MILLERTON – John Roccanova developed a passion for craftsmanship in 1960s Brooklyn, where he spent childhood summers tagging along with his father to work at one of the countless woodworking factories that lined the waterfront and industrial side streets.
“Sometimes you’d be drilling four thousand pieces of wood over the course of a few days,” Roccanova recalled of his factory days, where he made display cases for department stores. “I got to see how things were made, and I got comfortable with the equipment.”
During this time, Roccanova said he and his friends did their woodworking outdoors, asking store owners for their discarded crates, using the wood and storage boxes to make scooters and forts.
What began as summer work evolved into a hobby and eventually, a career as a shop teacher in the Webutuck school district.
This fall, Roccanova’s craftsmanship fills the Irondale Schoolhouse in Millerton, where his handmade items will be on sale Nov. 22–23 and 28–30.
From salad bowls and trays to jewelry and children’s toys, shoppers can get a head start on the holidays with artisan-made pieces crafted from mahogany, walnut, maple and ash.
Former Webutuck educators John and Jean Roccanova are selling handmade wood goods to benefit a Kenya-based nonprofit fighting poverty in the African nation.Photo by Aly Morrissey
Grow Against Poverty
Roccanova and his wife, Jean – both former Webutuck school teachers now living in Ancramdale – spend their retirement supporting a nonprofit organization in Kenya. Every dollar from John’s woodworking goes directly to children there.
Their involvement began after reading a New York Times article about extreme overcrowding in Kenyan schools. Moved to learn more, they eventually established the U.S. arm of Grow Against Poverty, the Kenya-based nonprofit they now support through John’s crafts.
Seven years ago, the couple traveled to Busia County, Kenya, to meet Helen Mukanda, founder of Grow Against Poverty. “It’s poverty like we’ve never seen before,” said Jean. Thanks to that visit and – and with the help of WhatsApp – the Roccanovas receive real-time updates and photos showing the impact of their donations. Mukanda and her board identify the areas of greatest need and share them with John and Jean.
Their contributions sustain an organic gardening program that provides fresh produce for student lunches, which increases attendance at schools and is often a child’s best meal of the day. They also support efforts to reduce period poverty by building restrooms and showers and supplying sanitary products.
Roccanova grows emotional when he talks about the conditions in Busia County.
“When I retired, I didn’t know what I was going to do,” said Roccanova. “So I started making things. And then I had all this stuff. So we said, ‘Well, we can donate it.’”
To date, the Roccanovas have raised more than $75,000 for Grow Against Poverty. Wood crafts will be available at Irondale Schoolhouse this weekend and after Thanksgiving. Donations are also accepted online through GlobalGiving.org.
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Marge Parkhurst with a collection of historic nails recovered from wall cavities during restoration work.
“At first it just looked like old paint,” said Parkhurst, who has been painting and restoring historic homes in Litchfield County for decades. “Until I realized it was a stencil, a beautiful pattern that repeated.”
She kept going carefully — a wet sponge, hot water, a little fabric softener — peeling back until she could see it clearly. A climbing vine emerged, applied in vertical runs to give the wall the look of wallpaper. Someone had signed it. The signature was faint, tucked above the baseboard in the corner, not fully legible. But the date was clear: 1870.
Parkhurst, owner of Cottage & Country Painting Co., has worked in enough old houses to develop a practiced eye for what they conceal — understanding that layers of paint, paper and plaster in a 19th-century New England home form a kind of compressed archive of the people who lived there.
The stencil bore a strong resemblance to what historians call Moses Eaton-type stenciling — a tradition of itinerant craftsmen who traveled New England in the early 1800s with portable kits of cut-pattern stencils. Their trade flourished because imported wallpaper was expensive. Stenciling offered the same visual effect at a fraction of the cost.
“These stencilers typically worked for a combination of cash, food and lodging,” Parkhurst said. “Their compensation was modest by any standard.” She paused, “He was a tradesman. But the work he left behind — that’s art.”
The vine pattern was dull with age but still legible. One section had survived intact beneath the layers of paper. The homeowners chose not to paint over it — instead building a wooden frame around it, a small window into 1870.
“Preservation means protecting something to prevent further deterioration,” she said. “Restoration means returning something to a previous state. In that room, we preserved what was there.”
A collection of historic nails recovered during restoration work.Photo courtesy of Marge Parkhurst/Cottage & Country Painting Company
A Station’s Secrets
Not every discovery is decorative. Some are written into the bones of a building.
Parkhurst’s own home in Colebrook is a former railroad outbuilding moved from Canaan in 1920. Scraping the trim revealed it had once been sage green — and beneath that, a warm orange-brown soaked into the wood grain. “Old paint was made more like a stain back in the 1800s,” she said. “It penetrated the wood rather than sitting on top of it — so there’s never a shine.”
Up in the attic, eye bolts still anchored in the framing mark where cables stabilized the building during its move a century ago.
The most memorable find came by accident. Cutting open a wall under the stairs, she found a clear glass bottle sealed with a glass stopper held by a rusted wire. The label read: Hartmann Brewing Co., Bridgeport, Conn. It took days of careful oiling to free the stopper. Inside: a handwritten list of sandwiches and drinks, a postage stamp still attached. Not treasure. But a treasure just the same.
“I worked for days to get that thing open — and it was just somebody’s lunch order.”
Newspapers stuffed into wall cavities, hand-wrought nails, paint layers thin as stain — over 50 years, Parkhurst has cataloged the details that tell a trained eye when a house was built and by whom. Litchfield County’s architecture is unusually varied: Georgian and Federal-style houses on Litchfield’s Main Street, industrial buildings along the rivers in Torrington and Winsted. “Each town has its own fingerprint,” she said.
The most consequential mistake she sees is changing a home’s character. “When you paint over stained woodwork, you hide the details. You can’t get them back.” She has talked more than a few owners out of it. Some have listened.
Not long ago, Parkhurst and her grandchildren gathered a few small objects, wrote a letter and tucked it into a wall of her Colebrook home. Someone will find it — a record of people who were once here.
“Walls still surprise me,” she said. “If you look hard enough, you can find buried treasure.”
In a county full of houses whose walls hold untold stories — stenciled by traveling tradesmen, nailed together by farmers, papered over by housewives following the fashions — Marge Parkhurst has spent a lifetime reminding us that history doesn’t only live in museums. Sometimes it’s hiding just behind the wallpaper.
Sarah Belzer is a writer, editor and creative director whose career has crossed journalism, advertising, film and cultural commentary. Managing Editor of The American Rant and founder of Jump Advertising, she has spent three decades shaping narratives for media and national and global brands. Marge Parkhurst is the owner of Cottage & Country Painting Co. She can be reached at marge@cottageandcountryct.com or 860-379-4748.
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