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Local county legislators back resolution opposing Chester ICE facility
Aly Morrissey
Mar 11, 2026
County Legislator Eric Alexander leads a meeting of the Dutchess County Legislature's Public Safety Committee on Wednesday, March 4. Alexander represents the towns of Amenia, Washington, the Village of Millbrook and a portion of the Town of Pleasant Valley
Photo by Aly Morrissey
POUGHKEEPSIE — The Dutchess County Legislature passed a resolution Monday, March 9, to oppose a proposed federal immigration detention center in neighboring Chester, New York. The legislature passed the resolution 20-0 with unanimous bipartisan support. Five legislators were absent.
The measure cites concerns about due process, transparency and potential regional impacts. Although it does not prevent the detention facility from being built, it is symbolic of Dutchess County’s opposition and outlines concerns about how the project could affect communities throughout the Hudson Valley.
The resolution was previously considered during a meeting of the Public Safety Committee, chaired by local legislator Eric Alexander of District 25, who represents Amenia, Millbrook, the Town of Washington and part of Pleasant Valley.
District 19 legislator Chris Drago — who represents the towns of Stanford, Pine Plains, Milan, Red Hook, North East and the Village of Millerton — voiced his support for the resolution during last week’s Public Safety Committee. He said the issue transcends political divisions.
“Public safety is not partisan,” Drago said. “When I was elected, I was elected to protect all people of Dutchess County, not just some.”
He added that public safety means ensuring residents feel safe in their homes and communities and are able to work, raise their families and travel without fear.
Drago said recent immigration enforcement actions have had ripple effects throughout communities.
“The harm extends beyond the individual,” he said, referring to ICE arrests of residents in homes, workplaces and neighborhoods. “It causes trauma to children and families and destabilizes local businesses. We don’t want or need ICE here.”
The resolution states that since its founding, “Dutchess County has been a strong, stable, and welcoming community, enriched by the contributions of individuals from every race, background, religion, creed, and national origin, including immigrants and families who live, work, raise children, and contribute meaningfully to the County’s economic, agricultural, and civic life.”
It also denounces and condemns “hate, discrimination, intimidation, and bigotry in all of their manifestations, including hate directed at immigrants” and reaffirms its commitment to maintaining a welcoming, safe, and inclusive county.
Beyond moral and legal concerns, the resolution highlights possible regional consequences if the Chester detention center moves forward.
Legislators cited the potential for added strain on hospitals, emergency medical services, housing resources, mental health providers, social service agencies and legal systems in nearby counties, including Dutchess.
The resolution formally states Dutchess County’s opposition to the proposed detention facility while reaffirming its commitment to remain a “welcoming community for all.”
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Rudd Pond Road closing Monday for bridge replacement
Millerton News
Mar 11, 2026
MILLERTON — A portion of Rudd Pond Road will be closed starting Monday, March 16, as Dutchess County Department of Public Works crews begin replacing the bridge over Webatuck Creek.
Rudd Pond Road will be closed between Boston Corners Road and Route 22 during construction. Drivers will be rerouted along Boston Corners Road and Route 22 to avoid the closure.
A statement from Dutchess County Department of Public Works laid out plans for the bridge replacement. According to that statement, the bridge will be replaced with a wider structure including a 5-foot shoulder on the south side of the bridge to accommodate cyclists and pedestrians using the nearby Harlem Valley Rail Trail. The new bridge will have a 2-foot shoulder on the north side.
The bridge will also sit about a foot higher than the older structure to bolster its resistance against flooding.
The project is expected to be completed by the end of summer.
The bridge services 400 vehicles per day on average, according to the statement from Dutchess County.
Motorists are advised to plan for additional time and to exercise extra caution near the construction site and on the detour, obey the posted speed limits, and traffic advisory signs and the directions from flaggers near the work zone to ensure the safety of workers and other motorists.
For more information, please contact the Dutchess County Department of Public Works’ Engineering Division at 845-486-2925.
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From students to owners at New Milford’s award-winning dance studio
Natalia Zukerman
Mar 11, 2026
Elizabeth Frabizzio and Zoe Czerenda, once both students at FineLine, are now co-owners.
Provided
For Elizabeth Frabizzio and Zoe Czerenda, the studios at FineLine Theatre Arts in New Milford, Connecticut hold a lifetime of memories. Both women grew up there, first as students, then as young teachers. Last September, they became the studio’s new owners.
The studio was founded in 2006 by Broadway veterans Elizabeth Parkinson and Scott Wise. Parkinson, a former principal with the Joffrey Ballet, and Wise, a Tony Award winner for “Jerome Robbins’ Broadway,” built the school on professional-level training paired with a strong sense of community. As they prepared to step back from running the school, they didn’t look far for successors. In September 2025, they handed the studio keys to two dancers who had come up through its ranks.
“It felt like the natural progression of my career,” Frabizzio said.
Frabizzio joined FineLine as one of its earliest students during her senior year of high school. Not long after graduating, the founders offered her a small class to teach.
“They gave me my first class as I was dabbling in the professional world and auditioning and performing,” she said.
Her career soon took her well beyond New Milford. She performed as an ensemble dancer in the Radio City Christmas Spectacular at Radio City Music Hall, with the modern dance company Momix, and appeared in Darren Aronofsky’s “Black Swan.”
Over time, teaching pulled her back toward the studio. About 10 years ago, after getting married, Frabizzio began gradually taking on administrative responsibilities and helping run the school behind the scenes.
Also a New Milford native, Czerenda began dancing at FineLine as a child and later joined the studio’s pre-professional repertory company, Artists in Motion. By age 15 she was assisting with classes.

Today, Czerenda and Frabizzio share the day-to-day work of running the studio. Their first school year as owners has come with a few surprises.
“It’s been kind of a wild ride,” Frabizzio said, laughing. She welcomed her second child last summer, just as the transition to ownership began.
“I’m so lucky that I have Zoe,” she said. “She’s an amazing partner. She kind of steered the ship and ran the show the first trimester of the year.”
While the leadership is new, the philosophy of the studio remains firmly rooted in what Parkinson and Wise built.
“I’m definitely preserving the technique and the passion that Elizabeth and Scott brought to FineLine,” Frabizzio said.
The founders’ Broadway backgrounds shaped the studio’s approach to training, emphasizing strong technical foundations for dancers of all levels.
“A solid technique is something that anybody would want, regardless of aspirations,” said Frabizzio. “If you want to be a professional or if you want to be a recreational dancer, it’s important to learn the right way.”
FineLine now serves more than 100 students ranging from age 3 through adults. Classes include ballet, tap, jazz, contemporary, lyrical, acrobatics and musical theatre, along with vocal performance and drama. The theatre program is led by Robin Frome, who also runs the Sherman Playhouse.

The studio recently received another sign of its local support, earning first place in Litchfield Magazine’s 2026 Readers’ Choice awards.
“We were really excited to come in first place,” Frabizzio said. “It’s so great for the area.”
At the same time, the new owners are mindful of how demanding dance culture can sometimes become.
“What I pulled from the professional world was how toxic it could be,” Frabizzio said. “I just want these kids to feel loved. I want them to feel empowered and to know that they are enough at any ability.”
For the past 15 years, Frabizzio has primarily taught children between the ages of 3 and 10 — often their first introduction to dance.
“I don’t take that role lightly, especially now that I’m a mom,” she said. “I know what those first impressions are and what they mean.”
Her goal is simple: “I want them to walk away with love and joy,” she said. “I want them to be excited to come to class.”
Accessibility is also part of the studio’s mission. This school year, FineLine awarded $23,000 in scholarships to students through an application process supported in part by community performances at the studio.
Looking ahead, FineLine will present its annual spring performance at the end of May, followed by its summer programs in July and August.
For Frabizzio and Czerenda, the studio’s next chapter is less about reinvention than stewardship.
“We’re really trying to preserve what they gave us,” Frabizzio said. “And that’s the love and the joy of dance.”
“Being an educator has been the greatest blessing of my life,” said Czerenda. “To be a safe space, a light of positivity or an outlet for these kids is what makes this experience so special. They teach me how to be a better educator and I like to think I help them become better humans as well as dancers and performers.”
Find out more and sign up for a class at finelinetheatrearts.com
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Lenore Mallett builds community at the Colonial
Sally Haver
Mar 11, 2026
On any given day in Salisbury or Lakeville, you might spot Lenore Mallett picking up dinner at LaBonne’s supermarket or chatting with neighbors. What many may not realize is that this same neighbor helping people find plumbers, foster dogs — even future spouses — is also helping revive the historic Colonial Theatre in North Canaan and quietly shaping community life across the Litchfield Hills.
Mallett is one of the driving forces behind the restoration and reopening of the more than 100-year-old Colonial Theatre, which she and members of the Fiorillo family purchased, renovated and reopened in 2023 as a community cultural hub serving North Canaan and the surrounding region.
That Mallett is a creative, entrepreneurial, energetic and successful professional is indisputable. Today she holds two almost full-time jobs. The first is as a top-rated sales executive at William Pitt Sotheby’s International Realty, where she connects clients to the “homes of their dreams.” The second is managing the Colonial Theatre.
“We took on the acquisition and renovation of what was once the town’s popular movie hub decades ago and reconfigured it for the benefit of the town and its surrounding communities,” Mallett said. “It was our intention to remake it into a cultural hub, one that could house a wide diversity of events with broad public appeal.”
“We figured a good way to start was to rent out small spaces within the building,” she added. “We loved helping young entrepreneurs, acting as a launching pad for their small businesses, and we kept the rent affordable. Initially we had a housewares store, a hair salon, a baker in the basement and a photographer on the second floor. They all flourished, outgrew their spaces and successfully moved on. For us, it was like baby birds leaving the nest.”
Today the Colonial Theatre continues to support community programs, including its largest tenant, Canaan Kids Art Space. The organization hosts an after-school club for children ages 6 to 10 and a summer program with four one-week sessions, providing families with a safe and creative environment where children can learn about many forms of art and create their own work. Organizers also maintain a policy that no child is turned away for lack of funds, working with families to ensure participation.

The Colonial’s space — encompassing a second-floor ballroom, a 120-seat theater and several smaller rooms — is highly versatile and can be reconfigured to accommodate a wide variety of events and audiences. The venue has hosted movie screenings and festivals, graduation and awards ceremonies, large family reunions, birthday parties, cultural festivals, arts and crafts fairs, educational workshops and literary events including book readings and author talks.
“The space is open for the community to use as they see fit,” Mallett said.
Mallett’s generosity of spirit is also reflected in her volunteer activities. When her children were younger, she became a reading tutor at their elementary school, helping more challenged readers catch up with the rest of the class. She was also the co-founder of ReGroup, a Stamford-based nonprofit that helped women successfully return to the workplace after taking “gap years” to raise families.
More recently, Mallett and her husband became partners in Robbie’s Community Market in Great Barrington, the eatery founded by Sheffield native Robbie Robles that opened last summer.
Most recently, the Colonial hosted the Falls Village and North Canaan historical societies’ George Washington Ball celebrating the 250th anniversary of George Washington’s birth.
Coming up is a movie series featuring notable films from the 1980s and 1990s, to be shown once or twice a month. Planned titles include “Back to the Future,” “Top Gun,” “Jurassic Park,” “The Princess Bride” and “Ferris Bueller’s Day Off.” More events are in development, Mallett said. Community members can follow announcements on the Colonial Theatre’s website, canaancolonial.com, or watch the theater’s marquee for upcoming programs.
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The Mozarts you don’t know at the Mahaiwe
Graham Corrigan
Mar 11, 2026
Wolfgang Amadeus Mozart
Provided
For centuries, Wolfgang Amadeus Mozart has overshadowed nearly everyone in classical music, including the talented musicians in his own family: his father Leopold, his sister Maria Anna Mozart and his son Franz Xaver Wolfgang Mozart who were all prolific composers and musicians in their own right.
On March 15, Great Barrington’s Mahaiwe Theater will explore the legacy of Mozart with its “Meet the Mozarts” concert. It’s mostly Amadeus — a quartet will perform the maestro’s “Piano Trio in B-flat, KV 502” and “Quartet in G minor, KV 478” — but the evening will feature works from both the elder and younger Mozarts.
“The story of Mozart is forever an enigma,” said Close Encounters with Music’s artistic director Yehuda Hanani. “It’s really a mystery. How did a man who, as a child, dazzled the royals of Europe end up in an unmarked grave?”
Leopold Mozart is best known for writing a foundational textbook on playing the violin. His catalog included church music, opera dances and symphonies, though much of it has been lost over time. Amadeus was his seventh child, and he served as the boy’s primary music teacher after the toddler began imitating the piano lessons taken by his older sister.
“Mozart’s father really made him what he was,” Hanani said. “He was a devoted pedagogue. He drilled him, and he corrected his early pieces. And then, of course, he was a great promoter. He created the legend.”
Mozart’s son, Franz Xaver Wolfgang, was born just four months before his famous father’s death. His musical education included lessons connected to such figures as Joseph Haydn and Antonio Salieri, and he socialized with contemporaries such as Franz Schubert and Robert Schumann. He was a renowned composer in his own right, “and he probably would have been much more acknowledged and known if not for his misfortune of being the son of a great genius,” Hanani added. Wolfgang would often perform his father’s work alongside his own. As his tombstone notes, “May the name of his father be his epitaph, as his veneration for him was the essence of his life.”
The Mahaiwe’s concert will feature a fourth Mozart: AI Mozart. “We are living in a very revolutionary technological, artistic, cultural time with AI, and it’s creating some kind of cultural crisis,” Hanani said. “So, we’re doing something a little whimsical, a little naughty and a little serious at the same time.” The three-minute piece uses Mozart’s existing oeuvre to create a composite work.
Hanani has mixed feelings. “If you compare [AI Mozart] to Leopold and Wolfgang Mozart, it’s not so bad. But next to the real Mozart, it’s full of clichés and platitudes, and it’s really drawing on something that was already there… There’s no spark in it.”
For more information and tickets, visit Mahaiwe.org
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