Physical therapist finds new space

Physical therapist Mike Mangini opened his new private practice in North Canaan on Feb. 13.
Photo by Cynthia Hochswender

NORTH CANAAN — Devoted clients of physical therapist Mike Mangini will be relieved to know he has opened his new private practice, in North Canaan, as of Monday, Feb. 13.
Mangini, 55, was the founding director of outpatient therapy at Geer in North Canaan, where he saw patients for 25 years, building up a devoted clientele over the decades. The waiting list to see him or one of the two other therapists in the department was often five weeks.
Despite the need for the program, and its popularity, COVID and other challenges forced Geer to close the outpatient therapy department last September. Mangini spent a few months searching for just the right commercial space, one that was clean and spacious and which offered easy wheelchair access.
He found it at last at 10 Railroad St. in the center of town. Mangini said he is grateful to building owner John Considine for “being very accommodating and doing such a nice job creating this space.”
Considine owns several commercial properties in the North Canaan business district; Mangini said his landlord’s mission is to bring to town “more nice things to do; and I hope to add to what he’s started here in the center of town.”
The storefront space that Mangini now occupies is unexpectedly cheerful for a medical space, with two friendly signs announcing “physical therapy,” an inviting message that is enhanced by two giant brightly colored therapy balls next to the front door (the wheelchair access is through a side entry).
Generally, physical therapy is not a joyful activity, but somehow the upbeat and humorous Mangini manages to make appointments with him something to look forward to. He is an experienced and highly competent therapist with an advanced degree in orthopedic PT, thousands of hours of continuing education in (and experience in) manual therapy, including in the Mulligan manual therapy technique.
He does work that can be compared to chiropractic; he is expert in the technique of dry-needling, which is similar to acupuncture but which, he explained, “is based on anatomy and Western medicine, unlike acupuncture, which is based on the meridiens and on Chinese medicine.” Another difference: Dry needling is done in combination with a light electrical stimulation, “which has a way of changing how the brain internalizes pain information. The goal is to change the body tissue, but also to create systemic change in the brain and spinal cord.”
Mangini estimates that 75% of his patients are helped by dry needling, in combination with manual therapy and PT exercises.
“It’s fun and it doesn’t hurt,” he promised.
One of the main challenges of being a successful PT, of course, is not just the techniques you use but also the way in which you diagnose a problem and then choose the appropriate treatments.
“I try to be empathetic and a good listener. I try to remember that people have psycho-social needs and that sometimes I need to really hear what someone is saying to me. I try to look at what motivates people, and to understand that not everyone is going to go home and do all the exercises I recommend to them.
“I feel like if I can understand what motivates someone, I can more easily contribute to their recovery process. People want to move better and live better. I want to give them strategies and management tools so they can make good decisions about their health.”
While that all might sound a little earnest, Mangini presents those life lessons wrapped in a healthy dose of humor and good cheer. Unusually, there is nearly always laughter involved in a session with him, even when the road to mobility and relief is painful. So when Mangini promises that, for example, dry needling is fun, he means it, and he isn’t kidding (about that). Also fun: Pool therapy at the YMCA at Geer Village in North Canaan.
“It’s fun!” he promises. “And it’s effective for people with balance issues, spinal pain, arthritis.”
For patients who haven’t already worked with him at Geer, Mangini suggests a phone call or a text with questions of the “Hey, I’ve got something going on” variety.
“Then I can either say, ‘I think you should come in,’ or I might say, ‘That sounds complex, you should probably talk to a doctor.’”
Appointments are now booked directly through Mangini; although there is not yet a five-week waiting list, his calendar is beginning to fill up.
In addition to pool therapy at the Y, he is also doing some home visits, to reduce stress for patients who can’t always get a ride to his office, or for those who can’t easily be moved.
The office is now open Monday through Friday from 8 a.m. to 5 p.m.
“I’m an out-of-network provider for all major medical plans,” he said. “Or patients can do fee-for-service.”
Costs vary depending on how long the session lasts, with most costing between $60 and $120.
Contact Mike Mangini by text or phone at 860-309-4449; email him at mikemanginipt@gmail.com; or go to his website at www.manginiphysicaltherapy.com.
When longtime arts administrator Amy Wynn became the first executive director of the American Mural Project (AMP) in 2018, the nonprofit was part visionary art endeavor, part construction site and part experiment in collaboration.
Today, AMP stands as a fully realized arts destination, home to the world’s largest indoor collaborative artwork and a thriving hub for community engagement. Wynn’s departure, marked by her final day Oct. 31, closes a significant chapter in the organization’s evolution. Staff and supporters gathered the afternoon before to celebrate her tenure with stories, laughter and warm tributes.
“We had such a fun party for her,” said AMP founder and artistic director Ellen Griesedieck. “I am excited for what is next for Amy and grateful for every moment she has invested in her work at AMP.”
Wynn, who previously led the Northwest Connecticut Arts Council, said her decision to step down came after careful reflection.
“It’s time for me to shift into the next phase of my career, which will call upon my 40-plus years of nonprofit experience to do project work,” she said. “I’ve absolutely loved my time at AMP.”

Under Wynn’s leadership, AMP expanded education programs, deepened community partnerships and oversaw key milestones in the creation of its monumental centerpiece — a three-dimensional mural stretching 120 feet long and five stories high — celebrating American ingenuity, industry and collaboration.
“Through all these years, Amy has worked with tireless enthusiasm for AMP, running day-to-day operations and guiding the overall direction of our mission,” Griesedieck said.
During Wynn’s tenure, AMP evolved from a concept into a dynamic cultural campus. She helped professionalize its structure, solidify its funding base and develop programs that drew visitors from across the state and beyond.
“The work she has accomplished, the hours of overtime she has logged, the mountains we have climbed together since that moment are many and miraculous,” Griesedieck said.
AMP also weathered challenging times, including the pandemic, which forced arts organizations to rethink audience engagement. Wynn guided the team during that uncertain period with a steady hand.
To ensure a smooth transition, AMP has brought on Renee Chatelain of RMCreative Solutions, LLC, an experienced consultant, attorney and arts administrator who previously worked with AMP on its capital expansion planning.
Chatelain will serve as interim executive director while a national search is conducted for AMP’s next leader.
“A longtime friend, Renee comes to us with a depth of knowledge on executive transition,” said Griesedieck. “As an attorney, a leader of several arts organizations and a classically trained dancer, she is particularly well-suited for this interim role.”
Though stepping down, Wynn said she will continue her work in the nonprofit field in a more flexible, project-based capacity.
“I’ll be seeking consulting projects with other nonprofits, assisting with grant work and strategic planning,” she said. “What I enjoy most is leading a collaborative effort and finding solutions to challenging problems.”

Even as AMP bids farewell to Wynn, its focus remains on the future. The next phase of development will focus on converting a second mill building into expanded programming and community space.
“The next step has got to happen,” Griesedieck said. “It’s absolutely what the Northwest Corner needs — a place for the community to congregate.”
The proposed expansion would create flexible areas for performances, workshops and public events, further establishing AMP as a cornerstone of the regional arts scene.
With community support and grants, AMP hopes to carry forward Wynn’s momentum into a new era.
“She is not leaving,” Griesedieck said. “Amy will always be here for us.”
Founded in 2001, the American Mural Project was conceived as a tribute to the American worker — a celebration of skill, creativity and perseverance. The mural, the largest indoor collaborative artwork in the world, was created with contributions from thousands of children, artists, teachers, tradespeople and volunteers nationwide.
Today, AMP offers tours, workshops, lectures and performances, all rooted in its mission: to inspire, invite collaboration and reveal the contributions people of all ages can make to American culture.
As Wynn turns the page, her legacy — from her calm, strategic leadership to the collaborative spirit she fostered — remains woven into the fabric of AMP’s story.
The Norfolk Library will screen the acclaimed documentary “Kings of Pastry” on Friday, Nov. 14, at 7 p.m. The film will be introduced by its producer, Salisbury resident Flora Lazar, who will also take part in a Q&A following the screening.
Directed by legendary documentarians D.A. Pennebaker (“Don’t Look Back,” “Monterey Pop”) and Chris Hegedus (“The War Room”), “Kings of Pastry” offers a rare, behind-the-scenes look at the prestigious Meilleurs Ouvriers de France (Best Craftsmen of France) competition, a prestigious national award recognizing mastery across dozens of trades, from pastry to high technology. Pennebaker, who attended The Salisbury School, was a pioneer of cinéma vérité and received an honorary Academy Award for lifetime achievement.
Established in 1924 and overseen by the French Ministry of Labor, the competition challenges professionals to create a “masterpiece” that demonstrates skill, precision and artistry. Winners receive a lifelong title and medal, presented at a ceremony in Paris attended by the president of France.
In this documentary, 16 pastry chefs spend three grueling days in Lyon crafting delicate chocolates, towering sugar sculptures and exquisite pastries, all in pursuit of perfection — and the honor of being recognized by then-President Nicolas Sarkozy, as one of France’s best craftsmen. The filmmakers were granted exclusive access to capture this intense, emotional and visually stunning event.
Producer Flora Lazar came to filmmaking via an unexpected route. Trained as a historian and psychotherapist, she has had a lifelong love of French pastry, a passion she eventually pursued through formal training at a pastry school in Chicago.
“It was run like a military operation,” she recalled of the school. “You could eat off the floor. Everything had to be meticulous, precise.”
Lazar’s father, a first-generation Harvard graduate who grew up in the Borscht Belt, pushed his children toward high achievements in academia and “looked down on the trades,” Lazar admitted. “I loved French pastry my whole life,” she said. “But my dad wasn’t going to send me to pastry school.”
After her father’s passing — with her children grown and financial responsibilities eased — Lazar finally returned to that early passion.
At the pastry school in Chicago, Lazar met two chefs, one who had won and one competing for the Meilleurs Ouvriers title. Lazar set out to write an article about the competition and what it could mean for American education and industry.
Lazar, who knew Pennebaker and Hegedus from her years in New York, invited them to Chicago to meet the chefs. That meeting sparked the idea of “Kings of Pastry,” which was born.
For Lazar, though, the meaning has always been personal.
“The purpose of the film wasn’t just to show the high level of craftsmanship in French pastry but to illuminate a larger political, economic and educational issue.”
The screening will also serve as a promotion for the Norfolk Historical Society’s 11th Annual Cake Auction, to be held Dec. 6 at 5:30 p.m. Historical Society president Barry Webber will give a brief introduction to the auction before the film.
And yes, there will be cake.
Register for the event at norfolklibrary.org/events/documentary-
film-kings-of-pastry.
On Saturday, Nov. 15, the Stissing Center in Pine Plains will be host to the Hudson Valley premiere of the award-winning music documentary “Coming Home: The Guggenheim Grotto Back in Ireland.” The screening will be followed by an intimate acoustic set from Mick Lynch, one half of the beloved Irish folk duo The Guggenheim Grotto.
The film’s director, Will Chase, is an accomplished and recognizable actor with leading and supporting roles in “Law & Order,” “The Good Wife,” “Rescue Me,” “Nashville,” “The Deuce,” “Stranger Things” and “Dopesick.” After decades of acting on television and on Broadway, Chase decided to take the plunge into directing his own short films and documentaries.
In “Coming Home,” Chase follows one of his favorite bands, The Guggenheim Grotto, on a reunion tour in Ireland. Founding members Mick Lynch and Kevin May have not played together in more than a decade, and the reunion may also serve as a farewell tour for the band. The film captures not just the music, but the friendship and shared history between Lynch and May, set against the homeland that shaped their songs.
“I’m just a huge fan,” Chase said. “It’s a big 45-minute love letter to the guys. They really dive into why they didn’t make it as a band, whatever that means,” noting that many acclaimed musicians struggle to find mainstream recognition. “I look at them and they’re very successful. They were on television shows, they won some awards, but it also makes people go ‘Oh, right. There are other bands out there other than the ones that I just read about.’ There are all these wonderful artists that we don’t necessarily know about.”
Over the years, The Guggenheim Grotto earned major critical acclaim. Their 2005 debut album “Waltzing Alone” was hailed as “one of the most beautiful records of the year” by LA’s KCRW. An Independent Music Award followed in 2007 for best folk song/songwriting. The band grew quite popular in their native Ireland, but Lynch eventually moved to New York while May remained in Ireland. Though the band’s future seemed uncertain, there was always hope for a reunion of some kind.
Reflecting on his collaboration with the band, Chase said, “I was very fortunate and thanked them profusely for being so open and honest in the documentary. No one had done this with them before, and thank God they’re just affable, funny, great guys. They really love the piece. I think it touched them in very different ways.”
Immediately following the screening, Mick Lynch — one half of The Guggenheim Grotto and current Hudson Valley resident — will take the stage for an intimate acoustic set. The documentary, coupled with the live performance, offers a rare chance to see and hear what goes into the making of great music, art, and film.
Tickets are available at thestissingcenter.org