Four more years of Trump: an American tragedy

No matter what happens in the coming months—to the pandemic, the economy or race relations — this country cannot take four more years of the division that Donald Trump’s presidency has foisted upon us.

President Trump has been effective at taking credit, deserved or not, for getting conservatives on the Supreme Court, passing a tax cut, building a bit of wall and watching the Dow and NASDAQ go up.  

But since his election, he has made no effort to become the president of all the people, none whatever.  

And when called upon to lead the nation in a crisis or two or three, he’s been a failure. Under his angry, confusing leadership, we can’t even agree on how to cope with a deadly plague.

President Trump, who likes using superlatives, especially when assessing himself, has actually become the greatest presidential divider this nation has seen since Abraham Lincoln. But, unlike Trump, Lincoln couldn’t avoid it. He saw the country come apart when all but three Confederate states left the Union before his March 1861 inauguration out of fear his election meant the end of slavery and their prosperity.

The Republican Party of Donald Trump is far different from the party of Lincoln or, for that matter, the party of his most recent Republican predecessors.

George W. Bush prided himself in being “a uniter, not a divider;” his father, the first president Bush, tried to form a “kinder, gentler nation,” than even that of his sunny dispositioned predecessor, Ronald Reagan. They all saw themselves as presidents of all the people and it served them and the country well.

But not Trump.  Our vision of the 45th president is that of an eternally angry man, who deals with the profound issues of the day by making up schoolyard nicknames for his adversaries.  For the faithful, even those embarrassed by the vulgarities and the ignorance, the response is, “he lowered taxes, he put conservatives on the Court, he eliminated restrictions on business.”  Character doesn’t count.

Since his inauguration, when he lied about the size of his audience, Trump has been a dishonest president, deviating from the truth upwards of 17,000 times. But, of course, these numbers, although carefully documented, are from the “fake news,” which is any news that doesn’t consider the president infallible.

The press, we are told constantly, is the enemy of the people and therefore undeserving of its constitutional protection. Free speech begins and ends with his.  

I’ve long wondered why Trump has not even gone through the motions of trying to unite the people and thereby expand his base during his first term.  After all, he did lose the popular vote by about 3 million, but maybe he actually believes those Clinton votes were stolen from him.  For whatever reason, appealing only to 35 or so percent of the electorate and alienating the rest hardly seems like a winning formula.

This failure to expand his base has left Trump in a terrible position as the nation faced the pandemic, racial unrest and a plunging economy.  But instead of dealing firmly with the pandemic from the beginning, Trump largely made it a state problem with 50 interests and 50 solutions in place of a vitally needed national approach to a national calamity.  

He may not be a racist but Trump talks like a racist and acts like one.  He is a skillful  player of the race card, painting the vast majority of sincere demonstrators for equal rights with the same brush as the looters, vandals  and anarchists.  He regularly shows more concern for dead Confederate generals than the living descendants of their slaves.

He can’t even get the nation to unite in an effort to attain a mutually beneficial revival of the economy, as he constantly contradicts and mocks his own medical authorities for urging us to practice caution in making contact with each other.  

Like it or not, the president is the nation’s role model in chief, yet this president refuses to wear a mask in public and obey other precautions.  Some role model.

Trump was the good times president who failed when the going got tough.  In dealing with all of these crises, the president’s top priority has been his reelection.  

That reelection would be a second plague.

 

Simsbury resident Dick Ahles is a retired journalist. Email him at rahles1@outlook.com.

The views expressed here are not necessarily those of The Millerton News and The News does not support or oppose candidates for public office.

Latest News

Speed cameras gain ground in Connecticut, stall in Dutchess County

A speed enforcement camera in New York City.

Photo courtesy NYC DOT

Speed cameras remain a tough sell across northwest Connecticut — and are still absent from local roads in neighboring Dutchess County.

Town leaders across northwest Connecticut are moving cautiously on speed cameras, despite a state law passed in 2023 that allows municipalities to install them. In contrast, no towns or villages in Dutchess County currently operate local automated speed-camera programs, even as New York City has relied on the technology for years.

Keep ReadingShow less
In remembrance:
Tim Prentice and the art of making the wind visible
In remembrance: Tim Prentice and the art of making the wind visible
In remembrance: Tim Prentice and the art of making the wind visible

There are artists who make objects, and then there are artists who alter the way we move through the world. Tim Prentice belonged to the latter. The kinetic sculptor, architect and longtime Cornwall resident died in November 2025 at age 95, leaving a legacy of what he called “toys for the wind,” work that did not simply occupy space but activated it, inviting viewers to slow down, look longer and feel more deeply the invisible forces that shape daily life.

Prentice received a master’s degree from the Yale School of Art and Architecture in 1960, where he studied with German-born American artist and educator Josef Albers, taking his course once as an undergraduate and again in graduate school.In “The Air Made Visible,” a 2024 short film by the Vision & Art Project produced by the American Macular Degeneration Fund, a nonprofit organization that documents artists working with vision loss, Prentice spoke of his admiration for Albers’ discipline and his ability to strip away everything but color. He recalled thinking, “If I could do that same thing with motion, I’d have a chance of finding a new form.”

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Strategic partnership unites design, architecture and construction

Hyalite Builders is leading the structural rehabilitation of The Stissing Center in Pine Plains.

Provided

For homeowners overwhelmed by juggling designers, architects and contractors, a new Salisbury-based collaboration is offering a one-team approach from concept to construction. Casa Marcelo Interior Design Studio, based in Salisbury, has joined forces with Charles Matz Architect, led by Charles Matz, AIA RIBA, and Hyalite Builders, led by Matt Soleau. The alliance introduces an integrated design-build model that aims to streamline the sometimes-fragmented process of home renovation and new construction.

“The whole thing is based on integrated services,” said Marcelo, founder of Casa Marcelo. “Normally when clients come to us, they are coming to us for design. But there’s also some architecture and construction that needs to happen eventually. So, I thought, why don’t we just partner with people that we know we can work well with together?”

Keep ReadingShow less
‘The Dark’ turns midwinter into a weeklong arts celebration

Autumn Knight will perform as part of PS21’s “The Dark.”

Provided

This February, PS21: Center for Contemporary Performance in Chatham, New York, will transform the depths of midwinter into a radiant week of cutting-edge art, music, dance, theater and performance with its inaugural winter festival, The Dark. Running Feb. 16–22, the ambitious festival features more than 60 international artists and over 80 performances, making it one of the most expansive cultural events in the region.

Curated to explore winter as a season of extremes — community and solitude, fire and ice, darkness and light — The Dark will take place not only at PS21’s sprawling campus in Chatham, but in theaters, restaurants, libraries, saunas and outdoor spaces across Columbia County. Attendees can warm up between performances with complimentary sauna sessions, glide across a seasonal ice-skating rink or gather around nightly bonfires, making the festival as much a social winter experience as an artistic one.

Keep ReadingShow less
Tanglewood Learning Institute expands year-round programming

Exterior of the Linde Center for Music and Learning.

Mike Meija, courtesy of the BSO

The Tanglewood Learning Institute (TLI), based at Tanglewood, the legendary summer home of the Boston Symphony Orchestra, is celebrating an expanded season of adventurous music and arts education programming, featuring star performers across genres, BSO musicians, and local collaborators.

Launched in the summer of 2019 in conjunction with the opening of the Linde Center for Music and Learning on the Tanglewood campus, TLI now fulfills its founding mission to welcome audiences year-round. The season includes a new jazz series, solo and chamber recitals, a film series, family programs, open rehearsals and master classes led by world-renowned musicians.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.