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Participants at annual conference encouraged to ThinkDifferently by respecting evolving etiquette norms
Dec 18, 2024
Top row (left to right): Panelist Shadei Williams; Dana Hopkins, Dutchess County All Abilities Program Director; panelist Johnny Vacca; Dutchess County Executive Sue Serino. Bottom row: (left to right): Panelist Wayne Robinson; panelist Tracy Wallace; panelist Samantha Van Alstyne
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HYDE PARK, N.Y. — On Thursday, Dec. 5, the annual ThinkDifferently conference was held at the Henry A. Wallace Visitor and Educational Center in Hyde Park, New York. The conference strived to enlighten participants on evolving protocols for addressing and collaborating with individuals with challenges.
Hosted by Dana Hopkins, program director of All Abilities at the Department of Behavioral and Community Health, ThinkDifferently is an initiative first launched in 2015 by former county executive Marc Molinaro with a goal to provide services to individuals with varying abilities and guidance for others such as businesses and communities to help create a more inclusive society.
The conference, which is in its eighth year, has evolved throughout its existence. Hopkins said while the one consistent has been its daily duration, the presentation and subject matter has varied. “Each year has been a full-day conference which has included discussions with authors, clinical professionals, et cetera. Previous conferences included a ‘services across the lifespan’ session, which covered birth to death,” she said. “We adjusted our format based on feedback from attendees as the services through the lifespan [session] was often redundant.”
This year’s conference was broken into a morning session which included opening remarks from county executive Sue Serino to welcome participants and show her support for the initiative followed by personal experiences from panelists and preferred protocols while interacting with individuals with challenges. The afternoon session featured speaker Emma Arnoff, a licensed social worker, who further elaborated on protocols, the subject of neurodiversity which is described as varying manners of how the brain works, and ableism which is defined as discriminatory practices and prejudicial attitudes towards individuals with challenges. The audience consisted primarily of educators, social services workers, and providers to individuals with varying abilities.
According to Hopkins, ThinkDifferently has less to do with individuals and is more supports-oriented. “ThinkDifferently is not direct programming for people with disabilities and/or their families,” she said. “Rather, a key component of the work we do is helping individuals and families navigate the often-complicated network of providers, as well as resources available at various levels of government. We also create and host inclusive events throughout the year, but most services and programs are contracted out to our local nonprofit agencies.”
Respectful speech and courteous behavior as well as consideration for personal preferences were amongst the themes for this year’s conference. According to both Hopkins and Arnoff, while there are no set rules of etiquette, and the vernacular is constantly evolving, it’s important to consider the individual and their desires. As Hopkins explained, the vernacular can vary between person-first and identity-first language, a more recent trend which began only a few years ago.
“Disability etiquette is individually based and constantly changing,” she said. “When we are speaking about people who have disabilities (and we do not know their preferences) we use person-first language (meaning we say ‘person with a disability’ versus ‘disabled person’ which is identity-first language). Only in instances when someone has specifically told us they prefer identity-first language do we utilize that. For individuals with mobility devices or other aides (canes for those that are blind or have low vision), never touch their devices or aides, unless they ask you to, and/or if you ask and they say yes. Think of the devices and aides as extensions of their bodies.”
While sensitivity towards others is always appropriate, terminology is fluid. Words and phrases which were once socially acceptable such as ‘special needs’, ‘handicapped’, ‘impairment’ and ‘differently abled’ are now to be avoided, which is proper and correct. “Language always is and should be evolving,” Arnoff said. “This move to first-person language comes from neurodivergent people finding pride in who they are and not seeing themselves as deficient. As the language evolves, it is our job to learn and listen.” Hopkins agreed, saying, “Some of these phrases/words are euphemisms to make those without disabilities feel better when talking about disabilities, but they aren’t helpful to people with disabilities.”
While attitudes and language has trended more toward sensitivity toward individuals with varying abilities, both Arnoff and Hopkins emphasized the importance of two-way communication, and also, of being mindful of lessons from previous years. “People with disabilities are just that: people,” Hopkins said. “To find out more about what is appropriate and what isn’t, talk with the disability community.”
Arnoff, too, reinforced the need for understanding and awareness, saying, “It’s important that we don’t beat ourselves up for what we did in the past and rather learn from it to be different in the future. It is critical we do this by listening ... It is not our job to change or fix [them] but rather to learn about what makes them who they are, so we can see what makes them amazing.”
The conference is only one event on ThinkDifferently’s very active calendar. Upcoming happenings include a sensory-sensitive performance of “The Nutcracker” on Friday, Dec. 13, the Dance Forever/Rhythm Works hip-hop dance program for young people of varying abilities on Saturday mornings, twice-monthly workshops on applying for social security disability programs and a retreat in mid-January for neurodiverse young adults. For more information, visit www.thinkdifferently.net.
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Martin Tandler
Little with his dog, Ruby.
"What I really feel lucky about is having had the chance to meet and photograph so many people who had a real impact on our lives,” said Christopher Little whose new memoir, “Shooting the Breeze: Memories of a Photojournalist” was just released. The book is as eclectic and colorful as the man himself and offers an intimate look into Little’s globe-trotting career spent behind the lens, capturing some of the most iconic figures, events, and human stories of the past half-century.
In 2021, the Dolph Briscoe Center for American History at The University of Texas acquired Little’s photographic archive.
“I had two young women who spent three months in my basement cataloging this stuff,” said Little. “So, while they were working, I was scanning as much as I could for this book.” After the three months, Little described that a “big blue truck” came to take away his 371,574 images which are now a permanent addition to the Briscoe Center’s internationally significant photojournalism collection. “It’s very bittersweet,” shared Little. “It was literally a life’s work driving away, but I’m so glad to have it there. And I’m in good company.”
Little has always kept good company; his career is a testament to a charmed life and relentless curiosity. Born and raised in Manhattan, Little’s father was a journalist with The New York Herald Tribune writing a five-day-a-week column covering the theater. His mother was a playwright, and the couple often had famous people to their apartment.
Little’s father was beloved and dropping his name not only helped open doors early on but put his subjects at ease. “He taught me a lot about journalism and the basic idea that I should look for another angle.”
This “other angle” is what makes Little’s photographs so evocative—he’s able to capture an entire story in a static image. “There’s a picture by Nat Fein, a really famous picture,” said Little about one of his early influences. “It was the first sports photograph to ever win the Pulitzer Prize. It’s a picture of Babe Ruth on his last day at Yankee Stadium and it’s shot from behind. It’s always stayed with me.”
Little studied psychology at Yale, another element that seems to have guided him to a deeper understand of his subjects. It was while he was still a student at Yale that Little began working for Newsweek. “I was at Yale from ’67 to ’71 and the campus was one news story after another with the student movement, the Bobby Seale (co-founder of the Black Panter Party) trial, and all that. So, I’d photograph stuff and then I’d get on my motorcycle and drive to New York. I had a loose relationship with Newsweek and I would give them my film, they’d process it, and if they liked something, they’d buy it. And then they started giving me assignments.” After college, he worked for Time Magazine and by 25, he was working with People magazine, beginning a 21-year stint during which he shot more than 350 assignments.
“The early days were incredible,” Little recalled. “I couldn’t have been a freelance journalist now. It almost doesn’t exist.” From covering the Watergate hearings for Time magazine to serving as official photographer for the Aga Khan and working with William F. Buckley Jr. on bestselling sailing memoirs, Little’s assignments brought him into the orbit of world leaders, celebrities, and everyday heroes. His work has been published in Life, Time, Newsweek, The New York Times, Vanity Fair, Esquire, GQ, and Architectural Digest, to name a few. Little’s work also went beyond famous faces. Some of his favorite assignments were stories about “ordinary people doing extraordinary things,” such as the first million-dollar lottery winner whose life fell apart under the weight of sudden wealth. “It was heartbreaking to witness,” he said.
The self-designed book, laid out in Adobe InDesign, gave Little the creative freedom he craved. “Nobody told me what to do,” he said. The cover, a playful collage, mirrors the book’s non-linear structure and personal touch.
Beyond photography, Little has led a vibrant life. A father and grandfather, he recently retired from serving as an EMT in Norfolk, Connecticut, after tearing his rotator cuff. “It seemed like a good time to retire,” he said. He spends his time now with his wife Betsy and takes digital photographs in the woods with his dog, Ruby.
Reflecting on his multifaceted career, Little shared, “I have no regrets and no bitterness. It’s a great luxury to look at it all from afar.”
With “Shooting the Breeze,” Little has ensured future generations can explore the remarkable life and work of a photojournalist who truly captured the world.
To purchase a copy of “Shooting the Breeze” visit: www.christopherlittle.com
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Natalia Zukerman
Ani Jenkins
“I have pieces of wood that’ll sit around for years and then suddenly, I’m looking at it and think, ‘Oh! This is what you want to be,’” said artist Ani Jenkins whose extraordinary solo exhibit of wood sculptures opened at Housatonic Valley High School’s Kearcher-Monsell Gallery on December 13. This show marks a new milestone for the gallery, featuring its first collection of exclusively three-dimensional works. Jenkins, who moved to Falls Village during the Covid-19 pandemic, has brought her intricate and interactive wood sculptures to the Northeast, much to the delight of students, staff, and visitors.
Jenkins grew up in Boulder, Colorado, surrounded by art, as her mother was pursuing her MFA during that time. Her exploration of wood began in the 90’s when she had an opportunity to take an inlay class. “Everything came so easily and naturally, it was as if I’d been working with wood my entire life,” said Jenkins. She continued to work for many years adding inlay to furniture and musical instruments but shared, “I was craving more three-dimensionality, so I started playing around with all the little scraps and cut-offs and building sculptures with those. It all just exploded and snowballed.” Her practice eventually evolved into creating larger, sculptural pieces that are infused with deep mystical themes, reflections of ancient civilizations and visions of times and places still yet to be seen.
“Wood tells a story,” Jenkins explained. “A lot of these pieces almost build themselves. It’s about getting out of the way rather than intentionally creating.”
The exhibit at HVRHS, titled “Visions,” was curated by students under the guidance of senior Elinor Wolgemuth, the gallery’s lead intern. As part of her role overseeing gallery operations, Wolgemuth used the experience to develop her senior capstone project: a comprehensive guide to help future student interns manage the gallery effectively.
“It’s a step-by-step guide on how to have a show, how to run an opening, things like that. It’s about creating a team that will flow throughout the years and work together,” said Wolgemuth. Jenkins noted of the students’ dedication, “They’ve been as professional as any gallery I’ve ever worked with.”
Art teacher Lilly Barnett, who started at the school this fall, emphasized the importance of showcasing Jenkins’s work. “Ani elevates the artistry of woodworking, breaking traditional gender stereotypes. It’s powerful for our students to see.” FFA students have also expressed admiration for Jenkins’s craftsmanship, with many inspired by the precision and creativity in her pieces.
Jenkins and her family relocated from the west coast to Falls Village in 2020. Never having been to the east coast, the artist was delighted to find that surrounded by Connecticut’s hardwood forests, she was newly inspired. “I’m much more of a small-town person, so this is a great place to be,” she said. Having grown up in Northern New Mexico and Colorado, her work often reflects mystical themes, ancient civilizations, and the essence of the natural world. “There’s a lot of femininity in my work,” Jenkins shared. “I love bringing flowing lines into my pieces, contrasting with the rigidity of traditional woodworking.”
Jenkins’s fascination with “containment” is evident in her work, which often features hidden drawers, compartments, and interactive elements designed to engage viewers. The intricate wooden creations invite touch and exploration, offering a magical, hands-on experience. Even better, all the pieces are available for purchase, with proceeds supporting the school’s art department.
Ani Jenkins’s intricate and interactive sculptures have brought a unique and inspiring artistic experience to Housatonic Valley High School’s Kearcher-Monsell Gallery. “I’d like to be an artist after high school,” said Wolgemuth. “I’m not sure if I want to do curatorial or more freelance work with my own art, but finding that balance is important to me.”
“I want to build fully moving pieces—big totems where people can arrange all the different pieces,” said Jenkins, hinting at future projects.
The exhibit will be on view through January 10, 2025. To make an appointment, call (860) 824-5123
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