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201 Beilke Road built in 1957 on 0.8 acres was originally listed for $425,000 and sold on August 28, 2025 for $365,000 including in ground pool, deck and garage.
        Photo by Christine Bates
    
MILLERTON — Monthly county recordings of property transfers offer an objective look at what is actually selling in any town. In August and September, the Town of North East and the Village of Millerton recorded 10 transfers: six residential properties and four small parcels of land. Four of the homes sold for under $500,000, well below the 12-month median for September of $495,000, while one closed for more than $6 million.
Homes currently listed for sale present a very different picture. Of the more than 20 residential properties on the market, eight are listed at above $1 million and only five are priced below $500,000. The million-dollar-plus homes have been on the market for an average of more than eight months.
August transfers
84 Beilke Road — 4 bedroom/1 bath home built in 1954 sold to Evan Cooper.
895 Route 83 — 3 bedroom/3.5 bath home on 45 acres built by architect Gilbert Schafer sold to Mick & Sadie LLC for $6,180,000.
Route 22 (#075387) — 2.7 acres of vacant land sold to Right Time Properties for $8,720.
September transfers
19 Dutchess Ave. — 3 bedroom/2 bath home on .1 acres in the Village of Millerton sold to Leah McCloskey for $420,000.
5884-5886 Elm Ave. — multiple dwellings on .41 acre in the Village of Millerton sold to 5884 S.Elm LLC for $310,00.
784 Smithfield Road — 2 bedroom/1 bath contemporary home built in 2000 sold to Ardian Hasko for $575,000.
201 Beilke Road — 3 bedroom/1 bath home on .8 acres sold to Carrie-Ann Dance for $365,000.
Rudd Pond Road (#620671) — 1.05 acre residential lot sold to Robert P. Wright for $69,000.
Quarry Hill Drive (#500970) — 2.89 acre residential lot in Boston Corners sold to Bart Schwartz Trustee for $100,000.
Silver Mountain Road (#922295) — 5.01 acre vacant parcel sold to Bradley Butts for $50,000.
*Town of North East and Village of Millerton property transfers from August and September 2025, are sourced from Dutchess County Real Property Office monthly reports. Details on property from Dutchess Parcel Access. Actual parcel numbers indicated by (#___) are included for properties without specific street address. Note that transfers may lag the date of closed sales. Market data from OneKey MLS and Inforsparks. Compiled by Christine Bates, Real Estate Advisor with William Pitt Sotheby’s International Realty, Licensed in Connecticut and New York.
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        Dutchess County Sheriff's sub-station on Route 22 south of Amenia, New York.
    
        Archive photo
    
Dutchess County Sheriff’s Office Harlem Valley area activity report Oct. 9 to Oct. 22
Oct. 12 — Deputies report the arrest of Ronald Arndt, age 70, for aggravated unlicensed operation of a motor vehicle in the third degree during a traffic stop at 3183 Route 22 in the Town of Dover. Arndt to appear in the Town of Dover Court at a later date.
Oct. 12 — Deputies responded to 116 Charles Colman Blvd. in the Village of Pawling for a domestic dispute at that location. Matter resolved without further police intervention.
Oct. 17 — Deputies responded to 123 Route 44 in Millerton for a hit and run that caused property damage in which the offending vehicle fled the scene leaving its bumper behind. The offending vehicle was located in the area of 72 Main St. in Millerton.Subsequent investigation resulted in the arrest of Miguel Guarcas Cipriano, age 54, for driving while intoxicated.Cipriano to appear in the Town of North East Court at a later date.
Oct. 18 — Deputies responded to 8 Willow Lane in the Town of Amenia for a neighbor dispute. Both parties were told to stay away from the other. No further police actionneeded.
Oct. 21 — Deputies responded to the area of 3306 Route 343 in the Town of Amenia to investigate verbal domestic disturbance.Matter resolved without further police intervention.
PLEASE NOTE:All subjects arrested and charged are alleged to have committed the crime and are presumed innocent until proven guilty and are to appear in local courts later.
If you have any information relative to the aforementioned criminal cases, or any other suspected criminal activity please contact the Dutchess County Sheriff’s Office tip line at 845 605 CLUE (2583) or Emaildcsotips@gmail.com.All information will be kept confidential.
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The ofrenda at Race Brook Lodge.
        Lety Muñoz
    
On Saturday, Nov. 2, the Race Brook Lodge in Sheffield will celebrate the Mexican Day of the Dead: El Día de los Muertos.
Mexican Day of the Dead takes place the first weekend of November and honors los difuntos (the deceased) with ofrendas (offerings) on an altar featuring photos of loved ones who have passed on. Elements of earth, wind, fire and water are represented with food, papel picada (colorful decorative paper), candles and tequila left for the beloved deceased. The departed are believed to travel from the spirit world and briefly join the living for a night of remembrance and revelry.
Music and events programmer Alex Harvey has been producing Día de los Muertos at Race Brook for the past three years, and with the closing of the venue looming, the festival takes on a deep and personal meaning.
“The anchoring gesture of Race Brook, long before I arrived on the scene, has always been to cultivate a space that thins the veil between the worlds. Something otherworldly is hiding in the mountain’s towering shadow: the whispering spring-fed stream, the dense lineage that founder Dave Rothstein brings, the woodsmoke that rises every night of the year from the firepits. This space communes with the spirits,” said Harvey.
“And so we cradle a special ache in our hearts as the leaves turn and the beautiful dance of Race Brook’s project of cultural pollination draws to a close. Fitting, then, to return for one last activation — Día de Los Muertos — a celebration of the end of things. A remembrance of those who’ve made the transition we are all destined for, but also a time when we honor many types of loss. And while we will all mourn those who aren’t there in the flesh, we will also, with humility, come as mourners for the space itself,” Harvey continued.
The event will be a night to remember, to celebrate and to release with ritual, music, and communal remembrance. Participants are invited to bring photos, talismans and offerings for the ofrenda (offering), as well as songs, poems or toasts to share in tribute to loved ones who have passed.
Mexican American musicians Maria Puente Flores, Mateo Cano, Víctor Lizabeth, Oviedo Horta Jr. and Andrea from Pulso de Barro, an ensemble rooted in the Veracruz tradition of son jarocho, will be performing.
Translating to “Pulse of the Clay,” their name reflects a deep connection to the earth and to the living heartbeat of culture itself. Through a synthesis of Mexican, Cuban, Venezuelan and Puerto Rican traditions, Pulso de Barro merges poetry, rhythm and communal song as pathways to coexistence with nature. Their performances feature the jarana and leona (stringed instruments), quijada, cajón, maracas, and marimba (percussion), the tarima (percussive dance platform) and a call-and-response of folk and original versadas.
The evening begins at 6 p.m. in the Barn Space with a Fandango de los Muertos featuring Pulso de Barro, a Race Brook favorite. At 8 p.m., the Open Mic for the Dead invites guests to speak directly into the spirit world — through word, music or memory. The night culminates at 10:30 p.m. with a Fandango for the Dead, a participatory music and dance celebration. Bring your instruments, your voices and your dancing shoes.
Race Brook Lodge is a unique rustic getaway destination for relaxation, hiking, live music, workshops, weddings and more. Sadly, it will be closing for good later in 2026, ending a storied chapter of Berkshire music, art, culture and well-being.
Come experience an evening that honors lost loved ones and the end of a Berkshire institution. The cycle of life endures. Surely, resurrection is in the cards for Race Brook Lodge.
For Tickets and info, visit: rblodge.com
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‘Coming to Light’ at Norfolk Library
Oct 29, 2025
Canyon de Chelly (1904) – Seven Navajo riders on horseback
        Edward S. Curtis
    
At a time when questions of representation, cultural legacy and historical narratives are at the forefront of public conversation, the Norfolk Library’s upcoming screening of the award-winning documentary “Coming to Light” offers a timely opportunity for reflection.
The event will be held on Thursday, Nov. 6, at 5:30 p.m., and will include a post-screening discussion with the film’s director, Lakeville resident Anne Makepeace.
“Coming to Light” offers a deeply researched, visually rich portrait of photographer Edward S. Curtis, whose early 20th century mission to record Native American life resulted in tens of thousands of images, sound recordings and texts.
But the film goes beyond biography, critically examining Curtis’ romanticized vision of Native American life and engaging with the descendants and communities whose lives and traditions the photo archives continue to affect.
Between 1896 and 1914, Curtis photographed over 80 tribes from Arizona to Alaska in an effort to capture Native American cultures he feared were disappearing..
“Curtis saw cultural genocide going on, and he feared these cultures would disappear,” Makepeace said. “He wanted to show these people are still here and these traditions are still happening.”
 
In the late 1990s, when Makepeace was developing her film on Curtis — about a century after he had started his photographic work — she wanted to see how present-day Native Americans felt about his photographs. She found that while academics had long derided Curtis’ work as extractive, colonialist, and often staged, most Native Americans she spoke with were overwhelmingly appreciative of his work. In fact, some of Curtis’ photographs ultimately helped certain tribes revive specific ceremonies.
“Coming to Light” premiered at the Sundance Film Festival, was shortlisted for an Academy Award in 2000, and was later aired on PBS’ “American Masters” in 2001. As the documentary nears its 25th anniversary, Makepeace reflected on the significance of the film and its lasting impact.
“The film shows the beauty and resilience of these cultures and the diversity of each of the varied tribes that were documented,” she said.
At a time when cultural preservation, national identity and documentary ethics are more important than ever, Makepeace said she believes the film’s message remains especially relevant in 2025.
For further details on the screening and to reserve a seat, visit: norfolklibrary.org/events/documentary-film-coming-to-light/
To see more of Makepeace’s work, visit: makepeaceproductions.com/index.html
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