The key to a perfect tortilla: steaming


In COVID quarantine, I have devoted my time to learning how to bake, and decided to try (one more time) to successfully make tortillas by hand.
I learned two important things: One is that there is really no point in trying to make flour tortillas. The factory-made ones that you buy at the grocery store are actually pretty good; and making flour tortillas at home is pretty difficult. It’s like bolognese sauce; what they sell at the store is as good as or better than anything I’m going to make.
Corn tortillas are another matter. Because corn flour has no gluten, it’s a much simpler process — and of course if you have gluten sensitivity, this is a perfect gluten-free food transport system.
An incentive to make these by hand is that they are easy and truly superior to the fairly rubbery and tasteless corn tortillas sold at even very good stores.
However, I’ve tried corn tortillas in the past and the end result was too dense and too hard. Which leads to the other important lesson I learned this year, from an internet recipe at https://thecafesucrefarine.com/best-ever-homemade-flour-tortillas.
It was recommended to me by Ken Dempsey, one of the talented PT specialists at Geer in North Canaan. This flour tortilla recipe has become a dinnertime staple for his family.
Even though I still think it’s easier to buy than make flour tortillas, this recipe taught me the Essential Trick for Making Corn Tortillas: You must steam them immediately after you cook them.
Where to find
masa harina
The only thing that is hard about making corn tortillas is that you have to buy special corn flour, which is called masa. You can’t substitute corn meal or polenta; this flour is specially treated so it’s smoother and less grainy.
Masa harina is very easy to find. You can get it at Tienda Mi Esquina, the new shop in Amenia, N.Y., at 3294 Route 343 (next door to the post office, at the intersection where there is also a bank and the Four Brothers restaurant). You can also usually find it at large grocery stores such as Freshtown, which is also in Amenia.
If you don’t have a bag of masa harina in the house, then, yes, you will have to leave the house to go buy it. But even with, say, a 40-minute round trip to the store it’s still faster to make corn tortillas (about 45 minutes total) than it is to make flour tortillas, which take two or three hours (because they are made with flour, which has gluten, and the gluten has to rest before you can roll it).
The recipe
The brand I buy is Maseca, and the bag specifies that you can use it to make tortillas. There are a couple other options, including one from Bob’s Red Mill.
But an added benefit of the Maseca brand, for me, was that it has a tortilla recipe on the package. It’s beautifully simple: Combine 2 cups of masa harina with 1 1/2 cups of warm water. If it seems dry, add a little more water, a teaspoon at a time.
Knead it for about 2 minutes in your mixing bowl. It’s a soft dough, and easy to knead. If you don’t know how to knead, you’re just basically pressing it together with the heel of your hand again and again until it comes together into a nice smooth dough, like Play Dough.
It’s very simple; don’t overthink it. Again, masa harina is much more forgiving than white flour.
After you mix the dough, cover it with a damp cloth or some plastic wrap so it doesn’t dry out.
Heat a cast iron skillet over a medium high flame; as with pancakes, you’ll want to adjust the flame as you go along.
Rolling
and steaming
This recipe makes about 20 tortillas. Before you start to roll them out, cut out 22 squares of parchment paper (waxed paper is fine if that’s all you have) that are about 6 or 8 inches square. This might seem wasteful or fussy but trust me on this one: It will make rolling out the tortillas very easy.
Here’s another thing that might sound fussy but will make a big difference. This is the trick I learned from Cafe Sucre Farine. Before you start to cook your tortillas, get a small Dutch oven or other covered ceramic vessel. You can even use a large bowl, with a plate on top.
As you take your tortillas off the skillet, drop them in your pot/bowl and cover it immediately. This will steam the cooked tortillas and make them pliant and delicious. Do not skip this step.
Back to the recipe: After you’ve made your dough, separate it into 20 balls that are about the size of a golf ball. What I found easiest was to roll the dough out into a long log, wrapped in plastic, and then I divided the dough in half and in half and in half and …
Keep the dough balls covered; if they get dry and start to break when you handle them, just put a little water on your hands as you work.
Roll each ball out to about a 1/8 inch thick circle, between two squares of parchment. Leave the circles between the parchment, so they stack nicely and don’t dry out.
Cook them one at a time on your hot skillet. I find it helps if you put a tiny bit of canola oil in the skillet, but you don’t have to.
Cook each side for about 45 seconds; if your flame is hot enough, you should get brown spots.
Your tortillas will taste best right after you cook them. If you don’t eat them the same day you make them, wrap two or three in some plastic wrap and then put each of your packets of wrapped tortillas in a zippered freezer bag.
To reheat them, wrap them in foil and put them in a 275 degree oven for about 10 minutes.
When longtime arts administrator Amy Wynn became the first executive director of the American Mural Project (AMP) in 2018, the nonprofit was part visionary art endeavor, part construction site and part experiment in collaboration.
Today, AMP stands as a fully realized arts destination, home to the world’s largest indoor collaborative artwork and a thriving hub for community engagement. Wynn’s departure, marked by her final day Oct. 31, closes a significant chapter in the organization’s evolution. Staff and supporters gathered the afternoon before to celebrate her tenure with stories, laughter and warm tributes.
“We had such a fun party for her,” said AMP founder and artistic director Ellen Griesedieck. “I am excited for what is next for Amy and grateful for every moment she has invested in her work at AMP.”
Wynn, who previously led the Northwest Connecticut Arts Council, said her decision to step down came after careful reflection.
“It’s time for me to shift into the next phase of my career, which will call upon my 40-plus years of nonprofit experience to do project work,” she said. “I’ve absolutely loved my time at AMP.”

Under Wynn’s leadership, AMP expanded education programs, deepened community partnerships and oversaw key milestones in the creation of its monumental centerpiece — a three-dimensional mural stretching 120 feet long and five stories high — celebrating American ingenuity, industry and collaboration.
“Through all these years, Amy has worked with tireless enthusiasm for AMP, running day-to-day operations and guiding the overall direction of our mission,” Griesedieck said.
During Wynn’s tenure, AMP evolved from a concept into a dynamic cultural campus. She helped professionalize its structure, solidify its funding base and develop programs that drew visitors from across the state and beyond.
“The work she has accomplished, the hours of overtime she has logged, the mountains we have climbed together since that moment are many and miraculous,” Griesedieck said.
AMP also weathered challenging times, including the pandemic, which forced arts organizations to rethink audience engagement. Wynn guided the team during that uncertain period with a steady hand.
To ensure a smooth transition, AMP has brought on Renee Chatelain of RMCreative Solutions, LLC, an experienced consultant, attorney and arts administrator who previously worked with AMP on its capital expansion planning.
Chatelain will serve as interim executive director while a national search is conducted for AMP’s next leader.
“A longtime friend, Renee comes to us with a depth of knowledge on executive transition,” said Griesedieck. “As an attorney, a leader of several arts organizations and a classically trained dancer, she is particularly well-suited for this interim role.”
Though stepping down, Wynn said she will continue her work in the nonprofit field in a more flexible, project-based capacity.
“I’ll be seeking consulting projects with other nonprofits, assisting with grant work and strategic planning,” she said. “What I enjoy most is leading a collaborative effort and finding solutions to challenging problems.”

Even as AMP bids farewell to Wynn, its focus remains on the future. The next phase of development will focus on converting a second mill building into expanded programming and community space.
“The next step has got to happen,” Griesedieck said. “It’s absolutely what the Northwest Corner needs — a place for the community to congregate.”
The proposed expansion would create flexible areas for performances, workshops and public events, further establishing AMP as a cornerstone of the regional arts scene.
With community support and grants, AMP hopes to carry forward Wynn’s momentum into a new era.
“She is not leaving,” Griesedieck said. “Amy will always be here for us.”
Founded in 2001, the American Mural Project was conceived as a tribute to the American worker — a celebration of skill, creativity and perseverance. The mural, the largest indoor collaborative artwork in the world, was created with contributions from thousands of children, artists, teachers, tradespeople and volunteers nationwide.
Today, AMP offers tours, workshops, lectures and performances, all rooted in its mission: to inspire, invite collaboration and reveal the contributions people of all ages can make to American culture.
As Wynn turns the page, her legacy — from her calm, strategic leadership to the collaborative spirit she fostered — remains woven into the fabric of AMP’s story.
The Norfolk Library will screen the acclaimed documentary “Kings of Pastry” on Friday, Nov. 14, at 7 p.m. The film will be introduced by its producer, Salisbury resident Flora Lazar, who will also take part in a Q&A following the screening.
Directed by legendary documentarians D.A. Pennebaker (“Don’t Look Back,” “Monterey Pop”) and Chris Hegedus (“The War Room”), “Kings of Pastry” offers a rare, behind-the-scenes look at the prestigious Meilleurs Ouvriers de France (Best Craftsmen of France) competition, a prestigious national award recognizing mastery across dozens of trades, from pastry to high technology. Pennebaker, who attended The Salisbury School, was a pioneer of cinéma vérité and received an honorary Academy Award for lifetime achievement.
Established in 1924 and overseen by the French Ministry of Labor, the competition challenges professionals to create a “masterpiece” that demonstrates skill, precision and artistry. Winners receive a lifelong title and medal, presented at a ceremony in Paris attended by the president of France.
In this documentary, 16 pastry chefs spend three grueling days in Lyon crafting delicate chocolates, towering sugar sculptures and exquisite pastries, all in pursuit of perfection — and the honor of being recognized by then-President Nicolas Sarkozy, as one of France’s best craftsmen. The filmmakers were granted exclusive access to capture this intense, emotional and visually stunning event.
Producer Flora Lazar came to filmmaking via an unexpected route. Trained as a historian and psychotherapist, she has had a lifelong love of French pastry, a passion she eventually pursued through formal training at a pastry school in Chicago.
“It was run like a military operation,” she recalled of the school. “You could eat off the floor. Everything had to be meticulous, precise.”
Lazar’s father, a first-generation Harvard graduate who grew up in the Borscht Belt, pushed his children toward high achievements in academia and “looked down on the trades,” Lazar admitted. “I loved French pastry my whole life,” she said. “But my dad wasn’t going to send me to pastry school.”
After her father’s passing — with her children grown and financial responsibilities eased — Lazar finally returned to that early passion.
At the pastry school in Chicago, Lazar met two chefs, one who had won and one competing for the Meilleurs Ouvriers title. Lazar set out to write an article about the competition and what it could mean for American education and industry.
Lazar, who knew Pennebaker and Hegedus from her years in New York, invited them to Chicago to meet the chefs. That meeting sparked the idea of “Kings of Pastry,” which was born.
For Lazar, though, the meaning has always been personal.
“The purpose of the film wasn’t just to show the high level of craftsmanship in French pastry but to illuminate a larger political, economic and educational issue.”
The screening will also serve as a promotion for the Norfolk Historical Society’s 11th Annual Cake Auction, to be held Dec. 6 at 5:30 p.m. Historical Society president Barry Webber will give a brief introduction to the auction before the film.
And yes, there will be cake.
Register for the event at norfolklibrary.org/events/documentary-
film-kings-of-pastry.
On Saturday, Nov. 15, the Stissing Center in Pine Plains will be host to the Hudson Valley premiere of the award-winning music documentary “Coming Home: The Guggenheim Grotto Back in Ireland.” The screening will be followed by an intimate acoustic set from Mick Lynch, one half of the beloved Irish folk duo The Guggenheim Grotto.
The film’s director, Will Chase, is an accomplished and recognizable actor with leading and supporting roles in “Law & Order,” “The Good Wife,” “Rescue Me,” “Nashville,” “The Deuce,” “Stranger Things” and “Dopesick.” After decades of acting on television and on Broadway, Chase decided to take the plunge into directing his own short films and documentaries.
In “Coming Home,” Chase follows one of his favorite bands, The Guggenheim Grotto, on a reunion tour in Ireland. Founding members Mick Lynch and Kevin May have not played together in more than a decade, and the reunion may also serve as a farewell tour for the band. The film captures not just the music, but the friendship and shared history between Lynch and May, set against the homeland that shaped their songs.
“I’m just a huge fan,” Chase said. “It’s a big 45-minute love letter to the guys. They really dive into why they didn’t make it as a band, whatever that means,” noting that many acclaimed musicians struggle to find mainstream recognition. “I look at them and they’re very successful. They were on television shows, they won some awards, but it also makes people go ‘Oh, right. There are other bands out there other than the ones that I just read about.’ There are all these wonderful artists that we don’t necessarily know about.”
Over the years, The Guggenheim Grotto earned major critical acclaim. Their 2005 debut album “Waltzing Alone” was hailed as “one of the most beautiful records of the year” by LA’s KCRW. An Independent Music Award followed in 2007 for best folk song/songwriting. The band grew quite popular in their native Ireland, but Lynch eventually moved to New York while May remained in Ireland. Though the band’s future seemed uncertain, there was always hope for a reunion of some kind.
Reflecting on his collaboration with the band, Chase said, “I was very fortunate and thanked them profusely for being so open and honest in the documentary. No one had done this with them before, and thank God they’re just affable, funny, great guys. They really love the piece. I think it touched them in very different ways.”
Immediately following the screening, Mick Lynch — one half of The Guggenheim Grotto and current Hudson Valley resident — will take the stage for an intimate acoustic set. The documentary, coupled with the live performance, offers a rare chance to see and hear what goes into the making of great music, art, and film.
Tickets are available at thestissingcenter.org