Banned Book Awards champions children’s right to read

Judy Blume connected digitally at the ceremony and was honored with a lifetime achievement award.
Alexander Wilburn


Judy Blume connected digitally at the ceremony and was honored with a lifetime achievement award.
There can be no question that democratic freedoms are currently being attacked and restricted in the United States, and somehow, children and the information they have access to have been the ongoing targets of attack.
As AP News reported in 2023: “More than 1,200 challenges were compiled in 2022, nearly double the then-record total from 2021 and by far the most since the American Library Association began keeping data 20 years ago.” Conservative groups across the country have become well-organized machines harassing individual public and school librarians with threats of legal and violent action. The message from these groups, often supported by government leaders, is that children should not have access to books — books meant for young readers — that engage with topics of race, gender or sexual identity.
At Fisher Center at Bard College, the inaugural Eleanor Roosevelt Banned Book Awards was held Saturday night, Feb. 17, honoring a group of middle-grade and young adult authors with the first Awards for Bravery in Literature. These recipients, authors of some of the most challenged books in the country by counties, local governments and school boards, were acknowledged for their literary accomplishments and for championing stories full of independent thought, compassion and important social messages.
The award ceremony was hosted by Anna Eleanor Fierst, Roosevelt’s great-granddaughter and chair of the Eleanor Roosevelt Center at Val-Kill. Fierst was joined on the stage by speakers Emily Drabinski, the president of the American Library Association; George McCalman, author of “Illustrated Black History: Honoring the Iconic and Unseen”; Matt Nosanchuck, the deputy assistant secretary for operations and outreach in the Office for Civil Rights at the U.S. Department of Education; Lee Rowland, policy director at the New York Civil Liberties Union (NYCLU); and Cameron Samuels, a student at Brandeis University and the executive director of SEAT, a youth civic organization. Last year, at age 18, Samuels testified before the Senate Judiciary Committee addressing book bans.
The recipients of the Eleanor Roosevelt Awards for Bravery in Literature were the following, in alphabetical order:
— Laurie Halse Anderson for “Shout: The True Story of a Survivor Who Refused to be Silenced” from Viking Books. Anderson is the author of the 1999 young adult novel “Speak,” adapted into a Sundance Festival film in 2004 starring Kristen Stewart. “Speak” tells the story of a 14-year-old girl who is raped at a party the summer before her first year of high school and finds herself ostracized by her fellow students as she finds the strength to name her assailant. Twenty years later, Anderson wrote “Shout,” a companion memoir about her own adolescence. “Speak” was a National Book Award finalist, but in 2020, was also named the fourth most banned and challenged book in the United States.
— Mike Curato for “Flamer” from Macmillan. A semi-autobiographical graphic novel written and illustrated by Curato, set in 1995, it details a summer at a sleepaway Boy Scouts camp where a 14-year-old Filipino boy navigates changes in his male friend group — which include bullying and homophobic slurs — leaving him isolated, hating himself and contemplating suicide. PEN America reported that “Flamer” was banned in schools in at least six states during the 2021-22 school year, and in Utah’s Alpine School District, was filed as “pornographic.”

— Alex Gino for “Melissa” (previously published as “George”) from Scholastic. “Melissa” has appeared on the American Library Association’s Top Ten Most Challenged Books list every year since its publication. The children’s novel follows a 10-year-old transgender girl named Melissa, known as “George” to her family, whose one wish is to play the role of the talking spider Charlotte in her fourth-grade class’s production of “Charlotte’s Web.” The novel was at the center of the 2018-19 Oregon Battle of the Books controversy, a school reading challenge that two school districts refused to participate in because of the inclusion of “Melissa” on the reading list.
— George M. Johnson for “All Boys Aren’t Blue” from Farrar, Straus and Giroux. A coming-of-age memoir, Johnson details their ’90s youth in Plainfield, New Jersey, with a focus on coming to terms with their Black and queer identity while also addressing Black, queer male readers today as they search for role models and representation in their own lives. In 2021, a Flagler County school board member and a retired teacher filed a criminal complaint against the Florida school’s superintendent for carrying the book.

— Maia Kobabe for “Gender Queer” from Simon and Schuster. The graphic novel written and illustrated by Kobabe has been in the eye of the book-banning storm since its publication, publicly challenged by conservative politicians like South Carolina Gov. Henry McMaster and Virginia Gov. Glenn Youngkin, among others, citing the novel to be “obscene for unrestricted viewing by minors.” In a town hall in 2023, Youngkin was called out on his views on the book and trans youth by a transmasculine Arlington high school student named Niko. “Look at me,” Niko said to Youngkin. “I am a transgender man. Do you really think that the girls in my high school would feel comfortable sharing a restroom with me?”

— Jelani Memory for “A Kids Book About Racism” from Penguin Random House. The young reader’s book for ages 3-6 was initially written for Memory’s own children — his four white step-children and two Black biological children — before he submitted the book for publication. The introduction tells children, “This is a book about racism. For reals! And yes, it really is for kids. It’s a good book to read with a grownup. Because you’ll have lots to talk about afterward.”
The ceremony’s Lifetime Achievement Award was presented by NYCLU’s Lee Rowland to the incomparable author of beloved young adult books, Judy Blume, who joined the audience digitally from her home in Key West, Florida.
Since the publication of “Are You There God? It’s Me, Margaret” in 1970, the name Judy Blume has been synonymous with the inner heart of girlhood. The author of classics like “Blubber,” “Tiger Eyes,” and “Forever...,” Blume has not only captured the complexity of puberty as childhood innocence slips away and the shadow of adulthood looms, but taken the emotions and plights of young girls seriously. Tackling stories centering on faith, death, virginity and love, Blume’s novels continue to be a lifeline to readers grappling with understanding a world that often deliberately hides uncomfortable truths, even when it comes to a girl’s own body and mind.
“As someone who argued with [former White House communications director] Pat Buchanan over masturbation, I’m sorry to say I’ve heard a lot [when it comes to challenging books],” Blume said at the ceremony. “It is different today. It is scarier because it is coming from the government more and more, and from state legislatures. It is very political now. We just have to keep going. We just have to keep working together.”
Her advice to her fellow authors, as well as to young aspiring novelists, was clear: “You’ve got to knock the critic off one shoulder, and you’ve got to knock the censor off the other shoulder. When you’re locked up in your little room writing, you cannot think of what will happen. You just have to go for it.”
Natalia Zukerman
Elyse Deublein Harney (center) celebrates with Keith Harney, Elyse Harney Morris, Paul Harney and Michael Harney after receiving an honorary doctorate from St. Joseph’s University.
On May 19, Elyse Deublein Harney returned to St. Joseph’s University in New York City, her alma mater, where she graduated in 1952. Before the crowd gathered for the university’s 107th commencement ceremony, the Salisbury resident, entrepreneur and community leader received an honorary doctorate and delivered the commencement address to the Class of 2026.
The recognition arrives at a meaningful moment for the Harney family. In February 2027, Elyse Harney Real Estate will celebrate its 40th anniversary, joining Harney & Sons Fine Teas, co-founded by Elyse and her husband, John, in 1983, as one of two enduring family businesses that have shaped both the region and the family’s legacy.
At a moment when many people are expected to reflect on their accomplishments, Harney used her commencement address to talk instead about possibility.
“God has a job for you,” she told the graduates. “Something that you alone can do.”
That line may very well be the organizing principle of a life that has included hotel management, raising five children, launching two businesses, serving on local boards, helping found the Salisbury Volunteer Ambulance Service and, somehow, still finding time to reopen conversations about preserving historic institutions.
One of the most striking parts of Harney’s address centered on beginning again.
When she and her husband were 50 years old, the partners of the White Hart Inn in Salisbury, where John was general manager for many years, decided to sell. Suddenly, the couple needed a new source of income.
John launched what would become Harney & Sons Fine Teas, and Elyse opened a real estate office across the street.
“Simple as that, I did,” she told graduates with characteristic understatement.
Of course, anyone familiar with the growth of Elyse Harney Real Estate knows there was nothing simple about it. What began as a small local office became one of the most respected real estate firms in the region, helping define the market across northwestern Connecticut, the Hudson Valley and the Berkshires.
Her commencement address wandered delightfully through subjects that rarely appear together: Nobel Prize-winning genetic research, French entrepreneurs, Catholic education, self-driving cars, German teachers and divine purpose.
At one point, Harney reflected on the women who educated her at St. Joseph’s.
“They made it very clear we could do whatever we wanted to do, if we were willing to work for it,” she said. “Being a woman was not a handicap.”
For graduates entering a world transformed by artificial intelligence, political upheaval and economic uncertainty, Harney offered neither nostalgia nor easy reassurance.
“AI is here,” she said. “We have to learn to use it and to control it.”
After discussing technology, entrepreneurship and faith, Harney turned to the subject of consciousness. Quoting author Michael Pollan, she shared the final lines from his new book, “A World Appears: A Journey Into Consciousness,” that she said had stayed with her:
“Consciousness is a miracle, truly. It is the most mysterious of things, and yet it can be put in one short sentence: I open my eyes and I see the world.”
Then she offered her final message to the graduates.
“Open your eyes and see the world.”
At 95, Elyse Harney is still opening her eyes and seeing the world. Thankfully, she’s still telling the rest of us what she finds there.

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Richard Feiner And Annette Stover
Think logically and then break the mold with creativity.
— Pilar Proffitt
Pilar Proffitt is forging a remarkable artistic path grounded in her long history in Northwest Connecticut. Proffitt is a true Renaissance woman with a quirky sense of humor — a visual artist, architect, designer of interiors, furniture and products, and curator of home furnishings.
Her latest grand project is still quite literally under wraps. Large windows obscured by construction paper on a bustling avenue in Manhattan prevent passersby from peeking into the 15-story boutique hotel designed and furnished by Proffitt for an international hotel group, which is nearing completion. The hotel’s lobby, restaurant, common areas and rooms stand out for their attention to design — from the furnishings, colors and fabrics to the mosaic floor tiles, hardware, wrought-iron gates and stairs, selection of antique books, and the art on the walls. The collection includes paintings by Proffitt, photographs by Wassaic Project co-Executive Director Jeff Barnett-Winsby, time-lapse photography by Xan Padron and classics from the Warhol Factory.
Proffitt and her husband and business partner, Robert Bristow, are well-known leaders in the art and architecture communities, and their home, studio and workshop in Lakeville; store and office at 16 Main St. in Salisbury; and gallery space in Norfolk are vibrant hubs for arts and design in the region.
Proffitt has been coming to the area since she was a teenager. Originally from Puerto Rico, her family moved to the New York City area in the 1970’s. Her artist and architect father encouraged her interests in art and design and her deep desire to create. At school, she excelled in math and art and soon realized that this was all she wanted to do. “Think logically and then break the mold with creativity,” she said.
Armed with a degree in visual art from Trinity College, she pursued advanced studies at Berkeley and Pratt before receiving a master’s degree in architecture from Virginia Tech in Blacksburg, Virginia, where she met Bristow. Both landed apprenticeships in Boston and were drawn to the arts community in Norfolk centered around the Yale Summer Arts Program. The area quickly became their personal and family anchor.
They started Poesis, a furniture design and manufacturing studio, with a small loan from her mother. They landed a major house project and soon met a hotelier at a party who hired them on the spot to design a hotel in Washington, D.C.
Proffitt said, “I was hooked because it combined everything I wanted to do creatively: design experiences in the broadest sense with all the supporting pieces of the puzzle — furniture, objects, art. My father felt that architecture was the Renaissance profession: It holds the seeds of art, design, engineering and all the other ingredients. For me, it all starts with art.”

Proffitt is devoted to the area. She and Bristow raised their family in Lakeville. Their daughter Grace, a sculptor, attended Hotchkiss and is pursuing her MFA at University of Pennsylvania. Their daughter Ellis, also a graduate of Hotchkiss and Trinity, is a mathematician and aspiring actress in Los Angeles; and their son Sam attended Salisbury School and is a junior at Trinity, majoring in art history with a minor in architecture. They all are carrying forward the family’s passion for arts, architecture and design.
Proffitt’s interior design work and unique furniture pieces welcome visitors at Hotchkiss’ Art Center, the Scoville Memorial Library, her own wHole hOuse shop in Salisbury and, soon, across the street in the new Jam Food Shop, which is expected to open this fall.
The region’s many museums and galleries include some of Proffitt’s favorites, from Mass MoCA and the Clark to Salisbury’s Geary, Mad Rose in Millerton, Jack Shainman in Kinderhook and Art Omi in Ghent. Proffitt loves the connections and new opportunities brought to the community by the increase in full-time residents, as well as impromptu get-togethers with friends — recently watching a Knicks playoff game at the tavern bar at the White Hart. Moments like that keep her grounded here.
In addition to the White Hart, Proffitt is a fan of area restaurants, including Fern for a quick pasta at the bar; Isabela in Amenia, where Michelin-starred chef Jose Ramirez Ruiz is from Puerto Rico; and Clare de Boer’s Stissing House in Pine Plains.
A perfect day for Proffitt is spent working in her studio overlooking Lake Wononscopomuc, without distractions, rain or shine. It is a quiet and peaceful place that supports her many architecture and design projects. When asked what she would say to a younger version of herself just starting a career, she responded, “Don’t be so shy. As one of my professors told me, ‘Sometimes you just have to crash the party.’ Draw, write, run, play tennis. And travel!”
D.H. Callahan
The set for “Swingtime Canteen” transports the audience to WWII London.
Dateline: 1944. A platoon of our boys are stationed in London, waiting to be sent to the mainland to fight the Axis powers and liberate Europe. While they wait, a group of glamorous gals from Hollywood are sent over to distract them with singing, dancing and a few memories of home.
That’s the scene at “Swingtime Canteen,” the new production now on stage at the Sharon Playhouse.
From the moment you enter the playhouse, the stage takes you right back to another time, with recruitment and War Bonds posters setting the tone alongside soldiers’ footlockers and blankets. When the lights go down, the smiles of the cast light up the room, and the audience is quickly recast as a troupe of American G.I.s.
What follows is a jukebox musical in the truest of sense, bouncing from one 1930s hit to more “contemporary” 1940s tunes and back again, all performed with the kind of polished finish audiences have come to expect from the Sharon Playhouse.
The gals in the band are our entire cast, and they spin yarns in between numbers, throwing the spotlight back and forth between the five singing-and-dancing sensations. But they don’t stop there. Between piano, saxophone, drums and even a banjo, they work with the musicians on stage to create that quintessential ‘30s and ‘40s sound.
“Swingtime Canteen” transports its audience to a time when, unlike today, there was very little division among Americans. The war they were fighting had a 97% initial approval rating from U.S. citizens. In a year when the nation is celebrating its 250th anniversary, the production serves as a reminder of a moment when Americans largely shared a common purpose and a common enemy. Even if the swinging songs of the ‘30s and ‘40s aren’t your thing, the production is a marvelous little escape to a time when life was a little simpler and the lines between good and evil were a little clearer. For showtimes and tickets, visit sharonplayhouse.org
Thomas Jensen
Aerial view of The Shed at Tanglewood.
The Tanglewood classical music schedule is loaded with gems. Here are eight to consider:
Thursday, July 9, 8 p.m., in Ozawa Hall. The dynamic duo of Augustin Hadelich, violin, and Seong-Jin Cho, piano, take on works by Brahms, Janacek, Beach and Prokofiev. Whether you get seats in the hall or sit outside on the lawn, you will not regret getting to this one.
Friday, July 10, 8 p.m., in the Shed. Seong-Jin Cho plays Tchaikovsky’s Piano Concerto No. 1 and excerpts from “Swan Lake.” This special evening features dancers from Boston Ballet and will be wonderful for the ears and the eyes.
Saturday, July 18, 8 p.m., in the Shed. The BSO, with Joe Hisaishi conducting, Jean-Yves Thibaudet on piano and Song Hee Lee, soprano, will perform Hisaishi’s “Adagio for Two Harps and Strings,” Ravel’s Piano Concerto in G, Hisaishi’s “Da-Ma-Shi-E” and Hisaishi’s “Symphonic Suite from Princess Mononoke.” The multitalented Hisaishi will be the most accomplished Japanese artist to grace the grounds since Ozawa’s time. Not to be missed.
Sunday, July 19, 2:30 p.m., in the Shed. The BSO, with Andris Nelsons conducting, Daniil Trifonov on piano and Thomas Rolfs on trumpet, presents a powerful program: Haydn’s Symphony No. 22, “The Philosopher”; Shostakovich’s Piano Concerto No. 1; and Beethoven’s Symphony No. 2. This is quite a lot to take in. Rolfs remains one of the orchestra’s most compelling virtuosos, and his trumpet playing is always worth hearing live. Trifonov, legendary on piano, playing another Russian legend’s finest music; extraordinary. Then, Beethoven. Better get there early.
Friday, July 24, 8 p.m., in the Shed. The BSO, with Andris Nelsons conducting and the brilliant Augustin Hadelich on violin, performs Mozart’s Violin Concerto No. 5 and Tchaikovsky’s Symphony No. 3, “Polish.” Hadelich is worth seeing again and again; the tones he produces are so sweet.
Saturday, July 25, 8 p.m., in the Shed. The BSO, with Andris Nelsons conducting and Paul Lewis on piano. The super-catchy Mozart Piano Concerto No. 27, K. 595, will have Lewis demonstrating his artistic command of tempo and tone while dancing and blending delightfully with the orchestra. Tchaikovsky’s Symphony No. 4 follows after intermission, and you’ll practically float home.
Thursday, July 30, 8 p.m., in Ozawa Hall. The Danish String Quartet, which brings a lot of energy to the stage, performs Stravinsky’s “Suite Italienne,” Beethoven’s String Quartet No. 16 in F, Op. 135, and arrangements of Danish folk songs. Come to hear Frederik, Rune, Asbjørn and Fredrik. Skål!
Friday, July 31, 8 p.m., in the Shed. The BSO, with Esa-Pekka Salonen conducting and Yefim Bronfman on piano. The power of Wagner’s “Prelude and Liebestod” from “Tristan und Isolde,” followed by Sibelius’ Symphony No. 7 and Beethoven’s Piano Concerto No. 5, “Emperor,” will leave you feeling like you are the new emperor.
Other events of note: Friday, July 17, 8 p.m., in the Shed. The BSO performs John Adams’ selections from “Nixon in China.” Also, don’t miss Laurie Anderson’s curated series of events Aug. 13, 15 and 16.
For a full schedule and tickets, visit bso.org/tangle
wood

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