
NECC Teen Program staff Katie Cariello and Erin Chirevas volunteer at the Food Pantry.
NECC
NECC Teen Program staff Katie Cariello and Erin Chirevas volunteer at the Food Pantry.
MILLERTON — On the last day of business of the year 2023, the North East Community Center (NECC) officially accepted a gift: the old Millerton Elementary School.
“It’s a fabulous opportunity,” said Christine Sergent, director of the NECC. The Community Center has been looking for a new home for years now, said Sergent, but it’s proved a difficult undertaking:
“It had to tick certain boxes, had to be in the village, walking distance, all of those kinds of things. And that’s just very difficult to identify here in Millerton. It just really didn’t exist. And then, poof, all of a sudden, there it was.”
NECC has been looking seriously for new properties — that is, running due diligence on various options — only in the last year or so, said Sergent.
“We had to do a lot of infrastructure development in the organization to strengthen ourselves financially and programmatically and staffing-wise and so forth, to get us to the point where we felt stable enough to take on what is going to be a big lift for us.” A big project like this, she said, “can pull you off course if you’re not careful.”
The building in question has more or less been on NECC’s radar as a possibility for the last 10 years, said Sergent. Then last spring, the building went on the market for $995,000.
NECC strongly considered it. However, after months of due diligence, the organization decided that the added costs of bringing the building up to code made the sticker price untenable; at a meeting with the board last October, the group officially closed down the possibility of buying the school.
“And then all of the sudden we got a phone call,” said Sergent: Morgan Coy and Richard Lanka of Particles Elementary LLC wanted to donate the Millerton Elementary School property to the NECC.
Growth at NECC
NECC has tripled in size in just the last three years. In the years before that, it had doubled in size. Finding a way to get all of its programs in one place will be challenging, said Sergent, but it’s also key to NECC’s ability to serve the community.
“To get us all into one location is really beneficial to our community, because we have so many different resources,” she said. “It helps for people to come in and have access transportation, but also access food and our childcare and so forth.
“But that’s now over 40 staff to have to bring together and all the programs, and all the things that come with it — the supplies, materials, things that need to be stored, you know, the kitchen to go with the child care center, all of that stuff into one location is quite a lot more than what it may have been 10 years ago when we were a staff of seven or eight.”
Getting all of the programs in one building will also, long-term, improve the organization’s economic health. NECC is currently spread out over four locations — “five if you include the programming we do at the school,” said Sergent — three of which NECC is renting.
“We’re paying in excess of $150,000 to $180,000 for these different locations. And that’s a sizable cost to us every year,” said Sergent.
Another important intention in having a new home is the ability to welcome anyone on any day. Before COVID-19, NECC was open to the public; anyone could walk in off the street seeking services or support. But the pandemic put an end to that kind of accessibility when the office went remote, said Sergent.
The pandemic also demanded another major change: NECC opened a food pantry. This is the reason that the main offices never fully reopened after the pandemic: the space that was once a reception area is now food pantry storage.
Next Steps
Irene Banning, chair of the board of the NECC, said: “Now comes a whole process where we really have to look at: Do we fit? Does it work? What do we need to do in order to make it, workable? And, can we raise the money?
“So there is a step by step process going to happen over time, at after which point we will know whether this will be our new home or not.”
With regard to the building, Banning said that the next step will be talking to experts who can help determine what requirements they’ll have to meet. The building was last used in 2012 or 2013, said Sergent, so NECC expects that there will be work required to bring it up to code, especially with regard to energy consumption requirements.
The building was worked on recently by Particles Inc. — “They worked hard during COVID to turn it into a boutique hotel,” said Sergent — so NECC believes that the roof, and utilities like electric and plumbing, are in a fairly good state.
In the coming days, NECC will also be exploring what will be required of it for zoning reviews — whether or not the intended use of the property conforms to zoning regulations, etc — and planning reviews with regards to the physical structures and land use requirements.
“[We’ll be meeting with] professionals who can tell us, you’re going to have to meet those requirements, but not those,” said Banning, and “what level of intervention is necessary in building,” so that ultimately they can “make determinations about cost and time. And those are crucial inputs into a decision-making process.”
SHARON — Angela Derrick Carabine, 74, died May 17, 2025, at Vasser Hospital in Poughkeepsie, New York. She was the wife of Michael Carabine and mother of Caitlin Carabine McLean.
A funeral Mass will be celebrated on June 6 at 11:00 a.m. at Saint Katri (St Bernards Church) Church. Burial will follow at St. Bernards Cemetery. A complete obituary can be found on the website of the Kenny Funeral home kennyfuneralhomes.com.
Sam Waterston
On June 7 at 3 p.m., the Triplex Cinema in Great Barrington will host a benefit screening of “The Killing Fields,” Roland Joffé’s 1984 drama about the Khmer Rouge and the two journalists, Cambodian Dith Pran and New York Times correspondent Sydney Schanberg, whose story carried the weight of a nation’s tragedy.
The film, which earned three Academy Awards and seven nominations — including one for Best Actor for Sam Waterston — will be followed by a rare conversation between Waterston and his longtime collaborator and acclaimed television and theater director Matthew Penn.
“This came out of the blue,” Waterston said of the Triplex invitation, “but I love the town, I love this area. We raised our kids here in the Northwest Corner and it’s been good for them and good for us.”
Waterston hasn’t seen the film in decades but its impact has always remained present.
“It was a major event in my life at the time,” Waterston said of filming “The Killing Fields,” “and it had a big influence on me and my life ever after.” He remembers the shoot vividly. “My adrenaline was running high and the part of Sydney Schanberg was so complicated, so interesting.”
Waterston lobbied for the role of the Pulitzer Prize-winning journalist for years, tracing his early interest to a serendipitous connection while filming in England. Even before Joffé’s production was greenlit, he had his sights set on playing the role. “I knew I wanted the part for years even before it was a movie that was being produced.”
What followed was not just critical acclaim, but also a political awakening. “The film gave all of us an intimate acquaintance with refugees, what it is to be a refugee, how the world forgets them and what a terrible crime that is.”
In Boston, at a press stop for the film, two women asked Waterston a pointed question: now that he knew what he knew, what was he going to do about it? “I said, ‘Well, you know, I’m an actor, so I thought I’d go on acting.’ And they said, ‘No, that’s not what you need to do. You need to join Refugees International.’” And join he did, serving on the organization’s board for 25 years.
Both Schanberg and Dith Pran, whose life the film also chronicles, were “cooperative and helpful … in a million ways,” Waterston said. Upon first meeting Pran, Waterston recalled, “He came up to me, made a fist, and pounded on my chest really hard and said, ‘You must understand that Sydney is very strong here.’ He was trying to plant something in me.”
There were more tender gestures, too. Schanberg used the New York Times wire to relay that Waterston’s wife had just given birth while he was filming in Thailand, adding to the personal and emotional connection to the production.
Though “The Killing Fields” is a historical document, its truths still resonate deeply today. “Corruption is a real thing,” Waterston warned. “Journalism is an absolutely essential part of our democracy that is as under siege today as it was then. It’s different now but it’s the same thing of ‘Don’t tell the stories we don’t want heard.’ Without journalists, we are dust in the wind.” Waterston added, “Democracy is built on the consent of the governed but the other thing it’s built on is participation of the governed and without full participation, democracy really doesn’t stand much of a chance. It’s kind of a dead man walking.”
When asked what he hopes the audience will take away from the screening, Waterston didn’t hesitate. “This is the story that puts the victims of war at the center of the story and breaks your heart. I think that does people a world of good to have their hearts broken about something that’s true. So, I hope that’s what the impact will be now.”
Tickets for the benefit screening are available at www.thetriplex.org. Proceeds support Triplex Cinema, a nonprofit home for film and community programming in the Berkshires.
Scott Reinhard, graphic designer, cartographer, former Graphics Editor at the New York Times, took time out from setting up his show “Here, Here, Here, Here- Maps as Art” to explain his process of working.Here he explains one of the “Heres”, the Hunt Library’s location on earth (the orange dot below his hand).
Map lovers know that as well as providing the vital functions of location and guidance, maps can also be works of art.With an exhibition titled “Here, Here, Here, Here — Maps as Art,” Scott Reinhard, graphic designer and cartographer, shows this to be true. The exhibition opens on June 7 at the David M. Hunt Library at 63 Main St., Falls Village, and will be the first solo exhibition for Reinhard.
Reinhard explained how he came to be a mapmaker. “Mapping as a part of my career was somewhat unexpected.I took an introduction to geographic information systems (GIS), the technological side of mapmaking, when I was in graduate school for graphic design at North Carolina State.GIS opened up a whole new world, new tools, and data as a medium to play with.”
He added, “When I moved to New York City, I continued that exploration of cartography, and my work eventually caught the attention of the New York Times, where I went to work as a Graphics Editor, making maps and data visualizations for a number of years.”At the New York Times, his work contributed to a number of Pulitzer Prize winning efforts.
In his work, Reinhard takes complex data and turns it into intriguing visualizations the viewer can begin to comprehend immediately and will want to continue to look into and explore more deeply.
One method Reinhard uses combines historic United States Geological survey maps with “current elevation data (height above sea level for a point on earth) to create 3-D looking maps, combining old and new,” he explained.
For the show at Hunt Library Reinhard said, “I knew that I wanted to incorporate the place into the show itself. A place can be many things.The exhibition portrays the exact spot visitors are from four vantage points: the solar system, the earth, the Northwest Corner, and the library itself.” Hence the name, “Here, Here, Here, Here.”
He continued, “The largest installation, the Northwest Corner, is a mosaic of high-resolution color prints and hand-printed cyanotypes — one of the earliest forms of photography. They use elevation data to portray the landscape in a variety of ways, from highly abstract to the highly detailed.”
This sixteen-foot-wide installation covers the area of Millerton to Barkhamsted Reservoir and from North Canaan down to Cornwall for a total of about 445 square miles.
For subjects, he chooses places he’s visited and feels deeply connected to, like the Northwest Corner.“This show is a thank you to the community for the richness that it has brought to my life. I love it here,” he said.
The opening reception for the show is on June 7 from 5 to 7 p.m. On Thursday, June 12, Reinhard will give a talk about his work from 5:30 to 7 p.m. at the library.“Here, Here, Here, Here” will be on display until July 3.
Scott Reinhard’s 16-foot-wide piece of the Northwest Corner is laid out on the floor prior to being hung for the show. L. Tomaino
Village Trustees hear call to adopt law to limit local cooperation with ICE