![To save the planet, Homegrown National Park wants you to garden](https://millertonnews.com/media-library/avalon-bunge-giving-a-tour-of-the-meadows-in-elizaville-n-y-photo-by-elias-sorich.jpg?id=48218101&width=980&quality=90)
Avalon Bunge giving a tour of the meadows in Elizaville, N.Y. Photo By Elias Sorich
Part One of a series
SHARON — From a home base in the forested hills of the Northwest Corner, a nonprofit organization called Homegrown National Park (HNP) hopes to take a stab at healing one of the world’s great wounds: the decimation of biodiversity.
To do so, HNP pursues one major goal—to encourage homeowners across the country to plant native plants in however much of their property they’re able and willing to do. Whether it’s a container garden in the window of an urban apartment, or stewarding rolling acres of meadow.
On the subject of container gardening, HNP has found some viral success. A HNP TikTok video titled “Container-friendly Native Plants for Eastern Temperate Forests Ecoregion” has amassed 4.4 million views, with a number of others collecting hundreds of thousands as well.
This sort of grassroots success is exactly the sort that co-founder and Sharon resident Michelle Alfandari is striving to cultivate. Alfandari, a marketer and entrepreneur, founded HNP in 2020 with Doug Tallamy, a nationally renowned scientist and professor at the University of Delaware, and author of “Nature’s Best Hope.” Through HNP, Alfandari and Tallamy hope to promote a groundswell of participation in home-scaled ecology. Tallamy handles the science side of the messaging through speaking engagements and video lectures, and Alfandari tackles the marketing, managing, and outreach.
HNP’s messaging gears toward positive and encouraging — but Tallamy doesn’t pull punches when he describes the scale and severity of the threat the world is facing.
Reporting referenced in “What’s the Rush?,” HNP’s flagship video lecture, includes headlines such as: “2/3 of Earth’s Wildlife is Gone,” “40% of Earth’s Plants Face Extinction,” and “One Million Species Face Extinction.”
Indeed, since 1970, worldwide wildlife populations have declined by 69% and 2.5% of species have gone extinct. Recent research has suggested that such trends, the loss of species abundance and richness, were what precipitated The Great Dying 252 million years ago, in which 95% of life on Earth perished.
The biodiversity crisis, however, amounts to Tallamy’s introduction: Starting small, planting a single oak tree, amounts to a meaningful contribution. It isn’t about how much more you could be doing, because there’s always more—just start by doing something.
Biodiversity, the variety of life in the world or in a particular ecosystem, is viewed as critical to maintaining life on the planet in a balance.
Of the many causes of the biodiversity crisis, habitat loss is a primary factor, and it occurs primarily as a result of encroaching human development. Traditional, manicured lawns, which account for over 40 million acres of land in the U.S. — an area roughly the size of New England — is what Tallamy describes as “an ecological deadscape.” Very few species survive and thrive in that environment.
If enough private landowners, who own 60% of land in the U.S., commit to planting native plants, which are the bedrock for an ecosystem, then viable habitat larger than the majority of national parks combined could be established, according to Tallamy.
This objective is reflected in HNP’s map of all 50 statesvisualizing the contributions made in each state to native planting. Individual planting sites are visible on a local level, and states are ranked based on the number of active participants. To Alfandari, the map is an invitation to friendly interstate competition, and a way to give individuals a sense of community and accomplishment.
Veiled beneath HNP’s message of small-scale individual contributions, however, is a secret hope: that once you start small, you’ll want to learn more, care more, and do more. This is more or less Alfandari’s story. A few years ago, she had little to no interest in, or awareness of, biodiversity and native planting — much less gardening as an activity.
“It was like, garden? I don’t want to garden. I don’t like bugs, I don’t like insects. But when I heard Doug speak at Hotchkiss in 2017 — that was pivotal. I went there not that interested, mostly out of a feeling of owning it to my neighbors and friends who told me to go. When I got there I learned what biodiversity, what ecosystem services were, pollination services, carbon sequestration. I didn’t know any of this.”
Alfandari was convinced by Tallamy’s clear and simple messaging, but noticed that most of the people who came to his events were, “the choir,” people already committed to many of the changes HNP advocates. Reaching a broader audience would be necessary to promote the kind of changes necessary to confront the biodiversity crisis, and so the duo began HNP.
As of writing, HNP has 33,000 participants and over 100,000 acres of land devoted to native plants across all 50 states. And as far flung as the varieties of flora being planted are the reasons that participants have signed up and become involved. In New York and Connecticut, that ranges from small front yard gardens, to hundreds of acres of privately owned woodland — and Alfandari arranged a tour of some of those properties to get a snapshot of what it looks like to participate in HNP.
From sweeping acreage to front yard gardens
Our first stop was the home of Ken Monteiro, secretary on the board of HNP, and Leo Blackman, a town councilman in Amenia. Their property in Wassaic is tucked into the banks of the Wassaic Creek and is a testament to Monteiro’s passionate gardening. Joe-pye weed loomed tall, mountain laurel exploded in the shade, and oak leaf hydrangea ballooned along a stone wall.
Monteiro has a long history of philanthropy, having served as the vice president, secretary, and general counsel of the Ford Foundation, and became involved with HNP in 2020 when he met Alfandari at Millerton’s Earth Day celebration. But like many, a fascination with nature, ecology, and native planting emerged in Monteiro during the early stages of the pandemic. During that time he read Tallamy’s book “Nature’s Best Hope” and found himself inspired to think about his garden in the more critical terms of native ecosystems.
“One of the things I love about Doug’s philosophy is that he doesn’t tell you you have to pull out all the things you love. You could just plant an oak tree. If you can’t do anything else, just plant an oak tree on your property, it’ll make a huge difference. We’ve got a garden that’s been in place for 20 years — we’re not ripping stuff out. But if something fails, we replace it with native plants. It’s a simple message, it’s easy to join and do something—to make a difference.”
That being said, Monteiro and Blackman have some more involved plans for the future of their lawn. The back end of the property has been completely clogged and overrun by invasives — chiefly, the virulent bittersweet (Celastrus orbiculatus)—and they’ve undergone the process of clearing and replanting that land to promote native flora. First, they’ll see what springs up naturally from the seed bank, and then they’ll plant and manage the area from there.
Though the work Monteiro and Blackman have done in Wassaic is by no means meager, it is dwarfed by the undertaking of Avalon Bunge and Eli Arnow of Elizaville, N.Y.
With masters degrees in ecosystem restoration and environmental science respectively, the duo stewards some 600 acres of family-owned land, much of it former farmland, across three noncontiguous properties at the end of a long country road. Planting native plants near their home has always been a part of expressing their connection with nature, and Bunge’s garden tour included teeming bushels of New England aster, pink yarrow, steeplebush, meadow phlox, and wild bergamot.
But Arnow and Bunge’s main approach to stewardship revolves around working to control deer populations. Arnow views deer overpopulation as a leverage point crucial to address in order to restore a balanced ecosystem. The New York State Department of Environmental Conservation (DEC) agrees, and lists the overabundance of deer as “reducing diversity in the forest understory; enabling invasive species to out-complete natives; and preventing seedlings of many species from growing into the next generation.”
That is, without a significant reduction of deer, “the foundation of the food web unravels in less managed places,” said Arnow. “The whole forest understory, all of the hedgerows, and pond edges in wetlands. It’s a widespread ecological catastrophe.”
Arnow and Bunge primarily advocate for reforms to hunting laws that would allow for the commercial viability of wild venison, a change that could incentivize the reduction of deer populations to sustainable levels. But such an object arose after years and years of involvement with environmental science. Bunge, who works as an ecological projects manager at Partners for Climate Action Hudson Valley, recalled her initial stages of learning about biodiversity and plant identification as transformative.
“It felt like getting glasses for the first time. The world came into focus in a whole different way.”
To that end, both Arnow and Bunge see the work HNP is doing to reach broader audiences and introduce them to the world of ecology as critical to the success of more involved objectives.
“You guys are sailing the ship. I’m so thrilled to see it, see the positivity.
“What [HNP] brings is not political. There’s no shame, there’s no guilt. It’s inclusive,” said Bunge.
“It’s, ‘start where you’re at,’” added Arnow.
Maxon Mills in Wassaic hosted a majority of the events of the local Upstate Art Weekend events in the community.
WASSAIC — Art enthusiasts from all over the country flocked to the Catskill Mountains and Hudson Valley to participate in Upstate Art Weekend, which ran from July 18 to July 21.
The event, which “celebrates the cultural vibrancy of Upstate New York”, included 145 different locations where visitors could enjoy and interact with art.
On Saturday, July 20, The Wassaic Project hosted numerous community events. Will Hutnick, the director of artistic programming, said “We’ve been a part of it since the beginning, this is the fifth year of UPAW.”
Most of the action was based at Maxon Mills, the seven-floor grain mill located in the heart of Wassaic. On exhibit was work from 30 artists, 18 of whom were past residents of The Wassaic Project. “Artists can come and do a residency here, meaning they live and work with one another for a couple months at a time,” Hutnick stated.
The first floor held work by Petra Szilagyi, who uses dirt and linseed oil to construct images of paranormal concepts, most of which include bats. They reflected that a recent trip to a fifth sense competition in Vietnam was the influence behind the exhibit.
Across the floor was Tiffany Smith’s interactive installation which incorporated plants and wicker chairs, all of which were objects associated with her Carribean upbringing. “The room being filled with plants is symbolic of hurricane prep which often included bringing the plants from outside into the house,” Smith said.
As visitors made their way up the narrow wooden stairs, music could be heard from behind the walls. The echoing music was Daniel Shieh’s installation, entitled Mother’s Anthem, which played a recording of the American Anthem in 30 languages. The languages ranged from Spanish and Italian to Navajo and Bengali.
Each floor was filled with artwork of all mediums, including painting, fibers, collage and photography. Rachel Bussières, who switched her concentration after watching the 2017 solar eclipse, uses varying light sources to produce lumen prints. During the wildfires, she recounted that she “made a new exposure each day to capture the changing air quality”.
Luciana Abait also incorporates the natural world into her pieces, instead using maps. An environmental activist originally from Argentina, Abait’s work highlights “environmental fragility, specifically the impacts it has on immigrants.” Her installation that is currently on display at Maxon Mills, takes the form of a mountain range built solely from maps of the US and Argentina.
Throughout the day, visitors could “Arm Wrestle 4 A Popsicle”. Winners had the choice of 3 playfully flavored trout-inspired popsicles - Nightcrawler, Power Bait, and Salmon Roe. Artist Katie Peck, who spent the day in costume as a rainbow trout, encouraged guests to step up and try their hand at an arm wrestle.
Shibori Indigo dyeing, group meditation, and dance workshops were open for community members of all ages as well.
While the daytime activities fostered appreciation of fixed art, a dance party until midnight at The Lantern Inn offered guests a space for performative art.
When describing the environment of The Wassaic Project, Smith emphasized, “It’s all community, it’s all love.”
A serene scene during the Garden Tour in Amenia.
AMENIA — The much-anticipated annual Amenia Garden Tour drew a steady stream of visitors to admire five local gardens on Saturday, July 13, each one demonstrative of what a green thumb can do. An added advantage was the sense of community as neighbors and friends met along the way.
Each garden selected for the tour presented a different garden vibe. Phantom’s Rock, the garden of Wendy Goidel, offered a rocky terrain and a deep rock pool offering peaceful seclusion and anytime swims. Goidel graciously welcomed visitors and answered questions about the breathtaking setting.
Amenia Finance Director Charlie Miller welcomed visitors to his Bog Hollow Road garden in Wassaic, a manicured expansive yard with well-placed garden beds framing a far-reaching view. He said he plans carefully each winter for the next spring’s improvement.
The organic, environmentally responsible Maitri Farm was next, a lesson in coordinating agriculture with natural balance. The farm stand and a walk among the greenhouses brought visitors together.
Near the center of Amenia was the garden of Polly Pitts-Garvin, offering a chance to visit a robust vegetable garden with raised beds to be envious of and a remarkable absence of any insects or usual vegetable garden problems.
At Chez Cheese, the vast garden acreage surrounding the 1850s historic home of Joan Feeney and Bruce Phillips in Millerton, visitors could begin at refreshment stations where walking tour maps of the 15-acre property were available. There were streams and ponds with docks, and a dozen bridges arranged around the landscape. In the 19th-century, the property had been the home of the Wilson Cheese Factory, inspiring the name of the estate.
The Amenia Garden Tour was supported this year by Paley’s Garden Center in Sharon.
Gary Dodson working a tricky pool on the Schoharie Creek, hoping to lure something other than a rock bass from the depths.
PRATTSVILLE, N.Y. — The Schoharie Creek, a fabled Catskill trout stream, has suffered mightily in recent decades.
Between pressure from human development around the busy and popular Hunter Mountain ski area, serious flooding, and the fact that the stream’s east-west configuration means it gets the maximum amount of sunlight, the cool water required for trout habitat is simply not as available as in the old days.
This is not a new phenomenon. It does seem to be getting worse, though.
Gary Dodson and I convened where the creek makes its final run into the Schoharie reservoir, part of the New York City water supply system, on a semi-broiling Thursday afternoon, July 11.
The goal was simple. Catch smallmouth bass, which abound in the lower section of the river.
This was hot stuff — as in an 80-degree water temperature.
The air temperature was actually slightly less at 77.
After negotiating the intensely slippery rocks, festooned with treacherous algae, the first major pool presented several difficulties, with a back eddy competing with a main flow and several large trees draped about the whole thing.
I hit on the simplest strategy, which was to flip a weighted attractor fly called a Tequilley into the start of the eddy so it would proceed slowly but steadily into the maelstrom, sinking all the while.
This worked. A proper adult smallmouth, with bronze coloring and vertical stripes, took the thing.
The point-and-shoot camera finally died, however, and I was not going to try to fumble my phone out for a nice but routine fish photo.
Why not?
Because I guarantee the fish would have made a sudden, last-moment bolt for freedom, causing me to drop the device into the drink.
Gary moved downstream while I continued trying to annoy the residents of the pool, succeeding a couple of times with different colored Wooly Buggers.
Then we all got bored and I moved off, where Gary was catching rock bass and cussing them out for not being something else. I have to admit, they are not the most compelling critters. Something about the red eyes.
This latest trip was dominated by extremely tedious and distasteful Harry Homeowner activities, but on both Wednesday and
Thursday mornings I prowled Woodland Valley Creek. By “morning” I mean “dawn,” because that was when the water temps were down to a barely acceptable 64.
I made the acquaintance of several stocked browns and of a handful of their wild cousins. The wild fish are smaller and nimbler.
The successful ploy was an Adams wet fly, size 16, drifted behind something big, like a Parachute Adams or Stimulator.