Local spirits the perfect remedy for a cold winter’s night

Shady Knoll Orchards & Distillery manager Andrew Richards, left, and owner Rick Kneipper toasted to their success in producing apple brandy, Pommeau and whiskey. Photo submitted

MILLBROOK — The Millbrook community is known for its pastoral scenery, horse and dairy farms, fresh produce and local wines. But one well-kept secret is Shady Knoll Orchards & Distillery, LLC, which produces apple brandy, a brandy and cider mixture called Pommeau and a fine rye whiskey.
The distillery was a dream that was a long time coming. Rick Kneipper, a corporate lawyer, decided to buy a farm back in 1980, primarily as a vacation home for his family. But a fondness for Calvados, an apple brandy made in Normandy, planted the seed — literally. Between then and 2016 when he started the business, his family lived in New York, Florida, Wisconsin and then settled in Texas.
Kneipper had spent 15 years in technology and health services, but now he’s the CEO and manager of Shady Knoll Orchards & Distillery. He decided at one point the time was right to follow the family tradition (his grandfather was a dairy farmer) and decided to grow apples at the farm, which was originally settled in the late 1700s.
Having dreamed about taking the leap for years, he had already visited orchards and distilleries in the U.S. and around the world, learning the basics of growing, distilling and production. His enthusiasm rubbed off on his son-in-law, Andrew Richards, so when the time came to get down to business, he had a willing and ready manager. They broke ground on June 5, 2015, the same day Richards made the farm his home.
“Shady Knoll Orchards & Distillery is a unique breed — a family farm distillery where Andrew Richards, my son-in-law, and I raise the apples and rye used to make our handcrafted spirits,” Kneipper said.
Rightfully proud, he added, “We do 100% of all processing, fermenting, distilling, barrel-aging and bottling ourselves. We grow over 120 varieties of apples that we use to make our apple brandy and Pommeau.”
The distillery boasts a charming tasting house, and pre-COVID it held tours and tastings, one of Kneipper’s favorite things to do as he likes interacting with visitors and explaining the entire process. It may seem a charmed existence, but there is plenty of hard work attached to it.
August through November the apples are picked and packed; they sit until June, when they are pressed into hard cider. Although the work could be shouldered by many, each year it is done by only Kneipper, Richards and one other who is hired through Grace Church. The trees are small, Kneipper assured this reporter, just 6 to 7 feet tall.
The bottling process takes place in December; and the whiskey is made from winter to May. The still doesn’t operate during the summer, which is a time for weeding, mowing and putting the 1964 vintage harvester to use.
One field is given over to a friend and neighbor, Clear View Farm, while two other fields are used as a pasture for black Angus cows belonging to another friend, Ed Kading. The leftover mash from the apples after they are pressed is given to the cows, who “come running” for it, said Richards.
The spirits are sold in Texas and New York by roughly 20 retailers in each state. Locally, Village Wine and Spirits in Millbrook carries all three items, and according to a worker in the shop, Brian Spaeth, all are delicious. The Pommeau, a mixture of apple cider and apple brandy, has only 17% alcohol and is slightly sweeter than the brandy. The apple brandy is 80% proof (40% alcohol) and is aromatic. Spaeth said it’s a great drink to sip in front of a fire on a winter’s night. The whiskey he described as “very smooth.”
All are carefully prepared, perfectly aged, stored and made in small batches. The other grains used to make the whiskey, corn and barley, are locally grown and harvested from nearby farms.
Kneipper said he’s been using extra down-time since the COVID pandemic to experiment, perfect and enhance their products.
“Shady Knoll is starting to show spirit drinkers that raising our own crops on our farm creates unique Hudson Valley terroir in our spirits, and local terroir is starting to be recognized as just as important in spirits as it is in wines,” he said.
Shady Knoll Orchards & Distillery is currently open for tours and tastings, by appointment only, due to the pandemic.
The distillery is hoping that post COVID, it will become a favorite destination for both locals and visitors as there is so much to see: the distillery, the granary, a French alembic Charente’s pot still, a silo and a variety of other distilling equipment, not to mention the tasting house to savor the fresh apples, and perhaps some smooth whiskey as well. Located at 27 Brush Hill Road, go to www.shadyknolldistillery.com for more information.
Anthony Musso discusses his book “Hidden Treasures of the Hudson Valley” at the North East Historical Society’s annual meeting on Saturday, Nov. 15. The book centers on historical sites across the region with rich backgrounds and low ticket-prices for maximum accessbility.
MILLERTON — With his signature Brooklyn accent, sense of humor and wealth of knowledge, author and historian Anthony “Tony” Musso brought American Revolution history to life at the NorthEast-Millerton Library Annex in partnership with the North East Historical Society.
The talk marked Musso’s first speaking engagement at the Annex and coincided with the historical society’s annual meeting.
Musso guided attendees through an oral tour shaped by excerpts from his three-volume series, “Hidden Treasures of the Hudson Valley,” which together highlight 165 local historical sites that are rich in history and light on the wallet. Each book features 55 locations that are open to the public.
“I included places that fly under the tourists’ radar,” said Musso, addressing the crowd of more than 30 attendees. “Many of them are run by historical societies, so the added benefit is a free or nominal charge.”
His presentation began with Pawling’s Quaker Hill, where in 1740 a group of Quakers petitioned the Religious Society of Friends to build their own meeting house so they wouldn’t have to travel elsewhere to go to Sunday worship.
“It was kind of small,” Musso remarked of the original structure. “They ran into a problem within the first five years because they had so many people standing around, they couldn’t all get inside.” As a result, in 1767 the Quakers got permission to build a bigger meeting house just across the street.
“This one was a two-story structure with a wrap-around balcony where they could fit everybody inside.” Musso described an event in 1778 during a regular Sunday worship when three officers from the Continental Army came into the meeting house, sat respectfully in the back, and when the service came to a close they announced that they were going to commandeer the building.
“Nearby, George Washington led a large encampment of troops and they wanted to have this building be used as a medical hospital,” Musso said.
During the army’s occupation, the makeshift hospital was overseen by Dr. James Fallon, and many people referred to it as “Fallon’s Hospital.” Approximately 100 troops were treated there throughout its four months of winter operation.
“If you know anything about Quaker beliefs, pacifism is right at the top,” said Musso. “And although the military was not putting armament, cannons or munition in the building — it was for a humanitarian purpose — the Quakers abandoned the building as long as the army was there and found another building down the hillside.”
The Quakers also refused to provide the army with provisions, Musso said, which exacerbated harsh conditions that winter.
When the army left, the Quakers returned to the building and continued with their meetings and worship. Musso added that in 1932, the meeting house was acquired by the historical society of Quaker Hill and Pawling, and “that’s why the building is in such meticulous shape today.”
Musso went on to explain that while George Washington never stayed at encampment with his troops, he did commandeer a house for four months down the hill in the village of Pawling — the home of John Kane, who was originally a Patriot at the start of the American Revolution but switched sides and became a Loyalist.
From there, Musso expanded the tour to Westchester and Rockland counties, including the location where Benedict Arnold turned over the plans, layout and staffing for Fort Arnold to British spy John André — and the site where Andre was subsequently hanged.
As a seasoned historian, speaker and guide, Musso shared one of his tricks if he ever feels like his audience is losing interest. He brings up Hamilton the musical. “I don’t lie to people,” he jokes, “but I say, ‘I can’t prove this, but I’ve heard that some of the music from Hamilton was written here.’”
Though Musso didn’t delve into the rich history of North East’s Coleman Station during the presentation, Musso said it is one of the sites included in his books.
Musso has lived in LaGrange for 40 years, and his career has spanned decades at the post office, writing for the Poughkeepsie Journal, and authoring numerous nonfiction books. “I love the history of this area, and I’m not going to stop telling it anytime soon.”
North East Historical Society annual meeting
Other business from the North East Historical Society included acknowledgements of board members and volunteers. President Ed Downey expressed gratitude for the society’s partnership with the NorthEast-Millerton Library, noted that four members are up for re-election and shared that membership has increased by 54% over the last decade, now totaling 179 — among the highest of any historical society in Dutchess County.
Downey also highlighted ongoing digitization efforts, saying the goal is to “digitize and publish” the historic Millerton Telegram and 90 years of The Millerton News. Downey added that this is a costly project and relies heavily on donations to sustain the work.
“Once Upon a Time in America” features ten portraits by artist Katro Storm.
The Kearcher-Monsell Gallery at Housatonic Valley Regional High School in Falls Village is once again host to a wonderful student-curated exhibition. “Once Upon a Time in America,” ten portraits by New Haven artist Katro Storm, opened on Nov. 20 and will run through the end of the year.
“This is our first show of the year,” said senior student Alex Wilbur, the current head intern who oversees the student-run gallery. “I inherited the position last year from Elinor Wolgemuth. It’s been really amazing to take charge and see this through.”
Part of what became a capstone project for Wolgemuth, she left behind a comprehensive guide to help future student interns manage the gallery effectively. “Everything from who we should contact, the steps to take for everything, our donors,” Wilbur said. “It’s really extensive and it’s been a huge help.”
Art teacher Lilly Rand Barnett first met Storm a few years ago through his ICEHOUSE Project Space exhibition in Sharon, “Will It Grow in Sharon?” in which he planted cotton and tobacco as part of an exploration of ancestral heritage.
“And the plants did grow,” said Barnett. She asked Storm if her students could use them, and the resulting work became a project for that year’s Troutbeck Symposium, the annual student-led event in Amenia that uncovers little-known or under-told histories of marginalized communities, particularly BIPOC histories.
Last spring, Rand emailed to ask if Storm would consider a solo show at HVRHS. He agreed.
And just a few weeks ago, he arrived — paints, brushes and canvases in tow.
“When Katro came to start hanging everything, he took up a mini art residency in Ms. Rand’s room,” Wilbur said. “All her students were able to see his process and talk to him. It was great working with him.”
Perhaps more unexpected was his openness. “He really trusted us as curators and visionaries,” Wilbur said. “He said, ‘Do with it what you will.’”

Storm’s artistic training began at New Haven’s Educational Center for the Arts. His talent earned him a full scholarship to the Arts Institute of Boston, then Boston’s Museum School, where he painted seven oversized portraits of influential Black figures — in seven days — for his final project. Those works became the backbone of his early exhibitions, including at Howard University’s National Council for the Arts.
Storm has created several community murals like the 2009 READ Mural featuring local heroes, and several literacy and wellness murals at the Stetson Branch Library in New Haven. Today, he teaches and works, he said, “wherever I set up shop. Sometimes I go outside. Sometimes I’m on top of roofs. Wherever it is, I get the job done.”
His deep ties to education made a high school gallery an especially meaningful stop. “No one really knew who these people were except maybe John Lennon,” Storm said of the portraits in the show. “It’s really important for them to know James Baldwin and Shirley Chisholm. And now they do.”
The exhibition includes a wide list of subjects: James Baldwin, Shirley Chisholm, Redd Foxx, Jasper Johns, Marilyn Manson, William F. Buckley, Harold Hunter, John Lennon, as well as two deeply personal works — a portrait of Tracy Sherrod (“She’s a friend of mine… She had an interesting hairdo”) and a tribute to his late friend Nes Rivera. “Most of the time I choose my subjects because there are things I want to see,” Storm said.
Storm’s paintings, which he describes as “full frontal figuratism,” rely on drips, tonal shifts, and what feels like emerging depth. His process moves quickly. “It depends on how fast it needs to get done,” he said. “Sometimes I like to take the long way up the mountain. Instead of doing an outline, I just start coloring, blocking things off with light and dark until it starts to take shape.”
He’s currently in a black-and-white phase. “Right now, I’m inspired by black and white, the way I can really get contrast and depth.”
Work happens on multiple canvases at once. “Sometimes I’ll have five paintings going on at one time because I go through different moods, and then there’s the way the light hits,” he said. “It’s kind of like cooking. You’ve got a couple things going at once, a couple things cooking, and you just try to reach that deadline.”
For Wilbur, who has studied studio arts “ever since I was really young” and recently applied early decision to Vassar, the experience has been transformative. For Storm — an artist who built an early career painting seven portraits in seven days and has turned New York’s subway corridors into a makeshift museum — it has been another chance to merge artmaking with education, and to pass a torch to a new generation of curators.
By any other name, it’s still as sweet. Robin’s Candy in Great Barrington re-branded as Coco’s.
Robin’s Candy, the iconic Main Street candy shop in Great Barrington, has a new name, a refreshed look and a new owner. Now rebranded as Coco’s Candy, the beloved destination continues to offer its signature mix of nostalgic favorites and modern sweets.
The new owner, Elise Contarsy, who purchased the store from founder Robin Helfand in June, said stepping into ownership felt natural after being a customer for more than 15 years. “I was excited about the shopping experience she had built and the possibilities for the shop going forward,” she said.
Coco’s Candy is named for Contarsy’s poodle, Uncle Coconut, affectionately called Coco. “He’s the uncle of Sammy and George, our friend’s poodles,” said Contarsy. “We call him Coco for short.”
While the shop has been updated with a fresh look and an evolving assortment of candy, Contarsy said the heart of the experience remains the same. Coco’s will continue its mix of nostalgic treats and contemporary confections, along with the local chocolates and imported licorice that have long made the shop a destination. “Would you be surprised if I said licorice is my favorite candy?” she added.
Holiday shoppers will find plenty to explore this season, from treats offered for a limited-time only and fun-size classics to stocking stuffers available only during the holidays. The store will also be open seven days a week from Nov. 20 through Dec. 24 for all your sweet tooth needs.
“Our goal is to continue being a joyful part of the community,” Contarsy said. “Whether it’s your first visit or you’re coming in to check out the new look, we’re excited to welcome you to Coco’s Candy.”
Coco’s Candy is located at 288 Main St. in Great Barrington. Visit www.cocoscandy.co.