MILLERTON – The reopening of Eddie Collins Memorial Park on Saturday, Oct. 1, drew hundreds of people from the community at-large to mark the completion of the first phase of the revitalization of the park that has served as the recreational center for the region for decades.
The party came to life starting around noon as the 100-car parking lot filled to capacity, forcing an overflow across Route 22. Families arrived with strollers and excited children who ran into the wide-open spaces. Basketball games started immediately on the new basketball courts. Soccer players — young and old — took to the new regulation-sized soccer field. Mothers and fathers streamed into the expanded, repaired and resurfaced handicap-accessible playground.
The party atmosphere was fueled by rock music that filled the air, and food booths that served tacos and other traditional fare. The hot dog booth ran out of buns, but hamburger buns became an option.
Parker Plouffe, a toddler from Sharon, enjoyed a hot dog without a bun. His mother said this is their preferred playground. There was face-painting, small horses for petting and the basketball got serious with a tournament and a referee. Free doughnuts!
A handicap-accessible walkway extends from a renovated pavilion to the Little League field.
The park is named after Eddie Collins, who played major league baseball from 1906 to 1930 for the Philadelphia Athletics and the Chicago White Sox. Born in Millerton in 1887, Collins was not only a big leaguer, he was Ivy League, having graduated from Columbia College. He also was inducted into the Baseball Hall of Fame.
Stephen Waite, chair of the project committee for the park, recalled that he used to play baseball at the park as a youngster.
“When my nephews started playing here,” he said Saturday, “I saw that it had really deteriorated, and I thought we should get the community and its volunteers to make it a project.”
Waite, a quadraplegic from an accident 35 years ago, is proud of all the volunteer efforts and also of the fact that the park is handicap-accessible, which also includes extending the sidewalk along Route 22 to the entrance.
On Saturday, the air of success was punctuated with news of a state and municipal grant of $125,000 toward making the Little League field accessible to those in wheelchairs (the walkway and a set of bleachers to be installed in the spring). New York Rep. Didi Barrett (D-106) made the announcement, and she also gave Millerton Mayor Jennifer Najdek a New York State Assembly citation congratulating the village and its residents and partners for successfully completing this phase of the revitalization of the Park. More than 30 community partners teamed up to help with the day’s festivities. Fundraising has raised $2 million for the park.
Political leaders who attended, besides the mayor and Rep. Barrett, were Sen. Susan Serino (R-41), Gregg Pulver, (R), chair of the Dutchess County Legislature and Chris Kennan, North East town supervisor.
The Millerton Police Department’s Mike Veeder, officer in charge, was giving out bike helmets to children, carefully adjusting them for the right fit. The helmets were donated by the Stop DWI program.
The next phase of the work will include a pool and pool house and a recreational center with a community room, commercial kitchen, locker rooms and showers. The new swimming pool with a handicap-accessible entrance will also include a water slide and kiddie pool.
“The pool was the No. 1 interest,” Waite said, “when we asked people what they wanted.”
Photo by Olivia Valentine
From left, North East Town Supervisor Chris Kennan, State Rep. Didi Barrett, Stephen Waite, Chair of the Park Project Committee, Millerton Mayor Jennifer Najdek and State Sen. Sue Serino.
Photo by Olivia Valentine
Watching the big boys.
Photo by Olivia Valentine
From left, North East Town Supervisor Chris Kennan, State Rep. Didi Barrett, Stephen Waite, Chair of the Park Project Committee, Millerton Mayor Jennifer Najdek and State Sen. Sue Serino.
Kathy Reisfeld
In college, Reisfeld initially majored in physics, drawn to systems and structure. But an economics class shifted her direction. Markets, she realized, were systems too — not only mathematical, but deeply human.
After graduating, she landed an internship with a financial adviser and gradually discovered a profession that combined curiosity, problem-solving and relationship-building.
“The more I learned, the more I kind of wanted to get involved,” she said.
Over time, she realized she wasn’t interested in chasing predictions; she was interested in guiding people through uncertainty.
Over nearly three decades, she has watched the industry evolve. It has moved, she believes, from selling products to offering advice — a shift toward aligning compensation with clients’ best interests.
She’s candid about the stereotypes that cling to finance: that it’s driven by greed and full of money-hungry people. Those people exist, she said, but they aren’t the majority.
“It’s kind of like the few bad apples ruining it for everyone.”
At its best, she believes, the work is quieter and more meaningful than its reputation suggests.
Kathy Reisfeld practicing yoga.Elena Spellman
Yoga entered her life in 2001, when she was living in New York City and training as a marathon runner.
“I was, like, very anti-yoga,” she admitted with a laugh.
But once she tried it, something shifted. A workshop with Nancy Gilgoff, the first American woman to travel to India to study Ashtanga yoga, “blew my mind open,” she said, revealing yoga as something far larger than poses or stretching.
What began as a physical complement to her running became a doorway into something deeper.
“Ashtanga means eight limbs,” Reisfeld explained. “The physical practice is just the entry point.”
The overlap she sees between yoga and investing is patience. Both practices demand discipline through fluctuation — the ups and downs, the good days and bad days, and the willingness to keep showing up.
In yoga philosophy, she points to the stilling of the mind. In investing, that becomes tuning out the noise — the headlines that spike fear or euphoria, the endless predictions that feel authoritative and rarely land cleanly.
After almost three decades in a traditionally male-dominated industry, Reisfeld has learned to move comfortably in rooms where she was often one of the few women present.
Asked what it was like starting out as a woman in finance, she smiled.
“The lines for the restroom were shorter.”
The humor reflects her temperament. She began her career at 21, and mentorship was not always easy to find. But finance, like yoga, rewards consistency. Ultimately, she built her business through steady growth.
For Reisfeld, yoga is fundamentally about integration. Money is no exception. It shapes how we live, the choices we make and the freedoms we have. Ignoring it doesn’t make it disappear. It only makes it harder.
Now rooted in the Berkshires, advising clients and teaching yoga classes from the same barn, Reisfeld’s work feels less like two careers and more like one philosophy.
When asked what she hopes people feel after spending time with her — whether reviewing a portfolio or finishing a yoga session — her answer is immediate.
“More confident,” she said. “Less stressed. More optimistic about their future.”
For more information or to book an appointment, visit berkshirewealthgroup.com
Kathy Reisfeld, Branch Owner
250 Maple Ave, Great Barrington, MA 01230
845-263-3996
Securities offered through Raymond James Financial Services, Inc. Member FINRA/SIPC.
Berkshire Wealth Group is not a registered broker/dealer and is independent of Raymond James Financial Services, Inc.
Investment advisory services offered through Raymond James Financial Services Advisors, Inc.
Elena Spellman is a Client Service Associate at Berkshire Wealth Group
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Playwright Cinzi Lavin, left, poses with Kathleen Kelly, director of ‘A Goodnight Kiss.’
When Lavin inquired about staging the production there, “they were very excited about it,” she said.
The performance, to take place April 1, is being sponsored by the Connecticut League of Women Voters. Organizers said the Capitol setting offers a fitting backdrop for a story rooted in American history and civic life.
“A Goodnight Kiss” is a dramatic reading drawn from letters exchanged between Sgt. Maj. Frederick Lucas (David Macharelli) and Sarah Jane “Jennie” Wadhams (Olivia Wadsworth). Fred wrote from battlefields, while Jennie wrote from the peaceful confines of Goshen. Together, their letters trace a gradually deepening romance and how the couple overcame objections by Jennie’s father, John Marsh Wadhams, and finally married in 1867.
“I just found it adorable that (Jennie’s father) was going to make sure she got the right kind of husband, which is why Fred had such a hard time,” Kelly said.
BroadwayWorld reviewer Sean Fallon called the play “the most romantic love story I have ever seen acted out on stage.”
The letters were first brought to light in the 2002 book “Fred and Jennie: A Civil War Love Story” by the late Ernest B. Barker, a Goshen resident and descendant of both the Lucas and Wadhams families. The Barker family discovered Fred’s letters in the Wadhams homestead and Jennie’s letters in a house once owned by a Lucas family member. The correspondence is now housed at the Connecticut Museum of Culture and History in Hartford.
Capitol atriumSubmitted by Kathleen Kelly
Kelly said presenting the story through letters poses a challenge because the actors rarely interact onstage. During rehearsals, she had the performers face one another while reading their letters aloud. “It was just like magic happened,” she said.
Lavin said the play “tells the story of what truly makes America great, what made America great then, and what still makes it great, which is devotion to duty, service to others, integrity and treasuring freedom.”
David Macharelli, who portrays Fred, said, “Charting (Fred’s) course from enthusiastic young recruit gushing with admiration for the new technology of 19th-century warfare to a man crashing into the reality of war is a reminder that even the noblest of causes demand sacrifice, and that sacrifice is often borne by innocents.”
Olivia Wadsworth said of portraying Jennie, “It’s actually a little dizzying to think about. Two people, more than a hundred years ago, sent private letters to one another, and now their love story is being shared in a performance at the state Capitol.”
The performance will take place April 1 at 2 p.m. in Room 310 of the Capitol at 210 Capitol Ave., Hartford. The event is free and open to the public with advance registration at https://bit.ly/4usa9b7. Arrangements for guests with special requirements may be made by emailing Lisa Del Sesto at admin@lwvct.org or calling 203-288-7996. Parking on Capitol grounds is limited, but additional parking is available nearby at the Legislative Office Building, 300 Capitol Ave.
Yonah Sadeh, Falls Village filmmaker and curator of David M. Hunt Library’s new VideoWall.
After the screening of the two films, “Mail Myself to You” and “Circle, Circle Square,” Pranger and Sadeh will discuss filmmaking and answer questions.
Of Pranger, Sadeh said, “She has a strong visual voice as a director, and both of these films are great examples of a blend of documentary and experimental filmmaking.”
Imogen Pranger, first filmmaker of the new VideoWall.Provided
Pranger described her approach to filmmaking. “I have always approached the visual arts from an interdisciplinary, multimedia perspective.” This approach was a reason why animation was particularly appealing to Pranger as she began exploring the possibilities of filmmaking.
“I particularly fell in love with the tactility of hand-drawn and painted animation and the ways in which it can be used in tandem with analog 16-millimeter film. Stop-motion animation holds the unique power to bring inanimate objects to life, something that became crucial to my practice of archival documentary filmmaking. I appreciate the sense of play that is encouraged in the medium of animation and find great joy in exploring new avenues and possibilities within the medium,” she continued.
At the core of Pranger’s films, she hopes to capture the joy and intimacy of human connection that blossoms through engagement with material and creative process.
After the opening event, the films will remain available to view at any time on the VideoWall screen in the library stacks. “The screen will always be on and ready for anyone to use,” Sadeh said. The installations will last three to four months.
Sadeh added, “Each installation will begin with a public screening at the library, followed by a talkback with the filmmaker.”
Filmmakers can contact Sadeh at huntartwall@gmail.com for information about submitting films for consideration. Visit huntlibrary.org/art-wall for a schedule of ArtWall and VideoWall events, which are free and open to the public.
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