
Competitive herding trials were held at the Caora Farm in Millerton last weekend, drawing 112 dogs and 68 handlers.
Patrick L. Sullivan
Competitive herding trials were held at the Caora Farm in Millerton last weekend, drawing 112 dogs and 68 handlers.
MILLERTON — Border collies chased sheep about the hillside at Caora Farm in Millerton on Friday, June 28, in competitive herding trials.
The 112 dogs and 68 handlers came from at least eight states and provinces, with Quebec and Ohio the farthest-flung. Judge Neil McVicar is from Scotland.
Caora Farm co-owner Kathleen Weathers greeted a reporter as he pulled in, and provided some quick intelligence.
The event was sponsored by the farm and the Dutchess Land Conservancy (DLC), the contestants were mostly from the North East Border Collie Association and the United States Border Collie Handlers Association, and they’ve been doing it at the farm for about 10 years.
The other owner, Michele Ferraro, steered the reporter to John Campbell of Virginia, who sat in the shade of a tent waiting for his turn with the dog Sadie.
A handler gave a command, and a dog streaked up a long hill where three sheep waited placidly.
The dog then ran around the sheep, causing them to go this way, then that. The dog stayed mostly in the sheep’s peripheral vision, some distance from the animals.
Campbell explained that the competition comes out of “practical farming.” Asked why the dogs don’t get closer and nip at the sheep, he said that biting or anything like it is definitely not on the agenda.
“In the days before antibiotics, a bitten sheep was probably a dead sheep.”
The trials were run over three days because of the sheer number of entries. The Open Trial course is from dogs aged 4-8 and runs for nine and a half minutes.
Ferraro said the course is the same wherever trials are held. The topography is of course different from site to site.
Rose Redick of Albany, watched the trials on Friday, June 28, with Trixie, a retired border collie.Mia Barnes
Each dog starts out with 100 points and for every mistake made the dog loses points. Dogs that are in the top 20% of their class receive points for the National Finals, which are held in Virginia in October.
Erin Schultz and Ayla Hill of Sharon watched the trials during their lunch break. The two have their own border collie at home, but have never thought of training their dog to compete. Schultz described the trials as a “fun, unique event for the community” and “ amore old school activity that is becoming more popular.”
Teri Rhodes from Hackettstown, New Jersey, said she has been coming to this event since 2016. She and her husband own a working commercial sheep farm called Wayside Farm. They have about 1200 sheep and 14 border collies: two of which are retired, six actively competing at the Open Level, two in the Nursery class, and four puppies.
Rhodes said she starts training her puppies formally at around 10 to 12 months old but emphasized that “it is all dependent on the dog, and every dog is different.”
Rose Redick from Albany was watching the events Friday with Trixie, a retired border collie.Trixie, who is now nine years old, competed for a few years before having to retire. Asked how long Trixie was able to compete, Redick guessed between two and three years.
She said it would have been longer but “COVID really got in the way.”
Redick was enthusiastic about the Caora Farm trials. “This is a good field with good sheep. It’s a difficult course but it’s fun.”
Campbell and Sadie ended up winning the big prize of the event, the Libby McClintock Award for Most Promising Nursery Pair.
McClintock was the previous owner of the farm and worked with the DLC to preserve the land.
SHARON — Angela Derrick Carabine, 74, died May 17, 2025, at Vasser Hospital in Poughkeepsie, New York. She was the wife of Michael Carabine and mother of Caitlin Carabine McLean.
A funeral Mass will be celebrated on June 6 at 11:00 a.m. at Saint Katri (St Bernards Church) Church. Burial will follow at St. Bernards Cemetery. A complete obituary can be found on the website of the Kenny Funeral home kennyfuneralhomes.com.
Sam Waterston
On June 7 at 3 p.m., the Triplex Cinema in Great Barrington will host a benefit screening of “The Killing Fields,” Roland Joffé’s 1984 drama about the Khmer Rouge and the two journalists, Cambodian Dith Pran and New York Times correspondent Sydney Schanberg, whose story carried the weight of a nation’s tragedy.
The film, which earned three Academy Awards and seven nominations — including one for Best Actor for Sam Waterston — will be followed by a rare conversation between Waterston and his longtime collaborator and acclaimed television and theater director Matthew Penn.
“This came out of the blue,” Waterston said of the Triplex invitation, “but I love the town, I love this area. We raised our kids here in the Northwest Corner and it’s been good for them and good for us.”
Waterston hasn’t seen the film in decades but its impact has always remained present.
“It was a major event in my life at the time,” Waterston said of filming “The Killing Fields,” “and it had a big influence on me and my life ever after.” He remembers the shoot vividly. “My adrenaline was running high and the part of Sydney Schanberg was so complicated, so interesting.”
Waterston lobbied for the role of the Pulitzer Prize-winning journalist for years, tracing his early interest to a serendipitous connection while filming in England. Even before Joffé’s production was greenlit, he had his sights set on playing the role. “I knew I wanted the part for years even before it was a movie that was being produced.”
What followed was not just critical acclaim, but also a political awakening. “The film gave all of us an intimate acquaintance with refugees, what it is to be a refugee, how the world forgets them and what a terrible crime that is.”
In Boston, at a press stop for the film, two women asked Waterston a pointed question: now that he knew what he knew, what was he going to do about it? “I said, ‘Well, you know, I’m an actor, so I thought I’d go on acting.’ And they said, ‘No, that’s not what you need to do. You need to join Refugees International.’” And join he did, serving on the organization’s board for 25 years.
Both Schanberg and Dith Pran, whose life the film also chronicles, were “cooperative and helpful … in a million ways,” Waterston said. Upon first meeting Pran, Waterston recalled, “He came up to me, made a fist, and pounded on my chest really hard and said, ‘You must understand that Sydney is very strong here.’ He was trying to plant something in me.”
There were more tender gestures, too. Schanberg used the New York Times wire to relay that Waterston’s wife had just given birth while he was filming in Thailand, adding to the personal and emotional connection to the production.
Though “The Killing Fields” is a historical document, its truths still resonate deeply today. “Corruption is a real thing,” Waterston warned. “Journalism is an absolutely essential part of our democracy that is as under siege today as it was then. It’s different now but it’s the same thing of ‘Don’t tell the stories we don’t want heard.’ Without journalists, we are dust in the wind.” Waterston added, “Democracy is built on the consent of the governed but the other thing it’s built on is participation of the governed and without full participation, democracy really doesn’t stand much of a chance. It’s kind of a dead man walking.”
When asked what he hopes the audience will take away from the screening, Waterston didn’t hesitate. “This is the story that puts the victims of war at the center of the story and breaks your heart. I think that does people a world of good to have their hearts broken about something that’s true. So, I hope that’s what the impact will be now.”
Tickets for the benefit screening are available at www.thetriplex.org. Proceeds support Triplex Cinema, a nonprofit home for film and community programming in the Berkshires.
Scott Reinhard, graphic designer, cartographer, former Graphics Editor at the New York Times, took time out from setting up his show “Here, Here, Here, Here- Maps as Art” to explain his process of working.Here he explains one of the “Heres”, the Hunt Library’s location on earth (the orange dot below his hand).
Map lovers know that as well as providing the vital functions of location and guidance, maps can also be works of art.With an exhibition titled “Here, Here, Here, Here — Maps as Art,” Scott Reinhard, graphic designer and cartographer, shows this to be true. The exhibition opens on June 7 at the David M. Hunt Library at 63 Main St., Falls Village, and will be the first solo exhibition for Reinhard.
Reinhard explained how he came to be a mapmaker. “Mapping as a part of my career was somewhat unexpected.I took an introduction to geographic information systems (GIS), the technological side of mapmaking, when I was in graduate school for graphic design at North Carolina State.GIS opened up a whole new world, new tools, and data as a medium to play with.”
He added, “When I moved to New York City, I continued that exploration of cartography, and my work eventually caught the attention of the New York Times, where I went to work as a Graphics Editor, making maps and data visualizations for a number of years.”At the New York Times, his work contributed to a number of Pulitzer Prize winning efforts.
In his work, Reinhard takes complex data and turns it into intriguing visualizations the viewer can begin to comprehend immediately and will want to continue to look into and explore more deeply.
One method Reinhard uses combines historic United States Geological survey maps with “current elevation data (height above sea level for a point on earth) to create 3-D looking maps, combining old and new,” he explained.
For the show at Hunt Library Reinhard said, “I knew that I wanted to incorporate the place into the show itself. A place can be many things.The exhibition portrays the exact spot visitors are from four vantage points: the solar system, the earth, the Northwest Corner, and the library itself.” Hence the name, “Here, Here, Here, Here.”
He continued, “The largest installation, the Northwest Corner, is a mosaic of high-resolution color prints and hand-printed cyanotypes — one of the earliest forms of photography. They use elevation data to portray the landscape in a variety of ways, from highly abstract to the highly detailed.”
This sixteen-foot-wide installation covers the area of Millerton to Barkhamsted Reservoir and from North Canaan down to Cornwall for a total of about 445 square miles.
For subjects, he chooses places he’s visited and feels deeply connected to, like the Northwest Corner.“This show is a thank you to the community for the richness that it has brought to my life. I love it here,” he said.
The opening reception for the show is on June 7 from 5 to 7 p.m. On Thursday, June 12, Reinhard will give a talk about his work from 5:30 to 7 p.m. at the library.“Here, Here, Here, Here” will be on display until July 3.
Scott Reinhard’s 16-foot-wide piece of the Northwest Corner is laid out on the floor prior to being hung for the show. L. Tomaino
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