
John Liu was the New York Ninja in 1984, and thanks to the folks at Vinegar Syndrome, he is the New York Ninja today.
imdb.com
John Liu was the New York Ninja in 1984, and thanks to the folks at Vinegar Syndrome, he is the New York Ninja today.
Let’s get straight down to the nitty and the gritty:
“Raw Force,” aka “Kung Fu Cannibals” (1982) has got it all. It’s difficult to encapsulate the majesty, but here goes: There’s a Pacificisland with cannibal monks who only eat shapely young women. They trade jade for shapely young women with a fat German who’s named Speer and has the last toothbrush moustache in the world. Add the wacky crew and customers of a cut-rate ocean liner, zombie martial arts warriors, a heaping helping of gratuitous nekkidity, continuous mayhem and absolutely zero plot to get in the way of the story, stir briskly, and you’ve got “Raw Force.” With Cameron Mitchell as the grumpy ship captain and the immortal Vic Diaz as the main monk.
Here’s a real oddball entry. “New York Ninja,” (1984/2021), a sprightly tale of a kung fu vigilante and the brainchild of John Liu, was shot in 1984 and never made it to post-production. Decades later the people at Vinegar Syndrome, a purveyor of the finer things in dreck, got hold of the footage and managed to get it into screenable form, despite handicaps such as no audio, no script, and no idea what the hell it was about or who all these people were. The only reason it came to the attention of the Bad Cinema desk is that the world’s greatest kung fu female, Cynthia Rothrock, was hired to do voiceover work for one of the characters.
We’ll have a future edition of S&A devoted to Rothrock.
The result warrants more than one paragraph, a rarity in S&A. We’ve got multiple villains, many wearing silly masks. One main villain with a melty face from his habit of looking into a box full of plutonium. Group of kids who overwhelm both bad guys and cops with cuteness. Kung fu badminton net. Ninja vs. maitre d’ with rattail that he sucks on while fighting. Enough gratuitous nekkidity to be going on with. The worst martial arts displays this side of “Fungicide.” Only the faintest hint of plot to get in the way of the story. An outstanding effort all around.
“Sugar Hill” features slow-moving, cobweb-covered zombies.imdb.com
“Sugar Hill” (1974) answers the question “What happens when the mob bumps off a lady’s boyfriend and she’s friends with voodoo people?” Answer: One by one the gang members are knocked off in uniquely hideous ways. Marki Bey does a pretty fair Pam Grier imitation. The zombies are the traditional, slow-moving type. In an unusual twist, the zombies are covered in cobwebs, which suggests they need to get out more. Severed chicken foot attack. Death by many many snakes. Death by quicksand. Zombie massage parlor. Zombie rhythm section. Perfunctory nekkidity we could have done without. Add completely blatant rip-offs of James Bond music and voila! It’s the poor man’s “Live and Let Die.”
Speaking of Pam Grier, one of her lesser-known efforts is “Sheba Baby” (1975), the stirring tale of a woman who takes revenge on the loan sharking hoods who destroyed her father’s legal loan sharking business. No gratuitous nekkidity, a grave flaw, but the car wash scene makes up for it. We’ve got a bad guy who looks like the young Al Sharpton dressed in carpet remnants. Lots of gunplay as opposed to kung fu. An extended fairground scene that gets filed under “Why yes we have permission to film here.” A fairly humdrum affair, all told.
Let’s wrap this up with “Red Star Rising” (1994), a Don “The Dragon” Wilson vehicle that also features the immortal Mako. This brings us to the Iron Law of Martial Arts Flicks: “If it has Mako, you must watch.” Japanese/American cop comes to LA to hunt bad guy. Cop endures many bad jokes about Japanese people. Bad guy specializes in a fatal kung fu move called the Death Touch. Plenty of mayhem and a touch of gratuitous nekkidity. Gnomic utterances, such as “Fate has pitted Thomas against this assassin” and “When day meets night only one can survive.” And, of course, the Death Touch, which isn’t as good as its counterpart in “Kill Bill” but it’ll do.
Olivia Wickwire, no. 2, tags out a runner at first base. The Webutuck Warriors varsity softball team beat the Germantown Clippers 14-7 at home Friday, April 25.
AMENIA — Webutuck girls varsity softball beat visiting Germantown 14-7 Friday, April 25.
Yelling from the dugout is apparently just as important to the game as throwing. Webutuck players cheered and shouted at their teammates on the field the whole afternoon. Photo by Nathan Miller
The game started off with an early lead from Germantown. The Clippers scored three runs in the first inning.
The Warriors responded in kind with a run of their own in the bottom of the first. The real magic started to come in the second inning, when Webutuck held Germantown with no runs and managed to rack up five in the bottom, brining the score to 6-1 at by the end of the second inning.
Abby Keefer, no. 8, waits at third base for an opportunity to run to home plate. Photo by Nathan Miller
On the mound, Webutuck pitcher Madison Kruger, no. 10, showed great skill dispensing of batters. Kruger struck out 16 batters through the game.
In the fifth inning, Germantown’s batters managed three more runs, spurring the Warriors back into action in the batters box. Webutuck responded with six more runs in the bottom of the fifth.
Germantown managed another run in the sixth, but Webutuck scored two more, brining the score to 14-7 going into the top of the seventh.
Webutuck Warriors pitcher Madison Kruger, no. 10, racked up 16 strikeouts during the game.Photo by Nathan Miller
A few hundred feet away the varsity baseball squad played against the boys from Germantown.
The Warriors won that matchup 4-3 after a tie-breaking run in the bottom of the seventh inning.
Webutuck pitcher Troy Brazee led in strikeouts with six. Zach Latrell had two and Pearse Williams had one.
AMENIA — The Town Baord signed a resolution bringing an end to a history of litigation between Amenia’s Zoning Board of Appeals and principals of Kent Hollow Mine at a special meeting on Thursday, April 24.
It was a brief meeting with no public discussion before the vote except to make a clarifying change in the resolution’s wording, suggested by the Special Counsel to the town, George Lithco.
Under the conditions of the settlement, Kent Hollow will limit its soil mining work to 33 acres on its 82.3-acre Kent Hollow Road property, as agreed to in a 2017 permit application, and will limit the amount of mined materials to 15,000 yards annually, limiting the amount that may be taken from the property for its own use to 750 yards each month.
Operations are also to be limited to weekdays, with no operations on weekends, holidays or after sunset. The amendment made by Lithco before the resolution’s approval was to indicate that the word “annually” was to refer to a calendar year.
Mining phases are to be limited to five-acre parcels at any one time, with Kent Hollow agreeing to reclaim the mined areas as part of each phase whenever two acres have reached their final grade and are no longer used for mining.
Kent Hollow Mine has operated a small-scale sand and gravel mining operation since first applying for and having been granted a permit in 1978 as a non-conforming use. That original permit expired in 1989. The mine sought to expand operations through a 2016-17 application process.
It then submitted an application to the town of Amenia to increase operations in 2016 but withdrew that application shortly afterward, resubmitting it in February 2017.
The ZBA denied that 2017 application based on the mine’s non-conforming use designation and other issues, leading Kent Hollow to appeal. Litigation suing the town and officials resulted seeing the case considered eventually by the Dutchess County Supreme Court and the Southern District of New York.
During a special meeting on Monday, April 28, the Zoning Board of Appeals voted unanimously to authorize the settlement that had been agreed to by the Town Board. ZBA members David Menegat and James Wright recused from the vote.
Tim Middlebrook, President of the Columbia Mid-Hudson Valley chapter of the Sons of the American Revolution, left, Amenia Town Supervisor Leo Blackman, center, and Amenia Historical Society President Betsy Strauss unveiled a new historical marker at the Old Amenia Burying Ground on Saturday, April 26. The marker commemorates revolutionary war veterans buried at the cemetery where the Red Meeting House once stood on Mygatt Road.
AMENIA — Tim Middlebrook of the Sons of the American Revolution and Amenia Historical Society President Betsy Strauss unveiled a new historical marker honoring Revolutionary War vets in the Amenia Burying Ground.
Rain all morning had threatened the event, but historical society members, lovers of history and sons of the revolution persisted and the rain let up just in time.
The gathering at the old burying ground on Saturday, April 26, began with Middlebrook, president of the Columbia Mid-Hudson Valley chapter of the Sons of the American Revolution, talking about the process of acquiring the sign from the Pomeroy foundation. He thanked the Burke family, longtime neighbors of the burying ground, for the work they and their father, Bill Burke, had done with the cemetery.
Bill’s son, Stephen, said he and his father spent a lot of time mapping and cleaning the burying ground. “Putting the stones back up,” he said. “Putting them back up again.”
Stephen said his father had completed a map of the burying ground with the identifiable plots. That was part of Bill Burke and Betsy Strauss’s work with the historical society to find revolutionary war veterans and attain historical recognition for the cemetery.
“It’s pretty impressive, it’s all this poster board that he put together,” Stephen said. “When I first saw it I said ‘wow.’ Then my sister Karen said ‘Oh we’eve already translated all that and into this.’ I thought I had found a hidden gem.”
Tim Middlebrook of the Sons of the American Revolution and Amenia Historical Society President Betsy Strauss told the crowd of neighbors and historical society members about the centuries-long history of the Old Amenia Burying Ground and listed the names of the known Revolutionary War veterans in the cemetery. Photo by Nathan Miller
After Middlebrook’s remarks, the crowd moved into the burying ground for snacks and mingling, where the graves of revolutionary war veterans had been marked with American flags.
Betsy Strauss had lists of the names for visitors:
Col. William Barker
1740-1820
Daniel Bartlett
1755-1837
John Bates
1756-1801
Maj. Simeon Cook
1726-1811
Maj. Robert Freeman
1727-1798
John Garnsey
1734-1799
Robert Hebard
1737-1798
Capt. Job Mead Sr.
1735-1819
Job Mead Jr.
1761-1838
Capt. Abiah Palmer
1758-1834
Capt. Elijah Park
1744-1795
Capt. David Parsons
1748-1812
David Rundall
1757-1848
Samuel St. John
1752-1785
Father Andrew O'Connor
AMENIA — Father Andrew O’Connor celebrated his first Easter at the Church of the Immaculate Conception after arriving in February to serve the parishioners of Amenia, Pine Plains and Millerton.
In an interview with The Millerton News, he commented that Easter was a time to see whole families together and meet young people home from college or prep school. His busy schedule includes masses on Friday, Saturday and Sunday, and another on Sunday night at Choate Rosemary Hall prep school when he visits his family in Connecticut.
Now that spring has arrived the new priest is enchanted by our rural landscape. “Sometimes I ask myself if I wandered into Austria.”
When asked why he was sent by the New York Archdiocese to Amenia, O’Connor mused that these decisions are never quite clear but that perhaps it was because of his fluent Spanish and love of Guatemala, or maybe his faith in the power of art. O’Connor is a visual artist who believes that the church and art nourish each other. He has a background in literature and the fine arts and is already making plans for a sculpture depicting the Ascension.
His book, “A Tuscan Résumé,” which is available at Oblong Books, describes a brief sabbatical in Florence studying sacred art. In 2000 Father O’Connor founded Sacred Art Heals, a Catholic not for profit, that fosters collaborative projects with local artists in parishes from Mississippi to Paris. His fashion line, Social Fabric, produces organic cotton with natural dyes in Central America for clothing made in the United States. Cameron Diaz modeled his linen shorts in a Vogue feature article.
Father O’Connor discovered his talent for learning languages at an early age — first French, then Spanish, Irish in Dublin, Italian and now he’s studying German. He became ordained in 1996 and served in parishes in the United States, Europe and Latin America. For the last ten years he was pastor of St. Mary’s Church in New York City’s East Village where he was part of a Lower East Side preservation effort. Here he is supportive of reopening St. Patrick’s church in Millerton.