Siglio Press: Uncommon books at the intersection of art and literature

Siglio reissue of Sophie Calle’s first artist’s book, “Suite Vénitienne”
Richard Kraft
Siglio reissue of Sophie Calle’s first artist’s book, “Suite Vénitienne”
Siglio Press is a small, independent publishing house based in Egremont, Massachusetts, known for producing “uncommon books at the intersection of art and literature.” Founded and run by editor and publisher Lisa Pearson, Siglio has, since 2008, designed books that challenge conventions of both form and content.
A visit to Pearson’s airy studio suggests uncommon work, to be sure. Each of four very large tables were covered with what looked to be thousands of miniature squares of inkjet-printed, kaleidoscopically colored pieces of paper. Another table was covered with dozens of book/illustration-size, abstracted images of deer, made up of colored dots. For the enchanted and the mystified, Pearson kindly explained that these pieces were to be collaged together as artworks by the artist Richard Kraft (a frequent contributor to the Siglio Press and Pearson’s husband). Kraft's book is accompanied by writings by writers Elizabeth Zuba, Mónica de la Torre and Danielle Dutton, in an as-yet-to-be-named book, inspired by a found copy of a worn French children’s book from the 1930s called “Robin des Bois” (Robin Hood).
Pearson first encountered the world of alternative publications — magazines filled with experimental writing, artworks in the form of a book, and samizdat literature — as a young writer living in Berlin just before The Wall came down in 1989. Later, in Los Angeles, she spent a great deal of time with artists “who were always making and assembling, whose continuous art-making made the thin membrane between art and life even more porous,” she explained.
Pearson traces the idea of publishing to a 2001 exhibition of artist-poet Joe Brainard. That show led to “The Nancy Book,” Siglio’s debut title in 2008, and she’s never looked back. The book contains over fifty full-page reproductions of Brainard’s dazzlingly accomplished and witty drawings of the cartoon strip character, Nancy. It includes essays and contributions by Robert Creeley, Ann Lauterbach, Frank O’Hara, Ron Padgett, and other poets of great renown, all thrilled to celebrate and remember Brainard (sometimes called “a poet’s artist”) who died of AIDS in 1994. Pearson said, ‘My first project with Brainard was such a good experience, I kept going. “
Since then, Pearson, the sole proprietor of Siglio, has designed, edited, and published over 40 books and other printed editions. Her books are characterized by unexpected juxtapositions of texts and images and collage-like assemblages, as well as for carefully designed and gorgeously printed volumes. Her list includes many “rediscoveries” of unpublished manuscripts and little-known publications. At the same time, she has published new work by numerous artists including Christian Marclay and Cecilia Vicuña, as well as translated work by Sophie Calle.
Uncommon books at the intersection of art and literature.Richard Kraft
Though most Siglio books feature work by artists and writers from the 1960s to today, one standout— “Tantra Song” (2011) — showcases vibrant 17th-century Indian tantric paintings collected by poet-ethnographer Franck André Jamme, their modernist feel echoing Hilma af Klint or Brice Marden. Siglio also frequently draws on the spirit of the Fluxus movement, reissuing works by figures like John Cage and Ray Johnson with editions that honor their playful, ephemeral, and poetic origins.
Siglio also excels at photo-narratives rooted in highly specific, often eccentric concepts. “Memory” (2020), by avant-garde writer Bernadette Mayer, reproduces her journal and daily rolls of 35mm film from a month in the Berkshires in 1971, capturing the texture of each day. “Call and Response” (2022), created during COVID lockdown by composer and visual artist Christian Marclay, pairs his photographs of London’s quieted streets with musical scores composed in reply by his friend Steve Beresford—each image in dialogue with sound.
Siglio books are sold through it’s website (sigliopress.com), as well as museum or specialty bookshops. (The Lenox Bookstore represents a number of Siglio books; the newly opened Lakeville Books & Stationery has copies of “Tantra Song.”)
This is a developing story. Updates will be made as more information becomes available.
MILLERTON — Northern Dutchess Paramedics, the private emergency medical service provider contracted by North East, Amenia and Dover, is set to be acquired by Empress EMS, Town Supervisor Chris Kennan said at a special workshop meeting of the town board on Tuesday evening, Aug. 26.
Kennan shared what he called “breaking news” shortly after calling the meeting to order.
“We just learned that Northern Dutchess Paramedics has entered into a sales agreement with Empress, which serves most of Dutchess County,” he announced at the start of the meeting, which was originally scheduled to fine-tune zoning language for the town's commercial district.
Empress EMS is part of PatientCare EMS Solutions, a provider of emergency medical services that operates throughout the country under several brands, including Sunstar Paramedics, Med Fleet Ambulance, FleetPlus and School of EMS. PatientCare is owned by A+M Capital Partners, a private equity firm based in Greenwich, Connecticut, which provides the company with financial backing and corporate oversight.
Kennan said he received a call from NDP owner Ed Murray with the news on Friday.
In a phone call with The News on Wednesday morning, Aug. 27, NDP Chief Operating Officer Mark Browne confirmed that while the acquisition “is on-schedule to happen,” the paperwork is not yet final.
While a potential shift in ownership could bring a variety of changes to North East and Millerton, including EMS response time, cost and the health and safety of the community, Supervisor Kennan said he received a verbal indication that Empress would honor the town’s existing contract with NDP, which was renewed for three years in December.
In 2025, the town is paying $511,558 for contracted services with NDP and the cost is expected to increase to $746,345 by 2027.
“In the short term, we should not be impacted by this change,” Kennan said. He added that the current contract with NDP has a stipulation that any new owner must honor the existing contract.
The news comes after Kennan and other towns have criticized the high costs of emergency medical services, which makes up a sizable chunk of the town’s budget and burdens taxpayers. Along with the Association of Towns, Kennan has urged New York Governor Kathy Hochul to sign a bill that has passed in the Senate and the Assembly and would exempt EMS services from the state’s property tax cap, giving local governments more flexibility to manage costs and sustain their EMS programs.
The bill would allow municipalities to better respond to EMS price hikes in their budgets, but it otherwise does not address those rising costs or poorer-than-typical service in rural communities like North East, Amenia and Dover.
Based in Yonkers, Empress EMS has a hub in Poughkeepsie and operates in Dutchess, Westchester, Rockland, Ulster, Putnam, Sullivan and Orange counties, as well as the Bronx. The company’s acquisition of NDP marks its continued expansion north – in 2021 Empress purchased EMStar and Mobile Life, pushing its way deeper into the Hudson Valley.
In January, Dutchess County Executive Sue Serino announced that Empress won the bid to become the primary provider of supplemental EMS services, a move made by the county in an effort to address long wait times for 911 calls. While successful in more densely populated areas, rural areas like North East, Amenia and Dover saw no visits from the supplemental services in quarter two of 2025.
According to the 2025 second quarter EMS report published by Dutchess County, all but one town in the county is serviced by either NDP or Empress. The merger would make Empress the sole EMS provider in the county except for the City of Beacon.
While there is no confirmed timeframe for the transition of ownership, Kennan said NDP owner Ed Murray indicated it was “moving quickly.”
While playing outside in the early post-pandemic days, Berkshire Busk! founder Eugene Carr had an epiphany: why not expand the idea of performing on the street (aka busking)into a full-fledged festival in Great Barrington?
As an entrepreneur and cellist, Carr envisioned a well-organized jamboree featuring regional talent, including musicians, acrobats, storytellers, fire-eaters, and more. He formed a team, connected with local businesses and the town of Great Barrington, and launched Berkshire Busk! in 2021. Since then, Berkshire Busk! has grown into a summer staple for Great Barrington.
In the summer of 2024, over 25,000 people experienced Berkshire Busk!. The festival is free to the public, provides a big boost to local businesses, and spectators can tip performers.
Busking takes place all over the world, either organized by individual performers or via busking festivals. Artists like The Roots, Tracy Chapman, Phoebe Bridgers, and Old Crow Medicine Show have all cut their teeth performing on the street.
General Manager Carli Scolforo is a Berkshire native with a love of music and writing. She can often be seen roaming the streets of Great Barrington, making sure everything’s in order, and serves as the festival’s face on social media.
“This year is the fifth anniversary of Berkshire Busk!, and it’s been an amazing summer,” said Scolforo. “We were able to welcome back a lot of our favorite performers, and bring in some new experiences as well. After getting rained out last year, we were able to host our first outdoor movie night in partnership with The Triplex Cinema and the Boondocks Film Society.”
Scolforo added, “This summer, we also introduced our first Open Mic Night, hosted by local recording artist and music producer Jackson Whalan. We were really pleased with the turnout of talent. The sheer amount of talent that’s hidden within an hour or so drive of Great Barrington always astounds us.”
Local businesses sponsor various busking spots, like the Berkshire Money Management Stage in the parking lot between the Triplex Cinema and Mama Lo’s BBQ. Typically, buskers bring their own amplification, while there are few spots — such as Berkshire Mountain Distillery in Sheffield — provide power.
Berkshire Busk! will end its season with a fireworks display on its last night on Saturday, Aug. 30.
Berkshire Busk! is endorsed by the Select Board of the Town of Great Barrington and is entirely supported by sponsorship fees from companies and organizations, as well as philanthropic donations from granting organizations, individuals and the Town of Great Barrington.
It operates under a fiscal sponsorship agreement with the Nonprofit Center of the Berkshires and participates in Mass Cultural Council’s Card to Culture program — in collaboration with the Department of Transitional Assistance, the Department of Public Health’s WIC Nutrition Program, the Massachusetts Health Connector, and hundreds of organizations — by making cultural programming accessible to those for whom cost is a participation barrier.
For more information, visit: berkshirebusk.com
What if the dog onstage was played by a person? That’s the delightful twist in A.R. Gurney’s “Sylvia,” opening at the Sharon Playhouse on Aug. 29. In this clever and heartfelt comedy, the title character — a stray pup who disrupts the lives of a married couple — is portrayed not in costume but by an actor who brings insight, charm, and chaos to the role.
Stepping into Sylvia’s paws is Jen Cody, who is returning to the Sharon Playhouse in a starring role for her third year in a row, ready to bring this spirited dog to life. She’s joined by Jonathan Walker as Greg, the middle-aged man smitten with his new four-legged friend, and Jennifer Van Dyck as Kate, his wife, whose patience and identity are tested by Sylvia’s sudden presence in their home.
Directed by Colin Hanlon, this production balances elements of comedy and emotional depth. Gurney’s script may be filled with laughs but at its core, “Sylvia” explores loyalty, companionship, and how love sometimes arrives in unexpected forms. The play premiered Off-Broadway in 1995 and has since become an audience favorite for its wit, warmth, and originality.
Rounding out the cast is Sienna Brann, taking on a trio of roles that highlight the play’s comic versatility. The design team includes Christopher and Justin Swader (scenic), Kathleen DeAngelis (costumes), Bobbie Zlotnik (wigs), Wheeler Moon (lighting), and Graham Stone (sound), ensuring the story is grounded in a fully realized world, albeit one occasionally seen from a dog’s point of view.
Performances run through Sept. 7 at the Sharon Playhouse. For tickets and more information, visit sharonplayhouse.org.