MILLERTON —Nearly four weeks after a furnace fire sent deadly levels of carbon monoxide inside 7-9 Main Street and forced as many as 18 residents to evacuate, a dispute between displaced tenants and the building’s owner has raised questions about safety, management and whether the property will reopen.
As of press time, the village had posted a notice on the building declaring it an “Unsafe Structure,” barring residents from returning until required repairs are completed. Village officials said required repairs include installing a new furnace, carbon monoxide and smoke detectors, and an ADA-compliant ramp. However, the owner said he is hesitant to undertake those upgrades after years of challenges with the village and some tenants.
Several tenants described their displacement as the latest failure of the owner, Kastriot “Chris” Rrapi, to properly maintain the 126-year-old building, an argument that Rrapi disputes.
“Our entire world got flipped upside down in a matter of hours,” said Brittney Watson, 22, who said she woke to the smell of smoke and felt dizzy as alarms sounded. Her family — including her father, Tim Watson, who uses a wheelchair after losing both legs — was among those forced to evacuate.
The property now appears unoccupied. Village officials said they shut off water to the building as an additional measure to prevent anyone from living there.
The Watson family is currently staying in temporary housing with assistance from the American Red Cross — an arrangement that is set to expire in early March, around 30 days after they first moved into the temporary home. The family said their future living situation is now uncertain.
Tim Watson's electric wheelchair sits in an alley space near a side entrance to the 7-9 Main Street apartment building. Watson said his brother helped him install a stairlift on the staircase leading to the door because the building lacked wheelchair-accessible entrances.Photo by Aly Morrissey
Tim Watson said he and his family moved into a first-floor apartment in the building about three years ago — though Rrapi describes it as less than two — and did not sign a written lease. Watson said his family was asked to pay rent in cash under a verbal agreement that would allow for weekly payments based on their fixed-income financial situation. Rent was $1,650 per month for a two-bedroom apartment.
“There was no lease,” Watson said. “It was always cash.”
The Watson family described long-standing problems, including pests, unreliable heat, and water leaks. The family said they repeatedly raised concerns about maintenance issues that went ignored. In the weeks leading up to the fire, Watson said the apartment went days without heat or hot water, forcing the family to rely on a space heater.
Jason Wendover, who is married to one of Watson’s daughters, described similar issues during his time in the building in 2025 in a second-floor apartment, including concerns about whether utilities were properly separated by unit and what he said was a severe cockroach infestation.
“They got into everything,” Wendover said of the cockroaches. “I’d wake up in the morning and, if I forgot to change the coffee, there would be roaches floating in the coffee pot.”
Rrapi disputes many of the Watsons’ claims and said they stopped paying rent months ago, leaving their unit in disarray after the evacuation.
“The building is old, I understand that,” Rrapi said. “It needs work. But the drama this family puts landlords through — it’s unacceptable.”
He said the family destroyed the apartment and caused tension for other tenants, noting complaints about loud arguments and smoking indoors.
Rrapi disputes allegations that he required cash-only payments, saying all of his tenants are welcome to pay by cash, check or Zelle — a cellphone banking app that allows for electronic payments. He also said a professional exterminator was sent to the building and that the Watson family refused to allow them into their apartment.
“I submitted the receipt to the Dutchess County Department of Health,” Rrapi said.
Rrapi said the Watsons owe him nearly $22,000 in back rent and damages, and eviction proceedings are underway. He said they were provided with notice in the months leading up to the fire. He described the apartment left behind by the family as severely damaged, saying they did not maintain the interior of the apartment.
“It’s a wreck to the point that it has to be gutted,” Rrapi said. “It’s my fault that I rented to them, but I felt sorry for them.”
Tim Watson denied ever receiving an eviction notice and rejected claims that his family caused damage to the apartment. He said he withheld as much as $15,000 in rent in the months leading up to the fire, describing the decision as a protest against what he called “slum-like” conditions in the building.
Just inside the building's side entrance is a hole in the wall caused by the doorknob.Photo by Aly Morrissey
Rrapi said the building’s future remains uncertain amid foreclosure proceedings that began in 2023 after a commercial loan went into default, which he attributed largely to a discrepancy he said he discovered after purchasing the property with his father, Zef Rapaj.
With 12 electrical meters on the building, the pair believed it was configured for 12 units, but they later learned it is legally zoned for six, which complicated the property’s finances and prompted him to pursue a variance through the village’s Zoning Board of Appeals.
He described the property as “the biggest headache I ever bought,” citing years of zoning roadblocks and financial strain that have left him uncertain how much more he is willing to invest in the property. Rrapi purchased the Millerton property along with two residential properties in Amenia and a vacant lot in Dover Plains from Christine Lilley of Brewster in 2021.
“I’m not going to put that kind of money into it if I’m not allowed to use the building the way it’s set up,” he said.
While he said he plans to replace the furnace, Rrapi said renovation plans have stalled amid what he described as shifting standards and mixed signals from the village.
With his legal team and architect Ray Nelson of Earthwise Architecture, Rrapi sought to scale back a proposal from 12 units to nine, which the ZBA rejected in June 2025.
The variance request was denied in part due to parking requirements, which mandate 1.5 spaces per unit — a standard that village officials have acknowledged has been difficult to meet in Millerton’s dense downtown.
Rrapi said he considered demolishing the building out of frustration, though he said he still has hope that there is a path forward to rehabilitate the building.
No timeline has been set for repairs or occupancy. Village officials said residents may not return until all safety requirements are met. Rrapi said he will complete the required work but remains undecided about whether he will continue renting the building long-term.
Want more of our stories on Google? Click here to make us a Preferred Source.
KK Kozik in her studio
It is a particularly fitting philosophy for an artist whose paintings often begin with the world around her but rarely end there. There might be something recognizable — a stone wall, an apple tree, a crow — but then there is something less certain. Something that appears to be one thing becomes another upon inspection. Memory gets involved. So does imagination. So does time.
Since moving from New York City to Sharon, Connecticut in 2006, the landscape around her has become increasingly important to that process.
“I just saw things differently,” Kozik said.
The change was not immediate. She remembers an earlier version of herself driving through Vermont without paying much attention to what was happening beyond the windshield.
“I didn’t have the means to see what was happening around me,” she said. “I just sort of la, la, la, la, la, driving to Vermont.”
But, she said, she started to pay attention differently.
“I became more sensitized as time went on,” she said.
Asked whether that change came with age, she said, “Age and so-called wisdom.”
There’s a sense of loss in her landscapes, but a particular kind of loss that also has a twinge of redemption. Specifically, what happens to a landscape when people leave it?
“When the people go away, the wildlife comes back,” Kozik said.
KK Kozik in her studio with her painting “Golden Delicious.”Natalia Zukerman
Kozik’s work has never settled into a single recognizable formula. She has painted landscapes, figures and still lifes, moved toward abstraction and returned to representation. Her subjects change, but the underlying impulse remains: to take what is in front of her and discover what else there might be.
Kozik describes herself as someone who is always trying to figure things out. Her paintings often have the feeling of a thought in progress rather than a conclusion. They have been called “single-line novellas,” a description that makes sense: They can contain the suggestion of an entire story without telling you exactly what happened.
The animals are part of that storytelling.
They arrived partly because of what was disappearing.
“They were like the new redemption in a way,” she said.
There is something almost funny about the way Kozik talks about this — not because the loss itself is funny, but because she refuses to turn it into a grand pronouncement. She observes something, considers it, and lets it complicate the work.
That same sensibility comes through when she talks about her own development as an artist. Her paintings make room for interpretation. They don’t always tell the viewer what an animal symbolizes, or why a landscape has been altered, or where a particular image came from. Instead, they leave enough evidence to make you curious and enough room for your own stories.
The effect is not accidental. Kozik has spent years thinking about how images work, both as paintings and as containers for ideas.
Her work is currently included in “The Naturalist,” a group exhibition on view through Sept. 13 at Kenise Barnes Fine Art in Kent, alongside Richard Klein, Sally Maca, Rick Shaefer and Tricia Wright. The exhibition brings together artists whose work engages with the natural world, including its forms, histories and mysteries.
Kozik is an especially apt fit for the exhibition. She is described by the gallery as a landscape painter, figurative painter and interiors/still-life painter whose work frequently moves toward painterly abstraction. Her practice, the gallery notes, is “fluid and continuous” — always searching for new pictorial problems to solve.
That search has also extended beyond her own studio.
For several years, Kozik ran ICEHOUSE Project Space, an 18th-century icehouse on Sharon’s town green that she transformed into an unusual venue for contemporary art. It opened in 2018 with Dan Devine’s “Inside-Out NASCAR” and went on to host site-specific projects by artists including Mark Dion, Eric Aho, Janet Biggs, Richard Klein, Kristin Jones, Lisa Hoke and Ryan Frank. The projects addressed everything from the decline of winged insects and native and invasive plants to Sharon’s iron industry, its gardens and its history as an ice-producing community.
The space is now closed, but its premise still feels connected to Kozik’s painting practice. Each project responded in some way to the physical location, turning what might otherwise have been a little historic outbuilding into a setting for contemporary art.
Kozik’s own work does something similar with the landscape. She takes a place and lets it become more than a place.
Kozik’s paintings tell us that something happened before we arrived, and that something will happen after we leave.
And then there is the question of what to do with the space in between.
Maybe Kozik’s paintings are less about that space and more about an idea, as she put it, of “which questions to think about.”
Jazzmine Bone and A Stitch in Tyme power through the Gambler’s Choice run during the 2024 Lakeville Open.
The event, which has been held continuously for 69 years, is open to the public with free admission.
Individual competitions will run from 8 a.m. to 5 p.m., and visitors can stop by briefly or settle in for the day.
A food truck, bake sale and portable restrooms will be available on-site.
The show is the primary fundraiser for The Lakeville Pony Club, with proceeds supporting young riders who need financial assistance to participate in lessons. Members and their families work throughout the year to create the event for both competitors and spectators.
Members of the Lakeville Pony Club and Echo the pony arrive for the costume class during the Lakeville Open in 2024.Caitlin Von Graf
For those new to horse shows, the day offers a chance to learn more about the sport and understand what happens in the ring. In equitation competitions, judges evaluate the rider’s skill, from beginners learning walk and trot to more advanced riders navigating cantering and jumping courses.
Hunter competitions focus on the horse’s style and smoothness over fences, while jumper classes emphasize accuracy and speed as horses and riders race against the clock without knocking down rails.
The day also includes a crowd favorite: the costume class, where horses and riders dress up in creative ensembles for a chance at the top prize.
Programs will be available onsite to help spectators identify competitors and horses. A full list of competitions, entry information and details for those interested can be found at rigameadow.com
Whether an experienced equestrian or simply curious about the sport, the Lakeville Open Horse Show offers a chance to enjoy a Hudson Valley tradition that continues to bring the community together.
Want more of our stories on Google? Click here to make us a Preferred Source.
