MILLERTON — When in need of health services, patients generally find their way to providers, but on March 12, providers came to patients on Mobile Health Day.
Mobile Health Day — a collaboration between the North East Community Center, the Dutchess County Department of Health, and Sun River Health of Amenia — provided the public with the opportunity to receive vaccinations and health/medical screenings and to schedule medical appointments.
While the offerings were limited, the services on tap that day are much-needed in the region, which lacks a sufficient number of health providers and clinics.The NECC already provides transportation for those in need to pharmacies and doctor’s offices.
NECC’s mobile health day was an attempt to connect the public with easy-to-access care at Dutchess County’s mobile health unit, a large van parked a few doors down from the NECC at the rail trail parking lot on South Center Street.
“The health care desert we experience in northeast Dutchess County can be felt by all our neighbors, who often have to drive increasingly far distances to access the health care they need,” said Cheri Johnson, who serves as the NECC’s marketing and outreach coordinator. “While NECC’s transportation program provides approximately 2,800 free rides per year to those needing transport to medical appointments, this now-monthly gathering of mobile healthcare providers is a great way to bring medical services right into the heart of our community where we need them the most.”
Nurse practitioner Barbara Lopez-Heffernan, who was on-site that day, is bilingual in English and Spanish. Should a patient arrive who isn’t fluent in either tongue, a translation service LanguageLine, is available for those in need.
Lopez-Heffernan, who works with the Department of Health, conveyed that being able to converse with her patients in whatever language they speak fosters a sense of comfort, especially for nervous patients, and helps build patient-practitioner connections. “It’s important to reach patients where they’re at,” she said. “I tell my patients I’m here for you.”
Among the services offered that day included testing for pregnancy and sexually transmitted diseases, flu and COVID-19 vaccinations, and blood pressure checks along with informational pamphlets. “I triage, refer or treat,” said Lopez-Heffernan.
Sun River Health in Amenia had a table set up inside the NECC where information was provided and answers were given to questions about services.
In addition to the NECC and the Department of Health, Sharon’s Hospital’s Diaper Connections was also around with a generous supply of disposable diapers to provide to patrons in need. Diaper Connections, which is primarily privately funded, has received some grant monies. The organization serves approximately 85 children per month, and about 85% of families with newborns have diaper needs.
According to Candy Osborn, RN, of Sharon Hospital, about 85% of new parents have diaper needs with the birth of a newborn for a variety of reasons. Income is a factor, but sometimes parents are just not properly prepared.
An inflatable welcomed the public to Mobile Health Day on March 12 at the rail trail parking lot, just down the street from the NECC, one of the event’s sponsors.Photo by Krista A. Briggs
“I really feel a lot of families don’t know the resources,” Osborn said. “No judgment here. If you have a need, you have a need.” Osborn conveyed that about 40% to 50% of families with diaper needs in the first month of a newborn’s life return for additional supplies thereafter.
“Mobile Health Day was an excellent way to serve all members of our community, and a large number of people took advantage of the offerings made by North East Community Center, Dutchess County Health Department, Sharon Hospital’s Diaper Connections, and Sun River Health of Amenia,” said Johnson. “We look forward to continuing to provide these resources and are excited for our next mobile health event on April 9 at the South Center Street rail trail parking lot in Millerton.”
“Once Upon a Time in America” features ten portraits by artist Katro Storm.
Part of what became a capstone project for Wolgemuth, she left behind a comprehensive guide to help future student interns manage the gallery effectively. “Everything from who we should contact, the steps to take for everything, our donors,” Wilbur said. “It’s really extensive and it’s been a huge help.”
Art teacher Lilly Rand Barnett first met Storm a few years ago through his ICEHOUSE Project Space exhibition in Sharon, “Will It Grow in Sharon?” in which he planted cotton and tobacco as part of an exploration of ancestral heritage.
“And the plants did grow,” said Barnett. She asked Storm if her students could use them, and the resulting work became a project for that year’s Troutbeck Symposium, the annual student-led event in Amenia that uncovers little-known or under-told histories of marginalized communities, particularly BIPOC histories.
Last spring, Rand emailed to ask if Storm would consider a solo show at HVRHS. He agreed.
And just a few weeks ago, he arrived — paints, brushes and canvases in tow.
“When Katro came to start hanging everything, he took up a mini art residency in Ms. Rand’s room,” Wilbur said. “All her students were able to see his process and talk to him. It was great working with him.”
Perhaps more unexpected was his openness. “He really trusted us as curators and visionaries,” Wilbur said. “He said, ‘Do with it what you will.’”
Artist Katro StormNatalia Zukerman
Storm’s artistic training began at New Haven’s Educational Center for the Arts. His talent earned him a full scholarship to the Arts Institute of Boston, then Boston’s Museum School, where he painted seven oversized portraits of influential Black figures — in seven days — for his final project. Those works became the backbone of his early exhibitions, including at Howard University’s National Council for the Arts.
Storm has created several community murals like the 2009 READ Mural featuring local heroes, and several literacy and wellness murals at the Stetson Branch Library in New Haven. Today, he teaches and works, he said, “wherever I set up shop. Sometimes I go outside. Sometimes I’m on top of roofs. Wherever it is, I get the job done.”
His deep ties to education made a high school gallery an especially meaningful stop. “No one really knew who these people were except maybe John Lennon,” Storm said of the portraits in the show. “It’s really important for them to know James Baldwin and Shirley Chisholm. And now they do.”
The exhibition includes a wide list of subjects: James Baldwin, Shirley Chisholm, Redd Foxx, Jasper Johns, Marilyn Manson, William F. Buckley, Harold Hunter, John Lennon, as well as two deeply personal works — a portrait of Tracy Sherrod (“She’s a friend of mine… She had an interesting hairdo”) and a tribute to his late friend Nes Rivera. “Most of the time I choose my subjects because there are things I want to see,” Storm said.
Storm’s paintings, which he describes as “full frontal figuratism,” rely on drips, tonal shifts, and what feels like emerging depth. His process moves quickly. “It depends on how fast it needs to get done,” he said. “Sometimes I like to take the long way up the mountain. Instead of doing an outline, I just start coloring, blocking things off with light and dark until it starts to take shape.”
He’s currently in a black-and-white phase. “Right now, I’m inspired by black and white, the way I can really get contrast and depth.”
Work happens on multiple canvases at once. “Sometimes I’ll have five paintings going on at one time because I go through different moods, and then there’s the way the light hits,” he said. “It’s kind of like cooking. You’ve got a couple things going at once, a couple things cooking, and you just try to reach that deadline.”
For Wilbur, who has studied studio arts “ever since I was really young” and recently applied early decision to Vassar, the experience has been transformative. For Storm — an artist who built an early career painting seven portraits in seven days and has turned New York’s subway corridors into a makeshift museum — it has been another chance to merge artmaking with education, and to pass a torch to a new generation of curators.
