AMENIA – A group of protesters braved 9-degree temperatures for their weekly anti-Trump demonstration in Fountain Square on Saturday, Jan. 24, as news broke of another alleged fatal shooting of a U.S. citizen in Minnesota involving federal agents – developments that organizers said reflected the urgency of their message.
The group, which described itself as “small but mighty,” drew seven people who stood along the road holding signs expressing opposition to Immigration and Customs Enforcement (ICE), including slogans likening the agency to Nazis and messages in support of immigrants.
Protest organizer Kimberley Travis, who began the regular demonstrations last June with signs bearing the anti-Trump slogan “No Kings,” has remained among the fluctuating number of protesters each week.
Travis said her garage is full of handmade signs – a reflection of the rapidly-changing news cycle and her need to keep up with current events. On Saturday, many of the signs focused on what protesters described as the increasingly extreme actions associated with ICE.
Large, simple signs planted in the snow read, “ICE Out for Good,” a phrase inspired, Travis said, by the recent killing of a Minneapolis mother by a federal agent.
Protesters hold a banner reading “ICE Out for Good” during a weekly demonstration in Fountain Square on Saturday, Jan. 24.By Aly Morrissey
“We're here today – and every Saturday – because we’re tired of what's happening to our democracy,” Travis said, who believes that the Constitution is being “demolished on a daily basis.”
Gesturing toward the other protesters, Travis said, “We, the people, must stand for our democracy, our constitutional freedoms, and we need to stop the murder in the streets and the kidnapping.”
Millerton resident Greg Swinehart said he has attended the Fountain Square protests between eight and 10 times, motivated by what he described as the growing militarization of the country and the violence committed by ICE.
“We need to resist that in a peaceful, nonviolent way,” Swinehart said. “We’re trying to raise awareness in our local community by helping people see messages they might encounter in the national media through the voices of their own friends and neighbors.”
While most passing drivers either honked and waved in support – or simply drove past – a few showed disapproval. One man slowed his vehicle to hurl a string of expletives at the protesters, telling the group to go home.
Still, neither the occasional hostility nor the bitterly cold weather deterred the group, which gathers each Saturday from noon to 1 p.m. “Every car honk feels like another drop of hope,” one demonstrator said.
A small group of demonstrators at Fountain Square on Saturday, Jan. 24.By Aly Morrissey
When asked if they were afraid to protest so publicly after reports of lethal shootings in Minnesota, the residents generally shared the same response.
“I probably should be,” Travis said. “But they will not intimidate me, and they will not stop me.”
Since beginning the protests last summer, Travis said she has experienced threats and intimidation and has, on one occasion, had to call the police. Even so, she said the encouragement she receives far outweighs the hostility.
A longtime activist, Travis said she has been protesting for causes she believes in since she was a young teenager during the Vietnam War and doesn’t plan on stopping anytime soon.
Swinehart said he has not felt threatened and hopes the gatherings will continue to grow.
“I hope that more citizens join us,” he said. “I hope more people will speak out for what they think is right, and to enjoy the camaraderie of standing alongside people who care deeply about America.”
Protesters gather in Fountain Square on Saturday, Jan. 24By Aly Morrissey
Contemporary chamber musicians, HUB, performing at The Clark.
MASS MoCA is known for its 20th-century holdings spread throughout a sprawling complex of industrial brick buildings. Installations by Sol LeWitt and James Turrell have permanent homes there. Just down the road in Williamstown, the Clark features masterworks by Winslow Homer, Frederic Remington, John Singer Sargent and Claude Monet.
But what visitors might not immediately associate with those established names is how deeply both institutions invest in art happening right now.
On Saturday afternoon, a panel of young artists discussed their relationships with art, identity and technology as part of MASS MoCA’s “Technologies of Relation” exhibition, which opened that evening. The artists represented a broad range of cultural backgrounds, drawing on ancestry while exploring the future of art and technology.
The work itself ran the gamut: wax relief paintings, stained glass, interactive video and sculptural installations. One immersive piece automated the traditional Armenian practice of reading fortunes from coffee grounds. Particularly striking were Roopa Vasudevan’s hand-drawn QR codes and Taeyoon Choi’s large-scale weavings of binary code.
Opening the same night was Zora J. Murff’s “RACE/HUSTLE.” Through photographs, paintings and installations, Murff explores the wide-ranging and sometimes violent implications of being Black in America today. Each piece — whether confronting the rise of white supremacy or examining stereotypes imposed on Black communities — carries razor-sharp visual commentary designed to unsettle.
Pelenakeke Brown’s “Reverb” (detail) at Mass MoCA. D.H. Callahan
On Sunday, the Clark continued the contemporary thread. A small exhibition of work by Raffaella della Olga, titled “Typescript,” features intricate patterns created using a typewriter on varied paper surfaces. The effect seems almost impossible until viewers watch a video of della Olga loading her typewriter with 140-grit sandpaper and typing in a hypnotic rhythm. Though the typewriter is considered obsolete technology, she continues to find new applications for it, completing some of the works in recent months.
Next door in the Clark auditorium, HUB New Music performed works written specifically for its unusual instrumentation: violin, cello, clarinet and flute. While that combination may not stand out to casual listeners, relatively little classical repertoire exists for it. The ensemble regularly commissions composers to expand the possibilities.
The results were striking. From the opening notes of Francisco del Pino’s “Passacaglia,” the quartet’s command and layered repetition pulled unexpected emotion from the audience.
After three pieces came the world premiere of Daniel Wohl’s “Mirage,” a roughly 25-minute work accompanied by digital blips, static and electronic textures evoking radio transmissions and UFO lore. Hearing four virtuoso musicians extract entirely new sounds from traditional instruments echoed the weekend’s larger theme: old tools made new again.
Like della Olga’s typewriter, Vasudevan’s QR codes or Murff’s charged imagery, the performances demonstrated that contemporary art often grows from familiar materials — reimagined.
The old masters will always draw visitors to these institutions. But when living artists command equal attention, this quiet corner of the Berkshires feels less like the middle of nowhere and more like a creative epicenter.
D.H. Callahan is a voice actor, creative director and trail steward. He lives with his artist wife in West Cornwall, Connecticut.
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Ash Baldwin, senior administrative assistant at the North East Community Center, launched the weekly Craft Collective in July 2025.
“I’m the type of person who struggles to stay focused on projects,” said Ash Baldwin, NECC’s senior administrative assistant, who came up with the idea last summer. “I realized I work better when I’m with other people and when I have a dedicated time and space.”
The idea took shape after Baldwin found herself racing to finish a crocheted baby blanket for her sister’s baby shower.
Participants have already brought a range of projects to the group, from sewing and mending to creative repurposing – including one crafter who transformed an old shower curtain into kitchen valence curtains.
“The goal is really community and connection,” Baldwin said. “People can meet other crafters, swap tips, give feedback on projects – maybe even make a friend.”
Ash Baldwin displays a crocheted blanket.Photo by Aly Morrissey
Crafting, Baldwin said, offers a kind of mental reset. “It’s peaceful,” she said. “It quiets my mind and lets me focus on one thing at a time.”
Like many crafters, Baldwin admits to having yarn and unfinished projects scattered around her home, and says she tends to make gifts for others more than items for herself.
Though Baldwin has been crocheting since 2022, creativity has always been part of her life. Her mother sews, her grandmother crocheted, and she grew up surrounded by creative projects. Baldwin joked that her grandmother once “fully kidnapped” her American Girl doll to make custom clothes for it. She also describes herself as a longtime “band kid,” saying creative arts were woven into her childhood.
When she’s not organizing the Craft Collective, Baldwin works behind the scenes at NECC, handling administrative and fiscal operations, including service tracking for programs such as the food pantry.
The Craft Collective is held every Tuesday at 6 p.m. at 51 S Center St., Millerton. There is no cost to participate. For questions or to donate crafting supplies, contact Ash Baldwin at ash@neccmillerton.org or (518) 789-4259 ext. 132.
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