Thank you!
Your support is sustaining the future of local news in our communities.

Four more years of Trump: an American tragedy

No matter what happens in the coming months—to the pandemic, the economy or race relations — this country cannot take four more years of the division that Donald Trump’s presidency has foisted upon us.

President Trump has been effective at taking credit, deserved or not, for getting conservatives on the Supreme Court, passing a tax cut, building a bit of wall and watching the Dow and NASDAQ go up.  

But since his election, he has made no effort to become the president of all the people, none whatever.  

And when called upon to lead the nation in a crisis or two or three, he’s been a failure. Under his angry, confusing leadership, we can’t even agree on how to cope with a deadly plague.

President Trump, who likes using superlatives, especially when assessing himself, has actually become the greatest presidential divider this nation has seen since Abraham Lincoln. But, unlike Trump, Lincoln couldn’t avoid it. He saw the country come apart when all but three Confederate states left the Union before his March 1861 inauguration out of fear his election meant the end of slavery and their prosperity.

The Republican Party of Donald Trump is far different from the party of Lincoln or, for that matter, the party of his most recent Republican predecessors.

George W. Bush prided himself in being “a uniter, not a divider;” his father, the first president Bush, tried to form a “kinder, gentler nation,” than even that of his sunny dispositioned predecessor, Ronald Reagan. They all saw themselves as presidents of all the people and it served them and the country well.

But not Trump.  Our vision of the 45th president is that of an eternally angry man, who deals with the profound issues of the day by making up schoolyard nicknames for his adversaries.  For the faithful, even those embarrassed by the vulgarities and the ignorance, the response is, “he lowered taxes, he put conservatives on the Court, he eliminated restrictions on business.”  Character doesn’t count.

Since his inauguration, when he lied about the size of his audience, Trump has been a dishonest president, deviating from the truth upwards of 17,000 times. But, of course, these numbers, although carefully documented, are from the “fake news,” which is any news that doesn’t consider the president infallible.

The press, we are told constantly, is the enemy of the people and therefore undeserving of its constitutional protection. Free speech begins and ends with his.  

I’ve long wondered why Trump has not even gone through the motions of trying to unite the people and thereby expand his base during his first term.  After all, he did lose the popular vote by about 3 million, but maybe he actually believes those Clinton votes were stolen from him.  For whatever reason, appealing only to 35 or so percent of the electorate and alienating the rest hardly seems like a winning formula.

This failure to expand his base has left Trump in a terrible position as the nation faced the pandemic, racial unrest and a plunging economy.  But instead of dealing firmly with the pandemic from the beginning, Trump largely made it a state problem with 50 interests and 50 solutions in place of a vitally needed national approach to a national calamity.  

He may not be a racist but Trump talks like a racist and acts like one.  He is a skillful  player of the race card, painting the vast majority of sincere demonstrators for equal rights with the same brush as the looters, vandals  and anarchists.  He regularly shows more concern for dead Confederate generals than the living descendants of their slaves.

He can’t even get the nation to unite in an effort to attain a mutually beneficial revival of the economy, as he constantly contradicts and mocks his own medical authorities for urging us to practice caution in making contact with each other.  

Like it or not, the president is the nation’s role model in chief, yet this president refuses to wear a mask in public and obey other precautions.  Some role model.

Trump was the good times president who failed when the going got tough.  In dealing with all of these crises, the president’s top priority has been his reelection.  

That reelection would be a second plague.

 

Simsbury resident Dick Ahles is a retired journalist. Email him at rahles1@outlook.com.

The views expressed here are not necessarily those of The Millerton News and The News does not support or oppose candidates for public office.

Latest News

Doug Tallamy’s work in progress: saving the planet one backyard at a time

Windacre, a 25-acre property in Millerton will be the site of “Work in Progress,” an afternoon with acclaimed entomologist, New York Times bestselling author and Homegrown National Park co-founder Doug Tallamy.

Provided

For nearly three decades, Doug Tallamy, a professor at the University of Delaware and co-founder of Homegrown National Park, has studied the intricate relationships between native plants, insects, birds and the ecosystems that sustain them. His books, including “Bringing Nature Home” and “Nature’s Best Hope,” have helped shift the conversation about conservation from something that happens primarily in parks and preserves to something ordinary people can practice on the land around them.

On Sunday, Oct. 4, Tallamy will bring that conversation to Windacre in Millerton for “Work in Progress: Toward Native Fields,” an outdoor gathering exploring both the possibilities and the complications of restoring private land for biodiversity.

Keep ReadingShow less
Ancram Center’s “A Number” doubles questions of identity

How would you feel if you found out you weren’t the only you — if there was an exact replica of you? What if you found out that you’d been cloned? Would you believe that you’re the real you? Would you suspect you might be a copy of the original? How could you be sure anything about your life was real? These are some of the questions posed in Caryl Churchill’s play “A Number,” opening at the Ancram Center for the Artson Oct. 1.

Churchill was born in London in 1938 and has been hailed by the theaterl world as one of the strongest voices of her time to take on sexual politics and feminist themes. Her works garner pointedly considered analysis from the highest levels of theatrical intellectualism. Basically, it’s about as far from “The Lion King” as you can get. While she’s experimented with dance theater in the past, “A Number” is much more stripped down, highlighting Churchill’s chosen themes and the skills of both actors on stage.

Keep ReadingShow less

Dispatches from the Farm

Dispatches from the Farm

Adamah Farm crew members planning out the day’s tasks on a late September day.

Janna Siller

“Dispatches from the farm” is a new, periodic column offering a firsthand look at the rhythms, challenges and rewards of farming through the eyes of a local farmer.

The thing about plants is that they can’t get up and move. When a storm like last weekend’s nor’easter threatens to roll through, you can’t just round everybody up and settle them safely on the sofa for movie night.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Pinchas Zukerman brings an all-Beethoven program to Hotchkiss

Pinchas Zukerman to perform at Hotchkiss Oct. 4

Cheryl Mazak

The passion, drama and energy of Beethoven will fill Katherine M. Elfers Hall at The Hotchkiss School on Oct. 4, when world-renowned violinist Pinchas Zukerman is joined by pianist Shai Wosner for a special recital.

The 4:30 p.m. program at the Esther Eastman Music Center will feature three of Beethoven’s celebrated violin sonatas: Violin Sonata No. 4 in A minor, Op. 23; Violin Sonata No. 5 in F major, Op. 24, “Spring”; and Violin Sonata No. 7 in C minor, Op. 30.

Keep ReadingShow less
Found Footage Festival brings laughs to The Triplex

Pickett and Prueher on stage.

Provided by Found Footage Festival

On Sunday, Oct. 4, the Found Footage Festival makes its way to the Triplex Theatre in Great Barrington with a treasure trove of lost and forgotten VHS tapes scraped from the piles of distant memories and discarded physical media.

The Found Footage Festival is a “celebration of the videos that time forgot” hosted by two Brooklyn-based comedy writers and childhood friends, Joe Pickett of The Onion and Nick Prueher of The Late Show.

Keep ReadingShow less
Luis Felber at home at Cornwall Music Bowl
Luis Felber at home at Cornwall Music Bowl
Luis Felber at home at Cornwall Music Bowl

Luis Felber is excited about creating in the Northwest Corner. Coming of age in the British countryside, all he wanted to do as a teen was move to London, the creative heartbeat of England. At 17, he started a band called the Eraserheads and went for it. Since then, he’s been in so many bands he struggles to list them all. But on Saturday, Oct. 3, he’ll be taking the stage at the Cornwall Music Bowl all by himself.

Felber has always felt more comfortable on stage than interacting with people. There’s a sense of purpose in being at a concert. Everybody in the room is there for the same reason: to witness the act of making music. So whether he’s on the stage or in the audience, he feels at home in a venue.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.