Singer-songwriters ‘break the fourth wall’ at Down County Social Club

Left-to-right, musicians Gail Ann Dorsey, Séamus Maynard and Natalia Zukerman in-the-round at Race Brook Lodge.
Alec Linden
Left-to-right, musicians Gail Ann Dorsey, Séamus Maynard and Natalia Zukerman in-the-round at Race Brook Lodge.
Singer-songwriters Natalia Zukerman, Gail Ann Dorsey, and Séamus Maynard conjured “the conversational nature of reality” at a free-flowing performance for the Race Brook Lodge’s Down County Social Club on the evening of Thursday, May 8. The trio traded tunes for about an hour and a half, allowing the music to develop in dialogue with each other, the audience, and even an exploding amplifier.
Alex Harvey, who curates the speakeasy-style shows of the DCSC, offered the above words while introducing the three musicians. The ethos of the DCSC is to “break down the barrier” between the artists and audience; to make it “hard to hold up a fourth wall even if they wanted to.”
A mid-show equipment meltdown ensured this, requiring the musicians to go unplugged for the remainder of the night. Amplified or acoustic, though, the artists needed no assistance in cultivating a deeply conversational atmosphere that complemented the warm, rustic interior of the Lodge’s Pine Grove Porch.
Harvey said he was thrilled when Zukerman pitched the idea. “The caliber Natalia was talking about is mind-blowing,” he said during his introduction.
Zukerman was joined by Dorsey, a world-renowned bassist who was a core member of David Bowie’s band from 1995-2004 and has recorded and toured with other giants such as Tears for Fears, Lenny Kravitz and the National, and Maynard, a singer and virtuosic guitarist who Zukerman said “blew [her] mind” after finding him through Craryville, New York community market and performance venue, Random Harvest.
Zukerman, who is also the cartoonist and Compass editor for this newspaper, a role she took after full-time touring for over 15 years, said in an interview a few days after the show that she loves the “in the round” style format that structured the performance. Each musician played a song, back to back to back, sometimes improvising accompaniment over each other’s music.
“I just think singer-songwriters lend themselves to that,” she said. “You get to really broaden beyond yourself.”
The chemistry between the three artists was palpable, though they had never shared a stage prior to Thursday evening. Early in the set, a theme of struggle and mental health developed, with Zukerman reminding the room that May is Mental Health Awareness Month. Zukerman sang a song called Widow’s Walk about committing a friend to an mental healthcare center (“I’m just waiting for you on this widow’s walk,” went the refrain), which Maynard followed with a minor key, Bert Jansch-informed fingerpicked guitar pattern with a turbulent chorus (“Once more into the fray go I/ no flame of hell ever held a candle to the light”).
Dorsey answered with a “lullaby” to loved ones she had lost to suicide, with her clear, soaring voice carrying a spectral guitar melody, assuring them of “an army of compassion on your side.”
After the show went acoustic, the tone changed and collaboration ensued, at one point involving all three with Zukerman contributing wilting slide guitar accompaniment and Dorsey adding some rhythmic plucking over Maynard’s lively fingerpicking.
The remainder of the session was characterized by a dynamic cadence between Zukerman’s complex guitar and layered storytelling (often accentuated with a dry wit), Maynard’s explosive yet deeply controlled playing and dense songwriting, and Dorsey’s powerful voice and gentle folk melodies.
Zukerman said she’s hopeful that the format will become a series in the future, but may have to take the show elsewhere as the Race Brook Lodge will be closing at the end of the year. Owner Casey Rothstein-Fitzpatrick assured that the Lodge’s cultural programming will remain robust through November, but will wrap up after that.
And how does Zukerman manage to organize shows and play music while working as a full-time editor and creator at the Lakeville Journal (not to mention the many additional roles she holds in other cultural institutions)? It’s all about loving what you do, she said.
“At the end of the day, I spend my time playing music, writing, teaching, drawing, talking to brilliant people,” she said. “I feel incredibly privileged to get to do what I do.”
On Saturday, Sept. 6, from 12 to 5 p.m., Rock Steady Farm in Millerton opens its fields once again for the third annual Farm Fall Block Party, a vibrant, heart-forward gathering of queer and BIPOC farmers, neighbors, families, artists, and allies from across the Hudson Valley and beyond.
Co-hosted with Catalyst Collaborative Farm, The Watershed Center, WILDSEED Community Farm & Healing Village, and Seasoned Delicious Foods, this year’s party promises its biggest celebration yet. Part harvest festival, part community reunion, the gathering is a reflection of the region’s rich agricultural and cultural ecosystem.
Rooted in justice and joy, the event will feature over 25 local vendors and organizations, live performances, healing workshops, family-friendly activities (yes, there’s a bouncy castle), and abundant local food. And while the festivities are certainly reason enough to show up, organizers remind us the purpose runs deeper.
“This isn’t just a party. It’s a place to build the kind of relationships that keep our food system alive,” said Maggie Cheney, Rock Steady’s co-founder and worker-owner. “We’re creating space where farmers, growers, families, and community organizers can connect, celebrate, and support one another.”
Proceeds from the event support Rock Steady’s POLLINATE program for queer and trans BIPOC beginning farmers, as well as Catalyst Collaborative Farm’s food justice initiatives. With sliding-scale tickets from $5 to $250, the organizers aim to make the event accessible to all, including free entry for children under 12 and volunteer options for those who want to pitch in.
For those who’ve attended before, it’s a welcome return. For newcomers, it may just feel like coming home.
More info and tickets: rocksteadyfarm.com/farm-block-party
Waterlily (8”x12”) made by Marilyn Hock
It takes a lot of courage to share your art for the first time and Marilyn Hock is taking that leap with her debut exhibition at Sharon Town Hall on Sept. 12. A realist painter with a deep love for wildlife, florals, and landscapes, Hock has spent the past few years immersed in watercolor, teaching herself, failing forward, and returning again and again to the page. This 18-piece collection is a testament to courage, practice and a genuine love for the craft.
“I always start with the eyes,” said Hock of her animal portraits. “That’s where the soul lives.” This attentiveness runs through her work, each piece rendered with care, clarity, and a respect for the subtle variations of color and light in the natural world.
After painting in oils earlier in life, Hock returned to art when she retired from working as a paralegal with a goal: to learn watercolor. It wasn’t easy.
“Oils and watercolor are opposites,” she explained. “With oils, you build your darks first. In watercolor, if you do that, you’re in trouble.” She studied online, finding instructors whose approach clicked, and adapted to the delicacy of the medium.
“When I’m working, everything else falls away,” she said. “It doesn’t matter what’s going on in life. While I’m painting, time disappears.”
Her studio, formerly a home office, is now her sanctuary and the pieces in this exhibition are the result of three years of that devoted studio work. While this is her first full public show, Hock previously tested the waters at a small fundraiser at Noble Horizons, where one of her pieces sold. That experience — and the consistent encouragement from her family, especially her husband — pushed her to pursue a full exhibition. With gentle encouragement from her husband and family, Hock reached out to the Town Hall’s curator, Zelina Blagden. “My husband kept saying, ‘You’re as good as all those other people out there, why not show your work?’” And so, here it is.
All paintings in the show are for sale, though Hock admits a few are priced high — not because of their size or complexity — but because she’s not quite ready to let them go. “There are a couple I’ve priced high because I’m not sure I want to part with them. But we’ll see,” she laughed. “It would be nice to support the habit a little bit.”
As for aspiring artists or anyone hesitating to begin something creative, Hock’s advice is simple: “Go for it. If it fails, toss it in the basket and start over.”
The exhibit will be on view at Sharon Town Hall through Oct. 31 with an opening reception on Sept. 12 from 5:30 to 7:30 p.m. Light refreshments will be served.
Carissa Unite, general manager of Oblong Books in Millerton.
Carissa Unite of Millerton, began working at Oblong Books 16 years ago as a high schooler. She recently celebrated her eight-year anniversary as the general manager.
Unite’s journey at Oblong began even before she applied for her first position.An avid reader from a young age, she was a frequent customer at the store. During those years, Unite bonded with a former employee who encouraged her to apply for a position after connecting over their shared love of reading.
As a teenager, Unite enjoyed reading Ellen Hopkins, John Green and Ann Brashares. With the busyness of adulthood, she now favors the convenience of audio books. In the past year, however, she has made it a point to read more physical books.
With a preference for contemporary fiction, she raved about “Atmosphere” by Taylor Jenkins Reid. The story, set in the 1980s, follows two women who become astronauts at a time when women were not widely accepted in the field. A beautiful love story emerges between the two characters. Unite described the writing as sensational and commended Reid’s ability to tackle complex themes without them being muddied.
Unite has developed a deep appreciated for classic literature. Her two favorites are “Giovanni’s Room” by James Baldwin and “The Picture of Dorian Gray” by Oscar Wilde. She was amazed by the philosophical nature of both words and the way their dialogue challenged her perspective.
In an effort to read beyond her preferred genre, she recommends the following:
“Some Desperate Glory,” by Emily Tesh, “Midnight Rooms,” by Donyae Coles and “Clear” by Carys Davies.
For Unite, the beauty of reading lies in its power to develop perspective, empathy, and compassion. Through books, readers learn that everyone is fighting different battles and no two stories are the same. She encourages people to choose kindness because you never know what someone else is facing.
Above all, reading brings Unite peace. If offers transcendence to another world, a pause from outside noise, and for Unite, it is where she feels most at home.
For anyone hesitant to being reading, Unite suggests: just do it! Read 10 pages a day and find the book that speaks to you. Any Oblong staff member would be happy to offer recommendations.
Oblong is located at 26 Main St., in Millerton and 6422 Montgomery St. in Rhinebeck.