Guiding principles for spring gardening

Caution in early spring to minimize footfall will preserve the early emergence of plants.Here,the flowers of the skunk cabbage dot the marsh.
Dee Salomon

Caution in early spring to minimize footfall will preserve the early emergence of plants.Here,the flowers of the skunk cabbage dot the marsh.
It’s safe to say we deserve a dose of optimism now and spring delivers it to us in the form of nature’s gifts.I have been away for two weeks and am excited to be back among the wildness of the Northwest Corner, to watch life begin to stir above ground and to sense it stirring beneath.This installment of The Ungardener, written on a plane returning from London where spring has gloriously sprung, delivers a short set of guiding principles to keep in mind as you make your gardening choices this spring.Admittedly, they might induce some guilt if they were not followed in the past but, if heeded, I promise they will lead to outcomes of profound optimism.
1. Select plants for their ecosystem purposes, not only for their aesthetic merit
Many, if not most, native insects — such as caterpillars/butterflies — are only able to eat one or a few kinds of plants; they are not able to quickly adapt their diet to other plants and will die if they don’t have them available in quantity. Similarly, newborn and fledgling birds require being fed a diet of caterpillars to survive, and, as just relayed, many caterpillars can only feed on very particular native plants. When we don’t cultivate these native plants in our gardens, we are effectively depriving baby birds of their nutritional requirements for survival. If you remove the food sources for critical species they cannot survive, and the animals that depend on them cannot survive.You end up breaking a link that can have dire circumstances further up the food chain; biodiversity is reduced, creating vulnerabilities for other animals including humans. The Xerces Society has a list of Northeastern native plants that are key for this purpose: https://xerces.org/sites/default/files/publications/22-026_01_NPPBI%E2%80%94Northeast_web.pdfHighlights include:Butterfly milkweed (Asclepias tuberosa), Lanceleaf coreopsis (Coreopsis lancelota), Boneset (Eupatorium perfoliatum), Purple coneflower (Echinacea purpurea), Bergamot (Monarda fistulosa), Virginia mountain mint (Pycnanthemum virginianum).
2. Don’t spray for ticks
When you have your yard professionally sprayed for ticks, it’s the yard perimeter that is sprayed. This is where leaf litter houses overwintering caterpillars and other beneficial insects. The spray used is a synthetic and concentrated form of permethrin, a nerve agent, that will kill fireflies, butterflies, many species of bees, beetles and insects including ticks that overwinter in the leaves.That’s a lot of collateral damage, especially as ticks mostly stay away from cut lawns anyway.If you want to minimize tick populations on your property, the safest, most effective and scientifically proven way is to cut back barberry on your property as ticks proliferate on mice that use the spiny barberry shrubs as safe houses from predators.
3. Remove invasive plants
The invasive plants growing in your gardens and in backyards are decimating native ecosystems.Now is a good time to make a plan to get rid of them, but not necessarily to do the work.Larger, woody invasives such as bittersweet, burning bush, honeysuckle, barberry and multiflora rose should wait until about June for removal.Also wait for late summer to tackle Japanese knotweed.Early spring, however, is an excellent time to pull out young, woody invasives and invasive weeds such as narrowleaf bittercress (Cardamine impatiens), and garlic mustard (Alliaria petiolate),as well as creeping plants such vinca major and ground ivy (Glechoma hederacea), as their roots are loosened from the soil just after the thaw.Consider substituting the native species of pachysandra, heuchera, tiarella, violet and/or strawberry.
4. Don’t ignore your soil
While you work outdoors, be careful where you tread.You don’t want to compact the soft and wet soil by walking on it heavily.This is not an easy thing to do if, for example, you are removing vinca, as you really must get into the soil to get the roots.But keep it in mind.Step gingerly to pluck out the offending weeds and then stay off while tender spring plants start to poke through.Now is a good time to get a soil test, especially around areas where you have seen unusual leaf yellowing.At home, our native hollies seem to be struggling and I have a feeling the heavy rains have washed out some critical minerals.As with a blood test for humans, supplementation of the soil starts by testing to finding out what is needed for healthy nutrition.If you have beech trees, you will want to investigate adding phosphite (not phosphate) to the soil.Speak with an arborist who can assist you.Beech Leaf Disease is real and is leading to the death of these important native trees.
5. Soft Landings
Writing about soft landings seems appropriate given my current airborne state, although I am referring to the practice of planting native plants under trees, creating a soft landing area for caterpillars as they descend from the branches where they hatched and begin climbing up plants to feed and to pupate into moths and butterflies.
This will be the focus of my own spring planting efforts this year.I will be mixing ferns with the before mentioned tiarella, violet and strawberry, to plant around the apples, linden, yellow wood and redbud trees that dot our lawn.I expect the effort will reduce our lawn area by 10 percent, a small but not insignificant win for the environment.
Dee Salomon ‘ungardens’ in Litchfield County.
When longtime arts administrator Amy Wynn became the first executive director of the American Mural Project (AMP) in 2018, the nonprofit was part visionary art endeavor, part construction site and part experiment in collaboration.
Today, AMP stands as a fully realized arts destination, home to the world’s largest indoor collaborative artwork and a thriving hub for community engagement. Wynn’s departure, marked by her final day Oct. 31, closes a significant chapter in the organization’s evolution. Staff and supporters gathered the afternoon before to celebrate her tenure with stories, laughter and warm tributes.
“We had such a fun party for her,” said AMP founder and artistic director Ellen Griesedieck. “I am excited for what is next for Amy and grateful for every moment she has invested in her work at AMP.”
Wynn, who previously led the Northwest Connecticut Arts Council, said her decision to step down came after careful reflection.
“It’s time for me to shift into the next phase of my career, which will call upon my 40-plus years of nonprofit experience to do project work,” she said. “I’ve absolutely loved my time at AMP.”

Under Wynn’s leadership, AMP expanded education programs, deepened community partnerships and oversaw key milestones in the creation of its monumental centerpiece — a three-dimensional mural stretching 120 feet long and five stories high — celebrating American ingenuity, industry and collaboration.
“Through all these years, Amy has worked with tireless enthusiasm for AMP, running day-to-day operations and guiding the overall direction of our mission,” Griesedieck said.
During Wynn’s tenure, AMP evolved from a concept into a dynamic cultural campus. She helped professionalize its structure, solidify its funding base and develop programs that drew visitors from across the state and beyond.
“The work she has accomplished, the hours of overtime she has logged, the mountains we have climbed together since that moment are many and miraculous,” Griesedieck said.
AMP also weathered challenging times, including the pandemic, which forced arts organizations to rethink audience engagement. Wynn guided the team during that uncertain period with a steady hand.
To ensure a smooth transition, AMP has brought on Renee Chatelain of RMCreative Solutions, LLC, an experienced consultant, attorney and arts administrator who previously worked with AMP on its capital expansion planning.
Chatelain will serve as interim executive director while a national search is conducted for AMP’s next leader.
“A longtime friend, Renee comes to us with a depth of knowledge on executive transition,” said Griesedieck. “As an attorney, a leader of several arts organizations and a classically trained dancer, she is particularly well-suited for this interim role.”
Though stepping down, Wynn said she will continue her work in the nonprofit field in a more flexible, project-based capacity.
“I’ll be seeking consulting projects with other nonprofits, assisting with grant work and strategic planning,” she said. “What I enjoy most is leading a collaborative effort and finding solutions to challenging problems.”

Even as AMP bids farewell to Wynn, its focus remains on the future. The next phase of development will focus on converting a second mill building into expanded programming and community space.
“The next step has got to happen,” Griesedieck said. “It’s absolutely what the Northwest Corner needs — a place for the community to congregate.”
The proposed expansion would create flexible areas for performances, workshops and public events, further establishing AMP as a cornerstone of the regional arts scene.
With community support and grants, AMP hopes to carry forward Wynn’s momentum into a new era.
“She is not leaving,” Griesedieck said. “Amy will always be here for us.”
Founded in 2001, the American Mural Project was conceived as a tribute to the American worker — a celebration of skill, creativity and perseverance. The mural, the largest indoor collaborative artwork in the world, was created with contributions from thousands of children, artists, teachers, tradespeople and volunteers nationwide.
Today, AMP offers tours, workshops, lectures and performances, all rooted in its mission: to inspire, invite collaboration and reveal the contributions people of all ages can make to American culture.
As Wynn turns the page, her legacy — from her calm, strategic leadership to the collaborative spirit she fostered — remains woven into the fabric of AMP’s story.
The Norfolk Library will screen the acclaimed documentary “Kings of Pastry” on Friday, Nov. 14, at 7 p.m. The film will be introduced by its producer, Salisbury resident Flora Lazar, who will also take part in a Q&A following the screening.
Directed by legendary documentarians D.A. Pennebaker (“Don’t Look Back,” “Monterey Pop”) and Chris Hegedus (“The War Room”), “Kings of Pastry” offers a rare, behind-the-scenes look at the prestigious Meilleurs Ouvriers de France (Best Craftsmen of France) competition, a prestigious national award recognizing mastery across dozens of trades, from pastry to high technology. Pennebaker, who attended The Salisbury School, was a pioneer of cinéma vérité and received an honorary Academy Award for lifetime achievement.
Established in 1924 and overseen by the French Ministry of Labor, the competition challenges professionals to create a “masterpiece” that demonstrates skill, precision and artistry. Winners receive a lifelong title and medal, presented at a ceremony in Paris attended by the president of France.
In this documentary, 16 pastry chefs spend three grueling days in Lyon crafting delicate chocolates, towering sugar sculptures and exquisite pastries, all in pursuit of perfection — and the honor of being recognized by then-President Nicolas Sarkozy, as one of France’s best craftsmen. The filmmakers were granted exclusive access to capture this intense, emotional and visually stunning event.
Producer Flora Lazar came to filmmaking via an unexpected route. Trained as a historian and psychotherapist, she has had a lifelong love of French pastry, a passion she eventually pursued through formal training at a pastry school in Chicago.
“It was run like a military operation,” she recalled of the school. “You could eat off the floor. Everything had to be meticulous, precise.”
Lazar’s father, a first-generation Harvard graduate who grew up in the Borscht Belt, pushed his children toward high achievements in academia and “looked down on the trades,” Lazar admitted. “I loved French pastry my whole life,” she said. “But my dad wasn’t going to send me to pastry school.”
After her father’s passing — with her children grown and financial responsibilities eased — Lazar finally returned to that early passion.
At the pastry school in Chicago, Lazar met two chefs, one who had won and one competing for the Meilleurs Ouvriers title. Lazar set out to write an article about the competition and what it could mean for American education and industry.
Lazar, who knew Pennebaker and Hegedus from her years in New York, invited them to Chicago to meet the chefs. That meeting sparked the idea of “Kings of Pastry,” which was born.
For Lazar, though, the meaning has always been personal.
“The purpose of the film wasn’t just to show the high level of craftsmanship in French pastry but to illuminate a larger political, economic and educational issue.”
The screening will also serve as a promotion for the Norfolk Historical Society’s 11th Annual Cake Auction, to be held Dec. 6 at 5:30 p.m. Historical Society president Barry Webber will give a brief introduction to the auction before the film.
And yes, there will be cake.
Register for the event at norfolklibrary.org/events/documentary-
film-kings-of-pastry.
On Saturday, Nov. 15, the Stissing Center in Pine Plains will be host to the Hudson Valley premiere of the award-winning music documentary “Coming Home: The Guggenheim Grotto Back in Ireland.” The screening will be followed by an intimate acoustic set from Mick Lynch, one half of the beloved Irish folk duo The Guggenheim Grotto.
The film’s director, Will Chase, is an accomplished and recognizable actor with leading and supporting roles in “Law & Order,” “The Good Wife,” “Rescue Me,” “Nashville,” “The Deuce,” “Stranger Things” and “Dopesick.” After decades of acting on television and on Broadway, Chase decided to take the plunge into directing his own short films and documentaries.
In “Coming Home,” Chase follows one of his favorite bands, The Guggenheim Grotto, on a reunion tour in Ireland. Founding members Mick Lynch and Kevin May have not played together in more than a decade, and the reunion may also serve as a farewell tour for the band. The film captures not just the music, but the friendship and shared history between Lynch and May, set against the homeland that shaped their songs.
“I’m just a huge fan,” Chase said. “It’s a big 45-minute love letter to the guys. They really dive into why they didn’t make it as a band, whatever that means,” noting that many acclaimed musicians struggle to find mainstream recognition. “I look at them and they’re very successful. They were on television shows, they won some awards, but it also makes people go ‘Oh, right. There are other bands out there other than the ones that I just read about.’ There are all these wonderful artists that we don’t necessarily know about.”
Over the years, The Guggenheim Grotto earned major critical acclaim. Their 2005 debut album “Waltzing Alone” was hailed as “one of the most beautiful records of the year” by LA’s KCRW. An Independent Music Award followed in 2007 for best folk song/songwriting. The band grew quite popular in their native Ireland, but Lynch eventually moved to New York while May remained in Ireland. Though the band’s future seemed uncertain, there was always hope for a reunion of some kind.
Reflecting on his collaboration with the band, Chase said, “I was very fortunate and thanked them profusely for being so open and honest in the documentary. No one had done this with them before, and thank God they’re just affable, funny, great guys. They really love the piece. I think it touched them in very different ways.”
Immediately following the screening, Mick Lynch — one half of The Guggenheim Grotto and current Hudson Valley resident — will take the stage for an intimate acoustic set. The documentary, coupled with the live performance, offers a rare chance to see and hear what goes into the making of great music, art, and film.
Tickets are available at thestissingcenter.org