure project intended to support future development in the Boulevard District.
The board said it plans to collectively draft a formal letter to the Town of North East board outlining their concerns.

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Aly Morrissey
Robin Wall Kimmerer inspired the audience with her grassroots initiative “Plant, Baby, Plant,” encouraging restoration, native planting and care for ecosystems.
Robin Wall Kimmerer, the bestselling author of “Braiding Sweetgrass” and a member of the Citizen Potawatomi Nation, urged a sold-out audience at the Cary Institute of Ecosystem Studies on Friday, March 13, to rethink humanity’s relationship with the natural world through gratitude, reciprocity and responsibility.
Introduced by Cary Institute President Joshua Ginsberg, Kimmerer opened the evening by greeting the audience in Potawatomi, the native language of her ancestors, and grounding the talk in a practice of gratitude.
“Gratitude is the doorway to reciprocity,” Kimmerer said.
Kimmerer, also a mother, botanist and professor, said that Indigenous wisdom does not have to be at odds with Western science, but rather it can help humans reframe the way they understand the Earth.
She also reflected on the personal journey that led to her lifelong commitment to promoting a lens of Indigenous wisdom in Western science. As a young woman entering the field of botany — then largely dominated by men — she said her path in academia was not always welcoming as a female Native scientist.
“It has been a lifelong journey,” she said. “I was born a botanist.”
Throughout the lecture, Kimmerer described how Indigenous ecological knowledge — rooted in observation, experience and ethical responsibility — can complement scientific inquiry and help solve today’s environmental crises.
She pointed to global data showing that about 80 percent of the planet’s remaining biodiversity is found on lands stewarded by Indigenous peoples, many of whom remain under threat from continued colonization and development.
A central theme of the evening was the concept of the “Honorable Harvest,” a code of practical ethics that governs what humans take from the natural world. Its principles include never taking the first one, always asking permission, taking only what is needed, minimizing harm and giving something back.
“Science is a great way to listen for the answer,” Kimmerer said, referring to the practice of asking permission of the natural world and paying attention to ecological limits.
By the end of the talk, Kimmerer turned to the question she said she hears most often: “What can I do?”
Her answer included a call to reciprocity and action. She urged audience members to consider their own “human gifts” and how those gifts might be used in service of the Earth. For example, Kimmerer said she uses her own gift of storytelling to distill complex information and inspire people to think differently about the living world.
“The Earth asks us to change,” she said.
Kimmerer left the audience with a call to action through her latest initiative. In contrast to the slogan “drill, baby, drill,” she said she has helped launch “plant, baby, plant,” a grassroots initiative that encourages people to support the living world through restoration, native planting and care for ecosystems.
D.H. Callahan
"There is no better feeling than working through something with your own brain and your own hands." —Melissa Gamwell
In an age of automation, Melissa Gamwell is keeping the human hand alive.
The Cornwall, Connecticut-based calligrapher is practicing an art form that’s been under attack by machines for nearly 400 years, and people are noticing. For proof, look no further than the line leading to her candle-lit table at the Stissing House Craft Feast each winter. In her first year there, she scribed around 1,200 gift tags, cards, and hand drawn ornaments.
Each piece makes a gift, a note or even a Christmas tree seem more personal, more considered, and more connected to humanity. Since then, demand for her personalized, hand-lettered tags, ornaments and cards has only grown, appearing in mailboxes across the region and at shops like the Cornwall Whale and Marton & Davis in Chatham, New York. Her precision is remarkable, and to watch her create these one-of-a-kind pieces is an art all unto itself.
In recent months, we’ve seen a deluge of stories on digital replacement. Data managers, bankers and even therapists are being replaced by computer programs in mass waves of layoffs. But what many still find surprising about the proliferation of nonhuman competitors in the job market is how it’s affecting the arts. Illustrators, animators, photographers, musicians and even on-screen actors are being supplanted by bots touted as “artificial intelligence agents.”
But calligraphy — and handwriting in general — has been in the crosshairs of mechanical progress for centuries. There was a time, if you can believe it, when writing anything required ink, paper and sometimes even a living, breathing human scribe. No typewriters, no word processors, no voice-to-text programs.
Then came Gutenberg’s printing press. Sure, it changed the world for the better, ensuring a greater distribution of ideas, and helping spark some of the most important political movements in history. But it also marked one of the first moments when technology replaced the artistic work of the human hand. Over the centuries, printers, designers and technologists have continued to innovate. Today, with Photoshop or Illustrator, an entire universe of alphabets exists, from ornate and embellished to precise and futuristic — all designed to replace the human hand.

Yet, despite this centuries-long assault from technology, Gamwell has found her own way to thrive. Largely self-taught, she combines her drawing and industrial design background with an old-school New England childhood in Maine that involved “very tangible, hands-on, creative problem-solving using many materials.” Raised by “parents who loved antiquarian books, often filled with hand-written dedications,” hers was the kind of upbringing in which “traditional practices were cherished and flaunted” — a time and place with “hand-painted lettering on churches, street signage, the stones in beautiful churchyard cemeteries, and log books.”
Those early impressions have stayed with her, heightening her appreciation of sometimes overlooked details.
“There’s so much ephemera floating around with traces of beautiful handwriting to see everywhere, even now in Connecticut,” she said.
Even in a digital age, she keeps technology at a distance.
“You will not find ChatGPT on my phone, and you will usually not find my phone on me,” she said. Instead, she opts for a notebook, a scrap of paper or the back of a receipt. Sometimes, she goes even further, gathering black walnuts from trees on her property to make the specialized ink for her practice.
Gamwell’s approach to her craft is also philosophical. “There is no better feeling than working through something with your own brain and your own hands, even if you find it less exemplary than you would hope. And it only uses the water you’re already consuming. Do you need to convey an idea? Draw it, however horrific or childish. Write it, even if you never learned proper grammar — because you’ve always had programs do it,” she said.
“Sometimes I think that everything I like is ‘historic’ but it’s really that I just find more value in the traditional methods, which are still alive and well, and desperately in need of stewards for the future.”
After nearly 400 years of pressure, it’s encouraging to see handwriting — an art form that once seemed destined for obsolescence — still thriving, one careful stroke at a time. And thanks to Gamwell, perhaps there’s a new generation of observers, collectors and future calligraphers ready to carry it forward.
D.H. Callahan is a voice actor, creative director and trail steward. He lives with his wife, artist Lane Arthur, in West Cornwall, Connecticut.
Natalia Zukerman
The cast of “The Addams Family” from Northwest Regional School District No. 7 with Principal Kelly Carroll from Ann Antolini Elementary School in New Hartford.
Nearly 50 students from across the region are helping bring the delightfully macabre world of “The Addams Family” to life in Northwestern Regional School District No. 7’s upcoming production. The student cast and crew, representing the towns of Barkhamsted, Colebrook, New Hartford and Norfolk, will stage the musical March 27 and 28 at 7 p.m., with a 2 p.m. matinee on March 29 in the school’s auditorium in Winsted.
Based on the iconic characters created by Charles Addams, the musical follows Wednesday Addams, who shocks her famously eccentric family by falling in love with a perfectly “normal” young man. When his parents come to dinner at the Addams’ mansion, two very different families collide, leading to an evening of secrets, surprises and unexpected revelations about love and belonging.
For director Ann DeCerbo, the show’s mix of humor, spectacle and heart made it an ideal choice for a high school production.
“It’s funny and a little spooky, but underneath that it’s really about family, acceptance and learning to embrace what makes us unique,” she said.
The large cast and crew also made the musical a good fit for the school’s thriving theater program.
“What’s impressed me most is the level of commitment,” DeCerbo said. “These students are balancing school, sports, work, family, lessons, driver’s ed. The list goes on and on. But they show up ready to work and to support each other.”
Senior Gustavo Zurita stars as Gomez Addams opposite Ivy Wallace as Morticia. The cast also includes Kaileigh Grant as Wednesday and Domonic Salz as her love interest Lucas Beineke, along with Maribelle Roach as Uncle Fester, Violet Swanson as Alice Beineke, Levi Swanson as Mal Beineke, Krystal Janak as Grandma Addams, Lorelai DeCerbo as Pugsley Addams and Juan Pablo Urbina Labarrere as Lurch.
Behind the scenes, students are also responsible for set construction, lighting, sound, costumes and stage management, essential elements in creating the Addams family’s famously eerie home.
“We started by really embracing the color palette for the show,” said DeCerbo. “Black and white with very purposeful pops of color. This is the biggest set we’ve had on the NWR7 stage in as long as I can remember.”
While the story is packed with humor and gothic charm, DeCerbo said its message resonates strongly with teenagers.
“High school can be a time when people feel pressure to fit in and meet external expectations,” she said. “This show does a great job of showcasing how much we all have in common while also celebrating individuality.”
That spirit, she added, is part of what makes theater such an important space for students.
“One of the things I appreciate most about theater is that it offers a really welcoming environment where students feel comfortable being exactly who they are,” she said.
Ultimately, DeCerbo hopes audiences come ready to laugh and leave with a reminder that every family has its quirks.
“First and foremost, I hope they have fun,” she said. “But beyond that, I hope audiences leave with a reminder that families and communities don’t have to look the same to work. There’s a lot of joy in celebrating what makes people unique.”

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