Keith Boynton is a filmmaker who grew up in Salisbury, Connecticut. He attended Salisbury Central School, Town Hill School, and Hotchkiss. He has made numerous feature films including Seven Lovers, The Scottish Play, The Winter House, and is just wrapping up a new film, The Haunted Forest, which is a horror/slasher movie. Boynton has made numerous music videos for the band Darlingside, and for Alison Krauss. He is a poet, a playwright, and comic book art collector.
JA: This series of stories The Creators focuses on artists, their inspiration, and their creative process. Keith, what was the seed that got you started?
KB: I think the earliest stage of everything is just daydreaming. I’ve been a daydreamer my whole life, probably most kids are. Those daydreams are just daydreams - they don’t come to anything - but occasionally something happens in your imagination that you can’t let go of. Something you want to make real, whether that’s a goal in your life, or a project that you want to pursue, or something you want to create, it just sticks in your mind, and can change your whole life.
JA: Was there a favorite book that you loved growing up?
KB: My favorite book in childhood was The Wreck of the Zephyr by Chris van Allsburg. Some books just fired me up a like Maniac Magee, by Jerry Spinelli, an amazing book that was probably the most exciting thing I’d ever read up to that point. I remember finishing it and just sprinting up and down the driveway. I loved all the William Steig books, especially Dominic. Some art forms lend themselves to the imagination. One of the things I love about cartooning (I’m a huge comic book fan, and I collect comic book artwork) I love the way it can be anything. It is the unfettered exercise of the imagination, whereas making a live action film is a very fettered exercise of the imagination. You are bound by the technology and the reality of what you’re shooting, and the limitations of what you have available, so it’s still a creative act, but it’s not the kind of thing you can just daydream on the paper. You must contend with a lot of reality on the way to making that dream something real.
JA: Why do you love language?
KB: I mean, words are magic. They can create whole worlds. I‘ve always been fascinated by them. There’s nothing more human than the urge to communicate, but words do more than communicate; they conjure. It’s a hell of a thing.
JA: You cannot escape the business side of filmmaking. How do you handle all that, financing, promotion, deal making, streaming, film festivals?
KB: It is a job in itself. The mindset of promoting a film is the opposite of making one. It’s rare to find one person who’s good at both. I want the film to be successful, yet don’t see myself as a marketer. When I am forced into that role it’s an awkward fit. I love the response of an audience. I love watching a movie with an audience, or even better being in front of an audience, that immediate kind of connection. The relationship that you have with anyone in the business of curation of a Film Festival, or a studio executive, lacks immediacy. Yet you must not become an artist who thinks they’re entitled to an audience, or entitled to a platform, or entitled to be regarded as special. Audience members who grant you their time are giving you a gift, which is often unearned.
JA: Do you control the editing process?
KB: I edit my own films, I direct them, and I write them. I’m steering the ship to a certain degree at every stage which is gratifying.
JA: How do you cast your films?
KB: For some films I have used a casting director. For The Haunted Forest, the slasher film that we shot in the fall in Maryland, that is just wrapping up, I was the casting director myself. My first time working without a casting director in probably a decade. It was far more work than I realized. There were 38 speaking roles and I had to piece them together for my people to submit it on the Internet, to attract people who lived in the area. Some were actors, some were not, some from New York, some local. It was an incredible hodgepodge of people some of whom had never acted before, and some phenomenally accomplished actors.
JA: Tell us about The Haunted Forest:
KB: Cousins on my dad’s side, the Markoffs, live in Montgomery County, Maryland. They’ve been operating this haunted forest for about 30 years on their property, creating scary tours in October where you walk through, and people jump out and frighten you. It is like a homemade, horror film Disneyland. I was blown away by the scope of it, the scale of it plus the attention to detail and just the passion that they put into this place. My brother Devin McEwan [slalom canoeist, gold medalist 2015 Pan American Games, medalist 2016 Olympics] had the idea to set a film there. He conceived of the story idea. We developed the screenplay together. Great shout out to my brother without whom this movie would never have been dreamed of, much less brought into being. It’s a story about a young man passionate about horror and Halloween. He gets a job at the Haunted Forest, loves his job, meets a girl, then people at the Forest start dying for real and no one knows why. It is a murder mystery, slasher thriller which is not my wheelhouse as a filmmaker, or even necessarily as an audience member, but I had so much fun making this. The film still has a certain romanticism, maybe more than previous films. The genre is larger than life. There’s darkness and terror, but also the opportunity for heroism and overcoming. I think some of the most cinematic stuff that I’ve ever captured is in this movie. We are close to locking the picture edit, and then after that we sign color, music, visual effects and it’ll be ready to premiere at the actual Haunted Forest this fall. Anyone in the DC area, come watch this movie on site and get scared out of your minds.
JA: Were the special effects challenging for you and for the actors?
KB: I had a steep learning curve. We brought in a special effects expert. Some actors were covered in blood, and it was cold at night, yet the vibe on set was amazingly good, people had so much fun. While most of my films are realistic there’s a certain attraction to melodrama. I want to be fantastical, operatic, yet feel grounded and human and real. If you can pull that off, that’s magic.
JA: How can people watch your films?
KB: Three of my movies, Seven Lovers, The Scottish Play, and The Winter House – are available on Amazon and Apple TV. The best way to keep up with me is facebook.com/TheKeithBoynton, and crazylakepictures.com
JA: Your favorite films and directors?
KB: It’s a Wonderful Life, The Sting, Back to the Future, Point Break. Frank Capra, Christopher Nolan, Martin Campbell, Steven Soderbergh.
JA: Relationships feature in your films, and music videos. Does that come from your own well of experience?
KB: I did grow up in an incredibly warm family, incredibly welcoming, supportive, creative, funny, eccentric. I had a pretty idyllic childhood. [Keith’s father Jamie McEwan was an author and medal-winning Olympic slalom canoeist. Keith’s mother Sandra Boynton is an illustrator known for her iconic, delightful creatures and designs] That does stay with you forever. Optimism is one of the gifts the arts can give us when we need something to hang on.
JA: Tell us about your friendship with the band Darlingside.
KB: I’ve known Don Mitchell since he was little. We grew up together. We used to play the Legend of Zelda in his mom’s basement. Later, after hearing their brilliant music, I offered to make some music videos. I have used their music in my films. They are the loveliest people, so sweet, so committed to what they’re doing. They are really four of my favorite human beings in the world.
JA: Your film The Scottish Play, was just shown on Channel 13 as their Valentine’s Day romantic offering. How did you write so many lines of iambic pentameter?
KB: I have always been interested in Shakespeare’s time. I did some Shakespearean acting as a child. The language is extraordinary, alien yet familiar. It does create a different world, a heightened world, a romantic world, something you can indulge in, escape into, so for a long time I wanted to find some way to play in that sandbox of Shakespearean language. I conceived of the idea of having Shakespeare appear as a ghost because then it can be a contemporary story and Shakespeare can be anything that I imagine. He doesn’t have to be tied to his own biography or anyone else’s version of Shakespeare. I can just write him any way I choose. That movie came out of my desire to synthesize the real and the fantastical.
JA: Do you prefer making independent films?
KB: One of the reasons I toil away in the indie world is because I relish the control. My work can be ignored but it can’t be stopped, or changed, influenced by anyone, which is why I direct my own scripts instead of trying to sell the scripts. Screenwriters have no control over what happens to their screenplay. I was a writer first and foremost. [Boynton has an MFA in playwrighting from Columbia]. I had to learn to direct movies because that’s the only way to protect and make sure the story gets out in a way that you feel comfortable with.
JA: You are a romantic at heart, true?
KB: Romance is a recurring theme in my work, although not so much in my life, and maybe those two things are related. It has been a preoccupation of mine since childhood. My very romantic view is a great engine for stories. I do have a small pipeline with my own poetry on Facebook where I can reach a small number of people very quickly. I wish I could scale up a film pipeline, and I knew just how to reach that audience with that same level of immediacy. It would be an extraordinary feeling, so liberating creatively. Sometimes it is so hard to get up the energy and enthusiasm to begin a new project, when so many things that I’m proud of have been orphaned, forgotten, or fallen on deaf ears.
JA: How do you gauge the success of a film?
KB: There are three categories of response: people that I know which can be gratifying, I sometimes hear from professional critics, and then sometimes a random stranger stumbles upon the movie and loves it. Sadly, the scale of money, time, and energy that goes into a film does not always correspond to the to the scale of the impact.
JA: Do you love filmmaking enough to be satisfied despite a lack of response?
KB: I love being on the set. It is only two weeks out of every two to three years, but I love that feeling of working together.
JA: What’s next?
KB: I’m gearing up to another movie in September and that’ll be shot here in Salisbury, maybe at Mt. Riga. It will be about 10 months between shooting one feature film and another. The film is broadly in the category of horror or psychological thriller. More about mood and character and fabulous actors. I’m going to reuse some of my favorites from people who maybe had a smaller part in my other films.
JA: You describe your work on your website: “it’s humor and a touch of optimism. also, we like coffee.”
KB: I think coffee is one of the core principles of life. It’s certainly a major theme in my work. I think every play or movie contains at least one reference to coffee and usually a very loving reference. It’s a touchstone, but also maybe it represents warmth and comfort.
JA: What do you love about filmmaking?
KB: The camaraderie, the moments of magic, the sense of capturing something special and unrepeatable, the sublime irrelevance and absurdity of the whole endeavor, the excuse to drink endless cups of coffee, those occasional moments when you whisper to yourself (or to someone else): We’re making a movie. (And you are.)
Jennifer Almquist
Keith Boynton
Customers fill the parking lot at home decor store Hammertown Barn on Friday, April 3, after founder Joan Osofsky announced the store would be closing permanently. The designer furniture outlet operated the flagship store in Pine Plains for more than 40 years and stores in Rhinebeck, New York, and Great Barrington, Massachusetts.
The store is best known for offering a mix of contemporary and rustic-style furniture rooted in the region’s rural traditions.
"What began as a small store in Pine Plains grew into something far beyond what I even imagined — not just three stores, but a true community," Osofsky wrote.
Shoppers cars spill out onto Route 199 on Friday, April 3, as their owners crowd into home decor store Hammertown Barn for the first day of a 40% off closing sale. Founder Joan Osofsky announced on Thursday, April 2, the business would be shutting its doors permanently.Photo by Nathan MillerOsofsky described the decision as bittersweet and said she will be at the stores in their final days to celebrate and sell the remaining merchandise. The stores will remain open until inventory is sold.
Osofsky told customers that all items will be sold at a 40% discount. Consignment and already reduced-price items are not included in the closing sale.
"This closing is bittersweet, but the friendships, memories, and connections we shared will endure," Osofsky said.
Customers at the store on Friday, April 3, echoed that sentiment. Jennifer Enloe said she had been visiting the store since the '90s, sometimes just to browse and enjoy the homey feeling inside the shop without any intention of buying anything.
"I would just go there just to walk around and feel at home," Enloe said. "It makes me kind of sad, but I understand it's time for Joan to move on. It surprises me how I feel about it."
A protester holds a sign at Fountain Square in Amenia on March 28, where more than 200 people gathered as part of the nationwide “No Kings” demonstrations.
Kim Travis of Amenia — who organized the rally at Fountain Square — said the demonstration reflected a dramatic shift from her early days protesting alone, when she faced threats while standing by herself.
“This started with just me, alone in June — day after day, getting threats,” Travis said. “To see it grow into more than 200 people today for this ‘No Kings’ rally in our little-bitty town of Amenia is incredible.”
She said the turnout reflected broader support across rural communities. There were several rallies in towns across Dutchess County and in neighboring Connecticut.
Travis described the mood of the Amenia crowd as both emotional and energizing.
“Our hearts are filled with joy — it’s just incredible that so many people turned out today,” she said.
She added that the message of the protest was rooted in democratic values.
“We want our country back, and we want democracy,” Travis said. “We the people serve no kings. That’s what the Constitution is all about.”
Protesters display an upside down American flag in Amenia on March 28, where more than 200 people gathered as part of the nationwide “No Kings” demonstrations.Photo by Aly Morrissey
Ellie Myers, a senior boarding student at Millbrook School who lives in Brooklyn, attended the Fountain Square protests and said she has been protesting since Donald Trump was first elected in 2016.
“Showing up is really important to me, and I’m grateful to be in a community where I can support others,” Myers said. “Right now, ICE is the biggest issue. I have friends and family who have been affected — hardworking immigrants who came here for freedom and haven’t found it. That’s heartbreaking. It goes against what ‘we the people’ is supposed to mean, and it’s painful to see, both in the news and in real life.”
Myers added that she witnessed ICE in the airports during recent travel back to school and it was “heartbreaking.”
Dutchess County Legislator Eric Alexander, who represents Amenia and surrounding communities, also attended the rally, noting it followed a unanimous county resolution opposing a proposed ICE facility in the Hudson Valley.
“That wasn’t just Democrats,” Alexander said. “That was the entire legislature unanimously saying no to ICE, and a lot of that came from the voice of the people — the people we represent.”
Alexander said the size of the rally stood out, noting its growth from a single protester to a dozen regular participants and ultimately more than 200 attendees.
“I see a great sense of community, and I see a great sense of optimism,” he said. “But I also see high frustration. People are very concerned, and I think that concern is only growing as we see more and more of what’s going on in our country.”
He said the country is in a war that hasn’t sufficiently been explained to the American people, dysfunction is rampant at airports, and prices of everything from gas to groceries are soaring.
“And we don’t see an end in sight — we don’t see a plan,” he said. “These are people standing out here today saying we, as citizens, deserve to have our voices heard and to try to get some things to change.”
Protesters at Fountain Square in Amenia on March 28.Photo by Aly Morrissey
Several other local protests took place in Dutchess County, including in Rhinebeck, Poughkeepsie and Beacon.
Meanwhile, similar demonstrations took place across the border in Connecticut.
In Salisbury, several hundred people gathered along Route 44, where organizers set up signs and encouraged participants to share messages. In Cornwall, organizers estimated more than 300 attendees at the intersection of Route 7 and Route 4. Meanwhile, in Kent, both sides of Main Street were lined with protesters, with turnout estimated at more than 250.
As the rallies wound down, organizers such as Travis said the protests would not stop.
“A lot of the surrounding small towns showed up, too, because we want to show the rest of the country that small towns can be strong, loud and resist just as much as anyone,” she said. “And we intend to, and we’re not stopping.”
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Dan Baker, left, and Daniel Latzman at Barrington Hall in Great Barrington.
The partnership behind Barrington Hall began long before the building itself. Both Baker and Latzman grew up on Long Island, spent more than a decade in New York City, and eventually found their way to the Berkshires, drawn by the desire for something different. What they didn’t realize at first was just how closely their lives had already mirrored one another.
They were born in the same hospital, a year apart. Their families had distant connections. They even played on the same soccer team — never meeting, but moving through the same spaces. It wasn’t until they became neighbors in Egremont about five years ago that those parallels came into focus.
“In hindsight, it feels inevitable,” Latzman said. “But it was actually extremely random that we ended up here.”
From the beginning, Barrington Hall was meant to be a place people return to, not for any one event, but for the experience of being there. On any given week, the space might host a jazz performance, a dance party, a songwriter circle or a children’s event. Some nights bring in touring acts. Others highlight local creatives. The variety is intentional and so is the atmosphere.
“It’s about people,” Baker said. “It’s about being present.”
Inside Barrington Hall.Provided
Baker and Latzman are keenly aware of the world outside with its constant barrage of information, political conflicts, a culture that pulls people deeper into their screens. Barrington Hall offers a way out of that noise.
“A little bit of a bubble,” Latzman said. “A place to step away from everything else.”
During a recent event, they noticed something telling: a full room of people dancing, talking, engaged — and almost no one on their phone.
“That’s when you know something is working,” Baker said.
Taking over a beloved local space comes with responsibility, one Baker and Latzman have met by honoring the building’s traditions while also expanding them.
“We didn’t feel obligated,” Latzman said. “We felt honored.”
Part of what makes the space distinct is its versatility. Large enough to host more than 250 people, yet intimate enough to feel personal, it fills a gap in the local landscape, serving a wide range of people and bringing different groups together in the same space.
“We want people to feel like, if something’s happening here, it’s worth checking out,” Latzman said.
They are carefully balancing community access with the realities of running a business, with an eye toward the long term.
“We want this to be here in 20 years,” Latzman said.
Inside Barrington Hall.Provided
That vision extends beyond the building itself — future collaborations, expanded programming, a growing role in shaping the cultural life of the Berkshires. But at its core, the mission remains simple: to create a place where people can gather, a place that feels alive.
And perhaps most importantly, to create a place where, if only for a few hours, people can step away from the noise of the world and enjoy being together.
When asked who they’re most excited to host next, their answer was immediate: The Mammals on April 10 and Lee Ross, a one-man party band from Massachusetts, scheduled to perform on May 1.
For more information and tickets, visit
barringtonhallgb.com
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