The key to a perfect tortilla: steaming


In COVID quarantine, I have devoted my time to learning how to bake, and decided to try (one more time) to successfully make tortillas by hand.
I learned two important things: One is that there is really no point in trying to make flour tortillas. The factory-made ones that you buy at the grocery store are actually pretty good; and making flour tortillas at home is pretty difficult. It’s like bolognese sauce; what they sell at the store is as good as or better than anything I’m going to make.
Corn tortillas are another matter. Because corn flour has no gluten, it’s a much simpler process — and of course if you have gluten sensitivity, this is a perfect gluten-free food transport system.
An incentive to make these by hand is that they are easy and truly superior to the fairly rubbery and tasteless corn tortillas sold at even very good stores.
However, I’ve tried corn tortillas in the past and the end result was too dense and too hard. Which leads to the other important lesson I learned this year, from an internet recipe at https://thecafesucrefarine.com/best-ever-homemade-flour-tortillas.
It was recommended to me by Ken Dempsey, one of the talented PT specialists at Geer in North Canaan. This flour tortilla recipe has become a dinnertime staple for his family.
Even though I still think it’s easier to buy than make flour tortillas, this recipe taught me the Essential Trick for Making Corn Tortillas: You must steam them immediately after you cook them.
Where to find
masa harina
The only thing that is hard about making corn tortillas is that you have to buy special corn flour, which is called masa. You can’t substitute corn meal or polenta; this flour is specially treated so it’s smoother and less grainy.
Masa harina is very easy to find. You can get it at Tienda Mi Esquina, the new shop in Amenia, N.Y., at 3294 Route 343 (next door to the post office, at the intersection where there is also a bank and the Four Brothers restaurant). You can also usually find it at large grocery stores such as Freshtown, which is also in Amenia.
If you don’t have a bag of masa harina in the house, then, yes, you will have to leave the house to go buy it. But even with, say, a 40-minute round trip to the store it’s still faster to make corn tortillas (about 45 minutes total) than it is to make flour tortillas, which take two or three hours (because they are made with flour, which has gluten, and the gluten has to rest before you can roll it).
The recipe
The brand I buy is Maseca, and the bag specifies that you can use it to make tortillas. There are a couple other options, including one from Bob’s Red Mill.
But an added benefit of the Maseca brand, for me, was that it has a tortilla recipe on the package. It’s beautifully simple: Combine 2 cups of masa harina with 1 1/2 cups of warm water. If it seems dry, add a little more water, a teaspoon at a time.
Knead it for about 2 minutes in your mixing bowl. It’s a soft dough, and easy to knead. If you don’t know how to knead, you’re just basically pressing it together with the heel of your hand again and again until it comes together into a nice smooth dough, like Play Dough.
It’s very simple; don’t overthink it. Again, masa harina is much more forgiving than white flour.
After you mix the dough, cover it with a damp cloth or some plastic wrap so it doesn’t dry out.
Heat a cast iron skillet over a medium high flame; as with pancakes, you’ll want to adjust the flame as you go along.
Rolling
and steaming
This recipe makes about 20 tortillas. Before you start to roll them out, cut out 22 squares of parchment paper (waxed paper is fine if that’s all you have) that are about 6 or 8 inches square. This might seem wasteful or fussy but trust me on this one: It will make rolling out the tortillas very easy.
Here’s another thing that might sound fussy but will make a big difference. This is the trick I learned from Cafe Sucre Farine. Before you start to cook your tortillas, get a small Dutch oven or other covered ceramic vessel. You can even use a large bowl, with a plate on top.
As you take your tortillas off the skillet, drop them in your pot/bowl and cover it immediately. This will steam the cooked tortillas and make them pliant and delicious. Do not skip this step.
Back to the recipe: After you’ve made your dough, separate it into 20 balls that are about the size of a golf ball. What I found easiest was to roll the dough out into a long log, wrapped in plastic, and then I divided the dough in half and in half and in half and …
Keep the dough balls covered; if they get dry and start to break when you handle them, just put a little water on your hands as you work.
Roll each ball out to about a 1/8 inch thick circle, between two squares of parchment. Leave the circles between the parchment, so they stack nicely and don’t dry out.
Cook them one at a time on your hot skillet. I find it helps if you put a tiny bit of canola oil in the skillet, but you don’t have to.
Cook each side for about 45 seconds; if your flame is hot enough, you should get brown spots.
Your tortillas will taste best right after you cook them. If you don’t eat them the same day you make them, wrap two or three in some plastic wrap and then put each of your packets of wrapped tortillas in a zippered freezer bag.
To reheat them, wrap them in foil and put them in a 275 degree oven for about 10 minutes.
Anthony Musso discusses his book “Hidden Treasures of the Hudson Valley” at the North East Historical Society’s annual meeting on Saturday, Nov. 15. The book centers on historical sites across the region with rich backgrounds and low ticket-prices for maximum accessbility.
MILLERTON — With his signature Brooklyn accent, sense of humor and wealth of knowledge, author and historian Anthony “Tony” Musso brought American Revolution history to life at the NorthEast-Millerton Library Annex in partnership with the North East Historical Society.
The talk marked Musso’s first speaking engagement at the Annex and coincided with the historical society’s annual meeting.
Musso guided attendees through an oral tour shaped by excerpts from his three-volume series, “Hidden Treasures of the Hudson Valley,” which together highlight 165 local historical sites that are rich in history and light on the wallet. Each book features 55 locations that are open to the public.
“I included places that fly under the tourists’ radar,” said Musso, addressing the crowd of more than 30 attendees. “Many of them are run by historical societies, so the added benefit is a free or nominal charge.”
His presentation began with Pawling’s Quaker Hill, where in 1740 a group of Quakers petitioned the Religious Society of Friends to build their own meeting house so they wouldn’t have to travel elsewhere to go to Sunday worship.
“It was kind of small,” Musso remarked of the original structure. “They ran into a problem within the first five years because they had so many people standing around, they couldn’t all get inside.” As a result, in 1767 the Quakers got permission to build a bigger meeting house just across the street.
“This one was a two-story structure with a wrap-around balcony where they could fit everybody inside.” Musso described an event in 1778 during a regular Sunday worship when three officers from the Continental Army came into the meeting house, sat respectfully in the back, and when the service came to a close they announced that they were going to commandeer the building.
“Nearby, George Washington led a large encampment of troops and they wanted to have this building be used as a medical hospital,” Musso said.
During the army’s occupation, the makeshift hospital was overseen by Dr. James Fallon, and many people referred to it as “Fallon’s Hospital.” Approximately 100 troops were treated there throughout its four months of winter operation.
“If you know anything about Quaker beliefs, pacifism is right at the top,” said Musso. “And although the military was not putting armament, cannons or munition in the building — it was for a humanitarian purpose — the Quakers abandoned the building as long as the army was there and found another building down the hillside.”
The Quakers also refused to provide the army with provisions, Musso said, which exacerbated harsh conditions that winter.
When the army left, the Quakers returned to the building and continued with their meetings and worship. Musso added that in 1932, the meeting house was acquired by the historical society of Quaker Hill and Pawling, and “that’s why the building is in such meticulous shape today.”
Musso went on to explain that while George Washington never stayed at encampment with his troops, he did commandeer a house for four months down the hill in the village of Pawling — the home of John Kane, who was originally a Patriot at the start of the American Revolution but switched sides and became a Loyalist.
From there, Musso expanded the tour to Westchester and Rockland counties, including the location where Benedict Arnold turned over the plans, layout and staffing for Fort Arnold to British spy John André — and the site where Andre was subsequently hanged.
As a seasoned historian, speaker and guide, Musso shared one of his tricks if he ever feels like his audience is losing interest. He brings up Hamilton the musical. “I don’t lie to people,” he jokes, “but I say, ‘I can’t prove this, but I’ve heard that some of the music from Hamilton was written here.’”
Though Musso didn’t delve into the rich history of North East’s Coleman Station during the presentation, Musso said it is one of the sites included in his books.
Musso has lived in LaGrange for 40 years, and his career has spanned decades at the post office, writing for the Poughkeepsie Journal, and authoring numerous nonfiction books. “I love the history of this area, and I’m not going to stop telling it anytime soon.”
North East Historical Society annual meeting
Other business from the North East Historical Society included acknowledgements of board members and volunteers. President Ed Downey expressed gratitude for the society’s partnership with the NorthEast-Millerton Library, noted that four members are up for re-election and shared that membership has increased by 54% over the last decade, now totaling 179 — among the highest of any historical society in Dutchess County.
Downey also highlighted ongoing digitization efforts, saying the goal is to “digitize and publish” the historic Millerton Telegram and 90 years of The Millerton News. Downey added that this is a costly project and relies heavily on donations to sustain the work.
“Once Upon a Time in America” features ten portraits by artist Katro Storm.
The Kearcher-Monsell Gallery at Housatonic Valley Regional High School in Falls Village is once again host to a wonderful student-curated exhibition. “Once Upon a Time in America,” ten portraits by New Haven artist Katro Storm, opened on Nov. 20 and will run through the end of the year.
“This is our first show of the year,” said senior student Alex Wilbur, the current head intern who oversees the student-run gallery. “I inherited the position last year from Elinor Wolgemuth. It’s been really amazing to take charge and see this through.”
Part of what became a capstone project for Wolgemuth, she left behind a comprehensive guide to help future student interns manage the gallery effectively. “Everything from who we should contact, the steps to take for everything, our donors,” Wilbur said. “It’s really extensive and it’s been a huge help.”
Art teacher Lilly Rand Barnett first met Storm a few years ago through his ICEHOUSE Project Space exhibition in Sharon, “Will It Grow in Sharon?” in which he planted cotton and tobacco as part of an exploration of ancestral heritage.
“And the plants did grow,” said Barnett. She asked Storm if her students could use them, and the resulting work became a project for that year’s Troutbeck Symposium, the annual student-led event in Amenia that uncovers little-known or under-told histories of marginalized communities, particularly BIPOC histories.
Last spring, Rand emailed to ask if Storm would consider a solo show at HVRHS. He agreed.
And just a few weeks ago, he arrived — paints, brushes and canvases in tow.
“When Katro came to start hanging everything, he took up a mini art residency in Ms. Rand’s room,” Wilbur said. “All her students were able to see his process and talk to him. It was great working with him.”
Perhaps more unexpected was his openness. “He really trusted us as curators and visionaries,” Wilbur said. “He said, ‘Do with it what you will.’”

Storm’s artistic training began at New Haven’s Educational Center for the Arts. His talent earned him a full scholarship to the Arts Institute of Boston, then Boston’s Museum School, where he painted seven oversized portraits of influential Black figures — in seven days — for his final project. Those works became the backbone of his early exhibitions, including at Howard University’s National Council for the Arts.
Storm has created several community murals like the 2009 READ Mural featuring local heroes, and several literacy and wellness murals at the Stetson Branch Library in New Haven. Today, he teaches and works, he said, “wherever I set up shop. Sometimes I go outside. Sometimes I’m on top of roofs. Wherever it is, I get the job done.”
His deep ties to education made a high school gallery an especially meaningful stop. “No one really knew who these people were except maybe John Lennon,” Storm said of the portraits in the show. “It’s really important for them to know James Baldwin and Shirley Chisholm. And now they do.”
The exhibition includes a wide list of subjects: James Baldwin, Shirley Chisholm, Redd Foxx, Jasper Johns, Marilyn Manson, William F. Buckley, Harold Hunter, John Lennon, as well as two deeply personal works — a portrait of Tracy Sherrod (“She’s a friend of mine… She had an interesting hairdo”) and a tribute to his late friend Nes Rivera. “Most of the time I choose my subjects because there are things I want to see,” Storm said.
Storm’s paintings, which he describes as “full frontal figuratism,” rely on drips, tonal shifts, and what feels like emerging depth. His process moves quickly. “It depends on how fast it needs to get done,” he said. “Sometimes I like to take the long way up the mountain. Instead of doing an outline, I just start coloring, blocking things off with light and dark until it starts to take shape.”
He’s currently in a black-and-white phase. “Right now, I’m inspired by black and white, the way I can really get contrast and depth.”
Work happens on multiple canvases at once. “Sometimes I’ll have five paintings going on at one time because I go through different moods, and then there’s the way the light hits,” he said. “It’s kind of like cooking. You’ve got a couple things going at once, a couple things cooking, and you just try to reach that deadline.”
For Wilbur, who has studied studio arts “ever since I was really young” and recently applied early decision to Vassar, the experience has been transformative. For Storm — an artist who built an early career painting seven portraits in seven days and has turned New York’s subway corridors into a makeshift museum — it has been another chance to merge artmaking with education, and to pass a torch to a new generation of curators.
Le Petit Ranch offers animal-assisted therapy and learning programs for children and seniors in Sheffield.
Le Petit Ranch, a nonprofit offering animal-assisted therapy and learning programs, opened in April at 147 Bears Den Road in Sheffield. Founded by Marjorie Borreda, the center provides programs for children, families and seniors using miniature horses, rescued greyhounds, guinea pigs and chickens.
Borreda, who moved to Sheffield with her husband, Mitch Moulton, and their two children to be closer to his family, has transformed her longtime love of animals into her career. She completed certifications in animal-assisted therapy and coaching in 2023, along with coursework in psychiatry, psychology, literacy and veterinary skills.
Le Petit Ranch operates out of two small structures next to the family’s home: a one-room schoolhouse for animal-assisted learning sessions and a compact stable for the three miniature horses, Mini Mac, Rocket and Miso. Other partner animals include two rescued Spanish greyhounds, Yayi and Ronya; four guinea pigs and a flock of chickens.
Borreda offers programs at the Scoville Library in Salisbury, at Salisbury Central School and surrounding towns to support those who benefit from non-traditional learning environments.
“Animal-assisted education partners with animals to support learning in math, reading, writing, language and physical education,” she said. One activity, equimotricité, has children lead miniature horses through obstacle courses to build autonomy, confidence and motor skills.

She also brings her greyhounds into schools for a “min vet clinic,” a workshop that turns lessons on dog biology and measuring skills into hands-on, movement-based learning. A separate dog-bite prevention workshop teaches children how to read canine body language and respond calmly.
Parents and teachers report strong results. More than 90% of parents observed greater empathy, reduced anxiety, increased self-confidence and improved communication and cooperation in their children, and every parent said animal-assisted education made school more enjoyable — with many calling it “the highlight of their week.”

Le Petit Ranch also serves seniors, including nursing home residents experiencing depression, social withdrawal or reduced physical activity. Weekly small-group sessions with animals can stimulate cognitive function and improve motor skills, balance and mobility.
Families can visit Le Petit Ranch for animal- assisted afterschool sessions, Frech immersion or family walks. She also offers programs for schools, libraries, community centers, churches, senior centers and nursing homes.
For more information, email info@lepetitranch.com, visit lepetitranch.com, follow @le.petit.ranch on Instagram or call 413-200-8081.