Tangled research and development

The best smallmouth bass of 2025, so far, was taken on light trout tackle for the sole purpose of bragging about it later.
Patrick L. Sullivan

The best smallmouth bass of 2025, so far, was taken on light trout tackle for the sole purpose of bragging about it later.
The third week of July was hot and sticky and trout fishing opportunities were limited, so Gary Dodson and I went on a research and development mission in the Catskills.
One spot was a generally cold stream that runs into one of the New York City reservoirs. I’m being coy because this particular cat isn’t exactly out of the bag but it has ripped it up some.
On the upstream side of the bridge it’s a medium-sized brook with a lot of wild browns and rainbows, plus occasional brookies that are stocked in private water further up.
On the downstream side there is a big pool by the bridge which is gin clear most days and has large browns and rainbows that like to ignore flies.
Further down a bit the stream melds with the reservoir, gets a lot warmer, and it’s a real crap shoot as to what’s on the end of the line.
Could be a perch, a sunfish, a carp…or if all goes well, a smallmouth bass.
Gary concentrated on the bridge pool and I clambered downstream to try and annoy a smallie.
Which I did, after several false starts with suicidal and tiny bluegills.
The winning combo proved to be a size 12 Surveyor nymph, usually deployed in a tight line rig for trout, but in this case attached on a short dropper (18 inches) to a size 6 Chubby Chernobyl.
The Chubby disappeared, I applied the upward lift, and the best smallie so far in 2025 obliged by jumping a couple of times before coming fairly meekly to the net. It was about 15 inches long, four inches wide, and starting to turn the bronze color of the adult smallmouth.
What made this doubly satisfying was I did it with light trout tackle -- a four weight rod and 4X tippet.
The boys at the fly shop will tell you this can’t be done, which I always take as a direct challenge.
Next up was the East Branch of the Delaware near Downsville. Different set of problems here, starting with a water temperature of about 50, a difficult trail, and mud that threatened to suck your boot off your foot.
Neither one of us had thought to bring anything warm to go under the waders, and why would we? It was 90-odd degrees out.
And then there was the fog caused by cold water meeting hot air.

All I got out of this was a good photo of Gary in the mist.
Next week I segue into fishing for largemouth bass (primarily) in a lake from a pontoon boat and/or belly boat.
I am a relative newbie at bass fishing with a fly rod, having only practiced it for 20-odd years.
Because I am unencumbered by conventional wisdom, I have developed or acquired techniques that the above-mentioned boys at the fly shop would scoff at.
Such as the Yo-Yo Method. When I read about this online I thought the name came from the fact that anyone doing this would feel like a yo-yo. Wrong.
What you do is attach a heavy fly like a conehead Wooly Bugger to a short leader, say five feet.
Then attach two to three feet of stout tippet material to the bend of the hook with a clinch knot, and tie on a hard popper or other buoyant fly.
The heavy fly drags the buoyant fly down after it, but the latter is trying to go upwards.
This is exaggerated by short, abrupt jerks on the line, which causes the popper to go up and down.
This drives bass crazy.
The Crawl ‘n’ Troll: The lake I fish almost always has a steady west to east wind, so it is entirely practical to go up the lake (“up” meaning “west”) and float back with the surface current and wind, trolling a fly or two behind.
One problem is the lake isn’t that deep, 10-15 feet most of the way, and there’s a lot of vegetation on the bottom that will snag your fly if it gets too deep. On sunny and hot days, the bass like to lurk in this vegetation.
This is the only time I have ever found an intermediate line to be of any use. It sinks, but very slowly, and allows me to drift weighted flies like the Conehead Wooly just above the vegetation. If I get snagged, I shorten the leader up. If I’m not getting any hits, I lengthen the leader a bit.
I generally use a nine foot, eight weight rod for this work, although sometimes I fool around with a 10 weight (so I can justify continuing to own it) or something much lighter (so I can brag about it to the boys at the fly shop).
But an eight weight is a good all-around choice.
You want short, stout leaders. The lightest I go is usually 2X.Bass are not leader-shy, and you will be chucking big flies. Using a long leader in these circs is absolutely begging to get a hook in the ear.
Get a weight forward line in a bass taper, with the bulk of the weight concentrated in the first 15 feet of a 90 foot line. The poppers catch a lot of wind, and you’ll be glad of the extra heft to punch through.
For flies, you want poppers. I prefer hard poppers to the deer hair or foam variety. A few big hopper and or beetle patterns will also work, as will a big Stimulator.
For subsurface, which is where the bulk of the action is, you need nothing more complicated than an assortment of big Wooly Buggers in various colors: Sizes 2-8 in olive, black, brown, and white. Get weighted ones, either conehead or beadhead, and save yourself the trouble of adding split shot to the leader. And always get the rubber legs if available.
If you want to get semi-fancy, the Big Y Fly Company sells an excellent bass streamer called the Bass Vampire. It’s purple with yellow dumbbell eyes and comes on a 2/0 hook, which qualifies as a deadly weapon in most states.
Be prepared for a psychic change. This is very different than prowling a trout stream. It’s not just chuck and duck, but it’s not especially subtle, either.
And with several highly unpleasant trips to the dermatologist in my immediate past, I urge you to slather on the sunscreen, and reapply it frequently, while wearing your enormous hat.
Nathan Miller
Dutchess County Legislator Chris Drago addresses the crowd at the end of a discussion on challenges facing parents and child care providers in rural northeast Dutchess County on Wednesday, Feb. 25. Drago hosted the forum to collect feedback from local stakeholders ahead of an expected $20 million in state funding to establish a universal childcare program in the county.
PINE PLAINS — Parents and child care leaders gathered Wednesday, Feb. 25, to discuss concerns about early child care access and affordability in the rural northeast corner of Dutchess County.
County legislator Chris Drago, who represents the towns of North East, Pine Plains, Stanford, Milan and Red Hook, hosted the event at the Stissing Center on Church Street to seek community feedback following news about a proposed pilot program that would expand funding for child care, particularly for children under three, in Dutchess County.
The proposal follows Gov. Kathy Hochul’s announcement in her State of the State address that she is seeking $60 million for Dutchess, Monroe and Broome counties to expand child care, with an emphasis on children under three. The funding, pending approval as part of the state budget due April 1, is a component of her broader effort to expand affordable child care statewide, including a push toward universal access for children under five.
Billed as a fact-finding session ahead of the state budget vote, the forum opened with presentations from representatives of Poughkeepsie-based child care advocacy and training organizations. Parents expressed concerns about access in the far reaches of the county, where services have long lagged behind more densely populated areas.
Kim Yarnell, a parent who lives in Millerton, said she struggled for years to find childcare. She was one of the parents left scrambling for care last December when the North East Community Center announced the sudden closure of its Early Learning Program.
"When I first got pregnant in 2019, I was on a waiting list for two years," she said. "So that's the kind of situation we all face every day."
Parents emphasized a lack of providers in the area, saying the biggest barriers in rural communities are cost and availability. Webutuck Elementary School Principal Amanda Coppola said parents regularly tell her they can't afford child care, a struggle she said she can relate to.
"I have a four-month-old at home, and I just finished my first month of paying for daycare, and it's expensive," she said. "Funding, as far as tuitions or lowering tuitions, I feel is one of the biggest needs that I hear. And now that I'm living it, I hear even more."

Representatives of the Child Care Council of Dutchess and Putnam presented facts and figures to the group, saying that within Drago’s legislative district there are roughly 300 children under three who need care, but licensed facilities have capacity for only 95.
Outside of Red Hook — the district’s most populous town — licensed providers have capacity for just 29 children.
That data underscores parents’ anxiety. The governor’s proposal emphasizes working within existing child care systems and infrastructure, but those resources are limited in northeast Dutchess County. Parents said there's a significant need for infant care, with some reporting they drive more than 30 minutes one way to Connecticut to access the nearest available care.
"We just need more daycare," Yarnell said. "It's not complicated, like, we need more daycare."
Millerton News
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Gardeners needed for native plant design business: March 15- December 1st. Must be physically fit and dependable. Call for interview 347-496-5168. Resume and references needed.
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PUBLISHER’S NOTICE: Equal Housing Opportunity. All real estate advertised in this newspaper is subject to the Federal Fair Housing Act of 1966 revised March 12, 1989 which makes it illegal to advertise any preference, limitation, or discrimination based on race, color religion, sex, handicap or familial status or national origin or intention to make any such preference, limitation or discrimination. All residential property advertised in the State of Connecticut General Statutes 46a-64c which prohibit the making, printing or publishing or causing to be made, printed or published any notice, statement or advertisement with respect to the sale or:rental of a dwelling that indicates any preference, limitation or discrimination based on race, creed, color, national origin, ancestry, sex, marital status, age, lawful source of income, familial status, physical or mental disability or an intention to make any such preference, limitation or discrimination.

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Dee Salomon
Fireweed attracts the fabulous hummingbird sphinx moth.
You must figure that, as rough as the cold weather has been for us, it’s worse for wildlife. Here, by the banks of the Housatonic, flocks of dark-eyed juncos, song sparrows, tufted titmice and black-capped chickadees have taken up residence in the boxwood — presumably because of its proximity to the breakfast bar. I no longer have a bird feeder after bears destroyed two versions and simply throw chili-flavored birdseed onto the snow twice a day. The tiny creatures from the boxwood are joined by blue jays, cardinals and a solitary flicker.
These birds will soon enough be nesting, and their babies will require a nonstop diet of caterpillars. This source of soft-bodied protein makes up more than 90 percent of native bird chicks’ diets, with each clutch consuming between 6,000 and 9,000 caterpillars before they fledge. That means we need a lot of caterpillars if we want our bird population to survive.
So how do we ensure that there are sufficient caterpillars for them? That is the question, as caterpillars are very particular. Their butterfly or moth mothers cleverly attach their eggs to the very specific plants their tiny babies require. Once they hatch, the caterpillars eat the leaves of these plants until they are either picked off by birds to feed their young or create a chrysalis and turn into a moth or butterfly to repeat the cycle of life.
Some caterpillars are generalists and can survive on a variety of plants, but most — 90 percent, according to scientists — are specialists, relying on only one or two types of plants for survival. In their winged form, dietary restrictions ease as they source pollen more widely, but when it comes time to lay eggs, they use a keen sense of smell to find the specific plants that will help their young survive.
Research by Doug Tallamy shows that 90 percent of butterfly and moth species rely on just 14 percent of native plant species for food, which makes the planting of these “keystone” plants critical. Let’s review a few.
Goldenrod: Not all goldenrod is created equal. Old field goldenrod, (Solidago nemoralis), is a shorter and less aggressive alternative to the tall, aggressive goldenrod we are familiar with, as is wrinkleleaf goldenrod, (Solidago rugosa), a compact species that has arching sprays of bright yellow flowers supporting more than 100 species of insects. This species is deer-resistant with no serious pests or diseases. Last year, Mt. Cuba Center, a conservation center out of Delaware, focused its trials on goldenrod, and its research report, available online, is sortable not just by aesthetic attributes but also by the number of insects seen on each species.
Scarlet strawberry: (Fragaria virginiana), is one of the plants I have had great luck growing in the woodland. When there is a new sunny spot, which happens when a tree or large branch falls, I plant a few strawberries, which I dig out of a spot where they are thriving. These plants make a great groundcover and are especially nice used under trees for caterpillar “soft landings.”
Spotted Joe-Pye weed: We see this plant, (Eutrochium maculatum), on roadsides in late summer, but it looks as sharp as an ornamental in the hands of Michael Trapp, who, in the garden behind his shop in West Cornwall, encloses a bed of Joe-Pye weed with a short boxwood hedge, dignifying this plant that supports between 35 to 40 caterpillar species, including those that become the three-lined flower moth, Clymene moth, ruby tiger moth, Eupatorium borer moth and great spangled fritillary moth.
I am less familiar with fireweed, (Chamaenerion angustifolium), but will be adding it this year, as it may be the prettiest of the keystone plants in our region and attracts the fabulous hummingbird sphinx moth. I will let you know when I find a local nursery that stocks it and, when planted, how it fares here.
Also keep in mind this spring: smooth aster, (Symphyotrichum laeve); white yarrow, (Achillea millefolium); and the beautiful Canadian columbine, (Aquilegia canadensis), which is the first food for hummingbirds’ arrival in the Northwest Corner.
Dee Salomon ‘ungardens’ in Litchfield County.
Robin Roraback
Stephanie Haboush Plunkett
"The field of illustration is very close to my heart"
— Stephanie Plunkett
For more than three decades, Stephanie Haboush Plunkett has worked to elevate illustration as a serious art form. As chief curator and Rockwell Center director at the Norman Rockwell Museum in Stockbridge, Massachusetts, she has helped bring national and international attention to an art form long dismissed as merely commercial.
Her commitment to illustration is deeply personal. Plunkett grew up watching her father, Joseph Haboush, an illustrator and graphic designer, work late into the night in his home studio creating art and hand-lettered logos for package designs, toys and licensed-character products for the Walt Disney Co. and other clients.
“The field of illustration is very close to my heart,” she said. Inspired by that example, she studied illustration at Pratt Institute and began her career as an illustrator before shifting toward museum work. An internship at the Brooklyn Museum proved pivotal. “It was inspiring to see the children come alive in front of art,” she recalled.
In addition to her curatorial work, Plunkett is the author of two children’s books, “Kongi and Potgi: A Cinderella Story from China” and “Sir Whong and the Golden Pig,” and has written or co-authored numerous books on illustration, including “Drawing Lessons from the Famous Artists School” and “Leo Lionni: Storyteller, Illustrator, Designer.” She earned an MFA from the School of Visual Arts and built a museum career that included positions at the Brooklyn Museum, the Brooklyn Children’s Museum and the Heckscher Museum of Art before joining the Norman Rockwell Museum, where she has worked for 31 years.
But elevating illustration has meant challenging decades of critical skepticism.
“The goal has been to shine a light on this important American art form and to elevate public awareness of its artistic and cultural importance,”Plunkett said.
As a popular and widely circulated art, illustration is sometimes thought of as inferior to fine art, such as painting and sculpture. Plunkett considered why. She theorized that the 1913 New York Armory Show, the International Exhibition of Modern Art, with works by artists such as Picasso, Matisse and Duchamp, initially contributed to this evaluation. In the 1930s and ’40s, abstract expressionism became the art of the nation, and the rift widened further.
“Norman Rockwell became the antihero for many art critics of the time,” said Plunkett. “Illustration was viewed as too commercial and sentimental because of its emphasis on visual storytelling.”
Plunkett calls illustration “art with a job to do.” She explained, “Illustrators are adept at solving visual problems for their clients while expressing their own aesthetic and artistic vision.”

She noted that the line between the fine and applied arts “is much more porous now, with many artists working across platforms and styles.” She cited late-20th-century illustrators like Marshall Arisman, Barbara Nessim, Robert Cunningham, Bernie Fuchs and Mark English as illustrators who forged unique approaches to working and seeing.
Plunkett commented that people want to see the original illustrations. “Generally, Rockwell exhibitions bring high attendance. Currently, our traveling exhibition, ‘Norman Rockwell: From Camera to Canvas,’ is at the New Britain Museum of American Art, but we’ve traveled Rockwell and illustration to 45 states and several countries, including Japan, France, Italy and Germany.”
Nowadays, illustrators take on subjects that are important to them. “The children’s book industry is committed to sharing the richness and diversity of people and cultures with young readers.” Plunkett cited the late illustrator Jerry Pinkney’s commitment to this goal. As a boy, Pinkney found no books portraying children like him, and “his life’s mission as an artist was to present inspiring, positive images of children of color.”
The Norman Rockwell Museum and Rockwell Center seeds were sown when “Rockwell placed the first 199 artworks in the care and collection of the Norman Rockwell Museum upon its founding in 1969, some of which he personally acquired for the fledgling collection,” said Plunkett. “The museum’s current Rockwell holdings include 865 original artworks, the artist’s Stockbridge studio and an archive of 400,000 photographs, letters, props and first uses of the artist’s work. We also hold about 25,000 illustrations by other artists, from the historical to the contemporary.”
“We call ourselves the home for American illustration. We have a real commitment to illustrators and what they’ve accomplished,” said Plunkett.
The Norman Rockwell Museum is located at 9 Glendale Road, Stockbridge. For more information and to purchase tickets, visit
nrm.org
Brian Gersten
Craig Davis, co-founder and board chair of East Mountain House, an end-of-life care facility in Lakeville, will sponsor a March 5 screening of the documentary “Come See Me in the Good Light” at The Moviehouse in Millerton, followed by a discussion with attendees.
The film, which is nominated for best documentary at this year’s Academy Awards, follows the poet Andrea Gibson and their partner Megan Falley as they are suddenly and unimaginably forced to navigate a terminal illness. The free screening invites audiences to gather not just for a film but for reflection on mortality, healing, connection and the ways communities support one another through difficult life transitions.
East Mountain House grew out of a realization that “there are so many issues with how we are taking care of our dying in our community,” said David. “We wanted to provide a solution for some people where they can die in a serene and calming home-like setting.” This compassionate approach at East Mountain House is carried out with the support of seven staff members and 42 volunteers who do everything from reading to residents, gardening, cooking, communicating with family members and assisting with therapeutic treatments. East Mountain House houses just two residents at a time, and staff and volunteers work around the clock to accommodate their needs.
In a culture where we are trained to panic when a loved one is dying, and where a clinical space like a hospital is the norm for many individuals at the end of their lives, Davis feels that East Mountain House is an alternative with a natural and organic approach to death. It’s a place where death can be celebrated and viewed as something that is simply a part of life. Davis’ vision for East Mountain House is more than a decade in the making, and he is eager to introduce his work and his perspective to locals at the upcoming community screening.
One of the reasons Davis was interested in sponsoring a screening of “Come See Me In The Good Light” was because the film gracefully explores themes of vulnerability, resilience and the search for meaning in the face of death. Through its deeply personal storytelling, the film highlights how people navigate loss, transformation and the desire to be seen for who they truly are. The documentary’s emphasis on compassion and human connection aligns closely with the mission of East Mountain House, making the post-film discussion a natural extension of the evening.
Davis hopes the event will serve as both a cultural offering and a community touchstone — an opportunity for neighbors to gather in a welcoming space, share ideas and reflect on the importance of end-of-life support systems. The screening is free and open to the public, though advance registration is recommended due to limited seating.
For registration, go to themoviehouse.net.

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