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Spanish sonatas and serenades for Easter

Spanish sonatas and serenades for Easter

José Manuel Gil de Gálvez, left, took a bow with members of the Málaga Chamber Orchestra at The Hotchkiss School Music Center.

Alexander Wilburn

Adding some international vigor to Easter Weekend — or Semana Santa, “The Holy Week,” as it’s known in Spain — The Hotchkiss School held a performance by the Spanish string ensemble the Málaga Chamber Orchestra in the Esther Eastman Music Center on Saturday evening, March 30. Featuring six violins, two violas, two cellos, and a double bass, the chamber music orchestra, which has performed across Europe and the U.S., is led by violinist and Grammy-nominated music producer José Manuel Gil de Gálvez. He has shared the stage with renowned musicians like classical and flamenco guitarist Pepe Romero and South Korean classical cellist Hee-Young Lim and performed at locations like The Berlin Philharmonie, The Laeiszhalle in Hamburg, and The Seoul Arts Center.

With a flamboyant head of long ringlet curls and a mustache/goatee combination reminiscent of Colin Firth’s Elizabethan lord in “Shakespeare in Love,” Gil de Gálvez is a theatrical violinist to take in live, infusing his playing with a passionate performance that heats up lively numbers like the opening Spanish serenade, “Impresiones de España” by 19th-century composer Joaquín Malats. Gil de Gálvez was in full command during his captivating violin solo, “Adiós a la Alhambra” by composer Jesús de Monasterio, who served as honorary violinist of the Capilla Real de Madrid. “Adiós” is an example of de Monasterio’s Alhambrism style, the 19th-century nationalist romantic movement, which, like the contemporary Málaga Chamber Orchestra, was keenly interested in the restoration of music from the Spanish popular heritage.

A notable upcoming free concert is the spring finale before the Hotchkiss Summer Portals begin, held on Saturday, May 4, at 7:30 p.m. The Hotchkiss Philharmonic Orchestra will be joined by guest conductor Vahan Mardirossian. He currently serves as artistic director and principal conductor of the National Chamber Orchestra of Armenia, as well as the principal conductor of the City Chamber Orchestra of Hong Kong. Mardirossian will be joined on piano by Hotchkiss’s own Head of the Arts Department and Director of the Music Program Fabio Witkowski, as well as his wife, Gisele Witkowski, a piano instructor at The Hotchkiss School. The concert, titled “Vive le France!,” will feature works by French composers Hector Berlioz, Francis Poulenc, and Camille Saint-Saëns.

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Original art, attainable prices

Original art, attainable prices

Kenise Barnes Fine Art presents “Cool & Collected ’26,” its annual exhibition celebrating the joy of collecting, featuring works priced under $2,000.

D.H. Callahan

There’s a corner of YouTube populated by real-time footage of high-dollar art sales from prestigious New York and London auction houses like Sotheby’s, Christie’s and Phillips. Hundreds of thousands of viewers routinely watch with rapt attention, popcorn and cocktails in hand, as recognizable pieces from art history make their way to the upper echelons of grossly unattainable hammer prices. Pieces can often start with opening bids of tens of thousands of dollars and work their way up to multiple millions. Bidding increments alone can grow to sums unattainable for the average American family in several lifetimes.

Kenise Barnes Fine Art in Kent, Connecticut, wants to help make fine art more accessible. The 2026 version of the gallery’s annual “Cool and Collected” exhibition is subtitled “The Gift Edit” and features dozens of works by fine artists at prices that are much more in reach than an art-world outsider might expect. More than 30 artists contributed pieces to the show. Almost all available works are priced under $2,000, with many below $500. The collection features paintings, drawings, collage and ceramics.

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Jennifer Terzian’s sanctuary for contemporary art
Jennifer Terzian, founder of Jennifer Terzian Gallery in Litchfield.
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The gallery is really meant to create a very intimate relationship with the artist and the story behind their work.
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On a recent crisp, fall afternoon in Litchfield, Jennifer Terzian welcomed a steady stream of collectors, artists, and art-world insiders into her jewel box of an art space on South Street, just off the town’s manicured historic Green.

The occasion was an opening for Jenny Kemp, an artist noted for balancing fluidity and structure in her abstractions through repetition, variation, and gradual shifts in hue. Hers is exactly the kind of tactile, process-driven work Terzian champions at a subterranean space that feels less like a commercial art gallery and more like stumbling into an impeccably edited sanctuary of contemporary thought.

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Peter Cusack is finding the eternal in North Canaan
Peter Cusack in his studio.
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“I think art is the thing that allows us to feel there’s something in the universe that loves us,” said painter Peter Cusack in his new studio, a mid-19th-century stone church on Main Street in North Canaan.

For Cusack, art has always been a way of reaching toward something beyond the physical world. That sensibility runs through “Eternal: New, Recent, and Near Distant Paintings,” his upcoming exhibition in the church, a setting that seems an improbably good fit.

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Cowboy Junkies celebrate 40 years at the Mahaiwe

Cowboy Junkies celebrate 40 years together at the Mahaiwe Nov. 14

Heather Pollock

Now celebrating 40 years, Cowboy Junkies will perform Saturday, Nov. 14, at the Mahaiwe Performing Arts Center in Great Barrington, Massachusetts.

The band is celebrating its long career with a triple-vinyl retrospective album called “Open to Beauty,” featuring a selection of songs from 2000 onward, including material from its most recent release, “Such Ferocious Beauty.”

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Mike Selbach finds the extraordinary in everyday life
“R46 Interior” (2026). Solid cherry and acrylic, 21” x 26.75” x 0.75”
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Subway stations may seem unlikely places to encounter the divine, but amid the rumble of trains, the crush of commuters and the cavernous underground passageways, Salisbury artist Mike Selbach finds moments of unexpected beauty.

In “Subway Saints,” his solo exhibition opening Thursday, Nov. 12 at the Warren Family Gallery at Berkshire School in Sheffield, Massachusetts, Selbach transforms ordinary commuters and familiar transit spaces into sacred moments.

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