A mother’s advocacy results in answers

Aevary Kiernan, left, with her mother Jill Kiernan.
Photo by Jill Kiernan

Aevary Kiernan, left, with her mother Jill Kiernan.
Correction: An earlier version of this story misstated Aevary Kiernan's need for a knee replacement, and did not specify that a majority of cases of Tatton Brown Rahmann Syndrome are caused by random genetic mutations that were not inherited from parents.
STANFORDVILLE — Shortly after her daughter’s birth 21 years ago, Jill Kiernan realized baby Aevary was not progressing in the same manner as many newborns generally do after birth.
Kiernan, at the time a general education/special education teacher who lived — and continues to reside — in the Pine Plains area, was baffled by what she was seeing. Describing Aevary as “a floppy baby,” the infant was large, 9 lbs. to be exact, with low muscle tone, her tiny feet were turned down, there were difficulties with feeding, and the infant was slow to develop. While Jill Kiernan didn’t realize it at the time, she was at the beginning of a decade-long quest to get some answers on her daughter’s condition.
Clarity did not come easily or quickly. At the time of Aevary’s birth, Tatton Brown Rahman Syndrome, the condition affecting Aevary, was not yet identified by the medical community. In fact, the condition would not be pinpointed until 2014, designating it as a more recently discovered disorder.
One of the first steps in understanding Tatton Brown Rahman Syndrome is the knowledge of what constitutes a syndrome versus a disorder versus a disease. By definition, a syndrome is marked by groups of symptoms which simultaneously occur while a disorder is defined as a group of symptoms disrupting normal and daily functioning, resulting in significant impairment. Disease is an already identified medical condition with a distinct cause and with measurable components. In the case of Tatton Brown Rahman Syndrom, with the research and data in place, though limited, it is now all three — a syndrome, a disorder, and a very rare disease indeed which, according to Kiernan, affects about 450 identified persons worldwide.
At Aevary’s birth, there was little to no information available in the medical journals as to the source of her condition. Aevary’s growing list of symptoms mystified everyone around her — including health professionals, who were unable to provide the Kiernan family with any definitive insight. With the passage of time during Aevary’s childhood, additional issues would present themselves. Aevary, of course, was large from birth, but her physical growth accelerated at an abnormal rate. Unusually bushy eyebrows sprouted above her eyes. Developmental delays and intellectual challenges surfaced. Still, the Kiernan family received no answers to their inquiries from Aevary’s healthcare providers.
When Aevary was about ten, progress was made on determining her condition, which Kiernan describes as “a long hard journey,” which was finally labeled as Tatton Brown Rahman Syndrome. The disease is a complex autosomal dominant disorder affecting children who, by chance, inherit one copy of a mutated gene from either parent — but most cases occur because of a random mutation not present in the parent's DNA. More specifically, according to the website of the Tatton Brown Rahman Syndrome Community, a research and advocacy organization founded by Kiernan in the wake of Aevary’s official diagnosis, the disease is “a rare genetic disease caused by pathogenic variants (previously called mutations) in the DNMT3A gene… It is also called DNMT3A Overgrowth Syndrome.”
First identified in thirteen cases in the United Kingdom in 2014 by doctors Katrina Tatton-Brown and Nazneen Rahman, who were researching genetic drivers of overgrowth in individuals, members of the Tatton Brown Rahman Syndrome population are physically characterized by height and weight as affected individuals tend to be tall and heavy with a large head circumference known as macrocephaly and may display unique facial features. They may present with mild to severe intellectual disability. Behavioral and mental health issues may also surface as well as cardiac defects, orthopedic issues and autism, but according to Kiernan, a range of individual presentation of symptoms is common, the severity of which can vary between persons. Additionally, the Tatton Brown Rahman Syndrome gene is also linked to incidences of leukemia.
For Kiernan, while the diagnosis shed some light, it also brought some uncertainty. “It was a relief to have an answer,” she said of pinpointing the source of Aevary’s condition. But with the diagnosis came initial vagueness attached to Aevary’s outcomes or life expectancy as very little was known at the time of Tatton Brown Rahman Syndrome due to the small number of affected persons. Undeterred, however, Kiernan realized she could play a part in guiding medical research by sharing information with other families affected by Tatton Brown Rahman Syndrome as well as researchers, hence the creation of the Tatton Brown Rahman Syndrome Community.
The Tatton Brown Rahman Syndrome Community began with the creation of a website and a Facebook page by Kiernan. Through these mediums, Kiernan connected with other Tatton Brown Rahman Syndrome-affected families who began exchanging information on particulars pertaining to their individual cases. Eventually, the families began to meet. “We began informally gathering for support,” explained Kiernan, acknowledging the value of strength in numbers. Family conferences began to be organized with one taking place in 2018 at Rocking Horse Ranch Resort in Highland, New York. “Families came from all over the world,” explained Kiernan. “Dr. Tatton-Brown came over from the U.K.”
As the Tatton Brown Rahman Syndrome Community expanded, it led to the creation of a registry, which was launched in 2021 as families began donating blood and skin samples. The registry, in turn, became a valuable tool to researchers, who previously had little information available to them. As word of the existence of the Tatton Brown Rahman Syndrome Community spread, even more cases began to be identified, which, in turn, fueled the medical community with what Kiernan terms as “patient-driven research”.
Sources of funding for further research for the Tatton Brown Rahman Syndrome Community remains a challenge due to the rarity of the condition. “It’s hard to find opportunities in the rare disease space,” said Kiernan, who added that the Chan-Zuckerberg Institute provided $600,000 in grant monies a few years ago, but the funds have since dwindled. Appropriate grants, Kiernan explained, are difficult to find due to the rarity of the disease.
While Jill Kiernan is proof positive of how one person can make a difference, she’s focused less on accolades and more on her daughter. Aevary Kiernan has defied medical expectations with her viability, given the seriousness of her condition. While she will not be able to live independently, Aevary lives the life of a young woman who, while navigating physical and emotional challenges, enjoys spending time with animals, telling jokes, acting and singing. She was even featured on a segment of “Good Morning, America” which showcased her performance in a production of “Beauty and the Beast.” Aevary has completed high school via special education through the Pine Plains school district, first at the Center for Spectrum Services and then at the Center for Discovery. She is currently attending the Tri-Form program for individuals with challenges in Columbia County. Aevary’s future is uncertain, given her medical history and the possibility of future medical challenges. She suffers from joint and spinal issues, and will soon need a knee replacement. Whatever is to come next for Aevary is, for Jill Kiernan, “a ticking time bomb feeling,” but Kiernan remains optimistic about the future given how far she and her family have come on their Tatton Brown Rahman Syndrome journey. “We’ve learned a lot living in the rare disease world,” she said.
Additional information on Tatton Brown Rahman Syndrome can be found at: www.tbrsyndrome.org.
Millerton Police will be enforcing the ban on overnight street parking over the winter beginning Dec. 10. The ban is intended to keep streets clear for plowing.
MILLERTON – The Village of Millerton issued an alert last week reminding residents of its seasonal overnight parking ban.
“In accordance with the provisions of article 151-13 of the Village of Millerton Code, all-night parking is prohibited on all streets within the Village between the hours of 11:30 p.m. and 6:00 a.m. beginning Dec. 10, 2025 and ending April 10, 2026, except for Century Boulevard. Violators will be towed at the owner’s expense.”
The notice was sent through the village’s new TextMyGov alert system. The two-way texting platform allows the village to send emergency or timely updates and gives residents a quick way to report issues, such as water leaks, potholes, stray animals or code violations. Officials encourage residents to save the village’s text number – 518-672-6100 – and use keywords to stay informed.
Millerton Police Chief Joe Olenik, who is also the Interim Superintendent of Public Works, said the longstanding ordinance is tied directly to winter operations.
“Each year from December to April, you can’t park on the street–to allow for snow removal from our plows,” he said. “If people do park on the street, they will be ticketed and eventually towed.”
To get the word out, Olenik said officers on night patrol have been leaving reminder notices on vehicles in both English and Spanish.
“We want to give people advance notice,” he said, noting that officers will continue distributing reminders in the weeks leading up to the December start date.
Beyond protecting vehicles from damage during plowing, Olenik emphasized the public-safety side of the rule. “I want the road completely opened so we have no problem getting the plows through,” he said.
Although the parking ban has been part of the village code for years, it has not been actively enforced. This winter will mark the first season of stricter enforcement.
Willa the Pig lies on a bed of blankets and pillows in her home in Millerton.
MILLERTON — Alanna Broesler didn’t always know she wanted a pet pig. But between watching the movie Babe on repeat as a child and working on a pig farm, the co-owner of Millerton’s farm-to-table restaurant Willa, joked, “there were signs.”
Willa is the restaurant’s namesake — a 130-pound house pig who loves smoothies, snuggling and sassing her family. She is a potbellied and Juliana cross with big spots and a big personality to match.
“Willa has always been a very dominant, kind of cheeky pig,” Broesler said with a laugh. “She’s very vocal.” Willa walks around her Millerton house with confidence and lots of opinions, especially when smoothies are involved. The first rumble of ice, or even the mention of the word “smoothie,” will cause Willa to jolt up from her cozy bed of pillows to investigate the scene. Her favorite blend is oat milk, yogurt and banana.
Broesler brought the pig home in 2017 and named her after legendary country singer Willie Nelson. Broesler said she was young at the time, unsure where she would be living, and uneducated about keeping pigs in a house. But after meeting Willa she knew that she wanted to give her a home.
“Looking back, it was irresponsible,” said Broesler — not necessarily because of the circumstances, but because she acquired Willa through a breeder. As she immersed herself in the pig community, Broesler learned about the demand for pig adoption. “Potbellied pigs are constantly getting rehomed and they need stable placements,” she said.
Enter Milo – Willa’s new baby brother. Milo is all black with a bottle-brush tail. His nose is flatter than Willa’s, and he has tusks. Broeslder adopted Milo and rescued him from a “horrible situation,” she said. He was kept in a crate and lacked proper care and affection.
Today, Milo’s favorite activity is grazing in the fenced-in section of Broesler’s yard. Quieter than his older sister — who runs the show, which also includes three cats and two chinchillas —Milo is getting used to home life with free space and loving caretakers.
Broesler didn’t come from a farming background. Her family owns a traditional Irish pub in New York State where she developed a strong work ethic and firsthand knowledge of the service industry. “I’ve been scrubbing potatoes and sweeping sidewalks for as long as I can remember,” Broesler said with a laugh.
But when it came time to apply for college, Broesler knew exactly what her future looked like.
“I always knew I wanted to work outside and with animals,” Broesler said. She sought out as much experience as she could. She milked goats, worked on cattle farms, and grew vegetables and flowers. What stands out vividly is working with pigs. Ultimately, all of her experience led to a farm-to-table restaurant.
But as the restaurant becomes more established a new dream is beginning to take shape. Broesler has just completed paperwork to establish her own pig sanctuary — Willa’s Way — a 501(c)(3) nonprofit.
Though in the preliminary stages, Broesler excitedly describes an elaborate vision. As a destination spot, the sanctuary would add value to the community in myriad ways, incorporating farm-fresh eggs, native flowers, in-season vegetables and educational opportunities related to sustainability.
At its core, the pig sanctuary would be in service of the animals. It would support rehabilitation, rehoming or placement, public education, and simply letting older pigs live out their remaining days with love and care.
“The most common question I get is, ‘Where would we be rescuing the pigs from,’” said Broesler. “People don’t often realize how huge the need is because of bad breeders, hoarding cases, or bad characters who lie about micropigs or teacup pigs, claiming they’ll remain 25 pounds.”
She adds that adopting Milo lit the fire for the sanctuary idea. “To watch him come to me as a sick, malnourished, really sad pig and come out of his shell with a funny personality – and he’s getting healthy and feeling good – it’s just been the best thing.”
The next steps for the sanctuary are to identify investors, apply for grants, and acquire 30 to 50 acres of land. No small feat, but Broesler is up for the challenge.
Halloween marked the two-year anniversary since Willa opened its doors on Main Street. With a menu that is, of course, pork free, Executive Chef Daniel Meissner has created imaginative farm-to-table offerings that change with the seasons.
“He has such a passion for cooking locally and supporting farmers,” said Broesler. “And he shows people that you can eat seasonally and it can taste amazing.”
The restaurant now works with approximately 20 local farms and vendors, including Thistle Pass, Kinderhook Farm, Harlem Valley Homestead and Off the Shelf Farm, to name a few. Menu items often include nods to farmers by name – a subtle way to spark conversations and celebrate the region’s producers, Broesler said.
When customers come into the restaurant, they often mistake Broesler for “Willa.” She corrects them with a laugh. “No, Willa is a very spoiled potbellied housepig.”
Anthony Musso discusses his book “Hidden Treasures of the Hudson Valley” at the North East Historical Society’s annual meeting on Saturday, Nov. 15. The book centers on historical sites across the region with rich backgrounds and low ticket-prices for maximum accessbility.
MILLERTON — With his signature Brooklyn accent, sense of humor and wealth of knowledge, author and historian Anthony “Tony” Musso brought American Revolution history to life at the NorthEast-Millerton Library Annex in partnership with the North East Historical Society.
The talk marked Musso’s first speaking engagement at the Annex and coincided with the historical society’s annual meeting.
Musso guided attendees through an oral tour shaped by excerpts from his three-volume series, “Hidden Treasures of the Hudson Valley,” which together highlight 165 local historical sites that are rich in history and light on the wallet. Each book features 55 locations that are open to the public.
“I included places that fly under the tourists’ radar,” said Musso, addressing the crowd of more than 30 attendees. “Many of them are run by historical societies, so the added benefit is a free or nominal charge.”
His presentation began with Pawling’s Quaker Hill, where in 1740 a group of Quakers petitioned the Religious Society of Friends to build their own meeting house so they wouldn’t have to travel elsewhere to go to Sunday worship.
“It was kind of small,” Musso remarked of the original structure. “They ran into a problem within the first five years because they had so many people standing around, they couldn’t all get inside.” As a result, in 1767 the Quakers got permission to build a bigger meeting house just across the street.
“This one was a two-story structure with a wrap-around balcony where they could fit everybody inside.” Musso described an event in 1778 during a regular Sunday worship when three officers from the Continental Army came into the meeting house, sat respectfully in the back, and when the service came to a close they announced that they were going to commandeer the building.
“Nearby, George Washington led a large encampment of troops and they wanted to have this building be used as a medical hospital,” Musso said.
During the army’s occupation, the makeshift hospital was overseen by Dr. James Fallon, and many people referred to it as “Fallon’s Hospital.” Approximately 100 troops were treated there throughout its four months of winter operation.
“If you know anything about Quaker beliefs, pacifism is right at the top,” said Musso. “And although the military was not putting armament, cannons or munition in the building — it was for a humanitarian purpose — the Quakers abandoned the building as long as the army was there and found another building down the hillside.”
The Quakers also refused to provide the army with provisions, Musso said, which exacerbated harsh conditions that winter.
When the army left, the Quakers returned to the building and continued with their meetings and worship. Musso added that in 1932, the meeting house was acquired by the historical society of Quaker Hill and Pawling, and “that’s why the building is in such meticulous shape today.”
Musso went on to explain that while George Washington never stayed at encampment with his troops, he did commandeer a house for four months down the hill in the village of Pawling — the home of John Kane, who was originally a Patriot at the start of the American Revolution but switched sides and became a Loyalist.
From there, Musso expanded the tour to Westchester and Rockland counties, including the location where Benedict Arnold turned over the plans, layout and staffing for Fort Arnold to British spy John André — and the site where Andre was subsequently hanged.
As a seasoned historian, speaker and guide, Musso shared one of his tricks if he ever feels like his audience is losing interest. He brings up Hamilton the musical. “I don’t lie to people,” he jokes, “but I say, ‘I can’t prove this, but I’ve heard that some of the music from Hamilton was written here.’”
Though Musso didn’t delve into the rich history of North East’s Coleman Station during the presentation, Musso said it is one of the sites included in his books.
Musso has lived in LaGrange for 40 years, and his career has spanned decades at the post office, writing for the Poughkeepsie Journal, and authoring numerous nonfiction books. “I love the history of this area, and I’m not going to stop telling it anytime soon.”
North East Historical Society annual meeting
Other business from the North East Historical Society included acknowledgements of board members and volunteers. President Ed Downey expressed gratitude for the society’s partnership with the NorthEast-Millerton Library, noted that four members are up for re-election and shared that membership has increased by 54% over the last decade, now totaling 179 — among the highest of any historical society in Dutchess County.
Downey also highlighted ongoing digitization efforts, saying the goal is to “digitize and publish” the historic Millerton Telegram and 90 years of The Millerton News. Downey added that this is a costly project and relies heavily on donations to sustain the work.
“Once Upon a Time in America” features ten portraits by artist Katro Storm.
The Kearcher-Monsell Gallery at Housatonic Valley Regional High School in Falls Village is once again host to a wonderful student-curated exhibition. “Once Upon a Time in America,” ten portraits by New Haven artist Katro Storm, opened on Nov. 20 and will run through the end of the year.
“This is our first show of the year,” said senior student Alex Wilbur, the current head intern who oversees the student-run gallery. “I inherited the position last year from Elinor Wolgemuth. It’s been really amazing to take charge and see this through.”
Part of what became a capstone project for Wolgemuth, she left behind a comprehensive guide to help future student interns manage the gallery effectively. “Everything from who we should contact, the steps to take for everything, our donors,” Wilbur said. “It’s really extensive and it’s been a huge help.”
Art teacher Lilly Rand Barnett first met Storm a few years ago through his ICEHOUSE Project Space exhibition in Sharon, “Will It Grow in Sharon?” in which he planted cotton and tobacco as part of an exploration of ancestral heritage.
“And the plants did grow,” said Barnett. She asked Storm if her students could use them, and the resulting work became a project for that year’s Troutbeck Symposium, the annual student-led event in Amenia that uncovers little-known or under-told histories of marginalized communities, particularly BIPOC histories.
Last spring, Rand emailed to ask if Storm would consider a solo show at HVRHS. He agreed.
And just a few weeks ago, he arrived — paints, brushes and canvases in tow.
“When Katro came to start hanging everything, he took up a mini art residency in Ms. Rand’s room,” Wilbur said. “All her students were able to see his process and talk to him. It was great working with him.”
Perhaps more unexpected was his openness. “He really trusted us as curators and visionaries,” Wilbur said. “He said, ‘Do with it what you will.’”

Storm’s artistic training began at New Haven’s Educational Center for the Arts. His talent earned him a full scholarship to the Arts Institute of Boston, then Boston’s Museum School, where he painted seven oversized portraits of influential Black figures — in seven days — for his final project. Those works became the backbone of his early exhibitions, including at Howard University’s National Council for the Arts.
Storm has created several community murals like the 2009 READ Mural featuring local heroes, and several literacy and wellness murals at the Stetson Branch Library in New Haven. Today, he teaches and works, he said, “wherever I set up shop. Sometimes I go outside. Sometimes I’m on top of roofs. Wherever it is, I get the job done.”
His deep ties to education made a high school gallery an especially meaningful stop. “No one really knew who these people were except maybe John Lennon,” Storm said of the portraits in the show. “It’s really important for them to know James Baldwin and Shirley Chisholm. And now they do.”
The exhibition includes a wide list of subjects: James Baldwin, Shirley Chisholm, Redd Foxx, Jasper Johns, Marilyn Manson, William F. Buckley, Harold Hunter, John Lennon, as well as two deeply personal works — a portrait of Tracy Sherrod (“She’s a friend of mine… She had an interesting hairdo”) and a tribute to his late friend Nes Rivera. “Most of the time I choose my subjects because there are things I want to see,” Storm said.
Storm’s paintings, which he describes as “full frontal figuratism,” rely on drips, tonal shifts, and what feels like emerging depth. His process moves quickly. “It depends on how fast it needs to get done,” he said. “Sometimes I like to take the long way up the mountain. Instead of doing an outline, I just start coloring, blocking things off with light and dark until it starts to take shape.”
He’s currently in a black-and-white phase. “Right now, I’m inspired by black and white, the way I can really get contrast and depth.”
Work happens on multiple canvases at once. “Sometimes I’ll have five paintings going on at one time because I go through different moods, and then there’s the way the light hits,” he said. “It’s kind of like cooking. You’ve got a couple things going at once, a couple things cooking, and you just try to reach that deadline.”
For Wilbur, who has studied studio arts “ever since I was really young” and recently applied early decision to Vassar, the experience has been transformative. For Storm — an artist who built an early career painting seven portraits in seven days and has turned New York’s subway corridors into a makeshift museum — it has been another chance to merge artmaking with education, and to pass a torch to a new generation of curators.