Thank you!
Your support is sustaining the future of local news in our communities.

Reassessing how we punish victims of domestic violence

Reassessing how we punish victims of domestic violence

Michelle Horton told the story of her sister’s experience surviving domestic violence and subsequent incarceration at Scoville Memorial Library on March 27.

Natalia Zuckerman

SALISBURY — “Nikki’s lifelong belief that she had to hide is rooted in a cultural truth that, in fact, your truth is not always safe, and you’re not always going to be believed.” said author Michelle Horton of her sister, Nikki Addimando, a survivor of years of domestic violence who was ultimately incarcerated for killing her abuser.

Horton was presenting her new book, “Dear Sister: A Memoir of Secrets, Survival, and Unbreakable Bonds,” at an event at The Scoville Library on Wednesday, March 27.

It was put on in conjunction with Project SAGE, a community-focused organization dedicated to supporting and advocating for victims of relationship violence, and the Nicole Addimando Community Defense Committee, a collective of Addimando’s friends and advocates who built a national grassroots movement to repeal, repair and ultimately end the harms of criminalizing domestic abuse survivors.

Nicole Addimando is the central figure of Horton’s book, a breathtaking account of the high-profile case in which Addimando was sentenced to life for the killing of her long-time abuser.

Overnight, Horton became the caregiver for Addimando’s two small children, Ben and Faye, while also raising her own son, Noah, as she embarked on the battle of a lifetime against the criminal justice system.

In September 2017, Addimando shot and killed her domestic partner, Christopher Grover in an act of self-defense. In April 2019, Addimando was convicted of second-degree murder and gun possession.

Despite an abundance of evidence to corroborate the years of abuse Addimando endured, the prosecution instead relied on harmful fallacies, domestic violence myths, character assassination, victim blaming and unsubstantiated claims to make their case.

But perhaps most disturbingly, prior to Addimando’s sentencing, New York passed the Domestic Violence Survivors Justice Act, which specifically authorized reductions in sentences for domestic-violence survivors when the abuse they suffered “was a significant contributing factor to the defendant’s criminal behavior.”

Judge Edward McLoughlin, an elected judge still serving on Dutchess County’s Supreme and County Courts, presided in Addimando’s case, and ruled instead that the case did not meet the requirements of a reduced sentence because she “could have left her abuser.”

On February 11, 2020, Judge McLoughlin sentenced Addimando to 19-years-to-life, plus 15 years, plus 5 years post supervision.

After a year of advocacy, in June 2021, an appeals court struck down the ruling, and Addimando’s sentence was reduced to 7.5 years. She was released from prison in January 2024 and is currently on parole and living with her sister in Poughkeepsie.

The bigger picture

In the US, three women die every day at the hands of a current or former intimate partner, and the myth of “just leaving” is not possible. A commonly referenced statistic among domestic violence advocates is that victims make an average of seven attempts to leave an abusive relationship.

Leaving isn’t a single event; rather, it’s a complex process that necessitates meticulous preparation and groundwork. Decades of research, including a groundbreaking femicide study from 2003, by Jacquelyn Campbell, and a three-country study from 1993, by Margo Wilson and Martin Daly, shows that the most dangerous time for a victim is when she is leaving the relationship.

After Horton’s reading of a moving passage from the book which underscored the trauma experienced by Addimando and her family, an audience member expressed shock that Addimando was “hiding in plain sight to most of her family and friends.”

The audience member then went on to ask what could be done to “encourage people to be more courageous in seeing and helping victims and what can be done to encourage victims to reach out to broader support?”

Virginia Gold, director of client services at Project Sage responded by noting that the current social environment emphasizes enabling the victim to make different choices.

She explained that this was a way of blaming or putting the onus on the victim of domestic violence, which “creates a context in which someone hears the unspoken messages that they are the one who has to fix this thing happening to them, as opposed to the idea that we are responsible for shifting our assumptions about how relationships should work.”

She said, “one of the reasons that we talk about social change [is that this] erases the responsibility that we need to hold for perpetrators and the conversation that we need to have that identifies the kinds of behaviors that are condoned, ignored, rationalized, or allowed to continue.

The justice system

“How do we go about getting this judge off the bench?” asked another audience member to applause, referring to Judge McLoughlin.

Horton responded, “We need voters in Dutchess County to spread the word because he will be up for reelection in 2025.

“It’s an elected position so we can vote him out of power. It is possible.”

Judge McLoughlin is also a professor of criminal law at Marist College, where some students are petitioning to terminate his role due to his handling of Addimando’s case.

Among the list of grievances against the judge is perpetuation of harmful myths about domestic violence. “How can the college claim to ‘foster a safe living and learning environment for all’ when someone with such a fundamental, well-documented lack of understanding about domestic violence is allowed to shape the minds of young people?” the petition asks.

There are currently 812 signatures on the petition. Marist declined to comment.

A staff member of Judge McLoughlin’s chambers said that because the case is still considered pending, McLoughlin is not able to comment on the case at this time.

Aftermath

“I never had any illusion that Nikki coming home was going to be a happy ending, but I think she’s in a much better position than most,” Horton said, referring to the fact that Addimando has resources, community and family support, something the majority of incarcerated women do not.

Horton said that the family is working to heal from this trauma.

“We’re all looking forward to the future but it’s challenging at different points because, you know, healing is hard,” she said.

Latest News

A life reshaped by clay in “Matin”

Left to right: Hannah Wheeler, Matin Malikzada and Yonah Sadeh.

D.H. Callahan

On Monday, Oct. 26, a group of students, teachers and local residents gathered at the Hotchkiss School in Lakeville for a screening of the new short documentary “Matin.” The film tells the story of Matin Malikzada, a seventh-generation Afghani potter making a new life in New Milford, Connecticut. The film was made by local filmmaker Yonah Sadeh, creator of the Video Wall at the David M. Hunt Library, and Berkshires-based potter Hannah Wheeler, who were both present for the screening, along with Malikzada himself.

As a member of the seventh generation of his family to master the art of pottery, Malikzada had done things the way his family had for over a century. Istalif, the village where his family has lived for generations, was known throughout Afghanistan for its pottery, with wares sent across the country for use as everyday cups, bowls, plates and other vessels. The pottery-making families of Istalif gathered clay from the same mountain, about 30 to 45 minutes away by donkey. Every July, they would head north toward the Uzbekistan border to gather ishkar, a plant they processed by hand to make their signature glazes.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Meg Sher finds her calling among the stacks

Meg Sher, executive director of the David M. Hunt Library in Falls Village.

L. Tomaino

When Meg Sher came to Falls Village in 2006 from Old Lyme, Connecticut, where she grew up, she never imagined she’d someday be the executive director of the David M. Hunt Library.

Although, in hindsight, perhaps it makes sense.

Keep ReadingShow less
Crescendo’s 23rd season speaks to the heart and mind

Christine Gevert, founding artistic director of Crescendo, conducts the audience at a performance.

Steve Potter

For Christine Gevert, founding artistic director of Crescendo, music from centuries past is anything but a relic. It is a living, breathing art form, full of drama, emotional complexity and, occasionally, surprises. As the regional choral and period-instrument ensemble launches its 23rd season, Gevert is once again bringing forgotten masterpieces into the present.

“Early Music has been my lifelong passion and the focus of my specialization in Europe and South America,” Gevert said. “Bringing this repertoire to our audiences in a nuanced way that does justice to its incredible depth, intensity, and beauty is deeply important to me.”

Keep ReadingShow less
Close Encounters with Music celebrates 35 years of musical discovery

Close Encounters with Music’s 35th season opens with “Saluting the Clarinet” featuring clarinetist Alexander Fiterstein.

Provided

For 35 years, cellist Yehuda Hanani has been inviting audiences to experience classical music in unexpected ways. As founder and artistic director of Close Encounters with Music, Hanani has built a concert series that goes beyond the music itself, exploring connections to literature, history, politics and the human experience.

This year, Close Encounters celebrates its 35th season with “Celebration & Discovery,” a seven-concert series that opens Sunday, Nov. 1, at the Mahaiwe Performing Arts Center in Great Barrington.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.