
Left to right: Michael Rhodes, Keith Kupferer, Tara Mallen and Katherine Mallen Kupferer during the talkback after the screening of “Ghostlight” at The Moviehouse in Millerton on July 2.
Natalia Zukerman
Left to right: Michael Rhodes, Keith Kupferer, Tara Mallen and Katherine Mallen Kupferer during the talkback after the screening of “Ghostlight” at The Moviehouse in Millerton on July 2.
MILLERTON — The Moviehouse in Millerton hosted a special July 2 screening of “Ghostlight,” a film that blurs the lines between fiction and reality blur in the most intimate of ways.
The screening was followed by an insightful talkback session with the cast, a family in the film and a family in real life.
Keith Kupferer (originally from Millerton), Tara Mallen, and their daughter, Katherine Mallen Kupferer, breathed life into their characters with a familiarity, authenticity and depth that perhaps only a real family could, transforming their on-screen interactions into a genuine exploration of love, loss, and healing.
“Ghostlight” centers on Dan, a construction worker wrestling with the profound loss of his teenage son. Struggling to articulate his grief, Dan’s emotions manifest in frequent outbursts of rage, pushing him further away from his wife, Sharon, and daughter, Daisy.
In a twist of fate, he stumbles into a theater rehearsal and is coaxed into joining the cast. This unexpected involvement in the local production of “Romeo and Juliet” becomes a powerful mirror for Dan’s personal journey, allowing him to confront his grief and find solace.
Through the transformative power of theater, Dan discovers a renewed sense of community and purpose, slowly mending the fractured bonds with his family.
The title “Ghostlight” refers to the single light left burning in a theater after everyone leaves, serving both practical and superstitious purposes.
In the Q&A, Keith Kupferer explained, “It’s for practical reasons so that when someone comes in to turn on the house lights, they don’t fall off the edge of the stage. But in a more superstitious or folkloric sense, it’s to either appease the ghosts in the theater or to repel them, whichever way you want to look at it. Kelly (O’Sullivan, the screenwriter and co-director) looks at it as an appeasement. Sort of an invitation to come.”
Tara Mallen noted, “There are several ghostlights that appear throughout the film actually,” explaining that the recurring ghostlights act as beacons in the narrative’s darkness, guiding the characters and the audience alike.
During the talkback session, moderated by Michael Rhodes, artistic director of the Tangent Theatre Company in Tivoli, New York, the cast shared their experiences and behind-the-scenes stories. Rhodes, who has known Keith and Tara for nearly 35 years, expressed how surreal it was to see them in such a deeply personal project.
The family now lives in Chicago. Keith shared that being a family “made the job easier because we didn’t have to establish those relationships, they were already there.”
Describing the connection the audience feels from the intimacy only a real family could provide, he shared, “It’s the kind of stuff that is intangible, you know? That isn’t in the script. It’s more of a behavioral thing that we have with each other. It’s nothing you could ever have with two other actors. It’s always there. Hopefully it comes across in the film.”
Katherine spoke about her experience playing their daughter on-screen.
“Because I was working with my real parents, I felt safe with them in a more unique way than acting with someone else. I could try new things.” She continued to describe a particular scene in the film where she ad-libbed lines that weren’t in the script.
“I don’t think that those moments would have come about if I’d been acting with people I didn’t, you know, go home with,” she explained to raucous laughter from the audience.
The film delicately weaves themes of irremediable loss and the therapeutic power of theater. The film also serves as a love letter to the Chicago theater scene, with its unshakeable bonds and supportive community.
Keith Kupferer reminisced about the unwavering support actors feel for one another, a sentiment beautifully captured in a scene in the film. “We’ve all had those moments that we know whoever we are on the stage with has our back. I absolutely love that about the film,” added Michael Rhodes.
“Ghostlight” is a gentle yet profound exploration of a family’s struggle to stay together amidst tragedy. The talkback provided a unique glimpse into the making of the film and the personal connections that brought the poignant story to life, reminding us that even in the darkest of theaters, a single light can guide us home.
“Ghostlight” is on Amazon Prime and Peacock.
Participating students and teachers gathered for the traditional photo at the 2025 Troutbeck Symposium on Thursday, May 1.
Students and educators from throughout the region converged at Troutbeck in Amenia for a three-day conference to present historical research projects undertaken collaboratively by students with a common focus on original research into their chosen topics. Area independent schools and public schools participated in the conference that extended from Wednesday, April 30 to Friday, May 2.
The symposium continues the Troutbeck legacy as a decades-old gathering place for pioneers in social justice and reform. Today it is a destination luxury country inn, but Troutbeck remains conscious of its significant place in history.
A showing of student artworks within the theme of linking the past with the present opened the symposium on Wednesday evening. Each work of art had to draw on historical research to foster an informed dialogue between the artist and the contemporary audience.
The second day was devoted to student research presentations, showcasing teams from the region’s leading public and private schools with strong programs aimed at cultivating engaged young historians. Primary source materials and live interviews with descendants were included in the process.
Topics were divided into blocks with guest commentators providing reactive response as each block of student presentations concluded. Serving as commentators were Dr. Hasan Kwame Jeffries, Ohio State University, and Dr. Christine Proenza-Coles, University of Virginia.
Resistance in the face of oppression and stories of resilience that spanned generations formed an important theme as students presented the stories of area settlers and residents who suffered but endured.
As a sampling, The Taconic School teamed up with The Salisbury School to unearth untold stories of Boston Corners. The Hotchkiss School looked into the activities of the Ku Klux Klan in Connecticut. The Cornwall Consolidated School students stepped up with their untold stories of early Cornwall women.
Other presentations explored criminal justice — witchcraft trials — dealing with society’s “undesirable” elements, individuals in history who took action, people and movements that formed resistance, and various forms of discrimination.
Praising the work of the students, Dr. Jeffries identified a theme of resistance and survival.
“The war ended but the resistance did not,” Jeffries said. “We don’t take indigenous people seriously,” he added. “White supremacy happened in our own back yards.”
“We saw the evolution of research,” said a Cornwall Consolidated School representative. That project moved into civic engagement by the students that moved beyond the classroom.
“This is not the past; this is part of the present,” said Dr. Proenza-Coles.
A panel discussion among educators whose students had participated in the 2025 Troutbeck Symposium was held on Friday, May 2, to offer reflections on the symposium, its value and future development. Panelists from left to right were Jessica Jenkins, Litchfield Historical Society;Wunneanatsu Lamb-Cason, Brown University; Morgan Bengal, Old New-Gate Prison; Frank Mitchell, Connecticut Humanities; and student representatives Dominik Valcin of Salisbury School, and Shanaya Duprey of Housatonic Valley Regional High School. Leila Hawken
The third day invited area history educators to assemble and share ideas for redesigning elements of history education, a day of reflection.
The panel included Jessica Jenkins, Litchfield Historical Society; Wunneanatsu Lamb-Cason, Brown University; Morgan Bengal, Old New-Gate Prison; Frank Mitchell, Connecticut Humanities; and student representatives Dominik Valcin of Salisbury School, and Shanaya Duprey of Housatonic Valley Regional High School.
Valcin reflected on his work as a shared project within The Salisbury School, one where the inquiry would seek to find “the deeper story behind a base story.”
Duprey also spoke of process and the educational value of engaging with historical inquiry.
Each representing a profession that brings them into contact with historical inquiry, the panelists recounted tedious history classes of past decades. Jenkins described her own career as “public history.”Lamb-Canon’s experience began with choosing history electives in college. Bengal spoke of community engagement and the power of involvement with history.
“History is not the opposite of scientific inquiry,” said Bengal.
Significant discussion centered on the possibility of offering the Troutbeck Symposium model to a wider audience of school systems throughout the U.S.
“A community approach to education,” was a characterization offered by Troutbeck owner Charlie Champalimaud, commenting during a brief interview at the end of the symposium on Friday, May 2. She encouraged a push toward increasing even more the number of participating schools, their educational communities and symposium sponsors.
Terence S. Miller, owner of Roaring Oaks Florist in the new self-serve area of the shop.
Just in time for Mother’s Day, Roaring Oaks Florist in Lakeville has launched a new self-serve flower station next to its Main Street shop, offering high-quality, grab-and-go bouquets from 8 a.m. to 8 p.m., seven days a week — including Sundays when the main store is closed.
Owner Terence S. Miller, who bought the shop 24 years ago at just 20 years old, calls the new feature “a modern twist on an old-school honor system,” with some high-tech updates.
“We’re still using our same high-end flowers, just with less markup and no labor,” said Miller. “That way people can access our quality anytime, even if we’re closed.”
Tucked beside the shop’s main entrance at 349A Main Street next to The Boathouse, the self-serve area is partitioned and monitored by security cameras. A simple touchscreen checkout system lets customers pay with a credit card — no cash accepted — and includes photo prompts to make selection easy. Vases, ribbons, flower food, and care instructions are all stocked and labeled.
“We’ve tried to think of everything people might need,” said Miller. “It’s all about making great flowers more accessible without losing what makes Roaring Oaks special.”
Miller said the idea came from years of watching customers try to squeeze in a visit before or after hours. “We’re open 8 hours a day, but we’re here for almost 10, and it still isn’t enough. People are always showing up after we close,” he said. “This way we can be ‘open’ more hours without adding staff.”
Though he considered making the space available 24/7, Miller ultimately decided against it. “We didn’t want to encourage late-night tampering,” he said, noting the shop’s proximity to local bars and restaurants.
Miller’s journey into flowers was unexpected. As soon as he could get his farming papers at 12 years old, he started working at Silamar Farm in Millerton. Alongside its produce, Silamar’s was one of the first farm stands in the area to sell fresh cut flowers.Miller began growing and bundling cut flowers for city-bound customers. “By 16 I needed a year-round job, so I applied to every florist around. I just had a knack for it,” he said. After a stint in Rhinebeck, he returned and bought Roaring Oaks from its previous owner.
In the decades since, he’s built a reputation for quality and creativity. The shop’s flowers are sourced from around the world, particularly Canada and South America, though Miller is committed to supporting local growers wherever possible, especially for summer offerings and weddings.
“We’re hoping to feature some smaller farms in the self-serve section this summer,” said Miller. “DIY weddings have taken off, and people don’t always realize the benefits of buying local. Cold chain is everything. The flowers we source come straight from the airport to the wholesaler and right up here. That’s how we keep them fresh.”
Roaring Oaks also offers consultations and bulk flower discounts for events and weddings, a service Miller hopes more customers will discover through the new self-serve setup.
After 50 years in business, and nearly a decade at its current Lakeville location, Roaring Oaks continues to evolve. “This September marks my 25th year,” said Miller. “I’m always looking for ways to make people happy. Flowers should be simple, joyful, and accessible. That’s what this is all about.”
For more information or to plan your Mother’s Day bouquet, visit Roaring Oaks Florist at 349A Main Street, Lakeville.
A string quartet opened the Bard Conservatory of Music program for Region One third grade students at Music Mountain.
Region One third grade students attended a chamber music concert by Bard Conservatory of Music students at Music Mountain Tuesday, April 29.
After expending spare energy racing around the Music Mountain lawn, the children trooped into the concert hall and took their seats.
After a brief introduction from Bard’s Mira Wang, the first item on the program was a string quartet, playing a piece by Haydn.
The students also heard a solo rendition of medieval songs played on the alto trombone, an unusual instrument.
The annual third grade concert is a tradition that stretches back decades at Music Mountain. It’s a treat for the children, and for the music students, who get to experience the incredible acoustics of the Music Mountain concert hall.
Two flutists performed later in the show.Patrick L. Sullivan