Co-creators of a podcast, “Who’s the Ass?”, nominated in two categories for a Signal Award for podcast achievement, Amenia resident Jane Watson and filmmaker Frank Donnelly are thrilled by the recognition and hoping for votes from area residents.
AMENIA — A low-budget storytelling podcast created by Amenia resident Jane Watson and documentary filmmaker Frank Donnelly, and their joint venture Spiked Eggs Productions has been nominated in three categories for a Signal Award.
Watson was notified on Tuesday, Oct. 2, that the Spiked Eggs podcast titled “Who’s the Ass?” had been nominated for the national award in categories including Shows: Best Sound Design and Shows: Best Scripted (Fiction). Another Spiked Eggs podcast, “Bingo After Dark,” has also been nominated in the category of Shows: Best Editing.
Signal Awards, the Oscars of podcasts, is in its third year, seeking to uplift the podcast medium by recognizing strong, meaningful and novel audio projects. The 2024 awards are focusing on recognizing podcasts that define modern culture.
Competition for Signal Awards is stiff, with competing nominations this year going to Saturday Night Live cast entries, Wanda Sykes and more.
Produced on Watson’s kitchen table in Amenia, “Who’s the Ass?” is described as dark comedy fiction with one foot in the present world of social media and the other in an imagined past.
Commenting on the nomination and the production process on Thursday, Oct. 4, Watson said that she has lived in Amenia for 21 years, while Donnelly lives in Staten Island, their work together being largely remote. Their actors may reside in the UK or the US and participate in script reads together on Zoom.
Donnelly, an award-winning documentary filmmaker and journalist, has earned several awards for his 2015 documentary “Crossing Waters,” an examination of the ebb and flow of immigrant residents within a single low-income neighborhood in Poughkeepsie.
Watson and Donnelly work together on auditioning and casting, and then Watson takes over on pre-production and production, voice actor direction, and then post-production editing and sound design, all at the kitchen table.
The podcast episode, released Aug. 2 and titled “Who’s the Ass?” is inspired by a fable, “The Miller, His Son and the Ass.”
“The premise is how things can go terribly wrong when you try to please others, when you let strangers tell you how you should live your life. I thought immediately of how it could correlate to today’s culture of people pursuing “likes” on social media or following the advice of “influencers,” Watson said.
Watson said she liked the satiric idea of interplay between fable characters and modern culture. “There is also a bit of a clash between generations: a Boomer vs. Gen Z,” Watson said.
The concluding episode of the nominated podcast will be released in November.
“I’m a storyteller at heart,” Watson said. Watson has a background as a New York City photojournalist and later a filmmaker and she fell in love with audio drama podcasts about nine years ago. They reminded her of old-time radio broadcasts and the power of imagination.
“Just about everything you can do with a camera, you can do with sound,” Watson said, identifying foreground and background and other tricks with audio to tell the story.
How to Vote
Fans of podcasts who would like to hear the nominated episode(s) can go to any of several platforms such as Apple, Amazon, Spotify, Audible and others, and search for “Spiked Eggs Productions.”
To cast a vote for a Signal Listener’s Choice award, go to vote.signalaward.com and scroll to “Start Voting.” In the search space, type “Spiked Eggs Productions” to see the three nominations. Voting concludes Thursday, Oct. 17.
Sabrina Jaar Marzouka led the Oct. 2 Department of Community and Family Services Forum.
POUGHKEEPSIE — On the evening of Wednesday, Oct. 2, the Dutchess County Department of Community and Family Services (DCFS) held an open forum at the Department of Mental Health to discuss a five-year Child and Family Services (CFS) Plan.
Fiscal and staffing challenges aside, the focus of DCFS remains on refining the five-year plan, meeting its targets and serving the county’s most vulnerable residents, many of whom depend on these supports simply to survive.
The forum, which provided residents with detailed information on county services and programs for the domestic, physical and emotional wellbeing of children and adults in the county, also gave attendees the opportunity to weigh in on the plan, which runs from 2024 through 2029.
Dutchess County is obliged to provide a plan detailing social services offerings to New York State every five years, DCFS Commissioner Sabrina Jaar Marzouka said. The county works in conjunction with the state to identify programs for further development and improvement.
“We do not choose our goals,” Marzouka said. “They are prescribed by the state. So they give us a handful to choose from, based on what we determine to be our needs and from our data.”
The county can adjust goals as needed but must meet state requirements. These goals and their associated strategies are determined by research, data, and stakeholder meetings with companies, agencies, and individuals.
While DCFS team members tackled various components of the proposal’s planning stages, the end-result is expected to be a cohesive plan created by the state, county, and residents following public comment.
While programs such as Medicaid, Supplemental Nutrition Assistance Program (SNAP), and Home Energy Assistance Program (HEAP), fall under the DCFS umbrella, the public session focused on three specific offerings — Child Protective Services, Preventive Services, and Adult Services.
Child Protective Services (CPS) seeks to ensure the safety of vulnerable children from suspected abuse, neglect or trafficking of minors. If confirmed, CPS may remove a child from the home. Its preference is for placement with relatives as opposed to foster care provided by strangers to maintain familial, environmental, and cultural ties.
“You don’t want the child to lose that connection,” Marzouka said. “Because that is their world.”
To prevent family ties from being cut, even temporarily, Preventive Services strives to strengthen affected families through domestic monitoring, motivational interviews, parental training/retraining, and family team meetings — strategies designed to expedite foster care discharge or circumvent foster care altogether.
Adult Services supports people in need of supervision (PINS) with a goal of preserving adult dignity. Currently, there are 30 adult guardian cases overseen by DCFS, a number which continues to climb.
Obstacles to the continuity of certain services remain.
Funding is a constant challenge. For example, childcare programs, the eligibility for which now includes working- and middle-class families, may run dry by 2025 unless the state provides relief.
Caseworker shortages present yet another challenge. To this end, the state has eased civil service requirements for positions such as social workers and case managers via NY HELPS, a program which may or may not be temporary.
According to Dutchess County’s Human Resources Commissioner Steven Rector, while specific data on caseworker shortages hasn’t been made available to his department yet, he concurs with Marzouka, who conveyed staff retention concerns.
“[These] titles are considered challenging to recruit for [and] with higher than average turnover,” Rector said.
On a cloudy Wednesday at the start of October, my girlfriend, Taylor, and I decided to enjoy the autumn afternoon by getting off our laptops and into the woods for some much needed movement. Having just moved to Norfolk as a new reporter for the Lakeville Journal, I was on the hunt for panoramic views of the landscape I now call home, accessible with the hour and a half of daylight left to us. Haystack Tower it was.
I’m not entirely unfamiliar with the landscapes of the Northwest Corner: I visited family and friends in the region as a child and would drive up on high school joyrides from my home in Westchester County. But calling somewhere home brings new meaning to a place, and I was eager to see a familiar view with a new sense of belonging.
To extend the walk a bit, we chose the yellow trail loop, starting from the bottom of the road leading up the hill off North Street. Our journey began on a neatly mowed path through a gently sloping meadow, with stands of purple-white New England asters poking out from a mosaic of green and red leaves and grasses on either side of the trail.
Our trail took us into a forest sporting half-autumn colors: some maple stands blazed gold and orange while others remained dark green. The occasional fiery swamp maple glowed bright red below the overstory, catching the glints of sunlight that managed to penetrate the cloud layer and canopy.
As we trudged up the forested hillside, my field of vision was so washed in texture — a chaos of rocks, roots, bark, and leaves of every shade — that my eyes almost started to ache.
The trail plateaued after a short climb into a new type of forest: three-story oaks underscored with hickory saplings. With a new composition, the forest assumed a browner and yellower hue than that of the maple-dominated lower hillside.
We eventually reached the imposing stone tower at Haystack Mountain’s summit, and we quickly climbed the winding stairs to find what we came for: 360-degree views of forested hills folding over one another as they spread into the distance, interspersed by patches of valley farmland. A copse of orange maples framed Route 44 as it passed through Norfolk below. This was the beautiful patchwork landscape I am lucky to now call home.
A relaxed jaunt down a wide carriage road took us around the mountain’s northeastern flank as eastern hemlocks leaned overhead and clung to the steep slope below. Reaching the car with daylight to spare, we decided to prolong the outing with an evening pint.
At Norbrook Farm Brewery, we were asked if we wanted to join a game of jukebox bingo. It looked like fun, but we couldn’t get enough of the October evening air, so we headed outside instead to sit fireside on the patio. Settling into an Adirondack chair, I sipped the brewery’s brown ale (the “Beckley Furnace Ale”). It was malty and crisp, and certainly one of the better in the style I’ve had recently. Taylor is partial to seasonal beers and opted for their pumpkin ale, joyously titled the “Gourdo.” I’m usually not a fan of pumpkin-flavored anything, but I agreed that this was a nicely balanced beer and enjoyed the few sips I took.
As the light faded on the hills, we noted that the foliage across the fields looked to be nearly peaking in the soft glow of the evening. A chill settled in and I huddled closer to the fire, eager to lean into the swiftly changing season in my new home.
Chilly rain sprinkles did not keep area art lovers away from the opening of the Kent Art Association’s Fall Juried Art Show on Sunday, Oct. 13. Judges for the event were association members Liz Maynard and Conrad Levenson. The show will continue until Saturday, Nov. 2, during the association's open hours.
Kent artist and long-term resident Carolyn Millstein (above) paused for a photo next to her piece, “Near Oakdale."
“SHELTER,” an art exhibit supporting The Gathering Place opened on Suday, Oct. 12, at the Royal Arcanum Building in Norfolk, Conn. Featuring works by fourteen area artists, proceeds from sales will benefit The Gathering Place based in Torrington, Conn., which provides essential services to the homeless across 26 towns in Litchfield County. Open weekdays, this vital resource offers everything from hot showers and laundry facilities to housing assistance. The exhibit runs through Nov. 24.
