An Artist Finds his Place in the World Through his Portraits

An Artist Finds his Place in the World Through his Portraits
Portrait and figurative artist Christopher Pouler makes paintings that showcase the human condition, in his charming shed and working studio, which sits atop a hill on his 3.5-acre property. 
Photo by Anabelle Baum

One of many patches of forest in Lakeville, Conn., featuring a steep hill, is painter Christopher Pouler’s “Little Walden Pond without the pond.”

Three years ago, Pouler and his wife bought the property, which measures 3.5 acres.

Their initial plan was to build a house there, but it was too expensive. Pouler had always wished for a studio outside his home, so he switched gears to fulfill those dreams. A friend, who is a builder, recommended that Pouler buy a custom-made shed, instead of building a small cabin from scratch.

It was an epic challenge to deliver the shed to the “Thoreau-esc” plot. It took two hours for a hydraulic-powered truck to “inchworm” the shed up the steep hill.

After its installation, Pouler furnished the inside. There is no electricity, so he uses a super-charged lithium-ion battery to fuel the lights in the studio, and a woodfired stove to keep warm in winter.

Reflecting on his favorite parts of the studio, Pouler reflected, “I love where I am. It’s in the woods. It’s super secluded.”

But it has its downsides. “It would be nice not to freeze for the first half an hour in the winter,” waiting for his stove to warm up the small room. Still, Pouler feels wiring the shed with electricity is not needed: he’s content with the battery and stove.

Pouler is also a designer, creating sets for broadcast news and television. With COVID-19, that work stopped — which allowed Pouler to focus on painting. 

“The good thing is that, since COVID-19, I’ve been in the studio practically every day.”

A portrait and figurative artist, Pouler is interested in “the human condition and how it differs depending on where you find yourself.”

When Pouler became a father 20 years ago, he realized that his children would have privileges that are not available to so many children — refugee children, for example, who are faced with challenging environments all over the world.

“It’s random how you end up in a place — your life could so easily have been completely different.” 

He painted pieces that showed his own children and refugee children, to reflect those thoughts.

With these portraits, he hopes to show that, no matter who they are, “this person or that person is a beautiful girl or young man or old guy.”

One of his portraits in progress is a young woman refugee from Iraq, whom Pouler described as a success story: “She’s in a safe place now.”

Pouler has a show coming up at the Berkshire School in Sheffield, Mass., in November; it will include  her finished portrait, floating above two panels painted with yellow flowers.

Pouler chooses the word “installation” for his coming show — appropriate, because he hopes to “meld” his designing and painting skills. He also wishes to engage the students fully in the show, by having them write to child refugees in detention centers.

 

Books that Chris Pouler recommends

• “The Time Traveler’s Wife,” by Audrey Niffenegger

“This is an intelligent, quirky and beautifully written novel. It’s a story of a couple who learn to cope with the arbitrary nature of the husband’s time-traveling ability.”

• Tao Te Ching by Laotzu 

“This book, written in the 4th century B.C., has been by my side since my freshman year of college. It contains what I believe to be some of the simplest yet most profound philosophy that I have ever read.”

• “Anselm Kiefer: A Monograph,” by Dominique Baqué

“This is a well-written and spectacularly illustrated monograph of one of the greatest living artists. While his art is completely different than mine, I am nonetheless inspired by it and his creative fearlessness.”

Latest News

County legislature candidates lay out their priorities

Contested seats in the Dutchess County Legislature are close to home this election season, with Districts 19 and 25 covering the rural towns across the northern and eastern corners of the county. Though the candidates bring distinct experiences and perspectives, they share common ground on some of the biggest challenges facing local communities, including emergency medical services and affordable housing.

Here’s a look at the candidates.

Keep ReadingShow less
Classifieds - October 23, 2025

Help Wanted

Weatogue Stables has an opening: for a full time team member. Experienced and reliable please! Must be available weekends. Housing a possibility for the right candidate. Contact Bobbi at 860-307-8531.

Services Offered

Hector Pacay Service: House Remodeling, Landscaping, Lawn mowing, Garden mulch, Painting, Gutters, Pruning, Stump Grinding, Chipping, Tree work, Brush removal, Fence, Patio, Carpenter/decks, Masonry. Spring and Fall Cleanup. Commercial & Residential. Fully insured. 845-636-3212.

Keep ReadingShow less
An interview with Bestor Cram: filmmaker discusses ‘Tiananmen Tonight’ and the power of the press
Filmmaker Bestor Cram
Provided

On Thursday, Oct. 30, from 5:30 to 7 p.m., the Norfolk Library will host a free public screening of “Tiananmen Tonight,” a film by Bestor Cram and Michael Streissguth about the 1989 student uprising in China and the daring coverage by Dan Rather and CBS. Director Cram will introduce the film.

A documentary filmmaker whose life was forged in the fire of Vietnam, where he served as a Marine, Cram earned the Navy Commendation Medal. He returned home to become a conscientious objector and leader of Vietnam Veterans Against the War. After working in the MIT Film Studies Program, he founded Northern Light Productions in Boston, producing media for museums, and has made more than 30 feature documentary films.

Keep ReadingShow less
Vincent Inconiglios brings ‘Face Time’ to Hunt Library
Artist Vincent Inconiglio’s show “Face Time” opens Oct. 25 at the Hunt Library.
L. Tomaino

Abstract artist Vincent Inconiglios' love and enthusiasm for color and form are evident all around him at his Falls Village studio, where he has worked for 25 years. He is surrounded by paintings large and small, woodcuts, photographs, collages and arrays of found objects.

The objects Inconiglios has found while out walking — in Falls Village, near his studio on Gansevoort Street in New York City, and in other places throughout the world — hold special importance to him. Appreciation of them, he says, comes from “seeing while exploring. I am always finding things.” His particular delight is finding objects that look like faces, many of which will be featured in the ArtWall show at the Hunt Library.

Keep ReadingShow less