![Thorne Building Community Center: Architect hired, focus shifts to fundraising](https://millertonnews.com/media-library/the-thorne-building-at-the-entrance-to-the-village-of-millbrook-has-stood-at-the-head-of-franklin-avenue-for-well-over-100-yea.jpg?id=48195643&width=980&quality=90)
The Thorne Building, at the entrance to the village of Millbrook, has stood at the head of Franklin Avenue for well over 100 years, and will soon be renovated as a community center. Photo submitted
MILLBROOK — After a period of relative quiet, the Thorne Building Committee (TBC) recently announced that architect Michael Sloan and his firm, Michael Sloan B.C., of Millbrook, has been retained as the architect who will develop the long-awaited plans to turn the Thorne Memorial Building, formerly the local high school in the village, into the hopefully thriving, all-purpose Thorne Building Community Center (TBCC).
Sloan established his business in Millbrook in 1997 and reportedly has an excellent reputation for working closely with clients and providing innovative answers to their needs. Not only that, but his great-great-grandfather, William Thorne, was one of the original donors of the Thorne Building, and Sloan has “always viewed the Thorne Building as one of the village’s anchors,” believing “it’s so important that the building remain community-based,” according to a statement released by the TBC.
There have been multiple meetings over the past two year to discuss the future of the Thorne Building, at least three of which were open to the public. The future of the Thorne Building — a beloved and familiar piece of Millbrook architecture — was discussed in detail, with residents from teens to senior citizens offering suggestions.
One major step was establishing the Thorne Building Committee. It’s headed by Charles Pierce and assisted by other committee members, such as Ann Gifford, Oakleigh Thorne and George Whalen III. Their work has been hard and tedious, but is described by its members as a labor of love.
Before anything could begin, however, a reverter clause had to be dealt with by the village. This was because there was a stipulation in the original granting of the building to the village of Millbrook in the late 1800s that if the building ever stopped being used as an educational facility, it would revert back the Thorne family. Those involved in the matter said there were more than 100 family members to be notified, who had to agree to release any claim to the property; family members were scattered far and wide across the country and it took some time to locate them.
However, in January of 2020, the Supreme Court of Dutchess County issued a judgment eliminating the reverter clause, allowing the village to transfer ownership to whomever it desired.
Pans for the building include creating an auditorium and large meeting space, which would accommodate a variety of programs, including theatrical, cultural and educational programs. There would be a music studio, with space for rehearsals, podcasts, an exhibition gallery and other technology. Many of these ideas were generated by the public at open meetings. There would also be smart classrooms and seminar rooms, shared offices and space for after-school activities. Outdoor spaces would include a new a band shell and a garden for picnicking. Most impressive, perhaps, are the plans for a kitchen that could be used for catering events, cooking classes or as a small café area.
A time frame for construction has not yet been set, but some of the initial exterior work will likely take place this summer. The hope is plans will be finalized by fall.
The TBCC is now placing its focus on fundraising. The TBCC is a nonprofit, 501(C)3 entity; while some money has been set aside for construction, the majority of the funds still needs to be raised.
The committee is currently researching operating and maintenance costs and ways to produce revenue, including possibly renting the building out for weddings, concerts and other cultural or educational events.
“This could also be an economic magnet,” said Pierce, “bringing people from all over to shop in our stores, eat in our restaurants and enjoy the life we live in Millbrook.”
The Thorne Building was originally donated as a school in 1895, and was the reason Millbrook became incorporated as a village; it served as the high school until 1961.
The community met multiple times to plan for the project, often with Millbrook Mayor Rodney Brown, Washington town Supervisor Gary Ciferri, local clergy, Village and Town Board members and local residents. Community liaison Carole Martin was hired by the TBC to conduct surveys with various groups to discover what the community wanted to do with the site. Now that plans are starting to materialize, the challenging part will be the fundraising, said Pierce.
“We hope that everyone will have the opportunity to give at a level that is comfortable for them,” she said.
Maxon Mills in Wassaic hosted a majority of the events of the local Upstate Art Weekend events in the community.
WASSAIC — Art enthusiasts from all over the country flocked to the Catskill Mountains and Hudson Valley to participate in Upstate Art Weekend, which ran from July 18 to July 21.
The event, which “celebrates the cultural vibrancy of Upstate New York”, included 145 different locations where visitors could enjoy and interact with art.
On Saturday, July 20, The Wassaic Project hosted numerous community events. Will Hutnick, the director of artistic programming, said “We’ve been a part of it since the beginning, this is the fifth year of UPAW.”
Most of the action was based at Maxon Mills, the seven-floor grain mill located in the heart of Wassaic. On exhibit was work from 30 artists, 18 of whom were past residents of The Wassaic Project. “Artists can come and do a residency here, meaning they live and work with one another for a couple months at a time,” Hutnick stated.
The first floor held work by Petra Szilagyi, who uses dirt and linseed oil to construct images of paranormal concepts, most of which include bats. They reflected that a recent trip to a fifth sense competition in Vietnam was the influence behind the exhibit.
Across the floor was Tiffany Smith’s interactive installation which incorporated plants and wicker chairs, all of which were objects associated with her Carribean upbringing. “The room being filled with plants is symbolic of hurricane prep which often included bringing the plants from outside into the house,” Smith said.
As visitors made their way up the narrow wooden stairs, music could be heard from behind the walls. The echoing music was Daniel Shieh’s installation, entitled Mother’s Anthem, which played a recording of the American Anthem in 30 languages. The languages ranged from Spanish and Italian to Navajo and Bengali.
Each floor was filled with artwork of all mediums, including painting, fibers, collage and photography. Rachel Bussières, who switched her concentration after watching the 2017 solar eclipse, uses varying light sources to produce lumen prints. During the wildfires, she recounted that she “made a new exposure each day to capture the changing air quality”.
Luciana Abait also incorporates the natural world into her pieces, instead using maps. An environmental activist originally from Argentina, Abait’s work highlights “environmental fragility, specifically the impacts it has on immigrants.” Her installation that is currently on display at Maxon Mills, takes the form of a mountain range built solely from maps of the US and Argentina.
Throughout the day, visitors could “Arm Wrestle 4 A Popsicle”. Winners had the choice of 3 playfully flavored trout-inspired popsicles - Nightcrawler, Power Bait, and Salmon Roe. Artist Katie Peck, who spent the day in costume as a rainbow trout, encouraged guests to step up and try their hand at an arm wrestle.
Shibori Indigo dyeing, group meditation, and dance workshops were open for community members of all ages as well.
While the daytime activities fostered appreciation of fixed art, a dance party until midnight at The Lantern Inn offered guests a space for performative art.
When describing the environment of The Wassaic Project, Smith emphasized, “It’s all community, it’s all love.”
A serene scene during the Garden Tour in Amenia.
AMENIA — The much-anticipated annual Amenia Garden Tour drew a steady stream of visitors to admire five local gardens on Saturday, July 13, each one demonstrative of what a green thumb can do. An added advantage was the sense of community as neighbors and friends met along the way.
Each garden selected for the tour presented a different garden vibe. Phantom’s Rock, the garden of Wendy Goidel, offered a rocky terrain and a deep rock pool offering peaceful seclusion and anytime swims. Goidel graciously welcomed visitors and answered questions about the breathtaking setting.
Amenia Finance Director Charlie Miller welcomed visitors to his Bog Hollow Road garden in Wassaic, a manicured expansive yard with well-placed garden beds framing a far-reaching view. He said he plans carefully each winter for the next spring’s improvement.
The organic, environmentally responsible Maitri Farm was next, a lesson in coordinating agriculture with natural balance. The farm stand and a walk among the greenhouses brought visitors together.
Near the center of Amenia was the garden of Polly Pitts-Garvin, offering a chance to visit a robust vegetable garden with raised beds to be envious of and a remarkable absence of any insects or usual vegetable garden problems.
At Chez Cheese, the vast garden acreage surrounding the 1850s historic home of Joan Feeney and Bruce Phillips in Millerton, visitors could begin at refreshment stations where walking tour maps of the 15-acre property were available. There were streams and ponds with docks, and a dozen bridges arranged around the landscape. In the 19th-century, the property had been the home of the Wilson Cheese Factory, inspiring the name of the estate.
The Amenia Garden Tour was supported this year by Paley’s Garden Center in Sharon.
Gary Dodson working a tricky pool on the Schoharie Creek, hoping to lure something other than a rock bass from the depths.
PRATTSVILLE, N.Y. — The Schoharie Creek, a fabled Catskill trout stream, has suffered mightily in recent decades.
Between pressure from human development around the busy and popular Hunter Mountain ski area, serious flooding, and the fact that the stream’s east-west configuration means it gets the maximum amount of sunlight, the cool water required for trout habitat is simply not as available as in the old days.
This is not a new phenomenon. It does seem to be getting worse, though.
Gary Dodson and I convened where the creek makes its final run into the Schoharie reservoir, part of the New York City water supply system, on a semi-broiling Thursday afternoon, July 11.
The goal was simple. Catch smallmouth bass, which abound in the lower section of the river.
This was hot stuff — as in an 80-degree water temperature.
The air temperature was actually slightly less at 77.
After negotiating the intensely slippery rocks, festooned with treacherous algae, the first major pool presented several difficulties, with a back eddy competing with a main flow and several large trees draped about the whole thing.
I hit on the simplest strategy, which was to flip a weighted attractor fly called a Tequilley into the start of the eddy so it would proceed slowly but steadily into the maelstrom, sinking all the while.
This worked. A proper adult smallmouth, with bronze coloring and vertical stripes, took the thing.
The point-and-shoot camera finally died, however, and I was not going to try to fumble my phone out for a nice but routine fish photo.
Why not?
Because I guarantee the fish would have made a sudden, last-moment bolt for freedom, causing me to drop the device into the drink.
Gary moved downstream while I continued trying to annoy the residents of the pool, succeeding a couple of times with different colored Wooly Buggers.
Then we all got bored and I moved off, where Gary was catching rock bass and cussing them out for not being something else. I have to admit, they are not the most compelling critters. Something about the red eyes.
This latest trip was dominated by extremely tedious and distasteful Harry Homeowner activities, but on both Wednesday and
Thursday mornings I prowled Woodland Valley Creek. By “morning” I mean “dawn,” because that was when the water temps were down to a barely acceptable 64.
I made the acquaintance of several stocked browns and of a handful of their wild cousins. The wild fish are smaller and nimbler.
The successful ploy was an Adams wet fly, size 16, drifted behind something big, like a Parachute Adams or Stimulator.