I moseyed down to Housatonic Meadows State Park late Saturday morning on Aug. 16 for a Trout Unlimited smallmouth bass event put on by the Mianus chapter.
“Wait a sec,” you say. “If it’s Trout Unlimited, why are they fishing for smallmouth bass?”
The answer is two-fold.
First, the Housatonic River in summer is primarily a smallmouth fishery. The water is too warm for trout but it doesn’t bother the bass much.The trout are hiding out in the thermal refuge areas and are off-limits until mid-September.
Second, the word “unlimited” suggests wiggle room.
When I rolled in there was a small pop-up tent with the words “Trout Unlimited” on it set up by the upper parking lot. Being a trained observer, I spotted this vital clue almost immediately.
There was a folding table under the tent. It was empty, but it seemed likely there would be food on it at some point.
Trained observers are also patient. I tabled the food question and motored down to the lower parking area, where I beheld half a dozen men with fly rods casting into the low, slow river with varying degrees of proficiency and enthusiasm.
The nearest to me turned out to be Eddie Curtis, who hails from southern New Jersey. “About 15 minutes from Philly,” he said.
Curtis was a fortuitous choice of subject. Chatty and easy-going, he embarked on an angling monologue that included adventures on salt and fresh water and an incisive critique of fish and game practices in his home state.
All the while he chucked lazy downstream casts. On about every tenth one, he hooked a smallish smallmouth bass.
I asked him what fly he was using. The answer -- a black Wooly Bugger -- wasn’t surprising. That’s a standard pattern for this kind of fishing. Almost a cliche.
Curtis was using a black Wooly Bugger with an unusual feature — a little propeller or spinner.Patrick L. Sullivan
But this was different in that it had a little propeller attached just below the hook eye.
I last saw something like this in the mid-1990s in New Mexico, where a rustic saloon I just happened to be in had a small display case of standard trout flies with the same kind of propellers attached. The brand name was “Pistol Pete.”
Curtis said they work almost too well. He jerked his thumb behind him and said “He ties them for me.”
I resolved to catch up with “he” when everybody took a break.
I ambled back to the car and exchanged camera and notebook for rod and vest.
I tried four different flies, two surface and two subsurface, and failed to move anything.
Not anxious to perform the Walk of Shame, I tried a black Wooly Bugger, no propeller.
That did the trick.
Back up at the tent my finely honed instincts proved correct.Food had materialized, in the form of two giant submarine sandwiches, a couple of jumbo bags of potato chips, and sodas.
Gerald Berrafati was in charge of this. He is the chapter coordinator for the Mianus Trout Unlimited chapter, and he was talking a mile a minute about various dam removal and stream reclamation projects in his bailiwick.
Since the state of Connecticut east of New Hartford and south of Torrington is a complete mystery to me, I had only a vague idea where these places were.
But it sounded good.
Antoine Bissieux, who does business as “The French Fly Fisherman,” made a cameo appearance. Some years back he was with a couple of sports on the Hous in similar circs — warm, low, late summer -- and I swapped him a handful of mop flies for a sampler of his perdigon nymphs. If he remembered this he didn’t let on.
The six or eight of us at the tent did a number on the chow and talked some guff between bites. The sandwiches were good. So was the guff.
Warren Nesteruk of Southbury (I think) said his wife was giving him a hard time about having so many fly rods.
I asked how many he had.
“Fifteen,” he replied.
When I informed him I had something like 80 rods, he grew thoughtful, as if my awful example might buy him some space.
Then it struck him.
“You’re not married, are you.”
One loose end remained. I hate loose ends, and I wanted to find the fellow who added propellers to his flies.
But they had left.
So if you read this, Eddie Curtis of south Jersey, drop me a line. I’d like to find out if they really do work almost too well.
“We had such a fun party for her,” said AMP founder and artistic director Ellen Griesedieck. “I am excited for what is next for Amy and grateful for every moment she has invested in her work at AMP.”
Wynn, who previously led the Northwest Connecticut Arts Council, said her decision to step down came after careful reflection.
“It’s time for me to shift into the next phase of my career, which will call upon my 40-plus years of nonprofit experience to do project work,” she said. “I’ve absolutely loved my time at AMP.”
Visitors to the American Mural Project.Sky Johnson
Under Wynn’s leadership, AMP expanded education programs, deepened community partnerships and oversaw key milestones in the creation of its monumental centerpiece — a three-dimensional mural stretching 120 feet long and five stories high — celebrating American ingenuity, industry and collaboration.
“Through all these years, Amy has worked with tireless enthusiasm for AMP, running day-to-day operations and guiding the overall direction of our mission,” Griesedieck said.
During Wynn’s tenure, AMP evolved from a concept into a dynamic cultural campus. She helped professionalize its structure, solidify its funding base and develop programs that drew visitors from across the state and beyond.
“The work she has accomplished, the hours of overtime she has logged, the mountains we have climbed together since that moment are many and miraculous,” Griesedieck said.
AMP also weathered challenging times, including the pandemic, which forced arts organizations to rethink audience engagement. Wynn guided the team during that uncertain period with a steady hand.
To ensure a smooth transition, AMP has brought on Renee Chatelain of RMCreative Solutions, LLC, an experienced consultant, attorney and arts administrator who previously worked with AMP on its capital expansion planning.
Chatelain will serve as interim executive director while a national search is conducted for AMP’s next leader.
“A longtime friend, Renee comes to us with a depth of knowledge on executive transition,” said Griesedieck. “As an attorney, a leader of several arts organizations and a classically trained dancer, she is particularly well-suited for this interim role.”
Though stepping down, Wynn said she will continue her work in the nonprofit field in a more flexible, project-based capacity.
“I’ll be seeking consulting projects with other nonprofits, assisting with grant work and strategic planning,” she said. “What I enjoy most is leading a collaborative effort and finding solutions to challenging problems.”
Sky Johnson
Even as AMP bids farewell to Wynn, its focus remains on the future. The next phase of development will focus on converting a second mill building into expanded programming and community space.
“The next step has got to happen,” Griesedieck said. “It’s absolutely what the Northwest Corner needs — a place for the community to congregate.”
The proposed expansion would create flexible areas for performances, workshops and public events, further establishing AMP as a cornerstone of the regional arts scene.
With community support and grants, AMP hopes to carry forward Wynn’s momentum into a new era.
“She is not leaving,” Griesedieck said. “Amy will always be here for us.”
Founded in 2001, the American Mural Project was conceived as a tribute to the American worker — a celebration of skill, creativity and perseverance. The mural, the largest indoor collaborative artwork in the world, was created with contributions from thousands of children, artists, teachers, tradespeople and volunteers nationwide.
Today, AMP offers tours, workshops, lectures and performances, all rooted in its mission: to inspire, invite collaboration and reveal the contributions people of all ages can make to American culture.
As Wynn turns the page, her legacy — from her calm, strategic leadership to the collaborative spirit she fostered — remains woven into the fabric of AMP’s story.
