
Dee Salomon
The plant sale that I wrote about in my last column, a joint effort of Lindera Nursery and Tiny Meadow Farm, was fantastic. I came home with pots of rattlesnake master, Eryngium yuccifolium, which I planted in the meadow with the hope that their tall glaucous leaves and round balls of white flower will punctuate the otherwise mostly grassy green expanse. For a shady spot left by transplanting a witch hazel, several pots of Jacob’s ladder, Polemonium reptans echo the tones of the violet and bluebells nearby.
I added two plants to the river path beds: Echinacea pallida — a restrained looking echinacea with thin pale pink petals that drape downward, and obedient plant, Physostegia virginiana, whose whitish- pink upward- growing flowers are reminiscent of snapdragons or lobelia. These should fill in alongside the existing penstemon, mountain mint and the low growing, shocking-pink Silene caroliniana that is flowering right now.
Not only are all the new acquisitions native, most of the plants are also local eco-types; the seed from which the plants were grown was came from plants grown locally. The thinking is that insects and birds are accustomed to the particular tastes, smells, shapes and colors of local plants and so, from the perspective of habitat preservation, they will have the best opportunity to succeed. Even humans, who are the most adaptable species, can relate to this notion: one person’s award-winning three-alarm chili is another person’s digestive nightmare.
On the other end of the native plant spectrum are the cultivars. These are versions of native plants, selected and bred because they have an appealing aesthetic or disease resistance that differs from the original species. Some cultivars are strains of native plants found in nature and are grown from seeds from these plants, others, mainly woody plants, are created by cloning using plant cuttings.
Also called nativars, they are most often what you will find in nurseries and garden centers when looking for native plants. A cultivar, native or not, will always have it’s specific name in quotation marks; this is the best clue to identify it as a cultivar. Producers are allowed to trademark cultivars of plants, such as ‘Balmy™ Purple’ Bee Balm which is one of the many nativars bred and sold under the American Meadows brand.
I succumbed to this mild-mannered marketing about ten years ago, well before I really paid attention to native plants, when purchasing a redbud nativar that has deep purple leaves, rather than the green leaves of the species. Even if the nursery had carried the species, I would have selected this one; I was seduced by its name, ‘Forest Pansy’, as well as the charming color and shape of its leaf.
What I did not know at the time, and wish I had, is that nativars with purple or red leaves are far less interesting as a food source to caterpillars than are the original green leaves of the straight species. The chlorophyl of the green leaves is replaced by anthocyanins, flavonoids that, while healthy, are ‘feeding deterrents’ according to Doug Tallamy who did the research with Mt. Cuba, a botanic garden and research center focused on native plants. Mt. Cuba’s research team looks at native species and their cultivars, assessing them over many years and then rates them for considerations including growth habits, hardiness and habitat benefits.
I spoke with Melissa Starkey, Ph.D., from Mt.Cuba who agreed that “there seems to be a lot of misinformation floating around that cultivars are ‘bad’ though in our research sometimes they are the winner for pollinators.”
What do we need to take into account when making a decision about a nativar, so that we end up with a plant that, in addition to being pleasing to us, is helpful to caterpillars, bees, other insects and birds? Apart from avoiding red and purple cultivars of green-leaved native species, Melissa advises that we be aware of nativars cultivated to have double or triple rows of petals. These plants, while more decorative forms of the original species, are far less attractive to pollinators. Some cultivars, such as mophead hydrangea, have mostly sterile flowers and therefore are of little use to bees and other pollinators. Lacecap hydrangea, such as Mt. Cuba’s highly rated ‘Haas Halo’, is a haven for pollinators.
To compensate for the three Ninebark ’Coppertina’ shrubs I had planted 8 years ago, Robin Zitter, the horticulturalist who helped me create the river path, wisely advised that I plant a few straight species alongside these deep coppery red-toned nativars. Robin sourced one plant and the others came from Earth Tones, a wonderful source for native plants in Woodbury.
Our sources for native plants have improved over the last few years and seeing examples of the beautiful native flowers, shrubs and trees has encouraged many to seek them out. We can aim for the local ecotype of a species when available to us and strive to plant native species first and nativars second.
Dee Salomon “ungardens” in Litchfield County.
Participating students and teachers gathered for the traditional photo at the 2025 Troutbeck Symposium on Thursday, May 1.
Students and educators from throughout the region converged at Troutbeck in Amenia for a three-day conference to present historical research projects undertaken collaboratively by students with a common focus on original research into their chosen topics. Area independent schools and public schools participated in the conference that extended from Wednesday, April 30 to Friday, May 2.
The symposium continues the Troutbeck legacy as a decades-old gathering place for pioneers in social justice and reform. Today it is a destination luxury country inn, but Troutbeck remains conscious of its significant place in history.
A showing of student artworks within the theme of linking the past with the present opened the symposium on Wednesday evening. Each work of art had to draw on historical research to foster an informed dialogue between the artist and the contemporary audience.
The second day was devoted to student research presentations, showcasing teams from the region’s leading public and private schools with strong programs aimed at cultivating engaged young historians. Primary source materials and live interviews with descendants were included in the process.
Topics were divided into blocks with guest commentators providing reactive response as each block of student presentations concluded. Serving as commentators were Dr. Hasan Kwame Jeffries, Ohio State University, and Dr. Christine Proenza-Coles, University of Virginia.
Resistance in the face of oppression and stories of resilience that spanned generations formed an important theme as students presented the stories of area settlers and residents who suffered but endured.
As a sampling, The Taconic School teamed up with The Salisbury School to unearth untold stories of Boston Corners. The Hotchkiss School looked into the activities of the Ku Klux Klan in Connecticut. The Cornwall Consolidated School students stepped up with their untold stories of early Cornwall women.
Other presentations explored criminal justice — witchcraft trials — dealing with society’s “undesirable” elements, individuals in history who took action, people and movements that formed resistance, and various forms of discrimination.
Praising the work of the students, Dr. Jeffries identified a theme of resistance and survival.
“The war ended but the resistance did not,” Jeffries said. “We don’t take indigenous people seriously,” he added. “White supremacy happened in our own back yards.”
“We saw the evolution of research,” said a Cornwall Consolidated School representative. That project moved into civic engagement by the students that moved beyond the classroom.
“This is not the past; this is part of the present,” said Dr. Proenza-Coles.
A panel discussion among educators whose students had participated in the 2025 Troutbeck Symposium was held on Friday, May 2, to offer reflections on the symposium, its value and future development. Panelists from left to right were Jessica Jenkins, Litchfield Historical Society;Wunneanatsu Lamb-Cason, Brown University; Morgan Bengal, Old New-Gate Prison; Frank Mitchell, Connecticut Humanities; and student representatives Dominik Valcin of Salisbury School, and Shanaya Duprey of Housatonic Valley Regional High School. Leila Hawken
The third day invited area history educators to assemble and share ideas for redesigning elements of history education, a day of reflection.
The panel included Jessica Jenkins, Litchfield Historical Society; Wunneanatsu Lamb-Cason, Brown University; Morgan Bengal, Old New-Gate Prison; Frank Mitchell, Connecticut Humanities; and student representatives Dominik Valcin of Salisbury School, and Shanaya Duprey of Housatonic Valley Regional High School.
Valcin reflected on his work as a shared project within The Salisbury School, one where the inquiry would seek to find “the deeper story behind a base story.”
Duprey also spoke of process and the educational value of engaging with historical inquiry.
Each representing a profession that brings them into contact with historical inquiry, the panelists recounted tedious history classes of past decades. Jenkins described her own career as “public history.”Lamb-Canon’s experience began with choosing history electives in college. Bengal spoke of community engagement and the power of involvement with history.
“History is not the opposite of scientific inquiry,” said Bengal.
Significant discussion centered on the possibility of offering the Troutbeck Symposium model to a wider audience of school systems throughout the U.S.
“A community approach to education,” was a characterization offered by Troutbeck owner Charlie Champalimaud, commenting during a brief interview at the end of the symposium on Friday, May 2. She encouraged a push toward increasing even more the number of participating schools, their educational communities and symposium sponsors.
Terence S. Miller, owner of Roaring Oaks Florist in the new self-serve area of the shop.
Just in time for Mother’s Day, Roaring Oaks Florist in Lakeville has launched a new self-serve flower station next to its Main Street shop, offering high-quality, grab-and-go bouquets from 8 a.m. to 8 p.m., seven days a week — including Sundays when the main store is closed.
Owner Terence S. Miller, who bought the shop 24 years ago at just 20 years old, calls the new feature “a modern twist on an old-school honor system,” with some high-tech updates.
“We’re still using our same high-end flowers, just with less markup and no labor,” said Miller. “That way people can access our quality anytime, even if we’re closed.”
Tucked beside the shop’s main entrance at 349A Main Street next to The Boathouse, the self-serve area is partitioned and monitored by security cameras. A simple touchscreen checkout system lets customers pay with a credit card — no cash accepted — and includes photo prompts to make selection easy. Vases, ribbons, flower food, and care instructions are all stocked and labeled.
“We’ve tried to think of everything people might need,” said Miller. “It’s all about making great flowers more accessible without losing what makes Roaring Oaks special.”
Miller said the idea came from years of watching customers try to squeeze in a visit before or after hours. “We’re open 8 hours a day, but we’re here for almost 10, and it still isn’t enough. People are always showing up after we close,” he said. “This way we can be ‘open’ more hours without adding staff.”
Though he considered making the space available 24/7, Miller ultimately decided against it. “We didn’t want to encourage late-night tampering,” he said, noting the shop’s proximity to local bars and restaurants.
Miller’s journey into flowers was unexpected. As soon as he could get his farming papers at 12 years old, he started working at Silamar Farm in Millerton. Alongside its produce, Silamar’s was one of the first farm stands in the area to sell fresh cut flowers.Miller began growing and bundling cut flowers for city-bound customers. “By 16 I needed a year-round job, so I applied to every florist around. I just had a knack for it,” he said. After a stint in Rhinebeck, he returned and bought Roaring Oaks from its previous owner.
In the decades since, he’s built a reputation for quality and creativity. The shop’s flowers are sourced from around the world, particularly Canada and South America, though Miller is committed to supporting local growers wherever possible, especially for summer offerings and weddings.
“We’re hoping to feature some smaller farms in the self-serve section this summer,” said Miller. “DIY weddings have taken off, and people don’t always realize the benefits of buying local. Cold chain is everything. The flowers we source come straight from the airport to the wholesaler and right up here. That’s how we keep them fresh.”
Roaring Oaks also offers consultations and bulk flower discounts for events and weddings, a service Miller hopes more customers will discover through the new self-serve setup.
After 50 years in business, and nearly a decade at its current Lakeville location, Roaring Oaks continues to evolve. “This September marks my 25th year,” said Miller. “I’m always looking for ways to make people happy. Flowers should be simple, joyful, and accessible. That’s what this is all about.”
For more information or to plan your Mother’s Day bouquet, visit Roaring Oaks Florist at 349A Main Street, Lakeville.
A string quartet opened the Bard Conservatory of Music program for Region One third grade students at Music Mountain.
Region One third grade students attended a chamber music concert by Bard Conservatory of Music students at Music Mountain Tuesday, April 29.
After expending spare energy racing around the Music Mountain lawn, the children trooped into the concert hall and took their seats.
After a brief introduction from Bard’s Mira Wang, the first item on the program was a string quartet, playing a piece by Haydn.
The students also heard a solo rendition of medieval songs played on the alto trombone, an unusual instrument.
The annual third grade concert is a tradition that stretches back decades at Music Mountain. It’s a treat for the children, and for the music students, who get to experience the incredible acoustics of the Music Mountain concert hall.
Two flutists performed later in the show.Patrick L. Sullivan