Thank you!
Your support is sustaining the future of local news in our communities.

COVID killing of National Forest Sequoia trees

The long-term cause and effect of this pandemic is now reaching into one of the world’s most unique and precious treasures: the giant Sequoia forests in California. Financial pressure across the nation has caused both cutbacks as well as staffing issues. 

Let’s get one thing out of the way: The nonsense talked about people preferring to receive handouts instead of working is silly. If your kids aren’t at school and you can’t afford daycare (and that’s not safe yet anyway) — of course you can’t take that menial paying job either. Get real people. Stop pressuring families to get a job when they can’t leave their kids, yet.

Back to the cause and effect of COVID… staff shortages and financial government cutbacks have meant that for two years the Sequoias — in a National Park, in an extremely drought effected region of California — have not had brush clearing or controlled burns to reduce the tinder-dry brush that cause massive wildfire eruptions. For decades small, controlled fires and brush clearing have kept the forest safe. Not the last two years. Now whole groves of 1,500-year-old trees have died. They will never be reborn even in this century or 10 centuries.

Is climate change to blame as well? Of course. But, if you listen to the wild resources manger, between her tears, explain, they have not been able to stay ahead of the undergrowth and in the National Park they are forbidden to allow natural occasional lightening fires to happen —they have to fight those fires in a National Park by law, “And we just don’t have the people or the money this year to prevent the fires from taking hold.”

Think those irreplaceable 1,500-year-old trees are the only example of the downstream effect of COVID? Think again. This winter will have people across the nation either sweltering in abnormally high temperatures or freezing in place. With the first, the flu will explode. In the second, people will die as they cannot afford heating bills.

Look, the lesson of the Sequoias is important. If we cannot save an irreplaceable treasure, if we’re so strapped as a nation that we can’t get the staff to save 1,500-year-old trees, if we’re too stupid not to take free vaccines to kill off COVID and get back to work, what hope do the poorest among us have of saving our houses from freezing, flooding, roasting or being damaged by higher than normal winds and all-too-frequent hurricanes? When so many events are out of whack, that’s when calamities happen — and we cannot just shake our heads and hope to get through it. As a people we need to find the funds, hire the people and prepare before it is too late.

Right now is the time to plan for what’s coming. Those dead fire-scorched national trees are an in-your-face signpost that we need to prepare and fix the problems we’re about to be bombarded with.

 

Writer Peter Riva, a former resident of Amenia Union, now resides in New Mexico.

The views expressed here are not necessarily those of The Millerton News and The News does not support or oppose candidates for public office.

Latest News

The art of getting into art school

The art of getting into art school

Hudson Valley Regional Portfolio Day returns to Poughkeepsie.

Provided

For a young artist considering college, the question isn’t simply whether the work is good enough. It’s which work to show, which school might be the right fit and even whether a creative life can lead to a sustainable career.

On Friday, Oct. 16, hundreds of aspiring artists will have the opportunity to explore those questions at Hudson Valley Regional Portfolio Day, presented by The Art Effect at the MJN Convention Center in Poughkeepsie.

Keep ReadingShow less
A colorful life together at Atelier Valla

Textile designer Justine Valla sits in her father’s chair, which she painted, alongside her husband, illustrator and muralist Victor Valla, in their Atelier Valla studio.

L. Tomaino
I lost the ability to paint after the accident. I struggled to paint again.
— Justine Valla

Husband and wife Victor and Justine Valla share a lavender and pink studio, Atelier Valla, across the driveway from their pink house, nestled into a hillside in Salisbury. The colors, said Justine, “were inspired by Monet’s house at Giverny.”

Creating art has been a lifelong pursuit for both.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

David Ruchman’s “Acquired Taste”

Filmmaker David Ruchman

Bleacher and Everard Photography

In a region known for its vibrant but geographically scattered arts community, discovering something new can require a little effort. The same might be said for finding a new place for an extraordinary meal. While the Northwest Corner, Berkshires and Hudson Valley have no shortage of creative talent, opportunities to experience it — whether on a stage, in a gallery or on a plate — aren’t always just around the corner.

In David Ruchman’s short film “Acquired Taste,” that challenge becomes the premise for an unlikely friendship between Nick, an aspiring young food critic living in an area with limited dining options, and a gruff New York City master chef.

Keep ReadingShow less
Follow the Clay Way for ceramic delights

Jane Herold’s beautifully simple dinnerware.

Provided

As the leaves across Litchfield and Dutchess counties rush to make it to the ground, your last chance to peep autumn is fast approaching. On Oct.17 and 18, the 10th annual Clay Way offers peepers a route to follow lined with unique art that rivals the area’s natural beauty.

The two-day event is a ceramics-focused open studio tour through northwestern Connecticut, with a few studios peppered in just over the border in Dutchess County. Featuring nine open studios and 25 participating artists, the tour promises a wide variety of work, from decorative objects to grand vessels and a whole world in between.

Keep ReadingShow less
A new home for the unexpected at Kent Fine Art

CAMERON (1922-1995) is on view at Kent Fine Art in Pine Plains through Nov. 14.

Provided

Where can one find the work of an artist associated with occult rituals, surrealist visions and the underground California art scene? In a beautifully renovated former carriage house in Pine Plains, of course.

Unexpected discoveries are, after all, part of what Doug Walla has spent his career making possible. The longtime New York City art dealer and founder of Kent Fine Art, has brought the work of Marjorie Cameron Parsons Kimmel, known simply as Cameron, to his new gallery space. The exhibition, on view through Nov. 14, introduces visitors to an artist whose life and work moved between mysticism, poetry, film and the avant-garde.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.