A Little Horror To Brighten Up Your COVID-19 Crisis

A Little Horror To Brighten  Up Your COVID-19 Crisis
Sophia Lillis stars in the Netflix series “I Am Not Okay with This.” Photo courtesy of Netflix

Let’s face it, this is a terrifying time: We are living in quarantine and trying to avoid infection from a potentially fatal disease.

Counter-intuitively, this might be the perfect time to check out two horror offerings from Netflix.

Some psychologists believe that watching horror can soothe viewers. There are many theories as to why, but one seems to be that watching terrifying events onscreen assures us that we’re not alone, and helps us to externalize our inner fears.

‘You’ brings horror and love

“You,” a series now being offered exclusively on Netflix is … well, it’s  a romantic tale about a serial killer. 

Actor Penn Badgley plays Joe Goldberg, who finds a new woman to obsess over each season and woe to anyone who gets in they way of his romantic pursuits. Think of it as “Dexter” meets “The Philadelphia Story.” 

Joe is a New York bookstore owner who we come to sympathize with thanks to flashbacks to his childhood traumas and his own interior monologues. It also helps that his victims are pretty loathsome. 

And, frankly, his unconditional commitment to the objects of his affection is endearing. 

As you might expect, these are not traditional love stories — although critics of the show have said Joe is a traditionally manipulative narcissist and that the series is just a Bluebeard tale of cruelty and misogyny updated for the 21st century. 

I think it’s better than that, with layers of complexity added in alongside references to film classics (notably “The Philadelphia Story” — a clip from the film is even added in to one episode in season two).

So where’s the horror? Well, try this. In season two, Joe is on the run from a revenge-seeking ex-girlfriend named Candace. He takes on a new identity that leads him to L.A., where he kidnaps a man named Will Bettelheim and assumes his identity. (Implausibly, Will is kept alive in a glass cage in a storage unit.)

Trouble is, the real Will owes some bad men a lot of money.Complications ensue. Joe does good things (such as defending his neighbor’s increasingly imperiled young sister). He  falls in love with a chef/heiress named Love Quinn (played with star-making intensity by Victoria Pedretti from “The Haunting of Hill House”). There is a pinky-chopping Mafioso. The gore factor rises, with appendages being taken hostage and body parts being fed through a meat grinder.

Strong, grounded performances make season two’s increasingly outrageous plot twists credible. 

‘I Am Not Okay with This’

Elsewhere on Netflix, 17-year-old Syd Novak is suffering from the usual adolescent woes: acne, unrequited love, crazy hormones. 

One thing that sets her apart from her high school peers: She is learning to destroy and kill with her mind. 

“I Am Not Okay with This” is a “Carrie”-like drama released in late February on Netflix. It is based on a 2018 graphic novel by Charles Forsman (who was the creator of “The End of the F***ing World,” which was also made into a television series).

Syd (played by Sophia Lillis) is a self-described “boring, 17-year-old white girl” who is in love with her best friend, Dina (Sofia Bryant). Unfortunately, Dina is dating golden boy Bradley Lewis (Richard Ellis). Eccentric neighbor Stanley Barber (Wyatt Oleff) is enlisted both as a heterosexual foil to match Dina’s dating and later as a hapless but charming mentor to Syd and the budding superpowers she has to learn to control.

Syd’s telekinesis is connected with rage and desire. There is also a mysterious presence that follows Syd, and that fades into black mist when anyone tries to look at it.

The producers of the Netflix hit “Stranger Things” were on board in the creation of this series, which will interest comic book fans with its superhero origin story; and which will appeal to film fans through rich cinematic moments that borrow from  teen classics such as “Pretty in Pink,” “Heathers,” “The Breakfast Club” and, of course, “Carrie.”

The narrative is compelling; the characters are well-developed and are played with strength, energy and commitment by the show’s young actors. The series also serves as a mini-reunion between Lillis and Oleff, who appeared in the horror films “It” and “It Chapter Two.” 

Mind-bending scenes aside, the show is also about friendship and surviving bad times. In seven episodes that approach a half-hour each, one can easily watch the “I Am Not Okay with This” in one sitting.  It offers a brief but fruitful escape from the horrors of our outside world.

NF Ambery is an award-winning newspaper and magazine reporter published in Genre, The New London Day, The Register Citizen, The Hartford Courant and New York Family (where he was an editor).

Latest News

Classifieds - February 26, 2026

Classifieds - February 26, 2026

Help Wanted

PART-TIME CARE-GIVER NEEDED: possibly LIVE-IN. Bright private STUDIO on 10 acres. Queen Bed, En-Suite Bathroom, Kitchenette & Garage. SHARON 407-620-7777.

The Salisbury Association’s Land Trust seeks part-time Land Steward: Responsibilities include monitoring easements and preserves, filing monitoring reports, documenting and reporting violations or encroachments, and recruiting and supervising volunteer monitors. The Steward will also execute preserve and trail stewardship according to Management Plans and manage contractor activity. Up to 10 hours per week, compensation commensurate with experience. Further details and requirements are available on request. To apply: Send cover letter, resume, and references to info@salisburyassociation.org. The Salisbury Association is an equal opportunity employer.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

To save birds, plant for caterpillars

Fireweed attracts the fabulous hummingbird sphinx moth.

Photo provided by Wild Seed Project

You must figure that, as rough as the cold weather has been for us, it’s worse for wildlife. Here, by the banks of the Housatonic, flocks of dark-eyed juncos, song sparrows, tufted titmice and black-capped chickadees have taken up residence in the boxwood — presumably because of its proximity to the breakfast bar. I no longer have a bird feeder after bears destroyed two versions and simply throw chili-flavored birdseed onto the snow twice a day. The tiny creatures from the boxwood are joined by blue jays, cardinals and a solitary flicker.

These birds will soon enough be nesting, and their babies will require a nonstop diet of caterpillars. This source of soft-bodied protein makes up more than 90 percent of native bird chicks’ diets, with each clutch consuming between 6,000 and 9,000 caterpillars before they fledge. That means we need a lot of caterpillars if we want our bird population to survive.

Keep ReadingShow less
Stephanie Haboush Plunkett and the home for American illustration

Stephanie Haboush Plunkett

L. Tomaino
"The field of illustration is very close to my heart"
— Stephanie Plunkett

For more than three decades, Stephanie Haboush Plunkett has worked to elevate illustration as a serious art form. As chief curator and Rockwell Center director at the Norman Rockwell Museum in Stockbridge, Massachusetts, she has helped bring national and international attention to an art form long dismissed as merely commercial.

Her commitment to illustration is deeply personal. Plunkett grew up watching her father, Joseph Haboush, an illustrator and graphic designer, work late into the night in his home studio creating art and hand-lettered logos for package designs, toys and licensed-character products for the Walt Disney Co. and other clients.

Keep ReadingShow less
Free film screening and talk on end-of-life care
‘Come See Me in the Good Light’ is nominated for best documentary at this year’s Academy Awards.
Provided

Craig Davis, co-founder and board chair of East Mountain House, an end-of-life care facility in Lakeville, will sponsor a March 5 screening of the documentary “Come See Me in the Good Light” at The Moviehouse in Millerton, followed by a discussion with attendees.

The film, which is nominated for best documentary at this year’s Academy Awards, follows the poet Andrea Gibson and their partner Megan Falley as they are suddenly and unimaginably forced to navigate a terminal illness. The free screening invites audiences to gather not just for a film but for reflection on mortality, healing, connection and the ways communities support one another through difficult life transitions.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.