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Webutuck’s Junior Varsity squad lost the scrimmage overall despite success at the rim.
Photo by Nathan Miller
AMENIA — The boys of Housatonic Valley Regional High School’s basketball teams visited Webutuck High School Tuesday, Dec. 10, for a pre-season practice scrimmage.
The scrimmage was a typical series of 10 minute face-offs alternating between varsity and junior varsity squads.
Housy was the more successful squad in the scrimmage, but Webutuck didn’t make the wins easy for the visiting team. Housy’s won all but one of the scrimmages, but none with a difference of more than five points.
In the third scrimmage of the night — the second varsity matchup — Webutuck and Housy matched each other point for point. For most of the scrimmage Housy was up by a basket or two, but at the five minute mark Webutuck turned the game around on a fast break to close Housy’s lead.
For the next two or three minutes, Housy tried to rebuild their lead only to be matched by Webutuck. The scrimmage came down to an 11-11 tie in the final thirty seconds. Then, with a rebound and another fast break, Webutuck scored the winning basket with just fifteen seconds on the clock, not enough time for Housy to rebut.
That scrimmage was Webutuck’s only win of the night, but the team demonstrated perseverance throughout.
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Matthew Brooks, no. 8, attempts to steal the puck from Salisbury’s Ryan Hedley, no. 10.
Photo by Nathan Miller
MILLBROOK — An unsuspecting crowd left Bontecou Rink shocked Monday night, Dec. 9, after the boys varsity hockey matchup between Millbrook and Salisbury ended with an 8-1 Salisbury win.
The heated game saw tensions between the two teams climb to a fever-pitch on the ice. Slams and blocks progressed into would-be fisticuffs on the ice on multiple occasions, forcing refs and players to pull the offended parties off each other.
Salisbury’s first goal came within minutes of the game’s start, followed by a dominating series of plays that brought Salisbury’s lead to 4-0 by the end of the first period.
The Millbrook boys didn’t find much success in cutting their opponent’s lead as the girls did in the Dec. 4 game against Taft School. In the second period, Salisbury further cemented their lead by scoring two more goals, bringing the game to 6-0.
Millbrook tried to regain their footing on the ice, but Salisbury kept knocking their skates out from under them. The puck rearely stayed on Salisbury’s side of the rink for long. It seemed every time Millbrook ejected Salisbury’s squad the boys would simply regroup and retake.
A quick look at the shot count before the start of the third period shows a key difference in Salisbury and Millbrook’s play styles, and reinforces that old cliché originally coined by hockey legend Wayne Gretzky: Salisbury had taken nearly three times as many shots as Millbrook.
Millbrook’s valiant efforts culminated in a single goal early in the third period, but Salisbury stayed Millbrook’s momentum keeping the score at 8-1 until the final buzzer.
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Dec 13, 2024
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Stephen S. Myers
Dec 11, 2024
LAKEVILLE — Stephen S. Myers, 82, of Lakeville, (formerly of New York City, Almond, New York, Kane’ohe, Hawaii, and Fair Oaks, California) passed away peacefully at his home on Nov. 30, 2024. He is survived by his wife Elizabeth “Betsy” (Phelan), his two sons Matthew and Shepherd, two nephews and three nieces.
Stephen was born in Elmhurst, Illinois, on Oct. 29, 1942, the son of the late Elwood Mosman and Donnie Marguerite Myers. Growing up in Glen Ellyn, Illinois, Stephen struggled with dyslexia in multiple high schools, ultimately graduating from Avon Old Farms High School in Avon, Connecticut.
Before attending Pratt Institute, he lived in a beach shack Shelter Island for a year and remembered this as a time when “you could walk the beach and eat the fish.” At Pratt he met his wife, Betsy, and helped to establish photography as a major there with the assistance of his friend Robert Mapplethorpe. As one of the first wave of artists to move to the Cast Iron District in Lower Manhattan, he and Betsy renovated a 3,200 square-foot loft and became one of many artists illegally living in the Soho loft spaces. They ran a photo studio for commercial clients, as well as doing street photography, including a role as the club photographer for the Alien Nomads’ MC or Motorcycle Club (which later became the New York City Hells Angels Chapter). He was a major contributor to New Journalism in New York City with Milton Glaser and Clay Felker during the 1960’s and 1970’s. His investigative photojournalism was featured in major stories about media figures along with current events in New York City and upstate New York. He documented multiple artists, musicians and notable persons (including Jim Morrison and The Doors, Sly and The Family Stone, Eddie Egan, Russell Means, Dennis Banks, John Lee Hooker, and Count Basie) from the Sixties to the present.
In the late 1970’s Stephen and Betsy relocated to Western New York where he continued his photography work full time, including becoming a field tester for Eastman Kodak’s pre-production professional films and papers, as well as photos in the ad campaigns to introduce the product to the marketplace. His North Coast Native American mask photography for the American Museum of Natural History was used extensively across dozens of publications. He was a runner-up for the 1998 Ellie National Magazine Award for his LIFE Magazine article about his plant photography in which he was featured.
In 1988 Stephen and his wife led a grassroots resistance campaign, with the help of physicist Theodore “Ted” Taylor and the local community, against the New York State government over a proposed low-level radioactive dump. Rallying everyone from hardscrabble farmers, the sheriff, political leaders, academics, media, and even the members of the local Mennonite community, they were able to increase their ranks and bring many disparate groups together. At one point Stephen read the Declaration of Independence to an audience of over 5,000 at a county-wide meeting. He considered this day, and the fact that the entire campaign remained a form of nonviolent protest, to be among his greatest accomplishments. This activism led to a U.S. Supreme Court challenge, New York v. United States, 505 U.S. 144 (1992), which is the first enduring challenge of states’ rights under the 10th Amendment of the U.S. Constitution. They were able not only to stop construction of the dump, but also to change how the federal government would handle the disposal and containment of such waste for future generations.
His work was published in LIFE Magazine, New York Magazine, Esquire, Playboy, Fortune, A.D. Magazine, New Times Magazine, Harper’s Magazine, Natural History Magazine, VIVA Magazine, Seventeen, Audience Magazine, Working Woman, National Lampoon, The Saturday Review, and NOVA. Prints of his work can be found in the permanent collections of the Victoria and Albert Museum, Fenimore Art Museum, Albright-Knox Art Gallery, George Eastman House, the Robert L. Pfannebecker Collection, the Almond Historical Society Archives, American Museum of Natural History, Robert Sobieszek Collection, Center for Creative Photography at the University of Arizona, George Eastman House, the Sidney Clark Collection at Avon Old Farms, Cooper Hewitt, Smithsonian Design Museum, Atlantic Richfield Company (ARCO) Collection, and Kroch Library’s Rare Manuscript Collections at Cornell University.
After raising his children in Western New York State, he and Betsy lived in various places before returning to the Northeast. Stephen had a lifelong passion and love for woodworking, painting (oil & watercolor), restoring antiques, attending estate sales and flea markets, listening to music, and riding his bicycle with his sons.
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