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‘Les Flashs d’Anne’: friendship, fire and photographs
‘Les Flashs d’Anne’: friendship, fire and photographs
Anne Day is a photographer who lives in Salisbury. In November 2025, a small book titled “Les Flashs d’Anne: Friendship Among the Ashes with Hervé Guibert,” written by Day and edited by Jordan Weitzman, was published by Magic Hour Press.
The book features photographs salvaged from the fire that destroyed her home in 2013. A chronicle of loss, this collection of stories and charred images quietly reveals the story of her close friendship with Hervé Guibert (1955-1991), the French journalist, writer and photographer, and the adventures they shared on assignments for French daily newspaper Le Monde. The book’s title refers to an epoymous article Guibert wrote about Day.
On Dec. 11, at 6:30 p.m., at the White Hart Inn in Salisbury, Day and Weitzman will share their memories in a conversation moderated by noted designer Matthew Patrick Smyth. The event is organized by Oblong Books and the Scoville Library.
Fresh home from her exhibition and book signing in Paris, Day sat in her Salisbury aerie high above the distant hills, her daughter’s black cat on her lap. She told the story of “Les Flashs d’Anne,” and the kismet that spurred its evolution.
In 2024, afterlearning that Day had worked with Guibert in New York and Paris, Weitzman — the author of numerous books about Guibert —saw her salvaged images, sought her out and announced, “We must do a book together.”
Weitzman writes in the book’s prologue, “This book is the dreamlike, uncanny result of that serendipitous encounter with a remarkable woman.”

During the 1980s, Day was a working photographer living on Fifth Avenue. A friend, the editor of Le Monde, asked whether Guibert, on his maiden voyage to New York, could stay with her. “I remember it was a cold night when Hervé showed up at my door,” she said.“His flight had just gotten in from Paris and he had this big box of Guerlain perfume. It was wrapped in beautiful pink paper. Within four minutes, we were friends.”
Thus began a whirlwind collaboration that took them from Manhattan, where they interviewed André Kertész, to Paris where they dined with Henri Cartier-Bresson and Duane Michals, and on to interviews with Isabelle Huppert, Gina Lollobrigida, designer Madeleine Castaing, Orson Welles and other luminaries of that time.
Day never saw Guibert after 1983. “Hervé got AIDS in the late ’80s and was quite militant. He now has a following of young people,” Day saidwistfully. During his final days, Guibert wrote five books based on his existential journey.

Day recalled the devastating house fire in which her family tragically lost their friend Maria Paz Reyes and their dog. Day survived by jumping from the second story. A lifetime of images, negatives and slides were lost or damaged. “To lose pictures is like losing friends. Everything was piled into metal file cabinets in my studio. All my negatives and slides were packed in tight. The fire started at the farthest point from there as possible. It was the only thing that wasn’t destroyed— every other single thing was gone. Nothing left. It was raining, so my friend Christopher covered everything with a tarp. The fabulous part of this story is how much help I had from my town, which gave me the empty firehouse to lay out everything to dry. Friends came from near and far to help. Some days I had ten volunteers, and it went on for a month, which gave me something to move forward with. It was so tragic and awful.”

A veteran photojournalist, portrait, wedding, and architectural photographer, Day created images for five books featuring the architecture of the Library of Congress, the U.S. Capitol, and the New York Public Library. She covered events in Cuba, Haiti and South Africa, where she took an iconic image of Nelson Mandela emerging from his prison cell. Her commissioned images of four Presidential Inaugurations are featured in the Smithsonian. Her work has appeared in Newsweek, Time, The New York Times, The Washington Post, Fortune, Paris Match and Vogue. She was the editor of Compass at the Lakeville Journal and The Millerton News.
Currently, she enjoys shooting digital photographs of nature. “I am interested in migration, large groups of birds and insects. I’ve been to New Mexico to photograph monarchs, Nebraska to photograph Sandhill cranes, and Ireland to photograph a murmuration of starlings.”
Day summed up her life: “Things just happened to me.”
Tickets to the event at The White Hart Inn on Dec. 11 are available at oblongbooks.com
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Writer and performer Nurit Koppel
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In 1983, writer and performer Nurit Koppel met comedian Richard Lewis in a bodega on Eighth Avenue in New York City, and they became instant best friends. The story of their extraordinary bond, the love affair that blossomed from it, and the winding roads their lives took are the basis of “Apologies Necessary,” the deeply personal and sharply funny one-woman show that Koppel will perform in an intimate staged reading at Stissing Center for Arts and Culture in Pine Plains on Dec. 14.
The show humorously reflects on friendship, fame and forgiveness, and recalls a memorable encounter with Lewis’ best friend — yes, that Larry David — who pops up to offer his signature commentary on everything from babies on planes to cookie brands and sports obsessions.
Koppel has good friends in the Pine Plains area and she calls the opportunity to present the piece at the Stissing Center a gift to her and her artistic process, which she shares with her son, Gideon McCarty, who serves as her director and dramaturg.
“He is the one person I listen to,” said Koppel.She credited him with helping her shape, in her own words, “real events from her life with Lewis.” For Mother’s Day this year, McCarty gave her the time to further develop the material and Koppel worked uninterrupted for 12 hours to hone and bring the piece to its current form. She plays 11 characters, not through impersonation but by presenting their authentic voices.
Koppel is clear that writing this piece was the right way for her to respond to Lewis’ passing in 2024, and that theatre is the right way to share it with others. “I wanted to have artistic control over the development process,” she said, and to bring to life her romantic relationship with Lewis, their experiences in New York City comedy clubs, and their neurotic New York friends. She also is open to opportunities to expand further on the material, perhaps in film or TV, as she still has a lot to say.
Koppel hopes primarily that people will be entertained by the world of the play. “I’m a pie-in-the-face kind of person and I want the play to give everyone a good laugh.” Considering her cast of characters, “Apologies Necessary” promises to offer plenty of laughs —plus much more.
“‘Apologies Necessary’ continues Stissing Center’s tradition to serve as a platform for new works of theater, providing playwrights with the opportunity to showcase their work and hone their craft,” said Patrick Trettenero, executive director of the Stissing Center. “We are excited to have Nurit present this reading of her new work in progress.”
Running time: approx. 90 minutes. Sunday, Dec. 14 at 7 p.m., Downstairs at Stissing Center. Tickets are vailable at thestissingcenter.org or 518-771-3339.
Richard Feiner and Annette Stover have worked and taught in the arts, communications, and philanthropy in Berlin, Paris, Tokyo, and New York. Passionate supporters of the arts, they live in Salisbury and Greenwich Village.
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Director Yael Melamede and her mother Ada Karmi Melamade in ‘Ada: My Mother the Architect.’
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When “Ada: My Mother the Architect” arrives at the Millerton Moviehouse this weekend, it may not immediately seem like your typical holiday fare. But looks can be deceiving. As the title suggests, director Yael Melamede has made her mother’s extraordinary architectural achievements the subject of a documentary. Ada Karmi Melamade is a mother of three, a central figure of Israel’s contemporary Bauhaus design, and a trailblazer for women who has reached dizzying professional heights over the course of a long and storied career.
What the title leaves unsaid, however, is the difficult personal choices the architect had to make along the path to success. Motherhood couldn’t always take priority — and while all’s well that ends well in this stirring portrait of family and fabrication, that underlying tension elevates what might have otherwise become a study in monotonous adulation.
The buildings are the easy part: Ada’s creations are unequivocally beautiful, and her daughter is up to the challenge of capturing their essence on film. Using a combination of unique perspective, time-lapse sequences and archival material, we’re treated to a symphony of light.

“I think that with one beam of light that falls right, it can change everything,” Melamade says, and we see her buildings — Jerusalem’s Supreme Court building and the Ben Gurion Airport among them —bloom and glow in some of the most breathtaking sequences.
But the film’s heart lies in the sometimes strained relationship between mother and daughter. “How [did] you love me for so many years?” Ada asks her daughter during one interview. “I wasn’t with you.” It’s a cutting message that has special resonance during the holiday season: Where are the lines between work and life, and how do we know when they need to be redrawn?
“Ada: My Mother the Architect” will screen at the Moviehouse in Millerton on Saturday, Dec. 6 at 7 p.m. A Q&A with director Yael Melamede will follow the film. Tickets at themoviehouse.net.
Graham Corrigan is a writer and musician from Philadelphia currently living in Lakeville.
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