NECC considers its next move

NECC Teen Program staff Katie Cariello and Erin Chirevas volunteer at the Food Pantry.
NECC

NECC Teen Program staff Katie Cariello and Erin Chirevas volunteer at the Food Pantry.
MILLERTON — On the last day of business of the year 2023, the North East Community Center (NECC) officially accepted a gift: the old Millerton Elementary School.
“It’s a fabulous opportunity,” said Christine Sergent, director of the NECC. The Community Center has been looking for a new home for years now, said Sergent, but it’s proved a difficult undertaking:
“It had to tick certain boxes, had to be in the village, walking distance, all of those kinds of things. And that’s just very difficult to identify here in Millerton. It just really didn’t exist. And then, poof, all of a sudden, there it was.”
NECC has been looking seriously for new properties — that is, running due diligence on various options — only in the last year or so, said Sergent.
“We had to do a lot of infrastructure development in the organization to strengthen ourselves financially and programmatically and staffing-wise and so forth, to get us to the point where we felt stable enough to take on what is going to be a big lift for us.” A big project like this, she said, “can pull you off course if you’re not careful.”
The building in question has more or less been on NECC’s radar as a possibility for the last 10 years, said Sergent. Then last spring, the building went on the market for $995,000.
NECC strongly considered it. However, after months of due diligence, the organization decided that the added costs of bringing the building up to code made the sticker price untenable; at a meeting with the board last October, the group officially closed down the possibility of buying the school.
“And then all of the sudden we got a phone call,” said Sergent: Morgan Coy and Richard Lanka of Particles Elementary LLC wanted to donate the Millerton Elementary School property to the NECC.
Growth at NECC
NECC has tripled in size in just the last three years. In the years before that, it had doubled in size. Finding a way to get all of its programs in one place will be challenging, said Sergent, but it’s also key to NECC’s ability to serve the community.
“To get us all into one location is really beneficial to our community, because we have so many different resources,” she said. “It helps for people to come in and have access transportation, but also access food and our childcare and so forth.
“But that’s now over 40 staff to have to bring together and all the programs, and all the things that come with it — the supplies, materials, things that need to be stored, you know, the kitchen to go with the child care center, all of that stuff into one location is quite a lot more than what it may have been 10 years ago when we were a staff of seven or eight.”
Getting all of the programs in one building will also, long-term, improve the organization’s economic health. NECC is currently spread out over four locations — “five if you include the programming we do at the school,” said Sergent — three of which NECC is renting.
“We’re paying in excess of $150,000 to $180,000 for these different locations. And that’s a sizable cost to us every year,” said Sergent.
Another important intention in having a new home is the ability to welcome anyone on any day. Before COVID-19, NECC was open to the public; anyone could walk in off the street seeking services or support. But the pandemic put an end to that kind of accessibility when the office went remote, said Sergent.
The pandemic also demanded another major change: NECC opened a food pantry. This is the reason that the main offices never fully reopened after the pandemic: the space that was once a reception area is now food pantry storage.
Next Steps
Irene Banning, chair of the board of the NECC, said: “Now comes a whole process where we really have to look at: Do we fit? Does it work? What do we need to do in order to make it, workable? And, can we raise the money?
“So there is a step by step process going to happen over time, at after which point we will know whether this will be our new home or not.”
With regard to the building, Banning said that the next step will be talking to experts who can help determine what requirements they’ll have to meet. The building was last used in 2012 or 2013, said Sergent, so NECC expects that there will be work required to bring it up to code, especially with regard to energy consumption requirements.
The building was worked on recently by Particles Inc. — “They worked hard during COVID to turn it into a boutique hotel,” said Sergent — so NECC believes that the roof, and utilities like electric and plumbing, are in a fairly good state.
In the coming days, NECC will also be exploring what will be required of it for zoning reviews — whether or not the intended use of the property conforms to zoning regulations, etc — and planning reviews with regards to the physical structures and land use requirements.
“[We’ll be meeting with] professionals who can tell us, you’re going to have to meet those requirements, but not those,” said Banning, and “what level of intervention is necessary in building,” so that ultimately they can “make determinations about cost and time. And those are crucial inputs into a decision-making process.”
When longtime arts administrator Amy Wynn became the first executive director of the American Mural Project (AMP) in 2018, the nonprofit was part visionary art endeavor, part construction site and part experiment in collaboration.
Today, AMP stands as a fully realized arts destination, home to the world’s largest indoor collaborative artwork and a thriving hub for community engagement. Wynn’s departure, marked by her final day Oct. 31, closes a significant chapter in the organization’s evolution. Staff and supporters gathered the afternoon before to celebrate her tenure with stories, laughter and warm tributes.
“We had such a fun party for her,” said AMP founder and artistic director Ellen Griesedieck. “I am excited for what is next for Amy and grateful for every moment she has invested in her work at AMP.”
Wynn, who previously led the Northwest Connecticut Arts Council, said her decision to step down came after careful reflection.
“It’s time for me to shift into the next phase of my career, which will call upon my 40-plus years of nonprofit experience to do project work,” she said. “I’ve absolutely loved my time at AMP.”

Under Wynn’s leadership, AMP expanded education programs, deepened community partnerships and oversaw key milestones in the creation of its monumental centerpiece — a three-dimensional mural stretching 120 feet long and five stories high — celebrating American ingenuity, industry and collaboration.
“Through all these years, Amy has worked with tireless enthusiasm for AMP, running day-to-day operations and guiding the overall direction of our mission,” Griesedieck said.
During Wynn’s tenure, AMP evolved from a concept into a dynamic cultural campus. She helped professionalize its structure, solidify its funding base and develop programs that drew visitors from across the state and beyond.
“The work she has accomplished, the hours of overtime she has logged, the mountains we have climbed together since that moment are many and miraculous,” Griesedieck said.
AMP also weathered challenging times, including the pandemic, which forced arts organizations to rethink audience engagement. Wynn guided the team during that uncertain period with a steady hand.
To ensure a smooth transition, AMP has brought on Renee Chatelain of RMCreative Solutions, LLC, an experienced consultant, attorney and arts administrator who previously worked with AMP on its capital expansion planning.
Chatelain will serve as interim executive director while a national search is conducted for AMP’s next leader.
“A longtime friend, Renee comes to us with a depth of knowledge on executive transition,” said Griesedieck. “As an attorney, a leader of several arts organizations and a classically trained dancer, she is particularly well-suited for this interim role.”
Though stepping down, Wynn said she will continue her work in the nonprofit field in a more flexible, project-based capacity.
“I’ll be seeking consulting projects with other nonprofits, assisting with grant work and strategic planning,” she said. “What I enjoy most is leading a collaborative effort and finding solutions to challenging problems.”

Even as AMP bids farewell to Wynn, its focus remains on the future. The next phase of development will focus on converting a second mill building into expanded programming and community space.
“The next step has got to happen,” Griesedieck said. “It’s absolutely what the Northwest Corner needs — a place for the community to congregate.”
The proposed expansion would create flexible areas for performances, workshops and public events, further establishing AMP as a cornerstone of the regional arts scene.
With community support and grants, AMP hopes to carry forward Wynn’s momentum into a new era.
“She is not leaving,” Griesedieck said. “Amy will always be here for us.”
Founded in 2001, the American Mural Project was conceived as a tribute to the American worker — a celebration of skill, creativity and perseverance. The mural, the largest indoor collaborative artwork in the world, was created with contributions from thousands of children, artists, teachers, tradespeople and volunteers nationwide.
Today, AMP offers tours, workshops, lectures and performances, all rooted in its mission: to inspire, invite collaboration and reveal the contributions people of all ages can make to American culture.
As Wynn turns the page, her legacy — from her calm, strategic leadership to the collaborative spirit she fostered — remains woven into the fabric of AMP’s story.
The Norfolk Library will screen the acclaimed documentary “Kings of Pastry” on Friday, Nov. 14, at 7 p.m. The film will be introduced by its producer, Salisbury resident Flora Lazar, who will also take part in a Q&A following the screening.
Directed by legendary documentarians D.A. Pennebaker (“Don’t Look Back,” “Monterey Pop”) and Chris Hegedus (“The War Room”), “Kings of Pastry” offers a rare, behind-the-scenes look at the prestigious Meilleurs Ouvriers de France (Best Craftsmen of France) competition, a prestigious national award recognizing mastery across dozens of trades, from pastry to high technology. Pennebaker, who attended The Salisbury School, was a pioneer of cinéma vérité and received an honorary Academy Award for lifetime achievement.
Established in 1924 and overseen by the French Ministry of Labor, the competition challenges professionals to create a “masterpiece” that demonstrates skill, precision and artistry. Winners receive a lifelong title and medal, presented at a ceremony in Paris attended by the president of France.
In this documentary, 16 pastry chefs spend three grueling days in Lyon crafting delicate chocolates, towering sugar sculptures and exquisite pastries, all in pursuit of perfection — and the honor of being recognized by then-President Nicolas Sarkozy, as one of France’s best craftsmen. The filmmakers were granted exclusive access to capture this intense, emotional and visually stunning event.
Producer Flora Lazar came to filmmaking via an unexpected route. Trained as a historian and psychotherapist, she has had a lifelong love of French pastry, a passion she eventually pursued through formal training at a pastry school in Chicago.
“It was run like a military operation,” she recalled of the school. “You could eat off the floor. Everything had to be meticulous, precise.”
Lazar’s father, a first-generation Harvard graduate who grew up in the Borscht Belt, pushed his children toward high achievements in academia and “looked down on the trades,” Lazar admitted. “I loved French pastry my whole life,” she said. “But my dad wasn’t going to send me to pastry school.”
After her father’s passing — with her children grown and financial responsibilities eased — Lazar finally returned to that early passion.
At the pastry school in Chicago, Lazar met two chefs, one who had won and one competing for the Meilleurs Ouvriers title. Lazar set out to write an article about the competition and what it could mean for American education and industry.
Lazar, who knew Pennebaker and Hegedus from her years in New York, invited them to Chicago to meet the chefs. That meeting sparked the idea of “Kings of Pastry,” which was born.
For Lazar, though, the meaning has always been personal.
“The purpose of the film wasn’t just to show the high level of craftsmanship in French pastry but to illuminate a larger political, economic and educational issue.”
The screening will also serve as a promotion for the Norfolk Historical Society’s 11th Annual Cake Auction, to be held Dec. 6 at 5:30 p.m. Historical Society president Barry Webber will give a brief introduction to the auction before the film.
And yes, there will be cake.
Register for the event at norfolklibrary.org/events/documentary-
film-kings-of-pastry.
On Saturday, Nov. 15, the Stissing Center in Pine Plains will be host to the Hudson Valley premiere of the award-winning music documentary “Coming Home: The Guggenheim Grotto Back in Ireland.” The screening will be followed by an intimate acoustic set from Mick Lynch, one half of the beloved Irish folk duo The Guggenheim Grotto.
The film’s director, Will Chase, is an accomplished and recognizable actor with leading and supporting roles in “Law & Order,” “The Good Wife,” “Rescue Me,” “Nashville,” “The Deuce,” “Stranger Things” and “Dopesick.” After decades of acting on television and on Broadway, Chase decided to take the plunge into directing his own short films and documentaries.
In “Coming Home,” Chase follows one of his favorite bands, The Guggenheim Grotto, on a reunion tour in Ireland. Founding members Mick Lynch and Kevin May have not played together in more than a decade, and the reunion may also serve as a farewell tour for the band. The film captures not just the music, but the friendship and shared history between Lynch and May, set against the homeland that shaped their songs.
“I’m just a huge fan,” Chase said. “It’s a big 45-minute love letter to the guys. They really dive into why they didn’t make it as a band, whatever that means,” noting that many acclaimed musicians struggle to find mainstream recognition. “I look at them and they’re very successful. They were on television shows, they won some awards, but it also makes people go ‘Oh, right. There are other bands out there other than the ones that I just read about.’ There are all these wonderful artists that we don’t necessarily know about.”
Over the years, The Guggenheim Grotto earned major critical acclaim. Their 2005 debut album “Waltzing Alone” was hailed as “one of the most beautiful records of the year” by LA’s KCRW. An Independent Music Award followed in 2007 for best folk song/songwriting. The band grew quite popular in their native Ireland, but Lynch eventually moved to New York while May remained in Ireland. Though the band’s future seemed uncertain, there was always hope for a reunion of some kind.
Reflecting on his collaboration with the band, Chase said, “I was very fortunate and thanked them profusely for being so open and honest in the documentary. No one had done this with them before, and thank God they’re just affable, funny, great guys. They really love the piece. I think it touched them in very different ways.”
Immediately following the screening, Mick Lynch — one half of The Guggenheim Grotto and current Hudson Valley resident — will take the stage for an intimate acoustic set. The documentary, coupled with the live performance, offers a rare chance to see and hear what goes into the making of great music, art, and film.
Tickets are available at thestissingcenter.org