Finding ‘The Right Stuff’ for a documentary

Tom Wolfe
Film still from “Radical Wolfe” courtesy of Kino Lorber
Tom Wolfe
If you’ve ever wondered how retrospective documentaries are made, with their dazzling compilation of still images and rare footage spliced between contemporary interviews, The Moviehouse in Millerton, New York, offered a behind-the-scenes peek into how “the sausage is made” with a screening of director Richard Dewey’s biographical film “Radical Wolfe” on Saturday, March 2.
Coinciding with the late Tom Wolfe’s birthday, “Radical Wolfe,” now available to view on Netflix, is the first feature-length documentary to explore the life and career of the enigmatic Southern satirist, city-dwelling sartorial icon and pioneer of New Journalism — a subjective, lyrical style of long-form nonfiction that made Wolfe a celebrity in the pages of Esquire and vaulted him to the top of the best-seller lists with his drug-culture chronicle “The Electric Kool-Aid Acid Test” and his first novel, “The Bonfire of The Vanities.”
The film is rife with local connections, featuring talking-head anecdotes by Wolfe’s former agent and Sharon resident Lynn Nesbit as well as Wolfe contemporary Gay Talese of Roxbury and Christopher Buckley, the son of the late Sharon resident William F. Buckley Jr., who interviewed Wolfe on PBS’ “Firing Line” in 1970.
Present at The Moviehouse was the film editor for “Radical Wolfe,” Brian Gersten, a Millerton resident who recently worked on “Enter The Slipstream,” documenting an American cycling team through the 2020 season of the Tour de France, and the film’s archival producer, Rich Remsberg of North Adams, Massachusetts, a two-time Emmy winner who recently produced “Street Gang: How We Got to Sesame Street” for HBO.
Remsberg admitted that in his archival search, there is a competitive sense of “trophy hunting” — the quest for a previously unseen piece of footage that will add an exclusive peek into the past of a film’s subject. “The trophy-hunting aspect of [archival producing] is the rarity of a clip,” he said at The Moviehouse. “I did a piece about George Lucas recently and found an interview with his high school art teacher. It was just mind-blowing. I found four interviews with Lucas before he became famous. But the director only used two minutes. And you can’t get hung up on, ‘But it’s rare!’ You have to consider how useful it is.”
Remsberg added: “One of my favorite sequences in this film is when Wolfe is being introduced onto all these talk shows, and we spliced ‘Ladies and gentlemen... Tom Wolfe, Tom Wolfe, Tom Wolfe, Tom Wolfe…’ And you see the rapid succession of him entering, shaking hands, doing his ‘hair thing’ three or four times, then crossing his legs three or four times. Beautiful rhythm to it, right? It’s really the musicality of filmmaking.”
“I think, as you could tell from how we structured the film, Tom Wolfe’s personal life was private. There wasn’t much there, to be perfectly honest. So the substance was all in the writing,” said Gersten on the documentary editing process. “If you open a book of his, it has so much style, so much is going on, and we did our best to replicate that in the editing style of the film. I think the quick cuts are effective at certain points. At other points, you want to let the story tell itself. When Tom Wolfe describes his interaction with [then-U.S. Sen. John F.] Kennedy, there’s no reason to stylize that. You want to hear Wolfe’s words.”
Habitat for Humanity assisted in the construction and sale of this house at 14 Rudd Pond Road for $392,000.
MILLERTON — Official Dutchess County property transfers for the four months ending in May are fascinating from the sale of the former Presbyterian Church on Main Street for $420,000 to the $300,000 sale of 8.3 acres of the historic Perotti farm for $300,000 where major barn restoration is now underway.
Actively listed properties at the end of July include 14 parcels of land ranging in price from $60,000 for a five-acre lot to six parcels over a million dollars. 15 single family homes are on the market including an $11,750,000 estate on Moadock Road and four village homes for under $500,000.
Residential
14 Rudd Pond Road — 3 bedroom/2 bath home on .64 acres sale recorded in March for $392,000 to Anthony M. Macagnone.
81 Rudd Pond Road — 3 bedroom/2 bath home on .45 acres recorded in April for $360,300 to Sara Whitney Laser.
926 Smithfield Road — Historic house and barns on 8.31 acres sale recorded in May for $300,000 to Colonial House & Barn LLC.
5408 Route 22 — 3 bedroom/2 bath home on 5.38 acres sale recorded in May for $465,000 to Erich McEnroe.
The former Presbyterian Church on Main Street in the Village of Millerton was purchased in May for $420,000 and then pained grey.Christine Bates
Commercial
1 Smith Court, Village of Millerton — Office building sale recorded in March for $825,000 to OneJohnStreet LLC.
58 Main Street, Village of Millerton — Sale of former church recorded in May for $420,000 to 58 Main Street LLC.
5546 Route 22 — Sale of former restaurant on 2 acres recorded in May for $70,000 to Haithem Oueslati Trustee.
Land
State Line Road (#789358) — Sale recorded of 20.82 acres of vacant residential land in March for $150,000 to Elliott Squared LLC.
148 Morse Hill — Sale recorded of 30.03 acres of vacant productive farm land in 5 parcels in March for $800,000 to Thorne Water LLC.
*Town of North East and Village of Millerton property transfers from March through May not previously reported as sales in The Millerton News are sourced from Dutchess County Real Property Office monthly reports for March through May. Details on property from Dutchess Parcel Access. Compiled by Christine Bates, Real Estate Advisor with William Pitt Sotheby’s International Realty, Licensed in Connecticut and New York.
MILLERTON — Heavy rain brought down trees on Park Avenue, South Center Street and Century Boulevard, causing blackouts across the village on Friday, July 25.
The Millerton Moviehouse cancelled film showings for the afternoon following the outages, as stated in a release sent out to Moviehouse supporters over email Friday afternoon.
Village Clerk Lisa Cope said the downed trees landed on power lines, causing localized blackouts for many village residents and businesses between 3 and 6 p.m. Friday evening.
Central Hudson crews cleared the trees and restored power to the village that evening.