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Architect Michael Sloan of Millbrook-based firm Sloan architects describes plans for the proposed Thorne Building renovation to the public for the first time at a public hearing of the Millbrook village Planning Board on Monday, March 16, at the Millbrook Firehouse on Front Street.
Photo by Nathan Miller
Public comment was generally supportive, though several residents sought more details about the lighting plan and disability accessibility. The public hearing was continued to the board’s April 20 meeting.
Sloan said the renovations would breathe new life into the century-old building, which has sat vacant in downtown Millbrook for years. The plans call for nearly every space across the building’s four floors to be put to use.
“This project is taking the Thorne Building on Franklin Avenue and giving it purpose and life again,” Sloan said. “The project entails basically making the Thorne Building an actual community center for the community that’s going to be open for the public.”
Michael Sloan displays proposed expansions to the Thorne Building's parking lot to accommodate crowds for performances during a public hearing of hte Millbrook village Planning Board on Monday, March 16, at the Millbrook Firehouse on Front Street.Photo by Nathan Miller
The renovations are being funded by the Millbrook Community Partnership, a nonprofit headed up by Millbrook resident Oakleigh Thorne — a descendant of the building's namesake — to support the creation of Bennett Park on the former Bennett College campus and the restoration of the historic Thorne Building. Thorne said Monday the building is still several years from opening, but the organization has already outlined potential uses for the interior space.
At the center of the project is the auditorium, which Sloan said will be expanded to better accommodate professional performances.
"It's what we call a high school stage," Sloan said. "It's really for graduation and very shallow."
Sloan said the building would be expanded by about 20 feet, 9 inches at the rear to provide more stage depth and allow for the installation of an accessibility ramp behind the stage. He said the auditorium would be transformed into a performance hall capable of hosting films, live music, plays, dance productions, community meetings and other events. The first floor would also include co-working space available for community members to rent.
"It's for everybody," Sloan said.
In the basement, Sloan said, plans call for a culinary arts space similar to a catering kitchen. While it would allow for food preparation and serving, he said, it would not function as a full production kitchen. The basement would also include a digital arts lab that Sloan compared to a makerspace.
He said the area would house 3D printers, computers, sewing machines, music-recording equipment, practice rooms and other tools for digital creation.
More than 30 people attended the Monday-night meeting to hear plans for the new-and-improved Thorne Building on Franklin Avenue in Millbrook at a public hearing of the Millbrook village Planning Board on Monday, March 16.Photo by Nathan Miller
The arts-focused uses would continue on the upper floors, Sloan said. The second and third floors would be dedicated to gallery and studio space for visual artists. The second floor would also include a dance floor, allowing the space to host both community and private events.
Comments from the public were largely favorable, though some neighbors raised questions about lighting and accessibility.
Millbrook resident Heather Lavarnway, drawing on her experience as a professional municipal planner, praised the proposal while pressing Sloan for more information on lighting details. She asked for clarification about lighting temperatures and suggested alternative fixtures for some lights that could create unwanted glare.
"This project is clearly very well thought out," Lavarnway said. "It's sensitive to both the building and the neighborhood."
Other commenters asked for more details about the building’s accessibility features, prompting Sloan to explain that the structure would be brought up to current accessibility standards, including New York’s updated requirements that took effect Jan. 1.
"This is going to be state-of-the-art for accessibility, this building," Sloan said. He said he has experience designing buildings with high accessibility standards due to a high volume of work with universities. "I do this every single day."
Melissa Gamwell, hand lettering with precision and care.
Kevin Greenberg
Each piece makes a gift, a note or even a Christmas tree seem more personal, more considered, and more connected to humanity. Since then, demand for her personalized, hand-lettered tags, ornaments and cards has only grown, appearing in mailboxes across the region and at shops like the Cornwall Whale and Marton & Davis in Chatham, New York. Her precision is remarkable, and to watch her create these one-of-a-kind pieces is an art all unto itself.
In recent months, we’ve seen a deluge of stories on digital replacement. Data managers, bankers and even therapists are being replaced by computer programs in mass waves of layoffs. But what many still find surprising about the proliferation of nonhuman competitors in the job market is how it’s affecting the arts. Illustrators, animators, photographers, musicians and even on-screen actors are being supplanted by bots touted as “artificial intelligence agents.”
But calligraphy — and handwriting in general — has been in the crosshairs of mechanical progress for centuries. There was a time, if you can believe it, when writing anything required ink, paper and sometimes even a living, breathing human scribe. No typewriters, no word processors, no voice-to-text programs.
Then came Gutenberg’s printing press. Sure, it changed the world for the better, ensuring a greater distribution of ideas, and helping spark some of the most important political movements in history. But it also marked one of the first moments when technology replaced the artistic work of the human hand. Over the centuries, printers, designers and technologists have continued to innovate. Today, with Photoshop or Illustrator, an entire universe of alphabets exists, from ornate and embellished to precise and futuristic — all designed to replace the human hand.
Melissa Gamwell, crafting custom Valentine’s Day cards in her office in Cornwall. Kevin Greenberg
Yet, despite this centuries-long assault from technology, Gamwell has found her own way to thrive. Largely self-taught, she combines her drawing and industrial design background with an old-school New England childhood in Maine that involved “very tangible, hands-on, creative problem-solving using many materials.” Raised by “parents who loved antiquarian books, often filled with hand-written dedications,” hers was the kind of upbringing in which “traditional practices were cherished and flaunted” — a time and place with “hand-painted lettering on churches, street signage, the stones in beautiful churchyard cemeteries, and log books.”
Those early impressions have stayed with her, heightening her appreciation of sometimes overlooked details.
“There’s so much ephemera floating around with traces of beautiful handwriting to see everywhere, even now in Connecticut,” she said.
Even in a digital age, she keeps technology at a distance.
“You will not find ChatGPT on my phone, and you will usually not find my phone on me,” she said. Instead, she opts for a notebook, a scrap of paper or the back of a receipt. Sometimes, she goes even further, gathering black walnuts from trees on her property to make the specialized ink for her practice.
Gamwell’s approach to her craft is also philosophical. “There is no better feeling than working through something with your own brain and your own hands, even if you find it less exemplary than you would hope. And it only uses the water you’re already consuming. Do you need to convey an idea? Draw it, however horrific or childish. Write it, even if you never learned proper grammar — because you’ve always had programs do it,” she said.
“Sometimes I think that everything I like is ‘historic’ but it’s really that I just find more value in the traditional methods, which are still alive and well, and desperately in need of stewards for the future.”
After nearly 400 years of pressure, it’s encouraging to see handwriting — an art form that once seemed destined for obsolescence — still thriving, one careful stroke at a time. And thanks to Gamwell, perhaps there’s a new generation of observers, collectors and future calligraphers ready to carry it forward.
D.H. Callahan is a voice actor, creative director and trail steward. He lives with his wife, artist Lane Arthur, in West Cornwall, Connecticut.
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