Reassessing how we punish victims of domestic violence

Michelle Horton told the story of her sister’s experience surviving domestic violence and subsequent incarceration at Scoville Memorial Library on March 27.
Natalia Zuckerman
Michelle Horton told the story of her sister’s experience surviving domestic violence and subsequent incarceration at Scoville Memorial Library on March 27.
SALISBURY — “Nikki’s lifelong belief that she had to hide is rooted in a cultural truth that, in fact, your truth is not always safe, and you’re not always going to be believed.” said author Michelle Horton of her sister, Nikki Addimando, a survivor of years of domestic violence who was ultimately incarcerated for killing her abuser.
Horton was presenting her new book, “Dear Sister: A Memoir of Secrets, Survival, and Unbreakable Bonds,” at an event at The Scoville Library on Wednesday, March 27.
It was put on in conjunction with Project SAGE, a community-focused organization dedicated to supporting and advocating for victims of relationship violence, and the Nicole Addimando Community Defense Committee, a collective of Addimando’s friends and advocates who built a national grassroots movement to repeal, repair and ultimately end the harms of criminalizing domestic abuse survivors.
Nicole Addimando is the central figure of Horton’s book, a breathtaking account of the high-profile case in which Addimando was sentenced to life for the killing of her long-time abuser.
Overnight, Horton became the caregiver for Addimando’s two small children, Ben and Faye, while also raising her own son, Noah, as she embarked on the battle of a lifetime against the criminal justice system.
In September 2017, Addimando shot and killed her domestic partner, Christopher Grover in an act of self-defense. In April 2019, Addimando was convicted of second-degree murder and gun possession.
Despite an abundance of evidence to corroborate the years of abuse Addimando endured, the prosecution instead relied on harmful fallacies, domestic violence myths, character assassination, victim blaming and unsubstantiated claims to make their case.
But perhaps most disturbingly, prior to Addimando’s sentencing, New York passed the Domestic Violence Survivors Justice Act, which specifically authorized reductions in sentences for domestic-violence survivors when the abuse they suffered “was a significant contributing factor to the defendant’s criminal behavior.”
Judge Edward McLoughlin, an elected judge still serving on Dutchess County’s Supreme and County Courts, presided in Addimando’s case, and ruled instead that the case did not meet the requirements of a reduced sentence because she “could have left her abuser.”
On February 11, 2020, Judge McLoughlin sentenced Addimando to 19-years-to-life, plus 15 years, plus 5 years post supervision.
After a year of advocacy, in June 2021, an appeals court struck down the ruling, and Addimando’s sentence was reduced to 7.5 years. She was released from prison in January 2024 and is currently on parole and living with her sister in Poughkeepsie.
The bigger picture
In the US, three women die every day at the hands of a current or former intimate partner, and the myth of “just leaving” is not possible. A commonly referenced statistic among domestic violence advocates is that victims make an average of seven attempts to leave an abusive relationship.
Leaving isn’t a single event; rather, it’s a complex process that necessitates meticulous preparation and groundwork. Decades of research, including a groundbreaking femicide study from 2003, by Jacquelyn Campbell, and a three-country study from 1993, by Margo Wilson and Martin Daly, shows that the most dangerous time for a victim is when she is leaving the relationship.
After Horton’s reading of a moving passage from the book which underscored the trauma experienced by Addimando and her family, an audience member expressed shock that Addimando was “hiding in plain sight to most of her family and friends.”
The audience member then went on to ask what could be done to “encourage people to be more courageous in seeing and helping victims and what can be done to encourage victims to reach out to broader support?”
Virginia Gold, director of client services at Project Sage responded by noting that the current social environment emphasizes enabling the victim to make different choices.
She explained that this was a way of blaming or putting the onus on the victim of domestic violence, which “creates a context in which someone hears the unspoken messages that they are the one who has to fix this thing happening to them, as opposed to the idea that we are responsible for shifting our assumptions about how relationships should work.”
She said, “one of the reasons that we talk about social change [is that this] erases the responsibility that we need to hold for perpetrators and the conversation that we need to have that identifies the kinds of behaviors that are condoned, ignored, rationalized, or allowed to continue.
The justice system
“How do we go about getting this judge off the bench?” asked another audience member to applause, referring to Judge McLoughlin.
Horton responded, “We need voters in Dutchess County to spread the word because he will be up for reelection in 2025.
“It’s an elected position so we can vote him out of power. It is possible.”
Judge McLoughlin is also a professor of criminal law at Marist College, where some students are petitioning to terminate his role due to his handling of Addimando’s case.
Among the list of grievances against the judge is perpetuation of harmful myths about domestic violence. “How can the college claim to ‘foster a safe living and learning environment for all’ when someone with such a fundamental, well-documented lack of understanding about domestic violence is allowed to shape the minds of young people?” the petition asks.
There are currently 812 signatures on the petition. Marist declined to comment.
A staff member of Judge McLoughlin’s chambers said that because the case is still considered pending, McLoughlin is not able to comment on the case at this time.
Aftermath
“I never had any illusion that Nikki coming home was going to be a happy ending, but I think she’s in a much better position than most,” Horton said, referring to the fact that Addimando has resources, community and family support, something the majority of incarcerated women do not.
Horton said that the family is working to heal from this trauma.
“We’re all looking forward to the future but it’s challenging at different points because, you know, healing is hard,” she said.
Leila Hawken
AMENIA — Always an annual draw, the Amenia Garden Tour, titled “Real Gardens of Amenia,” drew a steady stream of visitors to admire five local gardens on Saturday, July 12, each one presenting a different gardening vibe, but all specializing in beauty of layout and blooms. A true community feel, the event was an activity planned by the Amenia Garden Club and supported by Paley’s Garden Center in Sharon.
With the exception of the manicured beauty of Wethersfield, one of the five stops on the tour, the remaining four gardens were spectacular showings of gardens in progress, evolving from season to season, under the informed care and dedication of their owners, assisted by their bright green thumbs.
“Anyone can garden,” said Michael Peek as he greeted visitors to Wethersfield, pleased that the grand showcase gardens were part of the tour. He expressed amazement that so many local residents are not familiar with that “most beautiful place.”
Cobbler n’ Cream
5 to 7 p.m.
Freund’s Farm Market & Bakery | 324 Norfolk Rd.
Canaan Carnival
6 to 10 p.m.
Bunny McGuire Park
Canaan Carnival
6 to 10 p.m.
Bunny McGuire Park
Cocktail Party
5 to 7 p.m.
Douglas Library | 108 Main St.
Canaan Carnival
6 to 10 p.m.
Bunny McGuire Park
Boot Drive
8 a.m. to 2 p.m.
North Canaan Fire Co. | 4 E. Main St.
3rd Annual Fly-In
8 a.m. to 3 p.m.
Triumph Airfield | 547 W. Main St.
Canaan Railroad Station Museum
10 a.m. to 6 p.m.
Canaan Union Station
New England Accordion Connection
9 a.m. to 8 p.m.
Canaan Union Station
Canaan Carnival
3 to 10 p.m.
Bunny McGuire Park
Berkshire Resilience Brass Band
5 to 8 p.m.
Canaan Union Station
Barbecued Chicken Dinner
5 to 7 p.m.
St. Martin of Tours | 4 Main St.
Canaan Fireman’s parade
6 p.m.
Rosa setigera is a native climbing rose whose simple flowers allow bees to easily collect pollen.
After moving to West Cornwall in 2012, we were given a thoughtful housewarming gift: the 1997 edition of “Dirr’s Hardy Trees and Shrubs.” We were told the encyclopedic volume was the definitive gardener’s reference guide — a fact I already knew, having purchased one several months earlier at the recommendation of a gardener I admire.
At the time, we were in the thick of winter invasive removal, and I enjoyed reading and dreaming about the trees and shrubs I could plant to fill in the bare spots where the bittersweet, barberry, multiflora rose and other invasive plants had been.Years later, I purchased the 2011 edition, updated and inclusive of plants for warm climates.
On the cover of the new edition, a quote from Adrian Higgins of The Washington Post boasts, “Michael Dirr is the oracle of ornamental horticulture. I trust his judgements implicitly.”I heartily disagree with Mr. Higgins:I blame this book — and my poor use of it — for some of my worst tree and shrub choices.
I realize some readers might find this declaration inflammatory. The book still occupies a place of high regard among experienced and novice gardeners alike, so please allow me to explain.
In addition to giving the reader his opinion on the aesthetic worthiness of the woody plants included in the book, Mr. Dirr makes good on the book’s title with a review of each species’ hardiness. What makes a tree hardy?It thrives in its intended site, resisting disease with leaves and bark not readily eaten by insects and other critters.
Non-native plants make up the majority of the recommended hardy plants in the book.And here is why:Native trees and shrubs are, by evolution’s design, food source and host to our native fauna — critters large and small. There is no substitute equal to the fauna’s co-evolved flora.A native caterpillar cannot eat a kousa dogwood leaf, as it has not evolved to digest it.Non-native plants seemingly have the advantage if the lens we look through values pristine, uneaten leaves.
In the days when there were sufficient thriving ecosystems to maintain local habitats, a non-native specimen tree here and there was just fine.But where we live in Northwest Connecticut, our woods, meadows, marshes and other natural areas have, for a couple of decades, been severely compromised by invasives that have almost entirely removed the food sources for native insects. It is up to us — now — to plant native plants to save the food chain.Without insects, not only will native animals die, but human food sources will also be at risk.
The security of our food pipeline seems a worthy exchange for some caterpillar-eaten leaves — and to be clear, we’re not talking about non-native infestations such as spongy moth, but rather native caterpillars, which are the singular food source for nesting birds.
My issue is that, in being a trusted source for plant selection, Dirr’s book should give equal — if not prioritized — space to information on ecological impact.For example, it would be good to know when selecting a tree, that a native oak provides food and other ecosystem services to more than 400 native animal species, while a native tulip poplar supports fewer than 30 — though that includes the Eastern tiger swallowtail. Including information on the birds and insects attracted to a given plant would enable reader to weigh these factors in choosing what to grow.But this information is not mentioned at all.
Dirr makes no mention of the role some of these plants have played in the degradation of our natural areas — an omission that is highly relevant, as many of the plants featured in his book are, in fact, invasive culprits. Plants like barberry, porcelain berry and tree of heaven are showcased for consideration alongside native plants without recognition of the devastating infestations they can manifest. Tree of Heaven is now responsible for hosting the spotted lanternfly, which is devastating crops.
Similarly Euonymous alatus (winged euonymous) and Actinidia arguta (hardy kiwi) — two highly invasive plants touted in the book — have been banned or are close to being banned for sale from nurseries in the state of Massachusetts. To his credit, Dirr does point out the invasive nature of Ligustrum sinense (Chinese privet), calling it “a terrible and devastating escapee that terrorizes floodplains, fencerows and even open fields, reducing native vegetation to rubble.” Yet Japanese honeysuckle gets an understated warning, with Dirr describing this massively invasive shrub as “bullying their way into understory and open areas.”
The latest edition of Dirr’s book devotes seven pages of copy and photos to various Berberis species, about which Dirr waxes poetic. He notes the addition of “30 new cultivars” in the latest revision and complains that “this species is under assault for its aggressive invasive nature.” He refers to Berberis thunbergii — Japanese barberry, the most invasive of them all — as “the species of major importance in garden commerce.” This plant has already been outlawed for sale in New York, Pennsylvania, New Hamphsire and Maine.A few weeks ago, a bill was passed in Connecticut recognizing the harm of a broad group of invasive plants. Under this new legislation, barberry will be phased out from sale or transport by October 2028.
In understating the invasive nature of many non-natives and de-prioritizing the importance of native species, Dirr’s widely used reference may be partly responsible for many a devastated woodland, forest, meadow and marsh in New England — if not across the U.S.Certainly, the evolution of species, and scientific knowledge about the environment, is changing faster than new editions of books can be printed. I can only hope that if a new edition of Mr. Dirr’s reference book is in the works that it will account for this criteria we now know to be vital in plant selection.
Which brings me back to that quote on the cover from The Washington Post and the larger issue it suggests:Should “ornamental horticulture” get a pass when it comes to ecological survival?I think we can agree — it should not.The consequences are simply too destructive.
Dee Salomon ‘ungardens’ in Litchfield County.
Foxtrot Farm & Flowers’ historic barn space during UAW’s 2024 exhibition entitled “Unruly Edges.”
Art lovers, mark your calendars. The sixth edition of Upstate Art Weekend (UAW) returns July 17 to 21, with an exciting lineup of exhibitions and events celebrating the cultural vibrancy of the region. Spanning eight counties and over 130 venues, UAW invites residents and visitors alike to explore the Hudson Valley’s thriving creative communities.
Here’s a preview of four must-see exhibitions in the area:
1. Wassaic Project (37 Furnace Bank Road, Wassaic)
“So It Goes” is a powerful group exhibition curated by Eve Biddle, Bowie Zunino, Jeff Barnett-Winsby, and Will Hutnick. The title, drawn from Kurt Vonnegut’s “Slaughterhouse-Five,” signals a reckoning with how we process the horrors of the world. Through play, reflection, and immersive scale, 43 artists respond with urgency and imagination. Installations can be seen throughout the town of Wassaic at Maxon Mills, Gridley Chapel, and Luther Barn, each space transformed by this deeply thoughtful show.
2. Foxtrot Farm & Flowers (6862 Route 82, Stanfordville)
“Queer Bestiary,” a group show curated by Charlotte Woolf, is inspired by Patricia Ononiwu Kaishian’s book “Forest Euphoria.” The exhibition investigates queer ecology and human relationship to land through the work of 10 artists using painting, sculpture, textiles, and photography. The exhibit is accompanied by a variety of interactive experiences including tattoo pop-ups, karaoke, book readings, and pick-your-own flowers.
3. ChaShaMa North/ChaNorth (2600 Route 199, Pine Plains)
ChaShaMa North (ChaNorth) will have open studios all weekend and has partnered with Paradice Palase, a platform for emerging artists, to mount a site-specific sculpture exhibition featuring 20 artists entitled “Alone, You Are Heard.” On Saturday evening, July 19, stop by for Weird Music Night for an audio-visual synthesis of experimental music, performance art, and unexpected happenings. Don’t miss this opportunity to experience an eclectic lineup of acts that redefine the boundaries of performance.
4. Millbrook Arts Project(3 Friendly Lane, Millbrook)
The Millbrook Arts Project is hosting a curated exhibit entitled “Generated Utility” at the newly renovated gallery at the village library. The exhibit will feature the work of artists Natalie Beall and Kathy Greenwood. Additionally, visitors will have access to 12 open artists studios across town. The weekend culminates in a free outdoor concert on Saturday evening at 6 p.m. at the Millbrook Bandshell. Enjoy the Indie-Folk sounds of Strawberry Runners and She Keeps Bees.
For more information and a complete list of participating artists and locations, visit: upstateartweekend.org