To save the planet, Homegrown National Park wants you to garden

Avalon Bunge giving a tour of the meadows in Elizaville, N.Y. Photo By Elias Sorich


Part One of a series
SHARON — From a home base in the forested hills of the Northwest Corner, a nonprofit organization called Homegrown National Park (HNP) hopes to take a stab at healing one of the world’s great wounds: the decimation of biodiversity.
To do so, HNP pursues one major goal—to encourage homeowners across the country to plant native plants in however much of their property they’re able and willing to do. Whether it’s a container garden in the window of an urban apartment, or stewarding rolling acres of meadow.
On the subject of container gardening, HNP has found some viral success. A HNP TikTok video titled “Container-friendly Native Plants for Eastern Temperate Forests Ecoregion” has amassed 4.4 million views, with a number of others collecting hundreds of thousands as well.
This sort of grassroots success is exactly the sort that co-founder and Sharon resident Michelle Alfandari is striving to cultivate. Alfandari, a marketer and entrepreneur, founded HNP in 2020 with Doug Tallamy, a nationally renowned scientist and professor at the University of Delaware, and author of “Nature’s Best Hope.” Through HNP, Alfandari and Tallamy hope to promote a groundswell of participation in home-scaled ecology. Tallamy handles the science side of the messaging through speaking engagements and video lectures, and Alfandari tackles the marketing, managing, and outreach.
HNP’s messaging gears toward positive and encouraging — but Tallamy doesn’t pull punches when he describes the scale and severity of the threat the world is facing.
Reporting referenced in “What’s the Rush?,” HNP’s flagship video lecture, includes headlines such as: “2/3 of Earth’s Wildlife is Gone,” “40% of Earth’s Plants Face Extinction,” and “One Million Species Face Extinction.”
Indeed, since 1970, worldwide wildlife populations have declined by 69% and 2.5% of species have gone extinct. Recent research has suggested that such trends, the loss of species abundance and richness, were what precipitated The Great Dying 252 million years ago, in which 95% of life on Earth perished.
The biodiversity crisis, however, amounts to Tallamy’s introduction: Starting small, planting a single oak tree, amounts to a meaningful contribution. It isn’t about how much more you could be doing, because there’s always more—just start by doing something.
Biodiversity, the variety of life in the world or in a particular ecosystem, is viewed as critical to maintaining life on the planet in a balance.
Of the many causes of the biodiversity crisis, habitat loss is a primary factor, and it occurs primarily as a result of encroaching human development. Traditional, manicured lawns, which account for over 40 million acres of land in the U.S. — an area roughly the size of New England — is what Tallamy describes as “an ecological deadscape.” Very few species survive and thrive in that environment.
If enough private landowners, who own 60% of land in the U.S., commit to planting native plants, which are the bedrock for an ecosystem, then viable habitat larger than the majority of national parks combined could be established, according to Tallamy.
This objective is reflected in HNP’s map of all 50 statesvisualizing the contributions made in each state to native planting. Individual planting sites are visible on a local level, and states are ranked based on the number of active participants. To Alfandari, the map is an invitation to friendly interstate competition, and a way to give individuals a sense of community and accomplishment.
Veiled beneath HNP’s message of small-scale individual contributions, however, is a secret hope: that once you start small, you’ll want to learn more, care more, and do more. This is more or less Alfandari’s story. A few years ago, she had little to no interest in, or awareness of, biodiversity and native planting — much less gardening as an activity.
“It was like, garden? I don’t want to garden. I don’t like bugs, I don’t like insects. But when I heard Doug speak at Hotchkiss in 2017 — that was pivotal. I went there not that interested, mostly out of a feeling of owning it to my neighbors and friends who told me to go. When I got there I learned what biodiversity, what ecosystem services were, pollination services, carbon sequestration. I didn’t know any of this.”
Alfandari was convinced by Tallamy’s clear and simple messaging, but noticed that most of the people who came to his events were, “the choir,” people already committed to many of the changes HNP advocates. Reaching a broader audience would be necessary to promote the kind of changes necessary to confront the biodiversity crisis, and so the duo began HNP.
As of writing, HNP has 33,000 participants and over 100,000 acres of land devoted to native plants across all 50 states. And as far flung as the varieties of flora being planted are the reasons that participants have signed up and become involved. In New York and Connecticut, that ranges from small front yard gardens, to hundreds of acres of privately owned woodland — and Alfandari arranged a tour of some of those properties to get a snapshot of what it looks like to participate in HNP.
From sweeping acreage to front yard gardens
Our first stop was the home of Ken Monteiro, secretary on the board of HNP, and Leo Blackman, a town councilman in Amenia. Their property in Wassaic is tucked into the banks of the Wassaic Creek and is a testament to Monteiro’s passionate gardening. Joe-pye weed loomed tall, mountain laurel exploded in the shade, and oak leaf hydrangea ballooned along a stone wall.
Monteiro has a long history of philanthropy, having served as the vice president, secretary, and general counsel of the Ford Foundation, and became involved with HNP in 2020 when he met Alfandari at Millerton’s Earth Day celebration. But like many, a fascination with nature, ecology, and native planting emerged in Monteiro during the early stages of the pandemic. During that time he read Tallamy’s book “Nature’s Best Hope” and found himself inspired to think about his garden in the more critical terms of native ecosystems.
“One of the things I love about Doug’s philosophy is that he doesn’t tell you you have to pull out all the things you love. You could just plant an oak tree. If you can’t do anything else, just plant an oak tree on your property, it’ll make a huge difference. We’ve got a garden that’s been in place for 20 years — we’re not ripping stuff out. But if something fails, we replace it with native plants. It’s a simple message, it’s easy to join and do something—to make a difference.”
That being said, Monteiro and Blackman have some more involved plans for the future of their lawn. The back end of the property has been completely clogged and overrun by invasives — chiefly, the virulent bittersweet (Celastrus orbiculatus)—and they’ve undergone the process of clearing and replanting that land to promote native flora. First, they’ll see what springs up naturally from the seed bank, and then they’ll plant and manage the area from there.
Though the work Monteiro and Blackman have done in Wassaic is by no means meager, it is dwarfed by the undertaking of Avalon Bunge and Eli Arnow of Elizaville, N.Y.
With masters degrees in ecosystem restoration and environmental science respectively, the duo stewards some 600 acres of family-owned land, much of it former farmland, across three noncontiguous properties at the end of a long country road. Planting native plants near their home has always been a part of expressing their connection with nature, and Bunge’s garden tour included teeming bushels of New England aster, pink yarrow, steeplebush, meadow phlox, and wild bergamot.
But Arnow and Bunge’s main approach to stewardship revolves around working to control deer populations. Arnow views deer overpopulation as a leverage point crucial to address in order to restore a balanced ecosystem. The New York State Department of Environmental Conservation (DEC) agrees, and lists the overabundance of deer as “reducing diversity in the forest understory; enabling invasive species to out-complete natives; and preventing seedlings of many species from growing into the next generation.”
That is, without a significant reduction of deer, “the foundation of the food web unravels in less managed places,” said Arnow. “The whole forest understory, all of the hedgerows, and pond edges in wetlands. It’s a widespread ecological catastrophe.”
Arnow and Bunge primarily advocate for reforms to hunting laws that would allow for the commercial viability of wild venison, a change that could incentivize the reduction of deer populations to sustainable levels. But such an object arose after years and years of involvement with environmental science. Bunge, who works as an ecological projects manager at Partners for Climate Action Hudson Valley, recalled her initial stages of learning about biodiversity and plant identification as transformative.
“It felt like getting glasses for the first time. The world came into focus in a whole different way.”
To that end, both Arnow and Bunge see the work HNP is doing to reach broader audiences and introduce them to the world of ecology as critical to the success of more involved objectives.
“You guys are sailing the ship. I’m so thrilled to see it, see the positivity.
“What [HNP] brings is not political. There’s no shame, there’s no guilt. It’s inclusive,” said Bunge.
“It’s, ‘start where you’re at,’” added Arnow.
Natalia Zukerman
Elyse Deublein Harney (center) celebrates with Keith Harney, Elyse Harney Morris, Paul Harney and Michael Harney after receiving an honorary doctorate from St. Joseph’s University.
On May 19, Elyse Deublein Harney returned to St. Joseph’s University in New York City, her alma mater, where she graduated in 1952. Before the crowd gathered for the university’s 107th commencement ceremony, the Salisbury resident, entrepreneur and community leader received an honorary doctorate and delivered the commencement address to the Class of 2026.
The recognition arrives at a meaningful moment for the Harney family. In February 2027, Elyse Harney Real Estate will celebrate its 40th anniversary, joining Harney & Sons Fine Teas, co-founded by Elyse and her husband, John, in 1983, as one of two enduring family businesses that have shaped both the region and the family’s legacy.
At a moment when many people are expected to reflect on their accomplishments, Harney used her commencement address to talk instead about possibility.
“God has a job for you,” she told the graduates. “Something that you alone can do.”
That line may very well be the organizing principle of a life that has included hotel management, raising five children, launching two businesses, serving on local boards, helping found the Salisbury Volunteer Ambulance Service and, somehow, still finding time to reopen conversations about preserving historic institutions.
One of the most striking parts of Harney’s address centered on beginning again.
When she and her husband were 50 years old, the partners of the White Hart Inn in Salisbury, where John was general manager for many years, decided to sell. Suddenly, the couple needed a new source of income.
John launched what would become Harney & Sons Fine Teas, and Elyse opened a real estate office across the street.
“Simple as that, I did,” she told graduates with characteristic understatement.
Of course, anyone familiar with the growth of Elyse Harney Real Estate knows there was nothing simple about it. What began as a small local office became one of the most respected real estate firms in the region, helping define the market across northwestern Connecticut, the Hudson Valley and the Berkshires.
Her commencement address wandered delightfully through subjects that rarely appear together: Nobel Prize-winning genetic research, French entrepreneurs, Catholic education, self-driving cars, German teachers and divine purpose.
At one point, Harney reflected on the women who educated her at St. Joseph’s.
“They made it very clear we could do whatever we wanted to do, if we were willing to work for it,” she said. “Being a woman was not a handicap.”
For graduates entering a world transformed by artificial intelligence, political upheaval and economic uncertainty, Harney offered neither nostalgia nor easy reassurance.
“AI is here,” she said. “We have to learn to use it and to control it.”
After discussing technology, entrepreneurship and faith, Harney turned to the subject of consciousness. Quoting author Michael Pollan, she shared the final lines from his new book, “A World Appears: A Journey Into Consciousness,” that she said had stayed with her:
“Consciousness is a miracle, truly. It is the most mysterious of things, and yet it can be put in one short sentence: I open my eyes and I see the world.”
Then she offered her final message to the graduates.
“Open your eyes and see the world.”
At 95, Elyse Harney is still opening her eyes and seeing the world. Thankfully, she’s still telling the rest of us what she finds there.
Richard Feiner And Annette Stover
Think logically and then break the mold with creativity.
— Pilar Proffitt
Pilar Proffitt is forging a remarkable artistic path grounded in her long history in Northwest Connecticut. Proffitt is a true Renaissance woman with a quirky sense of humor — a visual artist, architect, designer of interiors, furniture and products, and curator of home furnishings.
Her latest grand project is still quite literally under wraps. Large windows obscured by construction paper on a bustling avenue in Manhattan prevent passersby from peeking into the 15-story boutique hotel designed and furnished by Proffitt for an international hotel group, which is nearing completion. The hotel’s lobby, restaurant, common areas and rooms stand out for their attention to design — from the furnishings, colors and fabrics to the mosaic floor tiles, hardware, wrought-iron gates and stairs, selection of antique books, and the art on the walls. The collection includes paintings by Proffitt, photographs by Wassaic Project co-Executive Director Jeff Barnett-Winsby, time-lapse photography by Xan Padron and classics from the Warhol Factory.
Proffitt and her husband and business partner, Robert Bristow, are well-known leaders in the art and architecture communities, and their home, studio and workshop in Lakeville; store and office at 16 Main St. in Salisbury; and gallery space in Norfolk are vibrant hubs for arts and design in the region.
Proffitt has been coming to the area since she was a teenager. Originally from Puerto Rico, her family moved to the New York City area in the 1970’s. Her artist and architect father encouraged her interests in art and design and her deep desire to create. At school, she excelled in math and art and soon realized that this was all she wanted to do. “Think logically and then break the mold with creativity,” she said.
Armed with a degree in visual art from Trinity College, she pursued advanced studies at Berkeley and Pratt before receiving a master’s degree in architecture from Virginia Tech in Blacksburg, Virginia, where she met Bristow. Both landed apprenticeships in Boston and were drawn to the arts community in Norfolk centered around the Yale Summer Arts Program. The area quickly became their personal and family anchor.
They started Poesis, a furniture design and manufacturing studio, with a small loan from her mother. They landed a major house project and soon met a hotelier at a party who hired them on the spot to design a hotel in Washington, D.C.
Proffitt said, “I was hooked because it combined everything I wanted to do creatively: design experiences in the broadest sense with all the supporting pieces of the puzzle — furniture, objects, art. My father felt that architecture was the Renaissance profession: It holds the seeds of art, design, engineering and all the other ingredients. For me, it all starts with art.”

Proffitt is devoted to the area. She and Bristow raised their family in Lakeville. Their daughter Grace, a sculptor, attended Hotchkiss and is pursuing her MFA at University of Pennsylvania. Their daughter Ellis, also a graduate of Hotchkiss and Trinity, is a mathematician and aspiring actress in Los Angeles; and their son Sam attended Salisbury School and is a junior at Trinity, majoring in art history with a minor in architecture. They all are carrying forward the family’s passion for arts, architecture and design.
Proffitt’s interior design work and unique furniture pieces welcome visitors at Hotchkiss’ Art Center, the Scoville Memorial Library, her own wHole hOuse shop in Salisbury and, soon, across the street in the new Jam Food Shop, which is expected to open this fall.
The region’s many museums and galleries include some of Proffitt’s favorites, from Mass MoCA and the Clark to Salisbury’s Geary, Mad Rose in Millerton, Jack Shainman in Kinderhook and Art Omi in Ghent. Proffitt loves the connections and new opportunities brought to the community by the increase in full-time residents, as well as impromptu get-togethers with friends — recently watching a Knicks playoff game at the tavern bar at the White Hart. Moments like that keep her grounded here.
In addition to the White Hart, Proffitt is a fan of area restaurants, including Fern for a quick pasta at the bar; Isabela in Amenia, where Michelin-starred chef Jose Ramirez Ruiz is from Puerto Rico; and Clare de Boer’s Stissing House in Pine Plains.
A perfect day for Proffitt is spent working in her studio overlooking Lake Wononscopomuc, without distractions, rain or shine. It is a quiet and peaceful place that supports her many architecture and design projects. When asked what she would say to a younger version of herself just starting a career, she responded, “Don’t be so shy. As one of my professors told me, ‘Sometimes you just have to crash the party.’ Draw, write, run, play tennis. And travel!”

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D.H. Callahan
The set for “Swingtime Canteen” transports the audience to WWII London.
Dateline: 1944. A platoon of our boys are stationed in London, waiting to be sent to the mainland to fight the Axis powers and liberate Europe. While they wait, a group of glamorous gals from Hollywood are sent over to distract them with singing, dancing and a few memories of home.
That’s the scene at “Swingtime Canteen,” the new production now on stage at the Sharon Playhouse.
From the moment you enter the playhouse, the stage takes you right back to another time, with recruitment and War Bonds posters setting the tone alongside soldiers’ footlockers and blankets. When the lights go down, the smiles of the cast light up the room, and the audience is quickly recast as a troupe of American G.I.s.
What follows is a jukebox musical in the truest of sense, bouncing from one 1930s hit to more “contemporary” 1940s tunes and back again, all performed with the kind of polished finish audiences have come to expect from the Sharon Playhouse.
The gals in the band are our entire cast, and they spin yarns in between numbers, throwing the spotlight back and forth between the five singing-and-dancing sensations. But they don’t stop there. Between piano, saxophone, drums and even a banjo, they work with the musicians on stage to create that quintessential ‘30s and ‘40s sound.
“Swingtime Canteen” transports its audience to a time when, unlike today, there was very little division among Americans. The war they were fighting had a 97% initial approval rating from U.S. citizens. In a year when the nation is celebrating its 250th anniversary, the production serves as a reminder of a moment when Americans largely shared a common purpose and a common enemy. Even if the swinging songs of the ‘30s and ‘40s aren’t your thing, the production is a marvelous little escape to a time when life was a little simpler and the lines between good and evil were a little clearer. For showtimes and tickets, visit sharonplayhouse.org
Thomas Jensen
Aerial view of The Shed at Tanglewood.
The Tanglewood classical music schedule is loaded with gems. Here are eight to consider:
Thursday, July 9, 8 p.m., in Ozawa Hall. The dynamic duo of Augustin Hadelich, violin, and Seong-Jin Cho, piano, take on works by Brahms, Janacek, Beach and Prokofiev. Whether you get seats in the hall or sit outside on the lawn, you will not regret getting to this one.
Friday, July 10, 8 p.m., in the Shed. Seong-Jin Cho plays Tchaikovsky’s Piano Concerto No. 1 and excerpts from “Swan Lake.” This special evening features dancers from Boston Ballet and will be wonderful for the ears and the eyes.
Saturday, July 18, 8 p.m., in the Shed. The BSO, with Joe Hisaishi conducting, Jean-Yves Thibaudet on piano and Song Hee Lee, soprano, will perform Hisaishi’s “Adagio for Two Harps and Strings,” Ravel’s Piano Concerto in G, Hisaishi’s “Da-Ma-Shi-E” and Hisaishi’s “Symphonic Suite from Princess Mononoke.” The multitalented Hisaishi will be the most accomplished Japanese artist to grace the grounds since Ozawa’s time. Not to be missed.
Sunday, July 19, 2:30 p.m., in the Shed. The BSO, with Andris Nelsons conducting, Daniil Trifonov on piano and Thomas Rolfs on trumpet, presents a powerful program: Haydn’s Symphony No. 22, “The Philosopher”; Shostakovich’s Piano Concerto No. 1; and Beethoven’s Symphony No. 2. This is quite a lot to take in. Rolfs remains one of the orchestra’s most compelling virtuosos, and his trumpet playing is always worth hearing live. Trifonov, legendary on piano, playing another Russian legend’s finest music; extraordinary. Then, Beethoven. Better get there early.
Friday, July 24, 8 p.m., in the Shed. The BSO, with Andris Nelsons conducting and the brilliant Augustin Hadelich on violin, performs Mozart’s Violin Concerto No. 5 and Tchaikovsky’s Symphony No. 3, “Polish.” Hadelich is worth seeing again and again; the tones he produces are so sweet.
Saturday, July 25, 8 p.m., in the Shed. The BSO, with Andris Nelsons conducting and Paul Lewis on piano. The super-catchy Mozart Piano Concerto No. 27, K. 595, will have Lewis demonstrating his artistic command of tempo and tone while dancing and blending delightfully with the orchestra. Tchaikovsky’s Symphony No. 4 follows after intermission, and you’ll practically float home.
Thursday, July 30, 8 p.m., in Ozawa Hall. The Danish String Quartet, which brings a lot of energy to the stage, performs Stravinsky’s “Suite Italienne,” Beethoven’s String Quartet No. 16 in F, Op. 135, and arrangements of Danish folk songs. Come to hear Frederik, Rune, Asbjørn and Fredrik. Skål!
Friday, July 31, 8 p.m., in the Shed. The BSO, with Esa-Pekka Salonen conducting and Yefim Bronfman on piano. The power of Wagner’s “Prelude and Liebestod” from “Tristan und Isolde,” followed by Sibelius’ Symphony No. 7 and Beethoven’s Piano Concerto No. 5, “Emperor,” will leave you feeling like you are the new emperor.
Other events of note: Friday, July 17, 8 p.m., in the Shed. The BSO performs John Adams’ selections from “Nixon in China.” Also, don’t miss Laurie Anderson’s curated series of events Aug. 13, 15 and 16.
For a full schedule and tickets, visit bso.org/tangle
wood
Robin Roraback
Ken Mussleman with his paintings “Red Apple #2” and “Nine Servings Daily.”His show, “Time Passages,” opens Saturday, June 27, at Hunt Library in Falls Village.
Hunt Library in Falls Village will host a farewell show of the work of well-known local artist Ken Musselman, beginning with an opening reception on June 27 from 5 to 7 p.m. The show will run until July 31.
Musselman, a longtime resident of the Northwest Corner, recently moved to Woodbury, Connecticut, where he will begin a new phase of his life.
After the loss of his wife of 43 years, Cathy, three years ago, the prolific artist took a break from painting.
“I am finally getting back on my feet,” he said.“I am beginning to paint again.”
“Time Passages” is a collection of his paintings from past years. With this show, he said, he will be “getting rid of the old and starting new.” He intends to “move in a different direction,” which involves a monochromatic palette. “I am in a sepia mood right now,” he explained.
Musselman has long been known for his whimsical paintings. He recalled his first one, depicting deer ice skating, which was sold at P S Gallery in Litchfield.
He explained how he gets his ideas. “I sit and visualize things,” said Musselman. “I paint from my head.”
He is also known for local landscapes, still lifes and flowers. His wife was from East Canaan, and her family’s Ford Farm inspired many of his paintings.
Musselman, who always loved drawing, was studying to be an aviation structural mechanic in the Navy when he painted a mural in the mess hall. He recalled, “They told me, ‘You’re wasting your time being a mechanic.’” So he painted murals and created technical illustrations instead.
After the Navy, while living in Florida, an opportunity arose for a job as a graphic designer at Dotty Smith’s in Lakeville, a women’s fashion and jewelry company that closed in 2001. Musselman applied and moved to the region where his wife had grown up.
Later, he worked full time as a painter, with work in five galleries. He was in his studio “14 hours a day, seven days a week” to keep the galleries supplied.
“Time Passages” contains favorite Musselman themes, including cowscapes, local landscapes, still lifes, flowers and barns, on both large canvases and 4-by-4-inch canvases, in styles ranging from whimsical to realistic.
He is now semi-retired. Future plans include painting portraits inspired by family photos. “I’m not going to chase it anymore. I’ll let it come.”
Musselman is concentrating on a “leap of faith, a new chapter in life.”
For more information, visit huntlibrary.org/
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