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A decidedly difficult Memorial Day 2022

The Harlem Valley just joined the rest of the United States in commemorating another Memorial Day on Monday, May 30, for the year 2022. This year’s holiday was again a somber one, as are all Memorial Days, for we are remembering soldiers lost who made the ultimate sacrifice so that we could live free. As Americans marked this Memorial Day, it was as we and the rest of the world watched our fellow human beings suffer in Ukraine at the hands of Russian President Vladimir Putin and his troops.

It has surely been miserable, unfathomable, for those few who may still remain as survivors or veterans of WWII; those who heard the first-hand accounts from their parents or grandparents of that horrific war; and even those who learned the graphic history of the Holocaust, the gas chambers and the Third Reich and stored it tightly in their memory banks only to now watch what is happening in that part of the world repeat itself.

The many veterans who fought  and died during WWII trying to rescue the millions of Jews, Gypsies, Slavs, homosexuals, disabled — and, yes, Soviets — and so many others, were heroes. They remain so.

Yet here we are again, 70 years later, seemingly so much more advanced in terms of our thinking and our technology, dealing with the same problems — creating the same problems.

The Russian invasion of Ukraine mirrors the ethnic cleansing we saw not just during the Holocaust, but again in the ’90s in the former Yugoslavia, and if we were to look deeper, at so many other times and in so many other places throughout history. Putin is merely repeating the same pattern of so many others bent on getting rid of those who dare disagree with them.

It’s a disturbing pattern, and on a day like Memorial Day, when we, as a nation, should be able to mourn our military heroes freely and in peace, it is tragic that Putin is causing such a deadly distraction. At day’s end, though, we, the American people, will not let the Russian invasion of Ukraine deter us from mourning our late veterans on this or any Memorial Day.

We will continue to commemorate those who shed their blood to protect us and to ensure the U.S. remains safe and free. We are forever grateful for every soldier’s service, and we give our sincere thanks to them and their families, most of all on Memorial Day.

We must also bow our heads for those in Ukraine who are suffering so needlessly at the hands of Putin. Haven’t we learned our lesson yet? How many times must this kind of trauma be repeated before mankind stops killing and acts with some humanity?

Perhaps there will soon come a time when we can commemorate a Memorial Day in absolute peace, and with some peace of mind.

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Original art, attainable prices

Original art, attainable prices

Kenise Barnes Fine Art presents “Cool & Collected ’26,” its annual exhibition celebrating the joy of collecting, featuring works priced under $2,000.

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There’s a corner of YouTube populated by real-time footage of high-dollar art sales from prestigious New York and London auction houses like Sotheby’s, Christie’s and Phillips. Hundreds of thousands of viewers routinely watch with rapt attention, popcorn and cocktails in hand, as recognizable pieces from art history make their way to the upper echelons of grossly unattainable hammer prices. Pieces can often start with opening bids of tens of thousands of dollars and work their way up to multiple millions. Bidding increments alone can grow to sums unattainable for the average American family in several lifetimes.

Kenise Barnes Fine Art in Kent, Connecticut, wants to help make fine art more accessible. The 2026 version of the gallery’s annual “Cool and Collected” exhibition is subtitled “The Gift Edit” and features dozens of works by fine artists at prices that are much more in reach than an art-world outsider might expect. More than 30 artists contributed pieces to the show. Almost all available works are priced under $2,000, with many below $500. The collection features paintings, drawings, collage and ceramics.

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Jennifer Terzian, founder of Jennifer Terzian Gallery in Litchfield.
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On a recent crisp, fall afternoon in Litchfield, Jennifer Terzian welcomed a steady stream of collectors, artists, and art-world insiders into her jewel box of an art space on South Street, just off the town’s manicured historic Green.

The occasion was an opening for Jenny Kemp, an artist noted for balancing fluidity and structure in her abstractions through repetition, variation, and gradual shifts in hue. Hers is exactly the kind of tactile, process-driven work Terzian champions at a subterranean space that feels less like a commercial art gallery and more like stumbling into an impeccably edited sanctuary of contemporary thought.

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Peter Cusack is finding the eternal in North Canaan
Peter Cusack in his studio.
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“I think art is the thing that allows us to feel there’s something in the universe that loves us,” said painter Peter Cusack in his new studio, a mid-19th-century stone church on Main Street in North Canaan.

For Cusack, art has always been a way of reaching toward something beyond the physical world. That sensibility runs through “Eternal: New, Recent, and Near Distant Paintings,” his upcoming exhibition in the church, a setting that seems an improbably good fit.

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Cowboy Junkies celebrate 40 years at the Mahaiwe

Cowboy Junkies celebrate 40 years together at the Mahaiwe Nov. 14

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Now celebrating 40 years, Cowboy Junkies will perform Saturday, Nov. 14, at the Mahaiwe Performing Arts Center in Great Barrington, Massachusetts.

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Mike Selbach finds the extraordinary in everyday life
“R46 Interior” (2026). Solid cherry and acrylic, 21” x 26.75” x 0.75”
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Subway stations may seem unlikely places to encounter the divine, but amid the rumble of trains, the crush of commuters and the cavernous underground passageways, Salisbury artist Mike Selbach finds moments of unexpected beauty.

In “Subway Saints,” his solo exhibition opening Thursday, Nov. 12 at the Warren Family Gallery at Berkshire School in Sheffield, Massachusetts, Selbach transforms ordinary commuters and familiar transit spaces into sacred moments.

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