Thank you!
Your support is sustaining the future of local news in our communities.

Opera project draws inspiration from Amenia’s wetlands

Opera project draws inspiration from Amenia’s wetlands

Amenia residents discuss the ecology of the town’s bogs and fens during a Conservation Advisory Council meeting Wednesday, Aug. 19.

Photo by Leila Hawken

AMENIA — Local bogs and fens have quietly supported the town’s environment for thousands of years, storing carbon, absorbing water and preserving records of ecological change. But these fragile wetlands can be damaged quickly.

Christy Gast and other members of Opera Turbia joined the Amenia Conservation Advisory Council for a public meeting Wednesday, Aug. 19, as part of the group’s research for an opera about U.S. wetlands.

The three-act work will premiere at the Massachusetts Museum of Contemporary Art, known as MASS MoCA, in North Adams, Massachusetts, on Saturday, March 20, 2027. It will be presented as part of an exhibition titled “Until We Get to the Core.”

Opera Turbia is co-directed by Camila Marambio and Ariel Bustamante, with collaborators Gast, Rosario Ureta and Antonia Peón-Veiga. The group’s research has taken its members to peatlands and bogs in Puerto Rico, Tierra del Fuego, the Berkshires and, most recently, Amenia.

The session began with a presentation by ecologist Terryanne Maenza-Gmelch, who explained how bogs and fens formed after glaciers retreated at the end of the Ice Age. Over time, pollen, sphagnum moss and other organic material accumulated in the wetlands, eventually forming peat. Core samples can provide a record of those environmental changes.

Much of the discussion focused on the difference between bogs and fens, both of which can be found in Amenia.

Bogs generally receive most of their water from precipitation, while fens are fed by groundwater or surface water. Both can accumulate peat, store carbon and help regulate water. Fens can also act like sponges, holding water and reducing flooding.

The group discussed Amenia’s ecological history, the environmental value of its wetlands and ways to conserve those resources.

Participants also considered alternatives to peat-based gardening products.

“We’re surrounded by wetlands,” Gast observed.

Resident Vicki Doyle noted that the wetlands south of Freshtown Plaza play an important role in absorbing stormwater runoff.

“It takes thousands of years to create [a bog], but it can be destroyed in a day,” said one resident.

After taking notes on words and phrases shared during the discussion, Natalia Zukerman led a collaborative songwriting workshop. Participants’ observations, memories and ideas became the basis of a song recorded by Opera Turbia that may be incorporated into a chorus at the MASS MoCA installation.

The Arts Mid-Hudson project is supported by the Statewide Community Regrants Program, a regrant program of the New York State Council on the Arts, with support from the governor’s office and the New York State Legislature.

For more info, contact cgast@ameniany.gov.

Latest News

A life reshaped by clay in “Matin”

Left to right: Hannah Wheeler, Matin Malikzada and Yonah Sadeh.

D.H. Callahan

On Monday, Oct. 26, a group of students, teachers and local residents gathered at the Hotchkiss School in Lakeville for a screening of the new short documentary “Matin.” The film tells the story of Matin Malikzada, a seventh-generation Afghani potter making a new life in New Milford, Connecticut. The film was made by local filmmaker Yonah Sadeh, creator of the Video Wall at the David M. Hunt Library, and Berkshires-based potter Hannah Wheeler, who were both present for the screening, along with Malikzada himself.

As a member of the seventh generation of his family to master the art of pottery, Malikzada had done things the way his family had for over a century. Istalif, the village where his family has lived for generations, was known throughout Afghanistan for its pottery, with wares sent across the country for use as everyday cups, bowls, plates and other vessels. The pottery-making families of Istalif gathered clay from the same mountain, about 30 to 45 minutes away by donkey. Every July, they would head north toward the Uzbekistan border to gather ishkar, a plant they processed by hand to make their signature glazes.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Meg Sher finds her calling among the stacks

Meg Sher, executive director of the David M. Hunt Library in Falls Village.

L. Tomaino

When Meg Sher came to Falls Village in 2006 from Old Lyme, Connecticut, where she grew up, she never imagined she’d someday be the executive director of the David M. Hunt Library.

Although, in hindsight, perhaps it makes sense.

Keep ReadingShow less
Crescendo’s 23rd season speaks to the heart and mind

Christine Gevert, founding artistic director of Crescendo, conducts the audience at a performance.

Steve Potter

For Christine Gevert, founding artistic director of Crescendo, music from centuries past is anything but a relic. It is a living, breathing art form, full of drama, emotional complexity and, occasionally, surprises. As the regional choral and period-instrument ensemble launches its 23rd season, Gevert is once again bringing forgotten masterpieces into the present.

“Early Music has been my lifelong passion and the focus of my specialization in Europe and South America,” Gevert said. “Bringing this repertoire to our audiences in a nuanced way that does justice to its incredible depth, intensity, and beauty is deeply important to me.”

Keep ReadingShow less
Close Encounters with Music celebrates 35 years of musical discovery

Close Encounters with Music’s 35th season opens with “Saluting the Clarinet” featuring clarinetist Alexander Fiterstein.

Provided

For 35 years, cellist Yehuda Hanani has been inviting audiences to experience classical music in unexpected ways. As founder and artistic director of Close Encounters with Music, Hanani has built a concert series that goes beyond the music itself, exploring connections to literature, history, politics and the human experience.

This year, Close Encounters celebrates its 35th season with “Celebration & Discovery,” a seven-concert series that opens Sunday, Nov. 1, at the Mahaiwe Performing Arts Center in Great Barrington.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.